Back to All News
Jake Gyllenhaal and Antoine Fuqua Open Up About The Guilty's' Many Unique Challenges
Netflix Staff
Entertainment
29 September 2021
GlobalUnited States
Six years after the boxing drama Southpaw, actor Jake Gyllenhaal and director Antoine Fuqua reunite for the new Netflix thriller The Guilty. Based on the 2018 Danish film of the same name, Gyllenhaal stars as a troubled police detective who is demoted to 911 operator duty and scrambles to save a distressed caller during a harrowing day of revelations - and reckonings. Because of the unique premise - with many dramatic scenes taking place with Gyllenhaal on the phone - the entire shoot only required 11 days and three on-screen cast members, including Gyllenhaal, who also produced the film with Fuqua. Ahead of The Guilty's Oct. 1 Netflix release, the duo discussed what brought them to the project, their behind-the-scenes research and the film's many unique challenges.
How did each of you get involved with the film?
ANTOINE FUQUA: I got a phone call from my friend Jake, and he said he had a script that he thought I was perfect for. I read it that night and called him, I think, the next day and said, Im in. Obviously, to work with Jake again was a big plus. I love the guy, and the subject matter was as perfect as he said it would be for me.
JAKE GYLLENHAAL: Antoine and I share something really special, sort of indescribable. We have an instinct together when theres a piece of material. There was something I felt I understood about The Guilty, something underneath that I always related to very deeply, it thrilled me and inspired me. And so, it was a no-brainer and also no surprise that Antoine committed as quickly as I did. He was the only other person besides me, who, as soon as he read the story, was like, Im in. Thats how I felt too. And that bond that we have, thats hard to put into words, comes through in the film. Its so wonderful being able to work with someone more than once and know that you trust them already, to know that theyll go as far as youll go and vice versa.
What kind of research did you do for the film?
FUQUA: Myself and Jake both have friends in this world that weve known for a long time, and what I needed to do was go to a 911 call center, so I went to one in West Valley and the captain there Dave Storaker he helped us a lot. He walked us through the call center and introduced us to some of the people, and gave us some insights on what they go through daily on a personal level, and a lot of technical things, obviously, we needed to learn about the headsets and how it works.
What was most striking was just the human connection when you go to a place like that and you see people that look like your mom, or your brother, or your cousin - and youre not just a voice on the phone- who had to live with someone elses trauma every day, listen to people calling obviously, on the worst day of their lives. And the people that they call at the 911 center take on that stress as well.
What were some of the unique challenges that you had to work through in the film from working in one location, working with the actors that Jake speaks to on the phone?
FUQUA: It is a film about sound, about listening, about what you hear, and what the reality is. Capturing that is a whole other story, practically, because at that time we were filming, it was during the height of COVID, so we couldnt have actors going to a regular stage and record, so we had to come up with a system with our sound guy on how to get these special boxes to actors who were all over the world, and then get their recording, but then do it live with Jake while hes in a room performing, without any glitches.
Well, that didnt happen at all. I think he had about five or six different voices in his ear at the same time because of the technical issues. We had to work off of the Zoom system as well. We figured it out eventually. I think Jake had probably performed each scene like it was a play, constantly, over and over and over, because the calls were coming back-to-back. Theres not a lot of cuts in between each call, so we had to almost do the entire script, in certain sections, as a play, with voices in his ear. It was challenging but it was amazing because of what happens naturally: it makes you lean in more because it was so difficult to hear. We use a lot of the dialogue from the first Zoom calls, cause the performances are just so raw, and, and a lot of Jakes performance was so intense.
GYLLENHAAL: When I first sent the script to Antoine, what I said was, Lets shoot this movie in five days. That really got us going excited, the idea that we could shoot the movie in a very short period of time, the pressure would be on, just like its on Joe Baylors character. And if theres anything I know about Antoine, he loves that pressure, and we both thrive in that space.
So, we set this goal for ourselves, and slowly, that 5 days turned into 11 days. So we shot the movie and scheduled it for 11 days, and we designed this idea that we break it up into five sections and each one would be around 15 to 20 pages, and wed shoot one of those sections every day. So, I would prepare Section 1, 2, 3, 4, and I would call Antoine as a secret and Id say, I have 1 to 4 memorized. He said, Dont tell anybody. We still have 11 days. Maybe we can shoot it in 9.
The Guilty is available to stream Oct. 1 on Netflix.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
21/04/2026
Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...
21/04/2026
The topic of artificial intelligence has a stranglehold on the sports-video-prod...
21/04/2026
5G is still a hot topic in live event production, and this workflow continues to...
21/04/2026
At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...
21/04/2026
Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...
21/04/2026
Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...
21/04/2026
Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...
21/04/2026
Fox Sports has selected Appear as a technology partner to support the next phase...
21/04/2026
Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...
21/04/2026
Layercake has formalised the integration of Bitmovin's video streaming infra...
21/04/2026
The International Judo Federation (IJF) has extended its distribution partnershi...
21/04/2026
Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...
21/04/2026
Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...
21/04/2026
Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...
21/04/2026
FOX Entertainment partnered with Verizon to overcome significant production hurd...
21/04/2026
Osprey Video has announced its technology showcase for the NAB Show 2026, highli...
21/04/2026
Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...
21/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
21/04/2026
Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...
21/04/2026
Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...
21/04/2026
Rashad Frett attends the 2025 Sundance Film Festival premiere of Ricky at Eccles Theatre on January 24, 2025, in Park City, UT. (Photo by George Pimentel/Shut...
21/04/2026
Five years ago, Spotify arrived in Pakistan, opening a new chapter in the country's music scene. Since then, local listeners have explored across genres, ge...
21/04/2026
Since its launch in 2020, RADAR has been our program for spotlighting emerging artists around the world. This year marks the sixth edition of RADAR Spain, our o...
21/04/2026
Offers compact wireless solution for pedalboards
Taiwanese audio brand Cloudvocal have announced the availability of a new pedalboard-friendly wireless syst...
21/04/2026
Latest hybrid sampling/synthesis instrument arrives
Arturia's Augmented series offerings rely on a mixture of sampling and synthesis, allowing users to ...
21/04/2026
Rohde & Schwarz to host Power Electronics Online Conference From Design to Vali...
21/04/2026
MAS and Lockheed Martin partner to establish an F-35 depot in Canada, enabling in-country sustainment and creating high-skilled aerospace jobs....
21/04/2026
Advertising strategies shift as competition grows for a large, active and qualit...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Layercake Deepens Bitmovin Integration to Power End-to-End Media Orchestration w...
21/04/2026
Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse...
21/04/2026
On-Premise AI Suite from Studio Network Solutions Debuts at NAB Show 2026
Melanie Ciotti April 21, 2026
0 Comments
Unlimited processing, no cloud depe...
21/04/2026
London, 21 April 2026 IBC today announced the appointment of Tim Banham as its first Chief Commercial Officer (CCO), a newly created role that reflects the or...
21/04/2026
Motion Design Tools - April 2026
Roland Kahlenberg April 21, 2026
0 Comments
Within 2 days, Maxon and Canva announced pro-level motion design apps - A...
21/04/2026
Chaos and Zero Density to Showcase Real-Time Ray Tracing for Virtual Studios and...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
Back to All News
