Sony Pixel Power calrec Sony

Feedback on the ARRI TRINITY from a director, a DP, and a camera operator

12/10/2021

The choice of TRINITY is part of a path of linguistic research Ive been pursuing for years. We have at our disposal agile tools that allow us to create stable frames and sublimate the use of the camera. These are the words of director Edoardo De Angelis, who chose to use the ARRI TRINITY stabilizer for almost all the shooting of Non ti pago, the second film in his Edwardian trilogy after Natale in casa Cupiello, shot with ALEXA Mini cameras and lit with SkyPanel LED lights.

What convinced you to work with TRINITY?

Over the years Ive used Movi and then Ronin stabilizers, but this time I chose the ARRI TRINITY because it meets the need to shoot long takes of dialogue with micro-movements linked to the actors movements. TRINITY encourages this and leaves the image clean. Its rare that the camera movement doesnt determine the movement of the actors, but for me this is important and TRINITY is perfectly suited to that, in fact I would like to see it used more often. Every film is unique, but in this case the tool was perfect.

Copyright Francesco Catalano

Camera operator Emilio Giliberti working with the ARRI TRINITY on set.

What particular needs did it address on this movie?

The film takes place in a single environment, where we had to be able to explore reality in depth. With TRINITY I have more freedom in positioning the camera, which becomes another character whose gaze rests on the scenes. In my filming I look for something that imitates the process of getting to know reality, which never happens at the precise moment in which one encounters it. The acknowledgment always comes a moment early or late.

The DP of Non ti pago is Agostino Vertucci, known for his work on Nicolangelo Gelorminis Fortuna, who used TRINITY again immediately after this film for Umberto Marinos Un eroe piccolo piccolo.

Copyright Francesco Catalano

Cinematographer Agostino Vertucci (foreground) checks a composition through his directors viewfinder.

This was the first time you worked with TRINITY, how did it go?

Neither Edoardo nor I had ever worked with this tool before, and I had only seen it in demos. It was a real discovery to see how easily it moved in our location, which had a very large room and other very small rooms in which many actors had to move. Two weeks before shooting, we did some tests on location that clarified our ideas, and then we were off to a flying start.

Did the use of TRINITY accompany the visual style chosen, or did it also determine it in some way?

Initially, TRINITY accompanied Edoardos visual ideas, and then as we became more familiar with the tool, it also influenced them. We went further, we started asking for more and more, so much so that we made several very complex sequence plans that we couldnt have made otherwise. One of them followed a maid as she answered the front door, starting from the kitchen, crossing a narrow external walkway that was only about 65 centimeters wide, entering the main hall and getting to the door, and then coming back.

Crossing the hallway with that agility, with another tool, would have been very complex indeed. I knew Edoardos way of shooting with the Ronin, with a very dynamic style, and I know that he loves tight lenses and is very close to the actors. Together we figured out how to adapt this style to the TRINITY, which gave us greater elegance, composure, versatility, and cleanliness.

Copyright Francesco Catalano

Using the TRINITY in combination with a custom rig.

How did you manage photographic continuity with such complex shooting scenarios?

In Edoardos adaptation, the film is set in 1959 and for the look we had chosen not to be too philological in terms of aesthetic research, allowing ourselves some license to personalize it. Our reference was Marie Antoinette by Sofia Coppola. The set design and costumes had already given us a very varied palette, ranging from deep blues to yellows: with Massimo Cantini Parrinis costumes and Carmine Guarinos set design, we had an excellent base to work from. The most complex thing was to manage the photographic continuity.

When Edoardo called me to propose the film, I imagined an interior theater piece, but then I realized that there was a strong relationship with the outside world, because the protagonists often went out onto the terrace and then entered a workshop, a glass structure. In a film divided into three acts, in which each act recounted a time segment, the photographic continuity had to be absolute. So we built a structure that allowed me to run two blacks of different intensities that I could manage according to the external light conditions.

When we started shooting, the sun never arrived directly on the terrace, but from the first days of May it began to arrive. The structure we created allowed me to filter it when necessary, or reproduce it when it was absent, thanks to a series of ARRI M40 light fixtures placed above the trusses, because during that period the sky was very overcast.

Emilio Giliberti is the TRINITY operator who worked on Non ti pago. He says, Ive been working with TRINITY for about three years, and on every type of film it allows me to come up with brand new shots.

Copyright Francesco Catalano

Emilio Giliberti has used the TRINITY on a number of projects.

How did you get involved in this production?

This film was a great opportunity! I was contacted by the production team and then I met Agostino and Edoardo on the set. I proposed TRINITY to Agostino and we organized a test shoot on location, in order to show the director what it could do. I immediately felt a great connection with Edoardo, an understanding that he would give me a lot of freedom to dance' with the actors.

What were the challenges on set and the advantages of working with TRINITY?

It was an extremely stimulating journey, but also tiring at times because of
LINK: https://www.arri.com/news-en/feedback-on-the-arri-trinity-from-a-direc...
See more stories from arri

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

07/10/2026

Dalet Flex LTS Delivers Smarter Media Operations from Ingest to Distribution

Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...

06/09/2026

Dolby and MagentaTV Bring Fans Closer to the FIFA World Cup 2026 in Germany with Dolby Vision and Dolby Atmos

June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

24/07/2026

ESPN Adds New Production Features for NFL FLAG Championships

Referee hat cameras, player/coach mics, and virtual graphics will be deployed at the three-day event for the first time The NFL FLAG Championships return to ES...

24/07/2026

Qvest, Ateme and Scaleway Deliver Sovereign OTT Platforms for European Broadcasters

Qvest, Ateme, and Scaleway have partnered to offer broadcasters, media organizat...

24/07/2026

LTN Reaches 3,000 Satellite-to-IP Migrations as FCC Votes on C-Band Auction

LTN has completed satellite-to-IP migrations for more than 3,000 broadcaster, MVPD (Multi-Channel Video Programming Distributor), head-end, and content owner si...

24/07/2026

Chyron Releases Virtual Placement 8.1

Chyron has released Virtual Placement 8.1, an update to its live sports virtual graphics platform. The release adds workflow and graphics changes across chroma ...

24/07/2026

Riedel Deploys RefCam and Easy5G at International Soccer Match

Riedel's RefCam Live was used for the first time at an international soccer match during a friendly between the German men's national team and Ghana in ...

24/07/2026

USSI Global Offers Services for Next Phase of C-Band Spectrum Transition

USSI Global said it is prepared to help broadcasters, satellite network operators, and media organizations manage the next phase of C-band spectrum clearing, fo...

24/07/2026

Fubo Launches The Athletic Video Hub on CTV

FuboTV and The Athletic have launched The Athletic Video Hub on Fubo, bringing The Athletic's sports video content to connected TV (CTV) for the first time....

24/07/2026

Tagboard Integrates With Momento To Display Fan Reaction Photos on Venue Screens

Tagboard and Momento have partnered to bring Momento's fan reaction photos to venue videoboards in real time following big plays. The Seattle Mariners will ...

24/07/2026

Stephen Arnold Music Creates Anthem for Fox Television Stations FIFA World Cup Coverage

Stephen Arnold Music (SAM) created an anthem called The World Is Here for Fox ...

24/07/2026

CazTV Acquires Exclusive Brazilian WTA Tour Rights Through 2030

Caz TV has acquired Brazilian broadcast rights to the entire WTA Tour driven by Mercedes-Benz, covering all WTA 250, WTA 500, and WTA 1000 tournaments. The agre...

24/07/2026

SiriusXM and WWE Launch WWE Radio on Channel 156

SiriusXM and WWE have launched WWE Radio on SiriusXM channel 156, beginning Monday, July 27. The channel will carry live audio of WWE Premium Live Events, audio...

24/07/2026

Harvard Athletics Uses AJA Equipment for Collegiate Sports Production

Harvard Athletics produces more than 325 live NCAA Division 1 sports events and 500 edited videos per year. To manage video capture, streaming, recording, and s...

24/07/2026

Chyrons PRIME 5 Supported Telemundos FIFA World Cup 2026 Graphics Production

Chyron's PRIME 5 graphics platform supported live graphics workflows for NBCUniversal Telemundo's FIFA World Cup 2026 coverage across Telemundo, Univers...

24/07/2026

NBC Sports Prioritizes Data in Presentation of 113th Tour de France

Wearable tech returns to the coverage, and a brand-new mobile unit is rolled out for the 2026 edition The 21-stage Tour de France is nearing its conclusion. Th...

24/07/2026

ESPN Leans Into Player Access, Referee Cam for WNBA All-Star Weekend in Chicago

More than 20 cameras, extensive player and coach audio, and a REMCO production model will power coverage of the league's showcase For an event designed to ...

24/07/2026

F1 Unveils Strategy Insight Graphic Powered by AWS at Hungarian Grand Prix

New broadcast tool uses live timing, telemetry, and predictive analysis to decode real-time team decision-making for fans at home...

24/07/2026

Ratings Roundup: World Cup Final Draws Largest Non-NFL U.S. TV Audience in Nearly 30 Years

Ratings Roundup is a rundown of recent rating news and is derived from press rel...

24/07/2026

SRM Sounds introduce Max Richter Strings

First string library captured at Studio Richter Mahr The latest sample library to be created at Max Richter's Studio Richter Mahr facility captures the ...

24/07/2026

KIT Plugins release BB Chamber D

Official emulation of Blackbird Studios reverb chamber In their latest collaboration with Blackbird Studios, KIT Plugins have captured the sound of the Stud...

24/07/2026

Behind Netflix's Emmy-nominated Monster: Bind Studio and FileRunner on the VFX pipeline

Sohonet's partners at BIND Studio have published a great case study on the V...

24/07/2026

Calrec Craft Interview with Sound Engineer Angela Gomez

Angela Gomez brings over 14 years of experience in broadcast communications and audio engineering, specialising in live outside broadcasts, live sports and larg...

24/07/2026

Harvard Athletics Transforms Collegiate Sports Storytelli...

Between the maturation of IP and remote production workflows, collegiate sports production is advancing rapidly. For an Ivy League institution like Harvard, kee...

24/07/2026

iWedia announces the launch of Teatro Factory - A groundb...

iWedia, a global provider of software solutions for connected TV devices, today announces the launch of Teatro Factory, a new operator-facing software factory o...

24/07/2026

Record-breaking World Cup has advertisers cheering

Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisements into live video streams during the 2026 ...

24/07/2026

Mediagenix To Feature 'Real-Time Media Enterprise Platform At IBC 2026

Share Copy link Facebook X Linkedin Bluesky Email...

24/07/2026

Peacock Posts First Profits, Adds 2 Million Subs in Q2 2026

Share Copy link Facebook X Linkedin Bluesky Email...

24/07/2026

Edward F. OKeefe Named President and CEO of The WNET Group

Share Copy link Facebook X Linkedin Bluesky Email...

24/07/2026

TiVo Ads, OpenGlass Launch Programmatic Access to the TV Homescreen

Share Copy link Facebook X Linkedin Bluesky Email...

24/07/2026

Digital Alert Systems DASDEC Platform Supports FCCs New P...

Current DASDEC software enables customers to comply with the FCC's new 15-character password mandate without requiring updates LYNDONVILLE, N.Y. July 23,...

24/07/2026

SDVI to Showcase Next-Generation Rally Platform and New T...

At the IBC2026 Show, SDVI will give European media organizations their first hands-on look at the next-generation Rally media supply chain management platform f...

24/07/2026

Sonnet Technologies at IBC2026

Sonnet Technologies at IBC2026 Brie Clayton July 23, 2026 0 Comments Hero image: Sonnet Twin25G T5 Thunderbolt 5 Adapter At this year's IBC Sho...

24/07/2026

Musora Enhances Online Music Lessons with Blackmagic Design

Musora Enhances Online Music Lessons with Blackmagic Design Brie Clayton July 23, 2026 0 Comments Director of Production Josh Holliday details workflo...

24/07/2026

The Future of Live Production: How DMC Is Combining Traditional OB with Software-Defined Remote Production

Interview with Production 360. Original article published here The theme of thi...

24/07/2026

From postPerspective: Pixar Colorist Susan Brunig Talks Pre-Grading, More for Toy Story 5

Article courtesy of postPerspective Read the article While Toy Story 5 maintai...

24/07/2026

Kerry and Mayo fans Up For The Match as excitement builds in Croke Park on the eve of the football final

Kerry and Mayo fans Up For The Match as excitement builds in Croke Park on the e...

23/07/2026

Record-breaking World Cup has advertisers cheering

Staines-upon-Thames, UK, 23rd, JULY, 2026 - Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisem...

23/07/2026

SVG Students To Watch: Shansley Glenn, University of Oklahoma

This Spring 2026 graduate from Honolulu found a home at SoonerVision as a live-production star and is ready to enter the industry as a replay op on Prime Video&...

23/07/2026

Miked Up Is an Everyday Deal for the Athletes Unlimited Softball League

As the AUSL postseason begins tonight, listening in to players during games enhances fan engagement for the young organization Ballplayers chatting with announ...

23/07/2026

Snap Announces AR and Creator Activations at Esports World Cup 2026 in Paris

Snap Inc. and the Esports Foundation have announced Snap's activations at the Esports World Cup 2026 in Paris, running July 6 through August 23. For the fir...

23/07/2026

Sony Introduces FX5 Full-Frame Cinema Line Camera

Sony has announced the FX5, a full-frame Cinema Line camera built around a newly developed fully stacked Exmor RS CMOS image sensor and BIONZ XR2 image processi...

23/07/2026

TNDV Powers Pickleball Slam 4 Broadcast for Ohlmeyer Kusserow Group

TNDV (a division of Live Media Group) provided technical production support for the Pickleball Slam 4 live broadcast from Seminole Hard Rock Live in Hollywood, ...

23/07/2026

LTN Surpasses 3,000 Satellite-to-IP Migrations as FCC Approves Upper C-Band Auction Rules

LTN has announced it has completed satellite-to-IP migrations for more than 3,00...

23/07/2026

Daktronics Announces 2026 DakClassroom Student Showcase Winners

Daktronics has announced the winners of the 2026 DakClassroom Student Showcase, a national competition recognizing student work in media production, storytellin...

23/07/2026

beIN Sports Extends Exclusive Roland-Garros Rights Across 10 Asian Markets Through 2031

The French Tennis Federation (FFT) and beIN Media Group have announced a five-ye...

23/07/2026

Clear-Com Provides Intercom System for Fryderyk Awards Gala at Tauron Arena Krakw

Clear-Com provided the communications infrastructure for the Fryderyk Awards Gal...

23/07/2026

How the FIFA World Cup's Record Revenue Masks a Structural Market Contraction

The 2026 FIFA World Cup is, on paper, an unparalleled financial success. Total t...