
Inside Whisper's production of the Jake Paul v Tommy Fury boxing match By George Bevir
Tuesday, March 14, 2023 - 10:21
Print This Story
The Jake Paul v Tommy Fury boxing match that took place in Saudi Arabia at the end of February divided fight fans, with some who felt that the cruiserweight bout between two novice boxers received more attention than it deserved, while others heaped praise on the pair for bringing fresh eyes to the sport.
Prior to the fight in Riyadh, Jake Paul was undefeated having fought - and won six times, while Tommy Fury had won all eight of his fights. So it's fair to say that it was their activities outside the ring that helped draw a a PPV audience to ESPN+ in the US and BT Sport in the UK.
Fury took part in UK reality dating series Love Island and has some 5m Instagram followers, a figure eclipsed by Paul who has 22.3m Instagram followers and 20m subscribers to his YouTube account along with 17m on TikTok. That background in creating content for online audiences was something that production company Whisper was able to tap into.
They were both brilliant because they get content, says Whisper head of sport Pete Thomas.
We tried to spend as much time with Jake Paul and Tommy Fury as we could it wasn't so much about technique, footwork, or how are they going to win the fight, it was more about these two men are and what has brought them here. And we had to treat the fight with the respect it deserved.
To Jake, content is king, and he is very aware of his time and what he shares. He was great to work with, and Tommy was as well. They gave up their time and engaged with what we asked them to do, and they understood what we tried to achieve and played a big part in that. They were both very savvy and aware.
Jake Paul filming some promotional content prior to his fight against Tommy Fury
The night before the fight they both came down to the ring with their teams, they did their walks to the rings and we rehearsed with them so there were no surprises on the night.
It's something you often try and achieve, but you don't always get that from other boxers. Sometimes they will go through the motions, but they're not really paying attention. Both Tommy and Jake really engaged and wanted to understand what we were doing, so they walked through properly to time with music, and that all helped it to run smoothly on the night.
Whisper was appointed by promoter Skill Challenge Entertainment to deliver the world feed host broadcast of the fight that took place on Sunday 26 February with a production team that included Thomas, executive producer John Curtis and Whisper director of production Bethan Evans along with a crew made up of staff from the UK and the local region.
Boxing is a growing sport for Whisper, which last year delivered the world feed host broadcast of the heavyweight rematch between Oleksandr Usyk and Anthony Joshua, which took place in Jeddah, Saudi Arabia. One of the main differences for the Paul v Fury fight was the requirement to provide presentation for most of the broadcasters (not including BT Sport) who aired the fight.
We had an on-screen talent team and had to fill the gaps between the fights, so we needed to provide a coherent broadcast with features, special guests and so on. And in the week before the fight, we produced a live press conference and a live weigh-in show and produced a face-to-face show with Tommy and Jake going back and forth for 20-minutes. So it was quite an intense week.
Hardcore fans and novice viewers
Given that many of those who tuned in would have had limited exposure to boxing, Thomas says Whisper's approach was to tread a line between the hardcore boxing fans and people who had never really watched boxing a great deal .
He says: That meant we did a few things like showing the rules before the fight started, because we were conscious that some people wouldn't maybe understand or wouldn't be so clued in to how boxing works. We did a few simple things to try and break down how a fight typically plays out.
Also, we tried to spend as much time with [Paul and Fury] as we could and put that across, so we told their stories; we talked to them on the night, and we talked to them before the fight. So it wasn't so much about technique, footwork, or how are they going to win the fight, it was more about these two men are and what has brought them here. And beyond that, we had to treat the fight with the respect it deserved.
Construction of the ring and lighting rig at the Diriyah Arena in Riyadh.
Director Jordi Alfaro was tasked with overseeing coverage of the Paul v Fury fight, along with the nine other bouts on the undercard. He says: It was an event that brought the attention of a lot of people who probably don't usually watch boxing, so for me, one of the most important things was to show what was happening in the arena with all the VIPs like Tyson Fury, Mike Tyson, Cristiano Ronaldo to show that they were interested in the event.
And then during the main event, instead of going into the corners which we usually do to listen to the trainers it was more about showing as many replays as we could, and reactions of people watching in the arena.
Thomas says his production team was also very aware of what spectators in the arena would see on the big screens, and the impact the live crowd could have on the overall atmosphere.
We made sure the gaps between fights were filled with little teasers of what's to come. We also learnt massively from the fight last year as to what the crowd would react to, because producing the show I am always conscious of not just providing a really good feed, you are also trying to keep the crowd buzzing.
Boxing can be a challenge because in those moments between fights there may be great stuff for viewers watching at home
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/04/2026
Partnership between ARRI and SmallHD brings new Hi-5 license
Configurable monitor overlays adapt to individual working styles
Supported by SmallHD monitors ru...
23/04/2026
Lighting Master Cronenweth ASC brings a unique look to each grid world with the help of Astera
Jeff Cronenweth on the set of Disney's TRON: ARES. Photo by...
23/04/2026
DP Chloe Smolkin ( The Late Show, Kidz Bop ) joins director Danielle Beckmann and writer/actor Raji Ahsan behind the camera for the heartfelt short comedy Dr...
23/04/2026
Apply now to join the 2026 Producer Delegation to TIFF: The Market 23 April 2026
Screen Australia, in partnership with Ontario Creates, has opened application...
23/04/2026
Dermot Bannon's Celebrity Super Spaces airs Sunday 26 April and 3 May on RT ...
23/04/2026
GeForce NOW is doubling down on what matters most: gamers. This week's upgra...
22/04/2026
Solid State Logic is advancing its System T platform with a stronger focus on IP...
22/04/2026
From immersive audio to live streaming, Dolby Laboratories is focused on the fut...
22/04/2026
Shallow depth-of-field cameras have taken the industry by storm. Its debut a han...
22/04/2026
Riedel Communications (Booth C4908) announced that Eastern Kentucky University (...
22/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
22/04/2026
Blackmagic Design has announced the URSA Cine 12K LF 100G, a new model in the URSA Cine family adding 100G Ethernet for SMPTE 2110 live production output up to ...
22/04/2026
Celebrating its 40th anniversary, NEP is leaning into hybrid production with the...
22/04/2026
NEP VP, Platform Dan Murphy sits down at the 2026 NAB Show to unpack what NEP P...
22/04/2026
Spotify and the New York Liberty are teaming up to give music and basketball fan...
22/04/2026
New 20-minute documentary explores iconic design The Focusrite Room in Mesa, Arizona, where John Aquilino hosts the Studio Console 005.
In 2025, Focusrite co...
22/04/2026
Offers compact wireless solution for pedalboards
Taiwanese audio brand Cloudvocal have announced the availability of a new pedalboard-friendly wireless syst...
22/04/2026
Latest hybrid sampling/synthesis instrument arrives
Arturia's Augmented series offerings rely on a mixture of sampling and synthesis, allowing users to ...
22/04/2026
Combines three distinct analogue EQ emulations
The latest addition to Acustica Audio's ever-expanding collection of analogue-emulation plug-ins combines...
22/04/2026
Final instalment in vintage-inspired instrument series
Analog Empire: Bass & Lead marks the final instalment in Melda Production's vintage hardware-insp...
22/04/2026
Fuzz pedal joins all-analogue Series A line
Given that Strymons reputation was built on unapologetically digital pedals, it was a little surprising to see t...
22/04/2026
SBS names shortlisted brands for 2026 SBS Media Sustainability Challenge
22 April, 2026
Media releases
National broadcaster also releases its second annual...
22/04/2026
Why Low Band Electronic Warfare Matters...
22/04/2026
The nation unites around football team's World Cup dream
Warsaw, Poland, 20.04.26: Nielsen, a global leader in audience measurement, data, and media intell...
22/04/2026
Warsaw, Poland, 22.04.26: Nielsen, a global leader in audience measurement, data...
22/04/2026
New market intelligence offering gives businesses a clearer view of local consum...
22/04/2026
Glookast Unveils New UX, YouTube and Social Media Connectors, Premiere Panel, Ci...
22/04/2026
Lightcraft Technology to Preview Spark Story at NAB 2026 with Interactive Previs...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/04/2026
22 Apr 2026
VEON's Banglalink to Bring Starlink Mobile to Customers in Bangladesh Bangladesh becomes the third market where VEON and Starlink Mobile partne...
22/04/2026
U have unveiled exclusive first-look images for their six-part police thriller Hit Point, starring Nick Blood (Day of the Jackal) and BAFTA nominee Saffron Hock...
22/04/2026
What can I watch on UKTV and stream on U this week?
This week on UKTV and the free streaming service U, viewers can watch a range of new and returning programm...
22/04/2026
Wednesday 22 April 2026
Sky announces fifth year of WNT Fund with 30,000 bursa...
22/04/2026
Back to All News
This Earth Day, Discover the Sustainable Productions Behind Our Films and Series
Emma Stewart, Ph.D.
Netflix Sustainability Officer
Enterta...
22/04/2026
The move from Retail Media to Commerce Media is about broadening the scope of th...