The choice of TRINITY is part of a path of linguistic research Ive been pursuing for years. We have at our disposal agile tools that allow us to create stable frames and sublimate the use of the camera. These are the words of director Edoardo De Angelis, who chose to use the ARRI TRINITY stabilizer for almost all the shooting of Non ti pago, the second film in his Edwardian trilogy after Natale in casa Cupiello, shot with ALEXA Mini cameras and lit with SkyPanel LED lights.
What convinced you to work with TRINITY?
Over the years Ive used Movi and then Ronin stabilizers, but this time I chose the ARRI TRINITY because it meets the need to shoot long takes of dialogue with micro-movements linked to the actors movements. TRINITY encourages this and leaves the image clean. Its rare that the camera movement doesnt determine the movement of the actors, but for me this is important and TRINITY is perfectly suited to that, in fact I would like to see it used more often. Every film is unique, but in this case the tool was perfect.
Copyright Francesco Catalano
Camera operator Emilio Giliberti working with the ARRI TRINITY on set.
What particular needs did it address on this movie?
The film takes place in a single environment, where we had to be able to explore reality in depth. With TRINITY I have more freedom in positioning the camera, which becomes another character whose gaze rests on the scenes. In my filming I look for something that imitates the process of getting to know reality, which never happens at the precise moment in which one encounters it. The acknowledgment always comes a moment early or late.
The DP of Non ti pago is Agostino Vertucci, known for his work on Nicolangelo Gelorminis Fortuna, who used TRINITY again immediately after this film for Umberto Marinos Un eroe piccolo piccolo.
Copyright Francesco Catalano
Cinematographer Agostino Vertucci (foreground) checks a composition through his directors viewfinder.
This was the first time you worked with TRINITY, how did it go?
Neither Edoardo nor I had ever worked with this tool before, and I had only seen it in demos. It was a real discovery to see how easily it moved in our location, which had a very large room and other very small rooms in which many actors had to move. Two weeks before shooting, we did some tests on location that clarified our ideas, and then we were off to a flying start.
Did the use of TRINITY accompany the visual style chosen, or did it also determine it in some way?
Initially, TRINITY accompanied Edoardos visual ideas, and then as we became more familiar with the tool, it also influenced them. We went further, we started asking for more and more, so much so that we made several very complex sequence plans that we couldnt have made otherwise. One of them followed a maid as she answered the front door, starting from the kitchen, crossing a narrow external walkway that was only about 65 centimeters wide, entering the main hall and getting to the door, and then coming back.
Crossing the hallway with that agility, with another tool, would have been very complex indeed. I knew Edoardos way of shooting with the Ronin, with a very dynamic style, and I know that he loves tight lenses and is very close to the actors. Together we figured out how to adapt this style to the TRINITY, which gave us greater elegance, composure, versatility, and cleanliness.
Copyright Francesco Catalano
Using the TRINITY in combination with a custom rig.
How did you manage photographic continuity with such complex shooting scenarios?
In Edoardos adaptation, the film is set in 1959 and for the look we had chosen not to be too philological in terms of aesthetic research, allowing ourselves some license to personalize it. Our reference was Marie Antoinette by Sofia Coppola. The set design and costumes had already given us a very varied palette, ranging from deep blues to yellows: with Massimo Cantini Parrinis costumes and Carmine Guarinos set design, we had an excellent base to work from. The most complex thing was to manage the photographic continuity.
When Edoardo called me to propose the film, I imagined an interior theater piece, but then I realized that there was a strong relationship with the outside world, because the protagonists often went out onto the terrace and then entered a workshop, a glass structure. In a film divided into three acts, in which each act recounted a time segment, the photographic continuity had to be absolute. So we built a structure that allowed me to run two blacks of different intensities that I could manage according to the external light conditions.
When we started shooting, the sun never arrived directly on the terrace, but from the first days of May it began to arrive. The structure we created allowed me to filter it when necessary, or reproduce it when it was absent, thanks to a series of ARRI M40 light fixtures placed above the trusses, because during that period the sky was very overcast.
Emilio Giliberti is the TRINITY operator who worked on Non ti pago. He says, Ive been working with TRINITY for about three years, and on every type of film it allows me to come up with brand new shots.
Copyright Francesco Catalano
Emilio Giliberti has used the TRINITY on a number of projects.
How did you get involved in this production?
This film was a great opportunity! I was contacted by the production team and then I met Agostino and Edoardo on the set. I proposed TRINITY to Agostino and we organized a test shoot on location, in order to show the director what it could do. I immediately felt a great connection with Edoardo, an understanding that he would give me a lot of freedom to dance' with the actors.
What were the challenges on set and the advantages of working with TRINITY?
It was an extremely stimulating journey, but also tiring at times because of
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/07/2026
Broadcast Management Group (BMG) has announced the appointment of Kathy Samuels ...
01/07/2026
Shade has announced Custom Objects and Automations, a platform expansion releasing June 29, 2026, that adds database and workflow automation capabilities direct...
01/07/2026
FOR-A America has announced the addition of Jaz Wray and Fernando Cruz to its U.S. sales team. Both report to Ernie Leon, Senior VP and Head of Sales and Strate...
01/07/2026
NBC Sports will air all 15 MLB games nationally on Sunday, July 5, across NBC, P...
01/07/2026
Clear-Com has announced a wireless communications upgrade for Jeopardy! and Wheel of Fortune, deploying FreeSpeak II and FreeSpeak Icon systems across both prod...
01/07/2026
England's performance team will use Sony's STATSports APEX GPS tracking system to monitor player physical data in real time during FIFA World Cup 2026 m...
01/07/2026
Adder Technology has announced the appointment of Neil Hillier as Chief Executive Officer, effective July 1, 2026. Hillier succeeds Adrian Dickens, who transiti...
01/07/2026
Bitcentral, Inc. has announced a strategic transaction creating two separate companies. The Production and Playout business will continue as Bitcentral, now own...
01/07/2026
DAZN has announced results from DAZN48, its creator initiative for the FIFA World Cup 2026. Launched in April 2026, the program received thousands of applicatio...
01/07/2026
Sarah Rose, VP, global services, Daktronics (NASDAQ: DAKT), will be inducted into the Information Display and Entertainment Association (IDEA) Hall of Fame at t...
01/07/2026
Gravity Media and the World Economic Forum's production team provided broadc...
01/07/2026
Insight Productions has announced the launch of Insight Storm, a 53-foot mobile broadcast unit built for esports production. The truck is built around a Ross Vi...
01/07/2026
ESPN has announced several content initiatives marking America's 250th anniversary, as part of The Walt Disney Company's Disney Celebrates America pro...
01/07/2026
Eleven production kits, REMI workflows, and cloud distribution bring 40 World Cu...
01/07/2026
The conference also discussed the opportunities offered an industry that is endu...
01/07/2026
The Mountain West Conference has announced the launch of MW , a direct-to-consumer streaming platform powered by Kiswe. The platform will carry live Mountain We...
01/07/2026
New AI Assistant, Multi-channel Audio, ARA2 improvements & more
Tracktion's DAW software has just received its latest major update, gaining a selection ...
01/07/2026
Stammering, stuttering, strangulated tones
The Crow Hill Company's latest creation promises to be the most original sound set they've produced to d...
01/07/2026
Exclusive run of limited-edition modelling pedals
Sweetwater and Andertons M...
01/07/2026
The National Film and Video Foundation (NFVF) is pleased to announce that the ca...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Manfrotto Introduces UNCOVER, the new premium camera bag collection for modern h...
01/07/2026
Blackmagic Design Powers Houston Tamil Sangam Literacy Competition
Brie Clayton July 1, 2026
0 Comments
Volunteers use ATEM Mini Pro, Blackmagic Desig...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
PlayBox Technology has published State of Broadcast Infrastructure 2026, an in-depth industry research report examining the technologies, operational challenges...
01/07/2026
LONDON, UK, 1 JULY Jigsaw24 has appointed Alan Henry as Head of Sales for Media and Entertainment, reinforcing its continued investment in helping broadcaster...
01/07/2026
Content Vault, the patent-pending secure content distribution platform protecting high-value media from disclosures, theft and unauthorised access, today announ...
01/07/2026
Bitcentral, Inc. a leading provider of enterprise software and digital media solutions for news, sports and entertainment broadcasters, as well as streaming pla...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/07/2026
Groundbreaking First Nations Screen Business Accelerator launched through nation...
01/07/2026
Chyron Launches the All-New Chyron Academy: A Reimagined, Hands-On Learning Expe...
01/07/2026
Amplium Captures Kawasaki Brave Thunders Game with Blackmagic URSA Cine Immersiv...
01/07/2026
Boris FX Optics Expands Plugin Support to Apple Photos, Capture One, and Affinit...
01/07/2026
UKTV has today announced the appointment of Matt Berry to the newly created role of General Manager - Marketing, effective 1 July.
Matt will take on this senio...
01/07/2026
Sky Zero Footprint Fund-backed TV campaign featuring Deborah Meaden challenges consumers to rethink everyday bathroom wasteWednesday 1 July 2026
Fussy asks Bri...
01/07/2026
Constituency-level analysis reveals where girls miss out most on sport - and where targeted action could unlock more than £640 million in economic and health be...
01/07/2026
Wuppertal July 1, 2026
Riedel and SKAARHOJ Expand Collaboration With SimplyLive IntegrationRiedel Communications today announced an expanded collaboration wit...
01/07/2026
Apple today introduced power-packed updates to Apple Creator Studio, a groundbre...
The choice of TRINITY is part of a path of linguistic research Ive been pursuing for years. We have at our disposal agile tools that allow us to create stable frames and sublimate the use of the camera. These are the words of director Edoardo De Angelis, who chose to use the ARRI TRINITY stabilizer for almost all the shooting of Non ti pago, the second film in his Edwardian trilogy after Natale in casa Cupiello, shot with ALEXA Mini cameras and lit with SkyPanel LED lights.
