Johan Bolin, CTO at Agile Content argues that successfully re-defining broadcast comes down to incorporating web-based technologies throughout the end-to-end content production process
By Contributor
Published: May 13, 2021
Johan Bolin, CTO at Agile Content argues that successfully re-defining broadcast comes down to incorporating web-based technologies throughout the end-to-end content production process
target=_blank title=Share on LinkedIn class=share-linkedin>
The TV broadcasting industry has gone through a huge amount of change in recent years - all driven by the ongoing digital revolution. On the one hand, this has opened up a world of new possibilities, enabling broadcasters to provide new services, drive operational efficiencies and reach different audiences.
On the other hand, the increasing focus on the internet and other technology-driven trends has significantly intensified the level of competition in the industry. Traditional broadcasters are now having to compete with a wide range of streaming services, all of which have a global reach and the expertise to quickly capitalise on the technological opportunities that come their way.
This has accelerated the consumer shift towards on-demand services. The likes of Netflix and Amazon Prime are able to offer the user experience, range of content and video quality that consumers are looking for. Then there's user-generated content from influencers and the public, which is enhancing the challenge even further by forming close, direct relationships with their loyal following.
As such, traditional broadcasters are having to rethink their approach. Although many are adopting OTT delivery models to meet customers' evolving expectations around on-demand content, there is still a technical disconnect between how live content is distributed and how it is produced.
Mind the gapThe big issue facing linear TV providers is that they are currently restricted when producing content. They are restricted by physical connections, i.e. the cameras they have access to for each show. A cooking show and a news show will both have access to a specific, pre-determined set of cameras, presenting a clear lack of flexibility when it comes to quickly adding new feeds.
Having production processes and technology designed in this way makes it difficult for video content to be contributed upstream. For example, when broadcasters create a live news show today, the production pipeline tends to be pre-defined and limited by their SDI infrastructure. They can only use sources and cameras - whether connected to the SDI switch in the newsroom or remotely connected via satellite links - that have been plugged into the environment hours before the live event happens. Spontaneously adding a new camera to the production pipeline during the show is very complicated, and even more so if it is a different kind of camera - whether that's a smartphone or professional camera.
The syncing, mixing and curation of live content is all carried out in the local, high bitrate SDI domain. This means that the cameras and feeds that will be used during the broadcast have to be connected and established in the process in advance, and that the curated output is limited to those sources only.
This continuing reliance on legacy processes and specialist equipment as opposed to web-based technologies and today's highly capable consumer devices - even though the internet has been well proven as a distribution channel - illustrates the disconnect that has emerged between content distribution and production. The distribution model is no longer the limiting factor it once was and, as a result, more broadcasters are starting to realise that there are now alternative options available.
The simple truth is that TV needs to transform, as the way content is being produced and distributed is currently out of sync. This gap must be effectively bridged if broadcasters want to remain competitive in the future.
The future callsIt has quickly become clear that successfully re-defining broadcast comes down to incorporating web-based technologies throughout the end-to-end content production process. By moving the production stack over to the same technology as the distribution stack, broadcasters will open up new ways to produce and curate content.
For example, taking a web-based approach means any connected device can contribute to the production process. Broadcasters can quickly and easily connect a wider range of devices, such as smartphones, via the internet and gain access to different types of content - which can be controlled by policies rather than by physical access.
Roaming citizen reporters' could share live video from their smartphones on-site at events or incidents to add local insight to news reports. Team coaches could provide a closer and more intimate perspective than broadcast cameras, or backstage content recorded by a popular music artist could be used as part of an awards programme such as the Grammys.
Also, by adopting a web-inspired approach that treats video sources as global resources, producers in the curation process can find themselves accessing and tapping into a larger repository of both live and on-demand content. And since the distribution is unicast anyway, significantly more content variations can be produced and delivered.
As a result, the viewer experience and content can be personalised to the user and context. Content can be selected and curated based on users' interests and location in a cost-effective way. That's the beauty of cloud and the internet. Content formats that benefit from public' contributions - e.g. local news or sports and entertainment - can significantly benefit from the speed, flexibility and scalability that web-based technologies can provide.
This is all just scratching the surface of what's
Most recent headlines
11/12/2025
Dalet, a leading provider of cloud-native, end-to-end media workflow solutions, ...
19/11/2025
Sphere Sound Kicks Up Its Heels at Radio City Music HallUltra-immersive system from the singular Las Vegas venue is also ready for sportsBy Dan Daley, Audio Edi...
19/11/2025
The Future of Stadium and Arena Video Control Rooms: Tech Leaders Talk 4K, IP, a...
19/11/2025
One Year at Intuit Dome: Walking Through the Stunning Arena's Advanced Video...
19/11/2025
SVG Sit-Down: IMG's Francois Westcombe Goes Inside IMG's Annual Digital ...
19/11/2025
Inside Brighton & Hove Albion's fan-first media machine By George Bevir
Tuesday, November 18, 2025 - 10:10
Print This Story
Brighton & Hove Albion'...
19/11/2025
Rock Chalk Rebuild, Part 1: Kansas Athletics Brings New Production Power to Rebu...
19/11/2025
Rock Chalk Rebuild, Part 2: A Pro's Guide to Kansas Athletics' New Video...
19/11/2025
MLB Media Rights Shakeup: NBC Inks Three-Year Deal for Sunday Night Baseball, Pe...
19/11/2025
Rohan Parashuram Kanawade attends the premiere of Sabar Bonda (Cactus Pears) at the 2025 Sundance Film Festival at Egyptian Theatre on January 26, 2025, in Pa...
19/11/2025
Awards season is heating up, and the International Documentary Association just ...
19/11/2025
Aerojet Rocketdyne President Ken Bedingfield and Arkansas Gov. Sarah Huckabee Sanders were joined by state and local officials to celebrate the groundbreaking o...
19/11/2025
L3Harris and PentenAmio formalise their teaming agreement at MilCIS 2025, streng...
19/11/2025
Calrec gives Phoenix Broadcast Solutions its full support in strategic multi-year enterprise partnership New Singapore OB company invests in Calrec technology f...
19/11/2025
October brings a larger audience in front of TV screens. The cooler autumn weather and the continuation of new programming schedules brought increases in both t...
19/11/2025
IRVING, Texas Nexstar Media Group and Tegna filed applications on Nov. 18 with the Federal Communications Commission (FCC) seeking its consent to transfer broad...
19/11/2025
Vitec has acquired Datapath, a developer of real-time video processing for large-scale video walls, AVoIP content distribution and KVM control in mission-critic...
19/11/2025
NEVADA CITY, Calif. Telestream has introduced ARGUS Version 2.3, which introduces Live Look, a feature that lets operators inspect live and on-demand streams vi...
19/11/2025
STAMFORD, Conn. and NEW YORK Charter Communications, Inc. has announced a major deal with Amazon Web Services (AWS) that establishes AWS as one of Charters stra...
19/11/2025
TOKYO Atomos has announced a major firmware update that brings integrated camera control to the Ninja TX GO and Ninja TX its new CFexpress-based monitor-recor...
19/11/2025
Berklee's Signature Series Reimagines the Musical and Visual Artistry of Col...
19/11/2025
PlayBox Neo departed the NAB Show New York 2025 on a high note. The company's all-new PlayBox Neo Suite made a splash on the show floor, drawing strong inte...
19/11/2025
AAVBR (American Audio Visual Baton Rouge), a leading full-service event production company serving Louisiana and the Gulf Coast region, has enhanced its product...
19/11/2025
In its mission to deliver live event services combining advanced engineering with a creative approach to captivating live sports and entertainment experiences, ...
19/11/2025
NEW YORK Short-form vertical video has exploded across platforms like TikTok, Instagram and YouTube, but a new survey commissioned by Media.net, a provider of c...
19/11/2025
NEW YORK YES Network, the regional sports network home of the New York Yankees and Brooklyn Nets, and CAMB.AI have struck a partnership they said will leverage ...
19/11/2025
WASHINGTON The Federal Communications Commission has issued detailed guidance on filings that were disrupted by the government shutdown. While many of those fil...
19/11/2025
NEW YORK The popularity of NFL games is largely responsible for continued seasonal momentum in TV viewership into October (measured Sept. 29-Oct. 26), according...
19/11/2025
DirecTV has announced that its MyFree DirecTV streaming service has added seven new channels. Those include four sports services, NBA FAST, Red Bull TV, DAZN Ri...
19/11/2025
SURREY, U.K. Mark Roberts Motion Control (MRMC) has launched Flair Bridge, a compact device that transforms how operators control the company's motion-contr...
19/11/2025
WASHINGTON The Federal Communications Commission, which is continuing to rapidly ramp up its operations after the end of the federal government shutdown, has se...
19/11/2025
IRVING, Texas Nexstar Media Group and Tegna filed applications on Nov. 18 with the Federal Communications Commission (FCC) seeking its consent to transfer broad...
19/11/2025
Martin Freeman, Jessie Buckley, Wu-Tang Clan's Raekwon, Eddie the Eagle and ...
19/11/2025
Rohde & Schwarz collaborates with Broadcom to enable testing and validation of n...
19/11/2025
Back to All News
Innato, starring Imanol Arias and Elena Anaya, arrives on Netf...
19/11/2025
Back to All News
Guillermo del Toro Sits Down With Troll 2 Director Roar Uthaug...
19/11/2025
Some projects feel monumental from the moment the first phone call comes in. When BCE, the host broadcaster appointed to coordinate the national coverage, asked...
19/11/2025
November 19 2025, 08:00 (PST) BAY AREA HOST COMMITTEE AND DOLBY PARTNER TO DELIVER IMMERSIVE FAN EXPERIENCES
During the Week of Football's Biggest Game...
19/11/2025
Michael D. Higgins: Ireland's Ninth President features RT Archives footage and interviews across seven decades
Watch Wednesday 19 November at 9:35pm on RT...
19/11/2025
Scripps Research scientists receive $1.1 million to advance AI modeling for HIV vaccine development New AI system helps scientists rapidly pinpoint the most pro...
18/11/2025
Independent media across Central America are operating under intensifying financial pressure, yet there is a clear appetite for models that can sustain both ind...
18/11/2025
NBA Debuts New Comms Infrastructure and Systems for RefereesTwo-phase rollout is intended to improve game flow, enhance officiating accuracyBy Dan Daley, Audio ...
18/11/2025
Platinum White Paper: How Aggreko Delivers Certainty For Broadcasters On The Wor...
18/11/2025
Kiswe Extends DTC Products With Kiswe Core Cloud-Based Tool for Distributing Con...
18/11/2025
Spanish Basketball Federation partners with ScorePlay to power digital transform...
18/11/2025
HBS selects BBright encoders and decoders to connect ST 2110 live production wor...
18/11/2025
Ashes to Ashes: Inside TNT Sports' hybrid and maverick' production plan...
18/11/2025
SVG All-Stars: Mimi Fotopoulos, Director, Talent and Production Operations, Tenn...
18/11/2025
SVG LIVE! Conference Explores the Tech Side of Sports and Entertainment ConvergenceLive sports and music productions increasingly share gear and infrastructureB...
Johan Bolin, CTO at Agile Content argues that successfully re-defining broadcast comes down to incorporating web-based technologies throughout the end-to-end content production process
