
Inside Whisper's production of the Jake Paul v Tommy Fury boxing match By George Bevir
Tuesday, March 14, 2023 - 10:21
Print This Story
The Jake Paul v Tommy Fury boxing match that took place in Saudi Arabia at the end of February divided fight fans, with some who felt that the cruiserweight bout between two novice boxers received more attention than it deserved, while others heaped praise on the pair for bringing fresh eyes to the sport.
Prior to the fight in Riyadh, Jake Paul was undefeated having fought - and won six times, while Tommy Fury had won all eight of his fights. So it's fair to say that it was their activities outside the ring that helped draw a a PPV audience to ESPN+ in the US and BT Sport in the UK.
Fury took part in UK reality dating series Love Island and has some 5m Instagram followers, a figure eclipsed by Paul who has 22.3m Instagram followers and 20m subscribers to his YouTube account along with 17m on TikTok. That background in creating content for online audiences was something that production company Whisper was able to tap into.
They were both brilliant because they get content, says Whisper head of sport Pete Thomas.
We tried to spend as much time with Jake Paul and Tommy Fury as we could it wasn't so much about technique, footwork, or how are they going to win the fight, it was more about these two men are and what has brought them here. And we had to treat the fight with the respect it deserved.
To Jake, content is king, and he is very aware of his time and what he shares. He was great to work with, and Tommy was as well. They gave up their time and engaged with what we asked them to do, and they understood what we tried to achieve and played a big part in that. They were both very savvy and aware.
Jake Paul filming some promotional content prior to his fight against Tommy Fury
The night before the fight they both came down to the ring with their teams, they did their walks to the rings and we rehearsed with them so there were no surprises on the night.
It's something you often try and achieve, but you don't always get that from other boxers. Sometimes they will go through the motions, but they're not really paying attention. Both Tommy and Jake really engaged and wanted to understand what we were doing, so they walked through properly to time with music, and that all helped it to run smoothly on the night.
Whisper was appointed by promoter Skill Challenge Entertainment to deliver the world feed host broadcast of the fight that took place on Sunday 26 February with a production team that included Thomas, executive producer John Curtis and Whisper director of production Bethan Evans along with a crew made up of staff from the UK and the local region.
Boxing is a growing sport for Whisper, which last year delivered the world feed host broadcast of the heavyweight rematch between Oleksandr Usyk and Anthony Joshua, which took place in Jeddah, Saudi Arabia. One of the main differences for the Paul v Fury fight was the requirement to provide presentation for most of the broadcasters (not including BT Sport) who aired the fight.
We had an on-screen talent team and had to fill the gaps between the fights, so we needed to provide a coherent broadcast with features, special guests and so on. And in the week before the fight, we produced a live press conference and a live weigh-in show and produced a face-to-face show with Tommy and Jake going back and forth for 20-minutes. So it was quite an intense week.
Hardcore fans and novice viewers
Given that many of those who tuned in would have had limited exposure to boxing, Thomas says Whisper's approach was to tread a line between the hardcore boxing fans and people who had never really watched boxing a great deal .
He says: That meant we did a few things like showing the rules before the fight started, because we were conscious that some people wouldn't maybe understand or wouldn't be so clued in to how boxing works. We did a few simple things to try and break down how a fight typically plays out.
Also, we tried to spend as much time with [Paul and Fury] as we could and put that across, so we told their stories; we talked to them on the night, and we talked to them before the fight. So it wasn't so much about technique, footwork, or how are they going to win the fight, it was more about these two men are and what has brought them here. And beyond that, we had to treat the fight with the respect it deserved.
Construction of the ring and lighting rig at the Diriyah Arena in Riyadh.
Director Jordi Alfaro was tasked with overseeing coverage of the Paul v Fury fight, along with the nine other bouts on the undercard. He says: It was an event that brought the attention of a lot of people who probably don't usually watch boxing, so for me, one of the most important things was to show what was happening in the arena with all the VIPs like Tyson Fury, Mike Tyson, Cristiano Ronaldo to show that they were interested in the event.
And then during the main event, instead of going into the corners which we usually do to listen to the trainers it was more about showing as many replays as we could, and reactions of people watching in the arena.
Thomas says his production team was also very aware of what spectators in the arena would see on the big screens, and the impact the live crowd could have on the overall atmosphere.
We made sure the gaps between fights were filled with little teasers of what's to come. We also learnt massively from the fight last year as to what the crowd would react to, because producing the show I am always conscious of not just providing a really good feed, you are also trying to keep the crowd buzzing.
Boxing can be a challenge because in those moments between fights there may be great stuff for viewers watching at home
Most recent headlines
11/12/2025
Dalet, a leading provider of cloud-native, end-to-end media workflow solutions, ...
10/12/2025
Sound-Alike Commercials Are Part of Sports' Soundtrack Johnny Cash for Coca-Cola is the latest in a long litany of sonic approximationsBy Dan Daley, Audio ...
10/12/2025
Immersive Sound Is Logical Next Step for Sports VenuesSound-systems suppliers are sanguine, but the market has its challengesBy Dan Daley, Audio Editor
Wednes...
10/12/2025
The Romans Built Arenas for Immersive Sound 2,000 Years AgoThe historic Arena of Nimes in France is still in use todayBy Dan Daley, Audio Editor
Wednesday, De...
10/12/2025
SVG Summit 2025 Preview: Audio Workshop Hits on Immersive, Virtualized, and Next...
10/12/2025
SVG Summit 2025 Technology Exhibits Preview: Audio SpotlightBy SVG Staff
Wednesday, December 10, 2025 - 8:21 am
Print This Story | Subscribe
Story Highlig...
10/12/2025
SVG Europe Audio: Listening to the sounds of powder and ice at Milano Cortina wi...
10/12/2025
Advancements in audio technology: Capturing the atmosphere of live sports By David Davies
Tuesday, November 25, 2025 - 09:27
Print This Story
Although wor...
10/12/2025
Everything smelled of popcorn: The art of bringing the complex sound of esports ...
10/12/2025
Top L-R: Ha-Chan, Shake Your Booty!, Hanging by a Wire, Broken English, Buddy
C...
10/12/2025
For the first time, Spotify is giving users the power to steer the algorithm. Gustav S derstr m, Spotify's Co-President, CPO, and CTO, shares the vision beh...
10/12/2025
L3Harris' new contract for Guided Multiple Launch Rocket System Insensitive ...
10/12/2025
L3Harris Meadowlands system has been designed with an open architecture software system that allows for more flexible and efficient software updates. This capab...
10/12/2025
During this interval, streaming comprised the majority of ad supported TV (46.4%...
10/12/2025
NEWPORT BEACH, Calif. Bitcentral, a provider of production, asset management, playout and streaming workflow solutions, has named technology veteran Rick Arnold...
10/12/2025
TV Tech is delighted to reveal the winners of the 2025 Media & Entertainment: Best in Market Awards....
10/12/2025
BOTHELL, Wash. The Alliance for IP Media Solutions (AIMS), the Video Services Forum (VSF), the Advanced Media Workflow Association (AMWA) and the European Broad...
10/12/2025
In a notable example of how pay TV operators are integrating streaming services into their lineup and using those services to retain or attract subscribers, Dir...
10/12/2025
Today, Chaos builds instant feedback into the viewport, connecting Maya and Houdini to Chaos Vantage's real-time path tracer. Artists can now assess 3D asse...
10/12/2025
Smeup, a key partner for companies engaged in digital transformation, today announced the expansion of its adoption of Cubbit, the first geo-distributed cloud s...
10/12/2025
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, today announced two significant milestones...
10/12/2025
BEAVERTON, Ore. HDR10+ Technologies, LLC has announced that they will soon begin the licensing and certification of devices, content, and services that support ...
10/12/2025
SMPTE has joined forces with the European Broadcasting Union (EBU) and Entertainment Technology Center (ETC) to publish an updated report on AI and its impact o...
10/12/2025
Clear-Com is pleased to announce the appointment of Kris Koch as Director of Sales - North & South America. In this expanded leadership role, Kris will oversee...
10/12/2025
Mavis today announced the latest version of Mavis Camera (v7.4), a major update to its professional iOS camera app, headlined by the launch of Film Kit - an opt...
10/12/2025
Creamsource, renowned for its Vortex series of cinematic lighting, is laying the groundwork for its next phase of growth with the addition of Markus Zeiler as G...
10/12/2025
Digital Alert Systems, a global leader in emergency communications solutions for media providers, today announced that the DAS3-DC-PS, a new DC power supply opt...
10/12/2025
Riedel Communications today announced it has formed a strategic partnership with Racing Electronics, a premier provider of motorsport communication equipment in...
10/12/2025
#GALSNGEAR is launching two signature leadership retreats in early 2026, designed to equip women in media, entertainment, and technology with the tools to lead...
10/12/2025
Providing worldwide customers with total confidence through transparent, all-inclusive pricing
CVP, one of Europe's leading suppliers of professional video...
10/12/2025
With the Federal Communications Commission working on new rules for the deployment of NextGen TV, next year promises to be an important one for both the future ...
10/12/2025
DENVER Tom Rutledge, director emeritus and former president and CEO of Charter Communications, will be honored with the 2026 Bresnan Ethics in Business Award by...
10/12/2025
NEW YORK Novocap's Cadent has acquired VuePlanner, a YouTube video ad planning, optimization, and measurement company in a deal that will help Cadent expand...
10/12/2025
In preparation for the madness of March, here are some important reminders for scheduling back-to-back Special Playlists.
The first Special Playlist MUST end b...
10/12/2025
10 Dec 2025
VEON's Rising Capital Markets Profile Strengthened by Inclusion...
10/12/2025
10 Dec 2025
VEON Recognized for JazzCash, Kyivstar and Jazz at the World Commun...
10/12/2025
December 10th, 2025
TRIBECA FILMS TO RELEASE THE INDEPENDENT DOCUMENTARY FILM...
10/12/2025
Wednesday 10 December 2025
Sky extends partnership with the Ladies European Tour for a landmark 30th year
Sky and the Ladies European Tour (LET) have announce...
10/12/2025
Wednesday 10 December 2025
Walk-on if you love the darts: James Maddison, Luke ...
10/12/2025
Rohde & Schwarz presents world's first RF power sensor with 0.80 mm RF conne...
10/12/2025
Back to All News
2026 Starts With a Swoon: Kim Seon-ho and Go Youn-jung Lead C...
10/12/2025
Back to All News
Berlin and the Lady with an Ermine Arrives to Netflix on May 15
Entertainment
10 December 2025
GlobalSpain
Link copied to clipboard
THE N...
10/12/2025
It's out of the frying pan and into the sequins for comedian and actor Micha...
10/12/2025
Born That Way airs Thursday 18 December on RT One and RT Player
Born That ...
09/12/2025
2025 Sports Broadcasting Hall of Fame: Pam Oliver, Sideline Icon Who Redefined t...
09/12/2025
SVG Summit 2025 Technology Exhibits Preview, Part 2By Jason Dachman, Editorial Director, U.S.
Tuesday, December 9, 2025 - 7:17 am
Print This Story | Subscr...
09/12/2025
SVG Summit 2025 Preview: Cloud Production Workshop Spotlights Live and Non-Live ...
09/12/2025
Next-generation content protection: Multi-technology security is integral to com...
09/12/2025
CBS Sports Provides One-of-a-Kind Production' for UEFA Champions League Cro...
09/12/2025
Spanish Professional Basketball League Relies on NETGEAR AV, MAM Tech for Seamle...