
Live From Men's Final Four: CBS Sports Director Mark Grant Gets His Shot In the Chair After 40+ Years In The Industry Grant is the first person of color to direct a televised major sports championship in the US By Brandon Costa, Director of Digital
Friday, March 31, 2023 - 9:10 am
Print This Story | Subscribe
Story Highlights
For the first time in the 40-year history of the NCAA Men's Basketball Tournament on CBS Sports, a new man will sit in the director's chair for the Final Four and the National Championship Game this weekend. Mark Grant, a five-time Emmy Award-winner and veteran shot-caller of NFL, college football, college basketball, and golf, takes on the role, succeeding Bob Fishman, a Sports Broadcasting Hall of Famer that hung up his headset a year ago.
Mark Grant will direct his first NCAA Men's Basketball Final Four on Saturday. (Photos: CBS Sports)
The historical magnitude of the change, though, extends far beyond a simple passing of the torch. It's also believed that Grant will become the first person of color to direct a televised major sports championship in the United States.
A 1981 graduate of LSU, Grant has been a trailblazer in the industry for more than four decades, first getting his start at ESPN before being hired by CBS Sports to direct NFL games when the network got NFL rights back in 1998. Since then, he's climbed the ladder, having directed games in every edition of March Madness dating back to 1999. Now, his time has come to sit in the director's chair for the Men's Final Four and the National Championship Game.
Prior to this weekend's games, SVG caught up with Grant to discuss his career, what it means to him to get this opportunity, what important lessons he has learned from his predecessor, what technological enhancements make the best storytelling tools, and what advice he would give to an aspiring live sports director today.
After more than 40 years in the business, you've done your fair share of big-time sporting events. What does it mean to you to finally get this shot at the Final Four and the National Championship Game on CBS?
I never expected it. When CBS hired me, they hired me to direct the NFL when they got the rights back to the NFL in 1998. I always really considered myself a football director who just happened to do basketball when basketball came along. So when they asked me to take the place of Bob Fishman - a guy who has been doing this for such a long time I was honored and kind of surprised that they thought enough of my basketball work to say, you're not just a football director. You're an excellent basketball director as well.' It kind of came out of left field, but I was thankful for the endorsement and for the confidence that they have in me to give me that opportunity. I'm just running with it. I can't believe it's me. I can't believe it's happening.
Grant has directed NCAA Tournament games each year since 1999. He was originally hired by CBS Sports in 1998 primarily as a director on the network's NFL package.
I see directors get asked a lot about how they put their own stamp on things when they take the director's chair on a property. Is that possible at this level? Or does March Madness have such an established identity that you mostly try to honor and carry on that?
Yea, you certainly want to stick to the model that's been set in place for such a long time but I'm also excited to have my own input. You can try to put your own stamp on it and just ruin everything. Forty years of hard work has been put into this [event]. I hope I can just come in here and do a great job. It's probably not going to look exactly like Bob Fishman did it because if you had any director come in they're gonna do it a little bit differently and I'm no exception to that. But I don't think the average viewer is going to be able to say, oh my God, that's not the same guy that's been doing it for 40 years. I don't think that's going to happen.
What did you learn from Bob Fishman over the course of your career? What was your relationship like with him?
Bob really welcomed me when I came to CBS in 1998. He has a passion for football just like I did, and he just taught me to really let the game come to you. Don't always be so aggressive and come of play-by-play [camera angle].
Sometimes the best cut is no cut at all. The best shot is staying on the camera that is play-by-play. I've painted myself in a corner many times, being too aggressive, cutting to the hero [shot] on a made basket and they steal the inbounds pass or someone steps on the line bringing the ball in. You miss that moment because you're so busy trying to cut shots. Bob really taught me that and I always think about that. I'm certainly not as aggressive as I used to be and I have Bob Fishman to thank for that.
How long ago did you first sit down with Mark Wolf to discuss working together on this project and in what ways do you typically like to build chemistry with a producer partner?
Mark and I have done a lot of basketball together, especially in our earlier years at CBS. We did [NCAA Tournament] Regional Finals together. I've known him a long time. He vaulted to the top of the college basketball world at CBS and I really didn't. When I got this promotion he called me and congratulated me, and told me to be me. To just do my thing and not to worry about copying Bob or anything like that. I really appreciate him for giving that vote of confidence.
He's he lets me do my thing, and through this journey so far, which started back in January. When we reunited for the first time, it's been a really wonderful experience. I know that he trusts me and that he'll take my ideas and implement them. Going into this Final Final,
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
03/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/09/2026
The EZDRM approach to Revenue Security on streaming video can be visualized as a multi-dimensional set of solutions. A growing dimension of that approach is the...
03/09/2026
From field capture to management, control and production, Kiloview will demonstrate one connected Hybrid AV-over-IP workflow including a complete 4RU producti...
03/09/2026
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, today announced Mediagenix Curation, a new...
03/09/2026
LucidLink, the Emmy-winning cloud-native file streaming platform for instant, secure access to large files, today announced the next step in its vision to make ...
03/09/2026
Fraudulent communications purportedly from Screen Australia 3 September 2026
Screen Australia is aware of scam attempts involving fake emails and promotional m...
03/09/2026
AJA Introduces FS8, Next-Gen 12G-SDI/SMPTE ST 2110 Media Processor
Brie Clayton September 2, 2026
0 Comments
AJA Video Systems unveiled FS8, a video a...
03/09/2026
Shooting Deadheading with Blackmagic URSA Cine 12K LF
Brie Clayton September 2, 2026
0 Comments
Bringing a small story to the big screen with dark com...
03/09/2026
OOONA Launches OOONA Go: Professional Localization Management for Small Companie...
03/09/2026
DURHAM, N.C. - East of Texas Durham has officially opened its doors at American ...
02/09/2026
Professional and collegiate clubs, leading vendors discuss current trends in stadium production
On. Aug. 12, the 2026 SVG Venues & Teams Summit explored the ev...
02/09/2026
SoFi Stadium, YouTube Theater, and Hollywood Park have completed an infrastructure upgrade expanding game presentation and broadcast production capabilities acr...
02/09/2026
Comcast Technology Solutions (CTS) has announced a suite of AI-powered workflow applications for broadcasters, content owners, and operators, built on its Video...
02/09/2026
The North American Broadcasters Association (NABA) and the Association of Professional Wireless Production Technologies (APWPT) have announced a partnership to ...
02/09/2026
Carolina Hurricanes, Anaheim Ducks, Columbus Blue Jackets, Dallas Stars, Minneso...
02/09/2026
New LED provides enhanced quality control, quicker show prep, detailed productio...
02/09/2026
Combines the Phat Drive with high-voltage valve circuit
The latest pedal from Keeley Electronics combines their popular Phat Mode drive pedal with an all-ne...
02/09/2026
Free version of virtual mixing room plug-in introduced
Lewitt's Space Replicator plug-in provides users with a virtual monitoring environment that aims ...
02/09/2026
Two new mixing & mastering plug-ins revealed
AIR Music Tech have just introduced the Stereophonic Bundle, a pair of processing plug-ins designed to provide ...
02/09/2026
Rohde & Schwarz has achieved initial verification of 3GPP Rel. 17 power-saving f...
02/09/2026
Bilbao - 3rd September 2026 -AgileTV, a leading provider of end-to-end TV and vi...
02/09/2026
Why agentic media supply chains need experience design built around visibility, reversibility and human authority
When AI can generate a functional interface ...
02/09/2026
Six-country survey finds 26% of sports fans frequently unable to determine where...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
KOKKEDAL, DENMARK, SEPTEMBER 1, 2026 DPA Microphones announces its new 6388 CORE Headset Microphone, a high-performance directional headset designed for dema...
02/09/2026
Pliant Technologies will highlight its CrewCom CXD 32CF 32x32 Dante /AES67 Digital Audio Network Interface, a powerful connectivity solution designed to expand ...
02/09/2026
iWedia, a leading provider of software solutions for connected TV devices, today announced two enhancements to Teatro Pulse, its end-to-end TV service operation...
02/09/2026
Signiant, trusted by the media industry for accelerated content movement for more than 20 years, will showcase the latest evolution of the Signiant Platform at ...
02/09/2026
With a contractual agreement to supply a leading UK sports broadcaster with outside broadcast services for 104 football matches per season over the next four ye...
02/09/2026
IBC2026 will put sport firmly at the centre of the global media and entertainment technology conversation with the strongest sports showing in the event's h...
02/09/2026
PTZOptics will bring a hands-on showcase of intelligent video production to IBC2026 (11-14 September, RAI Amsterdam), with demonstrations spanning new camera te...
02/09/2026
OOONA, a global provider of professional management and production tools for the media localization industry, today announced the launch of OOONA Go, a ready-to...
02/09/2026
EON Media will make its European debut at IBC2026 (September 11-14, RAI Amsterdam) in the show's Future Tech Zone (Hall 14.FT5). The company is launching it...
02/09/2026
Frequency, the engine behind many of the worlds leading streaming television channels, will demonstrate at IBC2026 how integrating intelligence throughout chann...
02/09/2026
On-device AI platform gives broadcasters and content creators purpose-built tools for real-time vertical video production and AI-enhanced sports coverage...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/09/2026
Next-Generation Freeform Control Surfaces Lay the Foundation for AI-Enabled Media Operations
At IBC2026 (Sept. 11 14, RAI Amsterdam, Stand #1.B73), Imagine Com...