
Rugby League goes remote at EMG UK's ViBox-led Stream ROC By Michael Burns
Wednesday, April 14, 2021 - 10:47
Print This Story
The Betfred Challenge Cup match between Widnes Vikings and Whitehaven was a completely remote production. Micron Video handled the cameras and Aviwest supplied the feeds back to the gallery over bonded cellular
There's been a lot of interest in remote production and the promise it offers for wider coverage of sport. That potential is being fulfilled with the launch of a Stream Gallery' at EMG UK in High Wycombe. Unlike the other four remote galleries in operation by the company, this addition to the EMG UK ROC is different in that it is focused on live streaming using the ViBox All-In-One system from Simply Live.
This Stream ROC, which has been in use since March covering Rugby Football League (RFL) matches, is the brainchild of Neville Smith, founder of In Touch Productions and a 40-year veteran of sports broadcasting.
Smith's history with Telegenic and EMG UK goes back to 1992 when he was executive producer/director of Sky Sports Rugby League, and the OB firm became its main facility provider for the next 28 years. Even before Sky was founded, Smith had championed rugby coverage, particularly rugby league, and is no stranger to utilising technology to further this goal; as part of the launch of Super League in 1996 he pioneered the use of the Video Referee. Smith left Sky on a high point in April 2019, as head of rugby league, but not before being enrolled onto the RFL Roll of Honour for Outstanding Services to the Game'.
Trend setter
As covered previously by SVG Europe, an early example of remote production saw In Touch produce the Toronto Wolfpack's Championship campaign matches. Working with EMG UK in High Wycombe, Smith directed eight fully remote matches from the Lamport Stadium in Toronto, 6,000 miles away, persuading Sky Sports to support the production with airtime.
We all learned a lot about remote production in that process, Smith tells SVG Europe. At the beginning of last year, I was about to sign a deal with Sky [for the Championship and Challenge Cup matches, and the Toronto home matches in Super League]. We did one match at the end of February and then, of course, COVID happened and a ball wasn't kicked off for the rest of the year.
Fast forward a year and the championship was set to kick off again, albeit in empty stadiums. I was aware that the RFL was going to do more for the season ticket holders, says Smith. In the meantime, I got hold of the Simply Live kit, which I've been looking at for a couple of years.
Along with his son Lachlan, a professional editor and replay operator, Smith familiarised himself with the remote solution, practicing on past matches. Impressed with the kit, he proposed using it to cover Championship matches for the Our League platform. This online pay-per-view platform is currently streaming matches for RFL season ticket holders until crowds are allowed back in. The RFL agreed and the gallery build swung into action.
Aviwest worked with Micron Video to supply the camera streams and embedded audio from the venues
Eamonn Curtin, deputy CEO at Telegenic, says: Building on the success of the three galleries which are servicing elite sports such as EPL and Rugby Union, we wanted to be able to offer a cost-effective solution for lower-level leagues such as Championship Rugby League. We tested different options with In Touch Productions and finally settled on the Simply Live solution and Stream ROC' was born.
EMG UK has been amazing in its support for this project, says Smith. They built the Stream ROC in a few short days, recognising the potential market that this sort of production is heading towards for the streaming market. Also offering critical support have been Aviwest, working with Micron Video to supply the camera streams and embedded audio from the venues, and Ce8 Graphics. All have been vital to help raise the bar for the RFL's Our League platform.
Going live from Widnes
Remote coverage from the Stream ROC of the Betfred Challenge Cup kicked off at the beginning of March, and on the second weekend SVG was able to sit in' on a live stream. The game was a Second Round match where Widnes Vikings hosted Whitehaven.
A completely remote production, there was no truck at the ground. Instead Micron Video handled the cameras at the match, with Aviwest supplying the feeds back to the gallery over bonded cellular. We had individual streams coming from the cameras, says Smith. We were not returning cue lights to them, but they were on the talkback, so [directing it] was just a case of being a little bit patient and not being over reactive to the match.
Building on the previous, initial game of the season, where two cameras were used, Smith wanted to take things up a notch. For the second game, I thought how can we replicate what we do with the full truck, using mini cameras or whatever else, he says. The Aviwest system allows you to stream iPhones, so we used an iPhone on a gimbal being operated by the floor manager for some of the shots on the night, such as from the players' entrance and a little bit of coverage on the touchline.
Following the Widnes game on the day, the team had access to a stream showing a multiview output of the six Aviwest sources, with four broadcast cameras into PRO380 transmitters, and two iPhones running the Aviwest MoJoPro app.
Although there were four broadcast cameras, there was only three operators, with the wide shot just a mini camera mounted on top of the follow camera on a fixed lens, explains Smith. There are disciplined ways of cutting around that so it doesn't show.
An iPhone on a gimbal was used for some of the shots in Widnes, such as from the players' entrance and some touchline
More from Sports Video Group
20/04/2026
At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...
20/04/2026
At the 2026 NAB Show, Canon is doubling down on its commitment to live sports pr...
20/04/2026
Fujifilm is sharpening its focus on core broadcast production with a new wave of...
20/04/2026
This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...
20/04/2026
Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...
20/04/2026
Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...
20/04/2026
Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...
20/04/2026
Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...
20/04/2026
International Association of MediaTech (IAMT), formerly known as IABM, announced...
20/04/2026
Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software.
The deployment is...
20/04/2026
Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...
20/04/2026
EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...
20/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
20/04/2026
Skyline Communications announced the availability of its DataMiner xOps platform...
20/04/2026
Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...
20/04/2026
Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...
20/04/2026
Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...
20/04/2026
At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...
20/04/2026
At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...
19/04/2026
Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...
19/04/2026
Grass Valley is finding the right balance between its hardware heritage with an ...
19/04/2026
Oracle's strategy rests on the foundational strengths of Oracle Cloud Infras...
19/04/2026
Program Productions, the live sports production industry's leading crewer, i...
19/04/2026
At the 2026 NAB Show in Las Vegas, SVG sat down with Joe Scionti, Account Manage...
19/04/2026
At its 2026 NAB Show keynote event, Ross Video came out swinging with one of its...
19/04/2026
Evertz (Booth N817) is set to present new services within its evertz.io platform...
19/04/2026
Evertz (Booth N817) will showcase its IPMX-certified NUCLEUS platform alongside ...
19/04/2026
Evertz (Booth N817) is set to showcase ENX at NAB 2026, a media core platform designed to support hybrid SDI and IP infrastructures in production facilities and...
19/04/2026
Evertz (Booth N817) will introduce Studer VistaVUE Touch at NAB 2026, a control surface designed to integrate audio, video and control workflows within a custom...
19/04/2026
Evertz (Booth N817) will highlight X-CALIBER at NAB 2026, an encoding and decodi...
19/04/2026
Cobalt Digital (Booth N1340) will introduce the blueCORE family of standalone si...
19/04/2026
Chyron and Asport (Booth N2441) will demonstrate an integrated sports video work...
19/04/2026
MediaKind (Booth W1743) provided an update on its Multiview deployments at NAB S...
19/04/2026
Calrec (Booth C6907) and Grass Valley (Booth C2408) announced a long-term broadc...
19/04/2026
Oracle is bringing a multi-partner demonstration of Media over QUIC (MoQ)-based live streaming to NAB Show 2026, showcasing how independent systems from multipl...
19/04/2026
Encompass Digital Media announced an expanded partnership with Oracle Cloud Infr...
19/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
19/04/2026
Blackmagic Design has announced the ATEM 4 M/E Constellation IP and ATEM 4 M/E Constellation IP Plus, two SMPTE 2110-native live production switchers. The ATEM ...
18/04/2026
MultiDyne Video & Fiber Optic Systems has begun shipping the C16-AM-12G audio mo...
18/04/2026
FOR-A America is set to detail AI functionality for its software-defined IMPULSE...
18/04/2026
Cobalt Digital and SineSix Media have announced a partnership to integrate the v...
18/04/2026
The ATSC, the broadcast standards association, is highlighting the status of the ATSC 3.0 internet protocol-based broadcast standard at the 2026 NAB Show. The e...
18/04/2026
Bolin Technology has introduced a new range of hardware for live production envi...
18/04/2026
KMH Integration is participating in the 2026 NAB Show, focusing on its AV Casti...
18/04/2026
Appear has appointed Mike Burk as vice president of business development for North America. Burk brings over two decades of experience in the broadcast and live...
18/04/2026
Skyline Communications is showcasing its DataMiner platform and the new DataMine...
18/04/2026
Telos Alliance is exhibiting its portfolio of broadcast audio products at the 20...
18/04/2026
TAG Video Systems has announced an integration with the AWS Elemental MediaConne...
18/04/2026
Blackmagic Design has announced DaVinci Resolve 21, with a public beta available now for download. The update will be demonstrated at NAB Show 2026 (Booth N2502...
18/04/2026
Calrec (Booth C6907) and Grass Valley (Booth C2408) have announced a long-term broadcast audio technology partnership at NAB Show 2026, integrating Calrec's...