The coming-of-age drama L' t ternit (released in the U.S. as Our Eternal Summer) marked the continuation of the collaboration between writer-director milie Aussel and cinematographer Mathieu Bertholet. Here, Bertholet offers his insights into the production for which he worked with Panavision Marseille to source his camera and optics package and recounts the career path that led to his current work as a director of photography.
Panavision: How did you become involved in the project?
Mathieu Bertholet: I met milie Aussel, the director, in 2013, for her short film project Petite blonde, which became our first collaboration. We worked together again for Ta bouche mon paradis, a short film made in collaboration with the ERAC [Cannes Regional School of Actors]. It was at this time that milie began to tell me about her feature film project, then titled To Die Young. We discussed the project regularly, I read the different versions of the script, and little by little, over the course of our discussions, the general idea of what the film could be, its atmospheres, its sets [came into focus]. In 2019, producer Thomas Ordonneau and Shellac Films decided to launch the preparation of the film, and I agreed to follow milie in this new adventure.
How would you describe the look of the project?
Bertholet: For this film, I wanted to move away from an image that is too naturalistic a look that is often applied to so-called realistic' cinema dealing with youth, adolescence and its emotions. For me, it was about giving the film a visual identity made up of colors and contrasts. Dealing with reality, of course, but magnifying it in one way or another. Not being afraid of summer light, which is sometimes harsh. To dare.
Paradoxically, we had very few technical means to achieve this. It was therefore necessary to choose settings, day and night, on which I could intervene. We worked in negative, cutting existing lights to build the desired image, and adding little touches a color, a contrast that would take us into fiction.
The night scene in the skate park between the characters Malo [Matthieu Lucci] and Elias [Louis Pluton] is quite representative of this approach. The lighting mixed several types of light sources sodium, neon tubes, etc. and the colors blended together. By cutting off certain sources, we built a nighttime atmosphere that I really like. Ditto when the character Eve [Rose Timbert] goes to the beach at night to look for her friend Lise [Agathe Talrich]. The sodium lit up the cornice and immersed the beach in this yellow-orange glow. In the distance, a few neon lights gave a colder touch in shades of blue-green.
Outdoors during the day, and especially for the long beach sequence at the beginning of the film, which opens with the sun at its zenith and continues until nightfall, our principle was to respect very precise shooting schedules. Thus, each part of the sequence swimming, discussions on the beach, aperitif, bathing at the end of the day, etc. has its own identity. Then, the digital color correction allowed me to accentuate these small differences to further mark the passage of time.
There was also, for us, this very present idea of filming faces as if they were landscapes. We would take the time to look at them and try to make faces and landscapes respond to each other as if the two were linked and together participated in the expression of the characters feelings. The decor of the Palais Longchamp in Marseille, with its large columns, goes in this direction, giving the first group of friends that surrounds Lise a sacred dimension.
Were there any particular visual references you looked at for inspiration?
Bertholet: I had no precise visual references. Lets say rather that milie gave me directions in which to look things she liked, things she asked me to look at. It was then up to me to appropriate them, to digest' them, and to think about how to make them meaningful for our project and our desires. Jumbled up, I would quote the cinema of Gus Van Sant, that of Philippe Garrel, certain romantic paintings such as those of Caspar David Friedrich, the photographic work of Nan Goldin. And then, a film that personally nourished me for this project: American Honey by Andrea Arnold, photographed by Robbie Ryan [BSC, ISC]. In my opinion, it is the perfect example of an image that serves the film, its words, its staging, and participates fully in its identity.
What brought you to Panavision for this project?
Bertholet: I have lived in Marseille for almost 20 years. I was a 1st camera assistant when I moved here, and very quickly I was brought to meet the Panavision Marseille team. I have prepared a very large number of films with them, and over the years a relationship of trust has developed between us. When I started working on this project, it seemed natural to me to turn to them and use their services.
What inspired you to become a cinematographer and what keeps you inspired today?
Bertholet: I have an extremely classic background: assistant for 20 years, then operator and cinematographer. I strongly believe in this journey and its benefits. The years spent glued to the camera, close to the operator and the actors, are an extraordinary way to learn ones trade, to learn to think in terms of images, focal lengths, colors, contrast, density. In short, to learn cinematographic vocabulary and grammar. And then there comes a day when you feel like you can use this vocabulary to create images and highlight a scenario.
What inspires me today is first of all an encounter. A filmmaker who will convince me that their view of a story deserves to be told. From that moment on, I find immense pleasure in blending into an imaginary world and trying, with my tools and my own sensitivity, to respond to a desire for cinema. And then, finally, there is the
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
21/08/2026
Hardware-style timing shifts for software instruments
Following on from the release of Omniclock, Rapid Flow have launched a new sequencer plug-in that can ...
21/08/2026
Highly anticipated synthesizer ships in October 2026
Iceland-based Love Synthesizers have announced that their highly anticipated synthesizer is now availab...
21/08/2026
Masterpiece PBS The Forsytes has expanded its cast as its begins production in ...
21/08/2026
The BBC has unveiled first-look pictures from The Witch Farm, a new ghost story and mystery set in the Welsh countryside, coming soon to BBC iPlayer and BBC One...
21/08/2026
The BBC and BritBox have revealed the first look of Edward Bluemel as Hercule Poirot in the forthcoming six-part series Hercule from Mammoth Screen and Agatha C...
21/08/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
21/08/2026
** MEDIA ALERT **
VIZ Media Takes Over Anime NYC with BLEACH, BLACK TORCH, M...
21/08/2026
Tell us a little bit about your job I'm a Marketing Manager and work across a mix of clients and projects. No two days are ever quite the same, which defini...
21/08/2026
Beat The Lotto dives into the plot behind the 1980s National Lottery scandal
24 August 2026 at 9:35pm on RT One and RT Player
Beat The Lotto is the story o...
21/08/2026
The countdown to the most wonderful night of the year has officially begun!
Host Patrick Kielty is gearing up for another unforgettable Late Late Toy Show nig...
21/08/2026
Meet puppet duo Bellie and Whizz, who are about to explore all the big feelings ...
20/08/2026
Set up your own private remote collaboration infrastructure
SoundBridge have recently put together a tutorial video that provides users with a step-by-step ...
20/08/2026
New V-Control Pro features restore basic functionality
Neyrinck's V-Control software has long been keeping older Avid control surfaces compatible with n...
20/08/2026
TV, BritBox and Mammoth Screen have announced that filming is now underway on th...
20/08/2026
Thursday 20 August 2026
Nina Sosanya, Rizzle Kicks, Roman Kemp and Paul Whiteho...
20/08/2026
Wuppertal August 20, 2026
Transformation Church Elevates Production Communicat...
20/08/2026
The music between the notes Coming together In the middle of 2026, as conversations around artificial intelligence continue to raise questions about how musi...
20/08/2026
Arvato Systems Brings Together Digital Transformation Leaders in the Manufacturi...
19/08/2026
Studio owners invited to have their say on rates cuts
The Music Producers Guild (MPG) are inviting UK-based studios to take part in an in-depth survey that ...
19/08/2026
Vintage-inspired desktop interface revealed
Harrison's latest hardware offering sees them head into the world of audio interfaces, delivering a 10-in/12...
19/08/2026
Granular effect remains locked to scale and tempo
Described as your dream granular effect , Minimal Audio's latest creation is capable of turning any s...
19/08/2026
First polyphonic SWAM instrument incoming
Audio Modeling's latest physical-modelling orchestral instrument is just around the corner, and is now availab...
19/08/2026
There's an early Christmas gift for Bookish fans, as UKTV confirms the re-commission of the hit U&alibi drama, created by and starring Mark Gatiss. Viewers ...
19/08/2026
Wednesday 19 August 2026
Sky gives sports fans the chance to watch multiple liv...
19/08/2026
On Saturday September 5 Katie Taylor will step into the ring for the fight of her life against Flora Pili in front of 80,000 fans in Croke Park. A legendary fig...
18/08/2026
Company launch with stereo-imaging tool
Panoramic is the debut release from Panorama Labs, a new company formed by mastering engineer Nicholas Di Lorenzo. C...
18/08/2026
Control software now available for older interfaces
Focusrite have just announced the launch of an update that extends Control 2 software support for their ...
18/08/2026
Tuesday 18 August 2026
Sky Sports and The Fast and the Curious announce new partnership
Sky Sports and The Fast and the Curious have announced a new long-term...
18/08/2026
Wuppertal August 18, 2026
Riedel Brings Professional Live Production Into the Classrooms of ECURiedel Communications today announced that Edith Cowan Universi...
18/08/2026
Apple today announced changes to its business terms for apps in the European Uni...
18/08/2026
THE HEALY RAES: BLOOD, SWEAT & TEARS AIRS WEDNESDAY AUGUST 19 ON RT ONE AT 9:35PM
A new documentary The Healy-Raes: Blood, Sweat & Tears airs on RT One and ...
18/08/2026
Stunning Irish performances at European Athletics and Swimming Championships rea...
18/08/2026
The two-part series begins Sunday 23 August at 6.30pm on RT One and RT Player
...
17/08/2026
New MIDI processor & macro controller revealed
SHIK have announced that they have opened pre-orders for the S32, a standalone MIDI processor and macro contr...
17/08/2026
Cover extended on innovative motorised pot system
Melbourne Instruments have just revealed that the innovative motorised pot system used in their synths and...
17/08/2026
Latest firmware version now available
1010music have just released a free firmware update that brings some nice new features to their renowned Bluebox digit...
17/08/2026
Rohde & Schwarz showcases integrated defense and test solutions at DALO Industry...
17/08/2026
Calrec's ImPulseV Virtualised Audio Mixing Engine joins NEP Platform, the industry's largest ecosystem of trusted production software, bringing scalable...
17/08/2026
Visitors to IBC 2026 will see how FilmLight is reshaping the modern post pipelin...
17/08/2026
Visitors to Stand 1.C41 can explore innovations in areas such as addressable advertising, hybrid distribution, managed services and operational simplification.
...
16/08/2026
Virtual drummer joins line-up
The latest release from Gospel Musicians adds a virtual drummer to the company's line-up, combining a pair of meticulously...
15/08/2026
In-ear monitoring line-up gains new universal models
In-ear monitoring experts JH Audio have just announced a significant expansion of their Universal-Fit r...
14/08/2026
Latest instalment delivers disco-inspired grooves
The latest addition to UJAM's virtual drum line-up has been designed with contemporary pop, disco, dan...
14/08/2026
Elite range gains giant 24-inch powered sub
The latest expansion of Yorkville's Elite range introduces what the company say is the world's first act...
14/08/2026
Friday 14 August 2026
Breaking news! Sky releases trailer for The Paper, return...
14/08/2026
It's been one year since our client, Cotswolds Designer Outlet, opened its doors and we've loved seeing the scheme come to life. Together, we've hel...
The coming-of-age drama L' t ternit (released in the U.S. as Our Eternal Summer) marked the continuation of the collaboration between writer-director milie Aussel and cinematographer Mathieu Bertholet. Here, Bertholet offers his insights into the production for which he worked with Panavision Marseille to source his camera and optics package and recounts the career path that led to his current work as a director of photography.
