
By Bailey Pennick
One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent filmmaking. While we can learn a lot about the filmmakers from the 2025 Sundance Film Festival through the art that these storytellers share with us, there's always more we can learn about them as people. We decided to get to the bottom of those artistic wells with our ongoing series: Give Me the Backstory!
When asked about one thing that filmmakers should keep in mind in order to become better cinematic storytellers, Alireza Khatami offers advice that cuts right to the core: A story worth telling is one that scares the hell out of you. Until then, you have nothing to say.
With his latest film The Things You Kill, which premiered at the 2025 Sundance Film Festival within the World Cinema Dramatic Competition, Khatami lives by his words and unleashes an unnerving, raw, and complex story of family dynamics, misogyny, and identity struggles within Turkey. It's a story that lingers with you, continuing to unfold as you pour over the events in Ali's (Ekin Ko ) life.
The World Cinema Dramatic jury agreed, bestowing Khatami with the Directing Award for that category. We could not stop talking about this film. It made us curious and deeply invested in the characters and their rich journey, begins the jury's citation for the honor. This effortless, streamlined film does not sacrifice its depth of subject even while dealing with toxic masculinity and the everyday darkness of the soul. This director was masterful in their precision, they were profound yet restrained, and their robust vision pushes us to want more, think more, and do more to be better humans.
This push for progress - or a push against the current societal regression - is essential to Khatami and The Things You Kill. In my view, we're living in a historical moment where established discourses are unraveling, and there's a troubling tendency to regress to the past, says Khatami. The darkest chapters of history are repeating themselves right before our eyes, driven by a deeply entrenched macho, patriarchal system. Now, more than ever, we need to look inward and ask ourselves: What have we done, and who have we become? What fuels this perpetual urge for violence, and who will break free from this cycle? We've examined these issues through an external political lens, but it's time to turn that lens inward and confront the difficult questions within ourselves.
Below, learn how the filmmaker turns that lens onto himself for inspiration and catharsis, pushing for truth with Ko 's performance, and who he wants this film to reach.
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