
With public cloud ready to transform live sports distribution models right now, Arqiva's Greg Burns argues that democratisation - making cloud simple, accessible and cost effective for all - is key to unlocking its true potential.
If content rules, then distribution is the power behind the throne. And increasingly, distribution is changing.
Gone are the days when the only options of delivering live sports content were through fibre in the ground or satellites in the sky. The public cloud has changed all that.
Rights holders and broadcasters can now take advantage of the capabilities of cloud to radically simplify partner distribution, streamline and automate production operations and transform the cost base by moving from traditional CAPEX approaches to OPEX-based models.
So, instead of having to invest in physical fibre or satellite infrastructure (or interchanges) for content contribution and distribution, rights holders can send their live event footage via the internet to public cloud. Broadcasters can pick it up in the same place; process it, then distribute it via the internet to platforms and channel partners all over the world. Suddenly, the world of live sports becomes available all over the world. And all you pay for is the bandwidth and services you use, when you use it.
This allows broadcasters and rights holders to be much more agile. They can test new markets, experiment with new fan experiences and take advantage of a growing cloud-based ecosystem of partners and technology providers to do things differently, more quickly and with considerably less risk than ever before. In short, everyone gets to innovate and learn without the fear (or financial costs) of failure.
Public cloud has, for example, made it possible for golf fanatics to see every shot live from every green. This kind of real-time scale' is simply not possible with traditional fibre and satellite models. It would be too expensive to get all the infrastructure in place.
In the same way, football fans can view highlights mere seconds after the action has happened on their social media apps. If the content's already in the cloud, it can be processed there without the (relative) time and expense of moving content from one infrastructure to another to create the clips, then having to move it back again to deliver to the social platforms. It all happens in one place.
Similarly, racing enthusiasts can analyse engine and driver performance in real time because multiple concurrent feeds are radically easier to manage in the cloud. And, of course, commentators and presenters can share an almost innumerable number of live action stats thanks to AI-driven analysis services that working away in real time (again in the cloud).
This isn't about technology. Cloud is all about reach, audience experience and getting maximum ROI from your rights and channel partnerships.
While this may be nothing new these capabilities and services have been around for a number of years. However, such cloud-enabled innovations havent always been accessible to everyone. Smaller rights holders or broadcasters/platforms lack the budgets and technical expertise to create these advanced, cloud-based models. To put it bluntly, NFL-style fan experiences have necessitated NFL-style budgets.
Happily, as adoption grows in the live sports space, and as service and application developer communities expand, the capabilities previously only available to a few major rights holders and networks are now perfectly accessible by everyone.
Much of this is down to the fact that cloud perhaps uniquely brings services closer to the content. Rather than spending time and money moving content from one physical infrastructure to another, it can be delivered directly into the cloud (whether by traditional or IP delivery) and processed while it's up there. Then it can be distributed in any format, wherever it needs to go. Simple.
More to the point, as cloud maturity grows and wider ecosystems develop, brands be they broadcasters or rights holders no longer have to manage the heavy lifting themselves. They can, and arguably should, plug into existing communities. Not only is there no need to reinvent the wheel but creating more open and accessible ecosystems benefits everyone delivering economies of scale, driving innovation and optimising returns.
Arqiva's Arqade is one such platform that's aiming to do exactly that. Taking advantage of public cloud, Aqade brings rights holders/originators and broadcasters/recipients together. The former have a single virtual interchange where they can showcase and syndicate content to the latter who can rapidly discover, review and request that content to create new channels or fill live event schedules. All in the cloud, without having to invest in masses of physical infrastructure or build their own future-ready cloud environments.
So, let's democratise the public cloud to unlock its very real transformational impact on live sports distribution. Next time, we'll look in more depth at the developing public cloud ecosystem and why integration is the catalyst for ever greater innovation and transformation.
Published
04/07/2022
Author
Greg Burns, Head of Media Products
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
13/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/04/2026
Explore new Disguise plugins, including Sony's VP integration; Listen to panels across partner booths at Sony and B&H
Disguise, the company powering everyt...
13/04/2026
TAG Video Systems, the leading IP-native Realtime Media Platform, has announced its participation in the Media Exchange Layer (MXL) interop initiative. TAG has ...
13/04/2026
Today, Chaos launched V-Ray for Blender Community Edition at BCON Austin 2026, making its production-proven 3D renderer free for all Blender users. The same Aca...
13/04/2026
Additions strengthen LTN's leadership as broadcasters scale satellite-to-IP transition
LTN today announced the appointments of Mark Romano as Vice Presiden...
13/04/2026
LEEDS, UK, APRIL 13, 2026 NUGEN Audio releases Halo Vision v1.2, a significant update to its real time, customizable audio analysis suite for 3D, surround and...
13/04/2026
Atomos today announced the acquisition of Flanders Scientific (FSI), one of the most respected names in professional reference monitoring. This strategic move r...
13/04/2026
How Mei Semones Built Her Sound from J-Pop, Jazz, and Bilingual Songwriting The indie-pop artist combines agile guitar lines, rhythmic shifts, and lyrics that...
13/04/2026
Cue the Change: Jonathon Heyward Is Making Classical Music More Relatable Nicknamed the Converse Conductor, the Boston Conservatory alum holds top conductin...
13/04/2026
Heat Wave: Inside Miamis Sizzling, Boundary-Blurring Latin Music Scene In a city shaped by migration and exchange, Berklee alumni are helping drive a Latin mu...
13/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/04/2026
DHD audio, developer and manufacturer of digital audio systems for professional broadcast, has launched a comprehensive brand update to mark its 30th anniversar...
13/04/2026
Stegawave, an Irish technology company specialising in forensic watermarking for video content, today announced the launch of its anti-piracy platform for live ...
13/04/2026
New version of Quortex PowerVu delivers a standards-based approach to satellite-to-IP transitions, eliminating the need for baseband workflows and complex infra...
13/04/2026
Grass Valley LDX camera systems enable leading German production company to support broadcast and cinematic live production within a single environment.
Grass ...
13/04/2026
London, UK, 13 April 2026 Techex and MediaKind today announced a partnership to integrate Techexs IP transport and orchestration technology, tx edge, directly...
13/04/2026
In today's hybrid education environments, there is no one-size-fits-all' AV solution. Lightware's extensive AV portfolio addresses this challenge, ...
13/04/2026
Mediaproxy, the global standard for software-based IP compliance monitoring and multiviewing solutions, has developed a new suite of AI-powered tools designed t...
13/04/2026
Freelance Video Cameraman - Los Angeles
Brie Clayton April 13, 2026
0 Comments
Freelance Video Cameraman
April 8, 2026COW Jobs: Director Needed for ...
13/04/2026
Atomos to Acquire Flanders Scientific
Brie Clayton April 13, 2026
0 Comments
Strengthening commitment to precision monitoring, from camera to delivery...
13/04/2026
Digital Anarchy Announces ShotNotes, A Notepad and Task Tracking Panel for Premi...
13/04/2026
NAB 2026 Live Demo at HP Booth Highlights JALI Powered Interactive AI Character ...
13/04/2026
Manifold Introduces AT300 Multiviewer Support at NAB 2026
Brie Clayton April 13, 2026
0 Comments
and adds HDR-SDR conversion to the recently announced...
13/04/2026
RT Radio 1 has today launched a significant step in its ongoing strategic evolution. Following the launch of its brand-new schedule late last year, RT Radio 1...
13/04/2026
The Late Late Show Opening Act, the search for Ireland's newest country musi...
13/04/2026
RT has today announced the appointment of Annemarie Britz to the position of Chief Financial Officer, RT following a public competition.
Annemarie Britz is c...
12/04/2026
Headphone system designed for immersive monitoring
With the demand for immersive audio showing no signs of slowing down, lots of companies are turning their...
12/04/2026
Beeble expands AI production workflow ahead of NAB 2026 with background remover
Brie Clayton April 11, 2026
0 Comments
Ahead of its upcoming participa...
12/04/2026
Like and Transcribe Mei Semones BM '22 blends languages and techniques to create her singular style.
April 10, 2026
By
Bryan Parys
Mei Semones BM '...
12/04/2026
Cue the Change Nicknamed the Converse Conductor, Jonathon Heyward BM '14 is making classical music more relatable.
April 10, 2026
By
Sarah Godcher Murp...
12/04/2026
Heat Wave Inside Miamis sizzling, boundary-blurring Latin music scene.
April 13, 2026
By
Ricardo Herrera Bandrich
Image by Stella Levi
Down there: Thats ...
11/04/2026
Engineer collective welcome Freddy Knop
Infrasonic, an award-winning collective of audio engineers operating out of Nashville and Los Angeles with credits r...
11/04/2026
Combining launched effects with a proven mission aircraft, Red Wolf and SKY RAI...
11/04/2026
3D printed RL10 rocket engine combustion chambers shown in the manufacturing are...
11/04/2026
Sachtler Highlights Comprehensive Camera Support Solutions at NAB 2026
Brie Clayton April 11, 2026
0 Comments
Sachtler showcases advanced camera suppo...
11/04/2026
Sohonet Launches Media Fabric: A Unified Managed Infrastructure Suite for Film, ...
11/04/2026
AJA Unveils BRIDGE LIVE IP with SMPTE ST 2110 I/O
Brie Clayton April 11, 2026
0 Comments
New IP video solution streamlines modern productions, providi...
11/04/2026
InSync Unveils Advanced Video Processing and Frame Rate Conversion Solutions at ...
11/04/2026
Amagi Launches Newspulse: An Agentic AI Platform That Autonomously Turns Live Ne...
11/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...