Back to All News
Jake Gyllenhaal and Antoine Fuqua Open Up About The Guilty's' Many Unique Challenges
Netflix Staff
Entertainment
29 September 2021
GlobalUnited States
Six years after the boxing drama Southpaw, actor Jake Gyllenhaal and director Antoine Fuqua reunite for the new Netflix thriller The Guilty. Based on the 2018 Danish film of the same name, Gyllenhaal stars as a troubled police detective who is demoted to 911 operator duty and scrambles to save a distressed caller during a harrowing day of revelations - and reckonings. Because of the unique premise - with many dramatic scenes taking place with Gyllenhaal on the phone - the entire shoot only required 11 days and three on-screen cast members, including Gyllenhaal, who also produced the film with Fuqua. Ahead of The Guilty's Oct. 1 Netflix release, the duo discussed what brought them to the project, their behind-the-scenes research and the film's many unique challenges.
How did each of you get involved with the film?
ANTOINE FUQUA: I got a phone call from my friend Jake, and he said he had a script that he thought I was perfect for. I read it that night and called him, I think, the next day and said, Im in. Obviously, to work with Jake again was a big plus. I love the guy, and the subject matter was as perfect as he said it would be for me.
JAKE GYLLENHAAL: Antoine and I share something really special, sort of indescribable. We have an instinct together when theres a piece of material. There was something I felt I understood about The Guilty, something underneath that I always related to very deeply, it thrilled me and inspired me. And so, it was a no-brainer and also no surprise that Antoine committed as quickly as I did. He was the only other person besides me, who, as soon as he read the story, was like, Im in. Thats how I felt too. And that bond that we have, thats hard to put into words, comes through in the film. Its so wonderful being able to work with someone more than once and know that you trust them already, to know that theyll go as far as youll go and vice versa.
What kind of research did you do for the film?
FUQUA: Myself and Jake both have friends in this world that weve known for a long time, and what I needed to do was go to a 911 call center, so I went to one in West Valley and the captain there Dave Storaker he helped us a lot. He walked us through the call center and introduced us to some of the people, and gave us some insights on what they go through daily on a personal level, and a lot of technical things, obviously, we needed to learn about the headsets and how it works.
What was most striking was just the human connection when you go to a place like that and you see people that look like your mom, or your brother, or your cousin - and youre not just a voice on the phone- who had to live with someone elses trauma every day, listen to people calling obviously, on the worst day of their lives. And the people that they call at the 911 center take on that stress as well.
What were some of the unique challenges that you had to work through in the film from working in one location, working with the actors that Jake speaks to on the phone?
FUQUA: It is a film about sound, about listening, about what you hear, and what the reality is. Capturing that is a whole other story, practically, because at that time we were filming, it was during the height of COVID, so we couldnt have actors going to a regular stage and record, so we had to come up with a system with our sound guy on how to get these special boxes to actors who were all over the world, and then get their recording, but then do it live with Jake while hes in a room performing, without any glitches.
Well, that didnt happen at all. I think he had about five or six different voices in his ear at the same time because of the technical issues. We had to work off of the Zoom system as well. We figured it out eventually. I think Jake had probably performed each scene like it was a play, constantly, over and over and over, because the calls were coming back-to-back. Theres not a lot of cuts in between each call, so we had to almost do the entire script, in certain sections, as a play, with voices in his ear. It was challenging but it was amazing because of what happens naturally: it makes you lean in more because it was so difficult to hear. We use a lot of the dialogue from the first Zoom calls, cause the performances are just so raw, and, and a lot of Jakes performance was so intense.
GYLLENHAAL: When I first sent the script to Antoine, what I said was, Lets shoot this movie in five days. That really got us going excited, the idea that we could shoot the movie in a very short period of time, the pressure would be on, just like its on Joe Baylors character. And if theres anything I know about Antoine, he loves that pressure, and we both thrive in that space.
So, we set this goal for ourselves, and slowly, that 5 days turned into 11 days. So we shot the movie and scheduled it for 11 days, and we designed this idea that we break it up into five sections and each one would be around 15 to 20 pages, and wed shoot one of those sections every day. So, I would prepare Section 1, 2, 3, 4, and I would call Antoine as a secret and Id say, I have 1 to 4 memorized. He said, Dont tell anybody. We still have 11 days. Maybe we can shoot it in 9.
The Guilty is available to stream Oct. 1 on Netflix.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
07/05/2026
Journalists reporting on Sudan are working in one of the most complex and fast-m...
07/05/2026
Multi-year partnership positions Victory+ as a free home for Dallas Cowboys orig...
07/05/2026
From sideline reporting to directing and producing, the talented sophomore is building a well-rounded foundation for a career in live sports production
In the ...
07/05/2026
Cobalt Digital has received two Future Best of Show awards at NAB Show 2026. The COBALT blueCORE platform was recognized by TV Tech, and the COBALT PACIFIC ULL-...
07/05/2026
ESPN analyst Mina Kimes will host the televised semifinals and finals of the 202...
07/05/2026
Bitmovin has announced that MUBI, the global film streaming platform, has selected Bitmovin as its cloud VOD encoding partner. Bitmovin's encoding infrastru...
07/05/2026
NBCUniversal Telemundo Enterprises and the U.S. Soccer Federation have announced...
07/05/2026
Angel City Football Club (ACFC) and Victory have announced a regional broadcast partnership bringing live match coverage to fans across the greater Los Angeles...
07/05/2026
Spiideo has announced the launch of AI Highlights inside Spiideo Play, its automated sports production platform. AI Highlights combines video, event data, audio...
07/05/2026
Leostream Corporation has announced a unified remote access ecosystem for high-p...
07/05/2026
The Atlanta Dream has partnered with Victory to stream all locally broadcast Dream games for free, expanding the team's digital distribution strategy and g...
07/05/2026
Riedel Communications has announced the appointment of Marc Engroff as Chief Fin...
07/05/2026
SES and ARD, Germany's largest public broadcasting network, have announced a long-term extension of their satellite distribution partnership through 2039. U...
07/05/2026
UpLight Technologies delivers a flexible video and lighting system for a new televised sportLaunching the Pro Cheer League required more than creating a compell...
07/05/2026
Full Day Productions and GSE Worldwide have announced Spikes Under the Lights, a...
07/05/2026
Seit dem Start im Jahr 2023 hat DJ (Beta) das personalisierte H rerlebnis von 94...
07/05/2026
Da quando stata presentata nel 2023, DJ (beta) ha aiutato a definire un'esperienza d'ascolto pi personalizzata per 94 milioni di utenti Spotify Premi...
07/05/2026
Since launching in 2023, DJ (beta) has helped shape a more personalized listenin...
07/05/2026
Desde o lan amento em 2023, o DJ (beta) j ajudou a deixar a experi ncia de ouvi...
07/05/2026
From our earliest days, Spotify has been built on a simple principle: Great audio should be easy to reach. It's what's driven us to expand from music to...
07/05/2026
Asian and Pacific Islander artists continue to shape the global soundscape, pushing creative boundaries and connecting with fans worldwide. This Asian & Pacific...
07/05/2026
Company announce long-requested choir instrument
In the latest expansion of their Symphonic Elements series, UJAM have introduced an all-new vocal instrumen...
07/05/2026
Modular-inspired sound generation with digital control
Buchla have introduced Ziggy, a new compact synthesizer built around the company's complex oscill...
07/05/2026
Combines analogue voices with digital synthesis and sequencing
Polyend have announced Drums, a new hybrid analogue and digital drum machine that combines sy...
07/05/2026
Control surface now officially supports four DAWs
When Nektar launched the Panorama CS12 control surface, it worked exclusively with Apple's Logic Pro, ...
07/05/2026
In the first quarter 2026, SGL Carbon generated consolidated sales of 184.5 million, which was 49.8 million, or 21.3%, lower than in the prior year (Q1 2025: ...
07/05/2026
Rohde & Schwarz and Greenerwave achieve precise and fast ESA antenna characteriz...
07/05/2026
Two multi-role L3Harris products - the Red Wolf launched effects vehicle and SK...
07/05/2026
L3Harris will be developing key features of a secure and resilient digital infra...
07/05/2026
Alysa Liu and Shohei Ohtani Help Drive Viewership as 91 of the Top 100 Broadcast...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
Cobalt Digital Wins Two Future Best of Show Awards at 2026 NAB Show
Manufacturer Recognized by TV Tech and TVBEurope for Innovation in signal processing
Cobal...
07/05/2026
Software and hardware platforms, AI power and user-friendliness on show...
07/05/2026
Intinor will demonstrate its latest technical enhancements for the Direkt series at BroadcastAsia 2026. With a continued focus on reliable contribution and remo...
07/05/2026
Bitmovin has announced that MUBI has chosen Bitmovin as its cloud VOD encoding partner, replacing MUBI's legacy on premises encoding setup to improve scalab...
07/05/2026
Meet Graduates from Berklees Class of 2026 Members of this years graduating class reflect on their proudest moments at Berklee and look ahead to whats next.
...
07/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
07/05/2026
At BroadcastAsia 2026, Interra Systems will demonstrate its latest innovations in automated quality control (QC), real-time monitoring, and captioning. The comp...
07/05/2026
At this year's Broadcast Asia, PlayBox Neo is set to unveil recent innovations across its PlayBox Neo Suite and integrated range of broadcast media solution...
07/05/2026
Strategic three-year partnership marks delivery phase of BFBS' next-generation media vision
Media organisation and military charity BFBS (British Forces Br...
07/05/2026
Amagi, the agentic industry cloud platform for unified broadcast, streaming, and monetization, today announced the availability of its In-Content Ads offering v...
07/05/2026
Lightware Visual Engineering has developed Rack Taurus for rack-based environments such as education and corporate training spaces. It enables clean and simple ...
07/05/2026
Jigsaw24, the UK's leading media equipment supplier and systems integrator, will showcase its expanded end-to-end workflow capabilities at MPTS 2026, signal...
07/05/2026
Ease Live, an Evertz company, today announced that it has been granted a US Patent for its proprietary graphical overlay technology, the foundation for interact...
07/05/2026
Test & measurement innovator Leader Electronics of Europe will present an extensive range of Leader, PHABRIX and LeaderPhabrix test and measurement solutions at...
Back to All News
