
Inside Whisper's production of the Jake Paul v Tommy Fury boxing match By George Bevir
Tuesday, March 14, 2023 - 10:21
Print This Story
The Jake Paul v Tommy Fury boxing match that took place in Saudi Arabia at the end of February divided fight fans, with some who felt that the cruiserweight bout between two novice boxers received more attention than it deserved, while others heaped praise on the pair for bringing fresh eyes to the sport.
Prior to the fight in Riyadh, Jake Paul was undefeated having fought - and won six times, while Tommy Fury had won all eight of his fights. So it's fair to say that it was their activities outside the ring that helped draw a a PPV audience to ESPN+ in the US and BT Sport in the UK.
Fury took part in UK reality dating series Love Island and has some 5m Instagram followers, a figure eclipsed by Paul who has 22.3m Instagram followers and 20m subscribers to his YouTube account along with 17m on TikTok. That background in creating content for online audiences was something that production company Whisper was able to tap into.
They were both brilliant because they get content, says Whisper head of sport Pete Thomas.
We tried to spend as much time with Jake Paul and Tommy Fury as we could it wasn't so much about technique, footwork, or how are they going to win the fight, it was more about these two men are and what has brought them here. And we had to treat the fight with the respect it deserved.
To Jake, content is king, and he is very aware of his time and what he shares. He was great to work with, and Tommy was as well. They gave up their time and engaged with what we asked them to do, and they understood what we tried to achieve and played a big part in that. They were both very savvy and aware.
Jake Paul filming some promotional content prior to his fight against Tommy Fury
The night before the fight they both came down to the ring with their teams, they did their walks to the rings and we rehearsed with them so there were no surprises on the night.
It's something you often try and achieve, but you don't always get that from other boxers. Sometimes they will go through the motions, but they're not really paying attention. Both Tommy and Jake really engaged and wanted to understand what we were doing, so they walked through properly to time with music, and that all helped it to run smoothly on the night.
Whisper was appointed by promoter Skill Challenge Entertainment to deliver the world feed host broadcast of the fight that took place on Sunday 26 February with a production team that included Thomas, executive producer John Curtis and Whisper director of production Bethan Evans along with a crew made up of staff from the UK and the local region.
Boxing is a growing sport for Whisper, which last year delivered the world feed host broadcast of the heavyweight rematch between Oleksandr Usyk and Anthony Joshua, which took place in Jeddah, Saudi Arabia. One of the main differences for the Paul v Fury fight was the requirement to provide presentation for most of the broadcasters (not including BT Sport) who aired the fight.
We had an on-screen talent team and had to fill the gaps between the fights, so we needed to provide a coherent broadcast with features, special guests and so on. And in the week before the fight, we produced a live press conference and a live weigh-in show and produced a face-to-face show with Tommy and Jake going back and forth for 20-minutes. So it was quite an intense week.
Hardcore fans and novice viewers
Given that many of those who tuned in would have had limited exposure to boxing, Thomas says Whisper's approach was to tread a line between the hardcore boxing fans and people who had never really watched boxing a great deal .
He says: That meant we did a few things like showing the rules before the fight started, because we were conscious that some people wouldn't maybe understand or wouldn't be so clued in to how boxing works. We did a few simple things to try and break down how a fight typically plays out.
Also, we tried to spend as much time with [Paul and Fury] as we could and put that across, so we told their stories; we talked to them on the night, and we talked to them before the fight. So it wasn't so much about technique, footwork, or how are they going to win the fight, it was more about these two men are and what has brought them here. And beyond that, we had to treat the fight with the respect it deserved.
Construction of the ring and lighting rig at the Diriyah Arena in Riyadh.
Director Jordi Alfaro was tasked with overseeing coverage of the Paul v Fury fight, along with the nine other bouts on the undercard. He says: It was an event that brought the attention of a lot of people who probably don't usually watch boxing, so for me, one of the most important things was to show what was happening in the arena with all the VIPs like Tyson Fury, Mike Tyson, Cristiano Ronaldo to show that they were interested in the event.
And then during the main event, instead of going into the corners which we usually do to listen to the trainers it was more about showing as many replays as we could, and reactions of people watching in the arena.
Thomas says his production team was also very aware of what spectators in the arena would see on the big screens, and the impact the live crowd could have on the overall atmosphere.
We made sure the gaps between fights were filled with little teasers of what's to come. We also learnt massively from the fight last year as to what the crowd would react to, because producing the show I am always conscious of not just providing a really good feed, you are also trying to keep the crowd buzzing.
Boxing can be a challenge because in those moments between fights there may be great stuff for viewers watching at home
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
16/07/2026
June brought stabilization to the television market. Poles spent an average of 3 hours and 36 minutes a day in front of their TV screens exactly the same as i...
16/07/2026
Glensound returns to IBC with a major new addition to its intelligent loudspeaker range, the Greater Divine Supernal studio monitor, alongside recent developmen...
16/07/2026
33 leading exhibitors are taking part in the GREAT Britain and Northern Ireland Pavilions and linked locations across IBC2026 (Amsterdam RAI, 11 14 September)...
16/07/2026
Hitomi Broadcast will introduce Spectra, a new HDR colour verification solution measured in picture, not using VPID, at IBC2026 (Hall 10, Stand A40). Expanding ...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/07/2026
Zixi, a leader in live video delivery and workflow orchestration, and Comcast Technology Solutions (CTS) today announced a strategic new integration to deliver ...
16/07/2026
Blackmagic Design Cameras Capture Immersive Flight for New Cirrus App
Brie Clayton July 15, 2026
0 Comments
Leader in Personal Aviation taps URSA Cin...
16/07/2026
XenData Announces LTO Archive Appliances with both File and S3 Object Storage In...
16/07/2026
Onimusha: Way of the Sword is coming to GeForce NOW at launch, with the playable...
16/07/2026
Together the semi-finals had a combined reach of 1.98 million unique individuals...
15/07/2026
The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...
15/07/2026
As sports-media organizations manage rapidly growing content libraries and incre...
15/07/2026
HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...
15/07/2026
IBC has unveiled the conference program for IBC2026, with this year's event ...
15/07/2026
Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...
15/07/2026
New AI-powered module enables broadcasters and content owners to extract dialogu...
15/07/2026
Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...
15/07/2026
Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...
15/07/2026
USA Sports has announced an exclusive English-language agreement with the Bundes...
15/07/2026
ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...
15/07/2026
Program will provide professional camera kits, training, and technical support to participating local newsrooms...
15/07/2026
San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...
15/07/2026
Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...
15/07/2026
The Houston-based RSN is the live-game home of the Astros and Rockets...
15/07/2026
Launched alongside new FreqSoft installer
Designed to bridge the gap between hardware and software, Freqport's FreqInOut FO1 unit provides a simple way ...
15/07/2026
Save up to 55% on software until 23 July 2026
Expressive E have just launched their Summer Offer sale, with discounts of up to 55% now applied across their ...
15/07/2026
Real-time stem-separation tool updated
zplane have recently released a new and improved version of their real-time stem-separation plug-in which they say ma...
15/07/2026
A new benchmark in bass enhancement
Described as a new benchmark in bass enhancement , Baby Audio's latest release has been designed to augment the lo...
15/07/2026
DMC Production's AR 1 and AR 2 units reverse the conventional OB workflow, keeping all production-critical processing at the venue while operators work remo...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
GigaCloud, a leading Ukrainian cloud service provider, and Cubbit, the first geo-distributed cloud storage enabler, today announced a new Business Alliance Part...
15/07/2026
SMPTE, the global society for media professionals, technologists, and engineers, has announced the launch of the SMPTE 110th Anniversary Campaign, a fundraising...
15/07/2026
Studio Technologies, a leading manufacturer of high-quality audio, video, and fiber-optic solutions, unveils the new StudioComm Model 762 Stereo Level Control, ...
15/07/2026
COW Jobs: Producer, Virtual Events - Hybrid, Full Time, Salaried
Brie Clayton July 15, 2026
0 Comments
Producer, Virtual Events (Hybrid | Full-time | ...
15/07/2026
Brazilian media organization builds nationwide CDN with Broadpeak's high-performance software for low-latency streaming and new content distribution service...
15/07/2026
DHD announces a new utility designed to increase the efficiency of its audio mixing systems during initial installation and subsequent configuration.
Anyone w...
15/07/2026
BCNEXXT Brings Next-Generation Vipe to IBC2026, Breaking the 1:1 Channel-to-Server Ratio New innovations liberate broadcasters from legacy playout infrastructur...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/07/2026
General-purpose robots and autonomous machines are moving from research labs to ...