--
Blackmagic Design announced today that The Cleansing Hour, starring Ryan Guzman, Kyle Gallner and Alix Angelis, utilized Blackmagic cameras, ATEM switchers and converters in production, as well as DaVinci Resolve Studio in post production, to create the unique show within a show horror film.
Millennial entrepreneurs, Drew and Max, run a popular webcast that streams live exorcisms. But the performances are, in fact, elaborately staged hoaxes. The two get their comeuppance when their newest actress becomes mysteriously possessed by a real demon that holds the crew hostage. The film premiered on streaming channel Shudder on October 8th.
The concept originated from director Damien LeVeck's background in reality television. Ive observed that whenever people see a video on the Internet, especially if its of lower quality, they automatically think it looks and feels more realistic. And this was during a time when people were putting more and more outrageous things on Facebook, just for attention. So, I wondered what would happen if somebody was trying to fake an audience with exorcisms and then was forced to deal with a real one?
With a film that involved a webcast as part of the primary plot, LeVeck relied on Blackmagic Design equipment to create the complex video broadcast setup that drives the story. As the characters struggle to handle the real demonic elements that infect their webcast, on camera screens would show the action real time. LeVeck used Blackmagic Micro Studio Camera 4Ks to capture high quality imagery of the drama, knowing that the cameras would cut well with the main unit photography.
The biggest challenge, said LeVeck, was shooting a movie about guys who are making a show in a single room, but still make it look interesting. Coverage was always a challenge, there were cameras pointing in every direction.
With active cameras on set feeding monitors, the main camera was tasked with staying out of their shot while still covering the action. LeVeck chose the Blackmagic Micro Studio Camera 4Ks because of their small form factor and interchangeable lenses. We liked that the Micro Studio Camera 4Ks really held up fairly well in low light. We creatively chose to make a dark set and the Micro Studio Camera 4K made a very nice picture even in low lighting.
Cameras were fed into an ATEM Television Studio Pro HD switcher, which fed the onset monitors. We really liked that you could control the Micro cameras from the ATEM, allowing us to build a functioning studio set within a set, and for a relatively low cost. Additional gear, including two SmartView 4K monitors for multiview from the switcher, and two Teranex AV standards converters to convert additional analog cameras for the switcher, created the active production set where the action takes place. Multiple Micro Converters were also used to modify signals in and out of monitors.
With the onset video setup handled by Blackmagic gear, LeVeck was faced with the challenge of creating the movie on a limited budget and short schedule. There were so many challenges in shooting this movie, added LeVeck. The biggest thing was really just schedule. We had to move very quickly, we didnt really have a lot of time to waste because every day there was a different combination of makeup effects, special effects, stunts, pyrotechnics, that take a lot of time to set up. It was a huge logistical challenge to get everything filmed on time and in a creative way.
With the story hinging on the reality of the characters working a real broadcast setup, LeVeck was excited that the set was real, not just props. Because all of the cameras and Blackmagic gear on set were functioning, Kyle Gallner (Drew) was able to interact directly with the ATEM to switch cameras and play out graphics. A tangible, functioning set was immensely helpful for Gallner to create a more authentic and natural performance.
With principal photography completed, LeVeck and his team finished the film in DaVinci Resolve Studio. It was an incredible experience. Resolve is phenomenal software for creating the look and feel of your finished movie while working with speed and efficiency.
Looking for ways to be even more efficient, the team utilized Resolve's collaboration tools. First and foremost, just the conform process was seamless. We used a Resolve set up in my office, and with a shared workflow I had one editor conforming one reel while another editor was conforming a different reel. They were able to work on the same project at the same time.
With conform finished in house, the DaVinci Resolve Studio project was taken to Banana Post in Burbank where colorist Chad Mumford created the final look over a three week period, also in DaVinci Resolve Studio. Cinematographer Jean-Philippe Bernier brought in a variety of still frames from other projects with looks he wanted to emulate for various parts of the film. Mumford imported the stills and used them as layers over the grade. (Bernier) was inspired by a particular scene in David Finchers SE7EN' that had a very fast shadow roll off and slightly green blacks, said Mumford. Nothing is better as a colorist than being able to pull those stills into the project and compare them directly to your grade.
Mumford applied a favorite technique to the dark, ominous photography in The Cleansing Hour. I personally find myself emulating film when I grade. One of the plug ins we were able to incorporate into the grade was FilmConvertPro. We did a luminance selection of the deep blacks, used FilmConvert to add grain and then inverted the selection. This is especially apparent in the scene where Max (the Priest) is being burned by the stage lights. We had a lot of fun experimenting with grain and Resolves keying and HSL selection tools made it possible to create a subtle, unique film look.
With more
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
23/07/2026
Download Now!
To receive a short case study showcasing Vivid Broadcast's audio setup, please enter the following details:
--
First Name* First Name ...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Witbe brings its AI-native testing and monitoring infrastructure to Amsterdam: demonstrations on real devices, a peer-reviewed technical paper in the conference...
23/07/2026
Quickplay, Caretta Research, Evergent, and Yospace have announced that the renowned IBC Pride Happy Hour will once again bring the vibe and fun back to IBC on F...
23/07/2026
At IBC2026, Interra Systems will present this year's focus: operational AI at scale for QC, monitoring, and captioning workflows. The industry has moved pas...
23/07/2026
Illusionfx is finally coming!
Alex Perea July 23, 2026
0 Comments
The new website is now live to mark the occasion.
Since the last update, feedback h...
23/07/2026
Evergent (5.A86) will showcase its Agentic Revenue Orchestration Platform for streaming services, sports leagues, pay-TV operators at IBC2026 (RAI Amsterdam, 11...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
23/07/2026
David Dvir, 2D founder (left), Sundeep Reddy (center), and Jean-Marc Bouchut (right), both of Zeiss...
23/07/2026
Screen Australia announces new national documentary accelerator program 23 July 2026
Screen Australia has today announced the Above the Line Documentary Accel...
23/07/2026
RT Commercial has today announced Centra as the official food partner once again of The Traitors Ireland, coming to RT One and RT Player later this year.
Ce...
23/07/2026
RT Commercial today announced Honda as sponsor of Today with David McCullagh RT Radio 1, weekdays 9am 11am.
Broadcasting directly after Morning Ireland in ...
23/07/2026
RT News is pleased to announce Barry Gallagher has been assigned as the new journalist covering news from Cork, Kerry and the wider Southern region
Working al...
23/07/2026
Lock in and load up the cloud. GFN Thursday brings fresh updates and new adventu...
22/07/2026
Among other tweaks to coverage, the broadcaster added announce positions in the ...
22/07/2026
The Australian Sports Technologies Network (ASTN) has reported a sharp acceleration in Australia's sportstech sector, with revenue growth rising from 10% in...
22/07/2026
From a retrofitted broadcast bus to packed Match Day Live! events, Bennett detai...
22/07/2026
TMRW Sports has named Brendan Donohue as President, Flag Football, where he will lead the company's professional flag football business in partnership with ...
22/07/2026
Stephen Arnold Music (SAM) designed and produced soundtracks for nine projection...
22/07/2026
Harmonic has announced a $25,000 donation to Global Empowerment Mission (GEM) fo...
22/07/2026
Telemundo has announced it has acquired from UC3 exclusive U.S. Spanish-language...
22/07/2026
The Rest Is Football, hosted by Gary Lineker, Alan Shearer, and Micah Richards, ...
22/07/2026
Sports Studio has announced a partnership with TheSoul Group to distribute Free ...
22/07/2026
Daktronics has concluded its 2026 High School Video Summit, a two-day hybrid event combining virtual sessions with hands-on host school visits across the countr...
22/07/2026
FOR-A America will exhibit at the MMCA Show in Pensacola, Florida (July 21-24), marking the company's first appearance at the house of worship AV event. FOR...
22/07/2026
The New York Yankees have selected Lumen Technologies (NYSE: LUMN) to connect Ya...
22/07/2026
Calrec will exhibit at IBC 2026 (Stand 8.C47) with demonstrations of its IP-native audio ecosystem built around the Argo console range, and will announce two ne...
22/07/2026
Solid State Logic has announced the appointment of Algam EKO as its distributor for SSL large format consoles in Italy, covering the Live, Broadcast, and Studio...
22/07/2026
FloSports has announced the launch of the FloSports Channel, a free ad-supported streaming channel premiering on Prime Video in the U.S. on July 21. The channel...
22/07/2026
Banana Ball TV (BTV), the broadcast operation of the Savannah Bananas, has insta...
22/07/2026
SiriusXM and Audacy have announced an agreement bringing 42 Audacy sports, news, and talk stations from 29 U.S. markets to SiriusXM. Twenty-three Audacy sports ...
22/07/2026
The collaboration produced more than 500 short-form videos across four cities th...
22/07/2026
At 2,600 sq. ft., the new home of digital content houses a main studio, podcast space, and an auxiliary control room
NFL franchises are accelerating their prod...
22/07/2026
Library now available in Engine Player
Another of Eduardo Tarilonte's popular sample libraries has just been moved over to Engine Audio's Engine Pla...
22/07/2026
All-in-one mic & DSP interface overhauled
Cloudvocal have just refreshed the design of their all-in-one mic, audio interface and DSP processor, introducing ...
22/07/2026
The final boss of the lost dual-op-amp circuit
Electro-Harmonix have just introduced the Deluxe Big Muff Pi 2, which they say offers their latest take on t...
22/07/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Proven managed IP solution helps broadcasters confidently navigate the future of broadcast distribution
LTN announces it has completed successful satellite-to-...
22/07/2026
Today, Chaos announced V-Ray 7, update 4, eliminating the need for asset conversions and tool switching, which slow down media and entertainment pipelines. Arti...
-- 
