
As a young electrician, Franck Barrault was part of the lighting team for Delicatessen and La Cit des enfants perdus : two legendary films, directed by Marc Caro and Jean-Pierre Jeunet, who shook up French cinema in the 90s and brought out the immense talent of Darius Khondji AFC, ASC, a young DP at the time.
Darius was really my mentor during all these years, explains Franck Barrault. I started with him as an assistant in 1986. He accompanied me, nourished me and allowed me to evolve. As I could not see myself spending my life loading magazines with film, I turned to the lighting team, first as electrician and later as lighting director. Since my student days, my passion has always been to work with light. But my true sensibility in this field was built on Delicatessen' and City of Lost Children,' with Darius and gaffer Bernard Gemahling, who has great knowledge and a true sensitivity. That's where I learned the most: Worlds of pure fiction where you could invent anything, and a pool of talent at all levels. DP Philippe Le Sourd ASC, with whom I started out as a gaffer on Cantique de la Racaille' in 1997, was also Darius assistant.
ARRI Orbiters illuminate a commercial shot by DP Philippe Le Sourd ASC
Philippe Le Sourd, who later established himself as a great international DP, working with Sofia Coppola, Wong Kar-Wai, and Ridley Scott, remained loyal to Franck Barrault on his French productions. They collaborated on Peut- tre, an ambitious film directed by C dric Klapisch, and Atomik Circus by Didier and Thierry Poiraud. With Philippe, I have a certain complicity. We have the same references, and we understand each other with very few words. He is a very demanding person. He always pushes to the maximum until he gets what he wants. He doesn't compromise and I have to live up to that in terms of lighting.
With Darius Khondji, Franck Barrault has only worked once as a gaffer, on Stephen Frears' Ch ri in 2006, but the experience was memorable. What I like about working with Darius is that he completely integrates the lighting director into the creative process. During the prep, he took me to see all the sets, right down to the choice of wallpaper, the color of the curtains or the material of the costumes. He invited me to tests and projections, so that I could discuss all the lighting details with him. This adds a vision to my work. It's fascinating and, above all, indispensable if you want to do the lighting right on a feature film. Ch ri' was a founding film for me. Suddenly, I was shifting into high gear.
Since that time, light sources have changed with the arrival of LED fixtures. Franck Barrault quickly realized what ARRI SkyPanels could do for his craft. I was one of the first to use them. I immediately understood their potential. The simple fact of being able to dim without changing the color temperature: It was a real joy! No need to lower the lights and change the gelatins to adjust the colors. Not to mention that everything could be controlled from an iPad or a console. It was a true revolution that completely changed my job as a gaffer. ARRI brought a stable product to a market that was a bit of a jungle. The SkyPanel immediately became a standard of quality, a sure value. Today, I would like to see ARRI develop the product further, including an IP64 version and integrated power supplies. That would save us installation time. At the end of the day, the real benefit of LEDs is that they allow us to work much faster, which is important with the reduction in turnaround times. It gives us more time to fine-tune the light on set.
The ARRI Orbiter and SkyPanels on set of Netflix series D tox
In his career, the gaffer has regularly worked on genre films that require the creation of unusual lighting atmospheres, far from the ambient naturalism. It interests me to get the image as close as possible to what the director has in mind, Franck Barrault explains. On How I became a superhero' (Netflix), a fantasy film where we had to create improbable atmospheres, we built the villain's hideaway in an old, abandoned racetrack. DP Nicolas Loir AFC had this idea to have very dense green curtains installed all along a large bay window. On the outside, I had a scaffold built with eight SkyPanels that lit the window a little bit below, so that the light would come up through the curtains. Inside, I used SkyPanels to reduce the contrast of the image which was quite dense. It created a very interesting atmosphere.
On Seuls,' another fantasy film I worked on, we had a sequence with children driving an armored van they stole at full speed. In the studio, I had set up a lighting installation with thirteen SkyPanels S120 dedicated to the green screen and sixteen SkyPanels S60 illuminating the interior of the van. All of them were connected to a DMX console and all I had to do was to program them. With SkyPanels, it's very easy to create traffic effects for chases while integrating flash effects of police cars-all with the same light. SkyPanels have really brought that speed of color change, even within a shot. I could create effects that were previously complex with ease now. Suddenly, a lot of things became possible.
A shot behind the scenes of Seuls from director David Moreau
For Franck Barrault, creating the lighting on a set not only consists of adding lights. The gaffer has developed an original method to create light subtraction without deploying installations that are too heavy. On Le Semeur,' a beautiful feature film shot by DP Alan Duplantier in the C vennes mountains, we had little resources, and 70 percent of the film was shot on location in summer. Rather than trying to bring the light in a soft mood (shadows or clouds), I suggested removing light to create contrast on the characters. It's a
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
07/05/2026
Two multi-role L3Harris products - the Red Wolf launched effects vehicle and SK...
07/05/2026
L3Harris will be developing key features of a secure and resilient digital infra...
07/05/2026
Alysa Liu and Shohei Ohtani Help Drive Viewership as 91 of the Top 100 Broadcast...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Cobalt Digital Wins Two Future Best of Show Awards at 2026 NAB Show
Manufacturer Recognized by TV Tech and TVBEurope for Innovation in signal processing
Cobal...
07/05/2026
Software and hardware platforms, AI power and user-friendliness on show...
07/05/2026
Intinor will demonstrate its latest technical enhancements for the Direkt series at BroadcastAsia 2026. With a continued focus on reliable contribution and remo...
07/05/2026
Bitmovin has announced that MUBI has chosen Bitmovin as its cloud VOD encoding partner, replacing MUBI's legacy on premises encoding setup to improve scalab...
07/05/2026
Meet Graduates from Berklees Class of 2026 Members of this years graduating class reflect on their proudest moments at Berklee and look ahead to whats next.
...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
At BroadcastAsia 2026, Interra Systems will demonstrate its latest innovations in automated quality control (QC), real-time monitoring, and captioning. The comp...
07/05/2026
At this year's Broadcast Asia, PlayBox Neo is set to unveil recent innovations across its PlayBox Neo Suite and integrated range of broadcast media solution...
07/05/2026
Strategic three-year partnership marks delivery phase of BFBS' next-generation media vision
Media organisation and military charity BFBS (British Forces Br...
07/05/2026
Amagi, the agentic industry cloud platform for unified broadcast, streaming, and monetization, today announced the availability of its In-Content Ads offering v...
07/05/2026
Lightware Visual Engineering has developed Rack Taurus for rack-based environments such as education and corporate training spaces. It enables clean and simple ...
07/05/2026
Jigsaw24, the UK's leading media equipment supplier and systems integrator, will showcase its expanded end-to-end workflow capabilities at MPTS 2026, signal...
07/05/2026
Ease Live, an Evertz company, today announced that it has been granted a US Patent for its proprietary graphical overlay technology, the foundation for interact...
07/05/2026
Test & measurement innovator Leader Electronics of Europe will present an extensive range of Leader, PHABRIX and LeaderPhabrix test and measurement solutions at...
07/05/2026
At Broadcast Asia 2026 (Stand 5H3 8), LiveU is redefining live production with its most powerful IP-video EcoSystem to date built to help broadcasters and con...
07/05/2026
January 8, 2024
Colorfront (colorfront.com), a leader in high-performance, on-s...
07/05/2026
February 9, 2024
Colorfront (colorfront.com), the multi-award-winning pioneer i...
07/05/2026
March 20, 2024
NAB 2024, Las Vegas - Colorfront (colorfront.com), the multi-awa...
07/05/2026
April 1, 2025
CINEMACON, APRIL 1, 2025 - Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming syste...
07/05/2026
June 15, 2025
Colorfront (colorfront.com), an Academy and Emmy Award-winning de...
07/05/2026
June 15, 2025
Colorfront participated in the ICTA Barcelona Cinema Technology Summit on Sunday, June 15, 2025. Held at The Phenomena Experience, the event feat...
07/05/2026
July 1, 2025
Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming systems for motion pictures, OTT,...
07/05/2026
July 1, 2025
Passion and dedication will take you places. Come with us on a short trip to the heart of India, where Annapurna Studios is living-up to the inspi...
07/05/2026
July 3, 2025
Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming systems for motion pictures, OTT,...
07/05/2026
September 1, 2025
IBC 2025, Amsterdam - Colorfront (colorfront.com) - the Acade...
07/05/2026
April 17, 2026
LOS ANGELES - April 17, 2026 - Colorfront today announced Colorf...
07/05/2026
April 23, 2026
NAB 2026, Las Vegas - the Academy and Emmy Award-winning develop...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Recreating the 1974 Doctor Who Time Tunnel in After Effects
Graham Quince May 6, 2026
0 Comments
The Time Tunnel from Doctor Who titles is one of th...
07/05/2026
Back to All News
Red Chillies Entertainment and Netflix Present the Trailer of ...
07/05/2026
Production sound mixer Dirk Sciarrotta has mixed Family Feud for 28 seasons. Thats up to 200 syndicated episodes per year, plus primetime celebrity specials - a...
07/05/2026
As audience expectations have evolved, Owen has stopped trying to hide microphones or excuse amplification. Instead, he treats sound as a fully immersive part o...
07/05/2026
Well known Irish faces pushed to the edge in new series of
Uncharted with Ray G...
07/05/2026
RT will premiere A Traveller Family, a compelling new documentary exploring the...
07/05/2026
Less typing, more tanking.
Faster logins mean more time in the gaming action - and this week provides GeForce NOW members with a smoother path straight into th...
06/05/2026
Gravity Media Chief RF Communications Engineer Glenn Willems uses Wisycom RF over Fiber and wireless solutions across major cycling events and international mar...
06/05/2026
A Sennheiser Spectera module is now available in Bitfocus Companion and Buttons, enabling direct integration of Spectera with the two software platforms. The mo...
06/05/2026
Ted Turner, the visionary media entrepreneur whose appetite for disruption helpe...
06/05/2026
Peacock is going all-in on the beautiful game - streaming all 104 FIFA World Cup...