
SGAE Foundation celebrates the Goya Awards with a film series at the Sala Berlanga La muestra acoger del 28 de enero al 22 de febrero un total de 17 t tulos finalistas en su presente edici n.
Con motivo de la 31 edici n de los galardones que concede la Academia de las Artes y las Ciencias Cinematogr ficas de Espa a, la Fundaci n SGAE ha organizado el ciclo Premios Goya 2017 en la Sala Berlanga en Madrid del 28 de enero al 22 de febrero.
La muestra coincide con la celebraci n de la ceremonia de entrega de los Premios Goya prevista para el d a 4 de febrero en Madrid y ofrece una selecci n de las obras finalistas de esta temporada. En concreto: The man of the thousand faces, Alberto Rodriguez; Slow to anger, de Ra l Ar valo; 1898. The last of Philippines, de Salvador Calvo; JulietaPedro Almod var; Kiki, love takes, de Paco Le n; May God forgive us, Rodrigo Sorogoyen; A monster comes to see me, de Juan Antonio Garc a Bayona, y The olive, de Ic ar Bolla n.
El ciclo, que acoge un total de 17 t tulos finalistas, tambi n incluye: Queen of Spain, de Fernando Trueba; Omega, de Gervasio Iglesias y Jos S nchez-Montes; One Hundred Years of Forgiveness, de Daniel Calparsoro; fragile balance, de Guillermo Garc a; Near your house, de Eduard Cort s; Mar a (y los dem s), de Nely Reguera; El Bosco, El jard n de los sue os, de Jos Luis L pez-Linares; 2016. Born in Syria, de Hern n Rodrigo Zin, y The one-eyed king, de Marc Crehuet Almirall.
En el terreno documental, comparecen biograf as sobre artistas como Enrique Morente en Omega or the study of Jos Luis L pez Linares on the Flemish painter the Bosco.
fragile balance and 2016. Born in Syria destacan en la vertiente sociopol tica. La comedia se presenta bajo las directrices de Paco Le n y Fernando Trueba mientras que la historia ha proporcionado las l neas maestras para los relatos de 1898. The last of Philippines o The man of the thousand faces.
Por su parte, el thriller se consolida con tres de las cintas m s aplaudidas del a o: One Hundred Years of Forgiveness, May God forgive us and Slow to anger. El otro gran marco gen rico, el drama, acerca a la Sala Berlanga una amplia variedad de registros: Por un lado, historias que nacen bajo el abrigo de reputados directores como Juan Antonio Bayona, Pedro Almod var o Ic ar Bolla n. Por otro, narraciones efectistas pero ntimas como El rey tuerto, Mar a (y los dem s) or musical drama Near your house.
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