
The choice of TRINITY is part of a path of linguistic research Ive been pursuing for years. We have at our disposal agile tools that allow us to create stable frames and sublimate the use of the camera. These are the words of director Edoardo De Angelis, who chose to use the ARRI TRINITY stabilizer for almost all the shooting of Non ti pago, the second film in his Edwardian trilogy after Natale in casa Cupiello, shot with ALEXA Mini cameras and lit with SkyPanel LED lights.
What convinced you to work with TRINITY?
Over the years Ive used Movi and then Ronin stabilizers, but this time I chose the ARRI TRINITY because it meets the need to shoot long takes of dialogue with micro-movements linked to the actors movements. TRINITY encourages this and leaves the image clean. Its rare that the camera movement doesnt determine the movement of the actors, but for me this is important and TRINITY is perfectly suited to that, in fact I would like to see it used more often. Every film is unique, but in this case the tool was perfect.
Copyright Francesco Catalano
Camera operator Emilio Giliberti working with the ARRI TRINITY on set.
What particular needs did it address on this movie?
The film takes place in a single environment, where we had to be able to explore reality in depth. With TRINITY I have more freedom in positioning the camera, which becomes another character whose gaze rests on the scenes. In my filming I look for something that imitates the process of getting to know reality, which never happens at the precise moment in which one encounters it. The acknowledgment always comes a moment early or late.
The DP of Non ti pago is Agostino Vertucci, known for his work on Nicolangelo Gelorminis Fortuna, who used TRINITY again immediately after this film for Umberto Marinos Un eroe piccolo piccolo.
Copyright Francesco Catalano
Cinematographer Agostino Vertucci (foreground) checks a composition through his directors viewfinder.
This was the first time you worked with TRINITY, how did it go?
Neither Edoardo nor I had ever worked with this tool before, and I had only seen it in demos. It was a real discovery to see how easily it moved in our location, which had a very large room and other very small rooms in which many actors had to move. Two weeks before shooting, we did some tests on location that clarified our ideas, and then we were off to a flying start.
Did the use of TRINITY accompany the visual style chosen, or did it also determine it in some way?
Initially, TRINITY accompanied Edoardos visual ideas, and then as we became more familiar with the tool, it also influenced them. We went further, we started asking for more and more, so much so that we made several very complex sequence plans that we couldnt have made otherwise. One of them followed a maid as she answered the front door, starting from the kitchen, crossing a narrow external walkway that was only about 65 centimeters wide, entering the main hall and getting to the door, and then coming back.
Crossing the hallway with that agility, with another tool, would have been very complex indeed. I knew Edoardos way of shooting with the Ronin, with a very dynamic style, and I know that he loves tight lenses and is very close to the actors. Together we figured out how to adapt this style to the TRINITY, which gave us greater elegance, composure, versatility, and cleanliness.
Copyright Francesco Catalano
Using the TRINITY in combination with a custom rig.
How did you manage photographic continuity with such complex shooting scenarios?
In Edoardos adaptation, the film is set in 1959 and for the look we had chosen not to be too philological in terms of aesthetic research, allowing ourselves some license to personalize it. Our reference was Marie Antoinette by Sofia Coppola. The set design and costumes had already given us a very varied palette, ranging from deep blues to yellows: with Massimo Cantini Parrinis costumes and Carmine Guarinos set design, we had an excellent base to work from. The most complex thing was to manage the photographic continuity.
When Edoardo called me to propose the film, I imagined an interior theater piece, but then I realized that there was a strong relationship with the outside world, because the protagonists often went out onto the terrace and then entered a workshop, a glass structure. In a film divided into three acts, in which each act recounted a time segment, the photographic continuity had to be absolute. So we built a structure that allowed me to run two blacks of different intensities that I could manage according to the external light conditions.
When we started shooting, the sun never arrived directly on the terrace, but from the first days of May it began to arrive. The structure we created allowed me to filter it when necessary, or reproduce it when it was absent, thanks to a series of ARRI M40 light fixtures placed above the trusses, because during that period the sky was very overcast.
Emilio Giliberti is the TRINITY operator who worked on Non ti pago. He says, Ive been working with TRINITY for about three years, and on every type of film it allows me to come up with brand new shots.
Copyright Francesco Catalano
Emilio Giliberti has used the TRINITY on a number of projects.
How did you get involved in this production?
This film was a great opportunity! I was contacted by the production team and then I met Agostino and Edoardo on the set. I proposed TRINITY to Agostino and we organized a test shoot on location, in order to show the director what it could do. I immediately felt a great connection with Edoardo, an understanding that he would give me a lot of freedom to dance' with the actors.
What were the challenges on set and the advantages of working with TRINITY?
It was an extremely stimulating journey, but also tiring at times because of
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
09/04/2026
just:play pro 2026 and just:live pro 2026 Sneak Preview News for NAB 2026
More Details:At NAB 2026, ToolsOnAir will showcase just:play pro 2026 and just:live p...
09/04/2026
just:in mac pro 2026 - The Next Level of Professional Recording on macOS at NAB ...
09/04/2026
Zixi will demonstrate IP-based live video workflow solutions at NAB Show 2026 (Booth W2057).
The industry is moving quickly toward IP-based distribution as br...
09/04/2026
Global women's elite sports revenues are expected to reach at least $3 billi...
09/04/2026
Monitor engineer Gavin Tempany mixed Kylie Minogue s Tension Tour on a Solid Sta...
09/04/2026
KOKUSAI DENKI Electric America will exhibit at NAB Show 2026 (Booth C5507), debu...
09/04/2026
With the 2025-26 NBA regular season concluded and the playoffs beginning next we...
09/04/2026
Telestream and Mimir have announced an integration connecting Telestream's V...
09/04/2026
Bitmovin has expanded its Live Encoding and Observability solutions to provide r...
09/04/2026
The Nashville Predators and Scripps Sports have announced a multi-year media rights agreement covering local preseason, regular season, and first-round playoff ...
09/04/2026
Advanced Systems Group, LLC has announced a partnership with Beam Dynamics to offer the Beam Asset and License Intelligence Platform to its clients. The platfor...
09/04/2026
Lawo has unveiled Edge One, a combined video and audio stagebox for broadcast and Pro AV workflows. The device will be on display at NAB Show (Booth C2108, Apri...
09/04/2026
The Society of Motion Picture and Television Engineers (SMPTE) will host the SMPTE ST 2110 IP Media Roadshow on Tuesday, April 21, 2026, at the Las Vegas Conven...
09/04/2026
The Atlanta Braves have completed upgrades to video displays in and around Truist Park ahead of the 2026 MLB season. The upgrades include the Delta Out-of-Town ...
09/04/2026
The University of Southern California has contracted Daktronics (NASDAQ: DAKT) of Brookings, South Dakota, to manufacture and install 22 LED displays across fou...
09/04/2026
Backlight, the media technology company behind Iconik and Wildmoka, will showcase its Creative Operations Platform at NAB Show 2026 (Booth N2829, April 19-22). ...
09/04/2026
MotoAmerica and V10 Entertainment have announced a partnership to broadcast MotoAmerica Superbike racing on VICE TV for the 2026 season. Coverage begins live on...
09/04/2026
Proton Camera Innovations has announced the appointment of Tod Musgrave as US Sa...
09/04/2026
Designed specifically for live sports broadcasting, new platform features IP-nat...
09/04/2026
Blending 1990s DNA, modern motion theory, and a distinctly colorful brand identi...
09/04/2026
Technical capability is essential, but long-term success often depends on how we...
09/04/2026
15 feature films, including fiction and documentaries, along with six short film...
09/04/2026
Spotify has always been about putting listeners in the driver's seat. Today, people don't just want more ways to spend their time; they want that time t...
09/04/2026
Our Chief Public Affairs Officer Dustee Jenkins shares how we're building a more positive experience for families on Spotify.
As Spotify's Chief Public...
09/04/2026
Festival season is upon us. From sun-soaked weekends out west to iconic stages in Chicago and New York, fans are getting ready to see their favorite artists liv...
09/04/2026
O Spotify sempre teve como foco colocar os ouvintes no controle. Hoje, as pessoas n o querem apenas mais formas de passar o tempo - elas querem que esse tempo s...
09/04/2026
Read the original note in English here.
Nossa Chief Public Affairs Officer, Dustee Jenkins, compartilha como estamos construindo uma experi ncia mais positiva ...
09/04/2026
New synth focuses on sci-fi scoring
Following their formation and debut releases in December 2025, Smokestack Sounds - the brainchild of composer and produc...
09/04/2026
Latest version set for May 2026 launch
Reason Studios have revealed that the latest version of their DAW software will be launching in May 2026. Currently a...
09/04/2026
New EQ aimed at mix-bus & mastering duties
Shy Audio's first two releases focused on the past, delivering recreations of the budget mixers that were com...
09/04/2026
Based on John Galsworthy's novels known collectively as The Forsyte Saga a...
09/04/2026
The Forsytes has been renewed for a third season before the period drama has even premiered on PBS Masterpiece.
The adaptation of John Galsworthy's novel, ...
09/04/2026
IThe BBC has commissioned new drama The Witch Farm, starring Gabrielle Creevy (T...
09/04/2026
The next big thing To help broadcasters fully embrace dynamic hybrid workflows, Calrec will make a major announcement that unlocks even more freedom for broadca...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Purpose Built Monitoring From Live Production to Master Control to OTT, Across On Prem and Cloud Environments
At the 2026 NAB Show (April 19-22, Las Vegas Con...
09/04/2026
Purpose Built Monitoring From Live Production to Master Control to OTT, Across On Prem and Cloud Environments
At the 2026 NAB Show (April 19-22, Las Vegas Con...
09/04/2026
New advances meet surge in demand for broadcast-grade IP migration as C-band spectrum auctions approach
LTN announces major enhancements to its purpose-built g...
09/04/2026
Hitomi Broadcast has expanded its sales team with the addition of Nicola Milburn as Technical Sales Manager. In this role, Nicola will work with customers and p...
09/04/2026
Revolutionary combined solution brings sub-second latency, resilient delivery, and workflow orchestration to global broadcasters and digital platforms
Layercak...
09/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
09/04/2026
Yospace exceeded 10 billion dynamically stitched ads in a single month, reaching 11.6 billion as ad-supported streaming surged. Driven by a packed global sports...