
Pixotopes Kate Watson talks about how her job lets her go behind the curtain on major virtual production projects, and why now is the perfect time to get involved in the media tech industry
By Jenny Priestley
Published: March 23, 2023 Updated: March 31, 2023
Pixotope's Kate Watson talks about how her job lets her go behind the curtain on major virtual production projects, and why now is the perfect time to get involved in the media tech industry
target=_blank title=Share on LinkedIn class=share-linkedin>
Kate Watson, sales executive at Pixotope Talk us through an average day in your role I think I can speak for almost everyone in this industry, no matter their role, when I say that no two days are the same! This is particularly true at Pixotope, where the sheer diversity of potential applications for our solutions means that we have such a fantastic variety of clients and projects. It certainly keeps my day-to-day activities interesting as a result.
My favourite part about my role is sitting down with clients and learning about their projects. Many of which become mainstream newsworthy events I always feel privileged to have been allowed behind the curtain. Of course with some of these projects the clients can often have a feeling of apprehension as to whether or not they can achieve their desired outcome. Therefore, it's rewarding to be able to relieve some of that stress and build the clients' confidence in this outstanding technology.
As salespeople, we stay with the client all the way through training, installation, showrun and beyond. This means not only are we able to assist the customer success team at every step but we also get to see the brilliant and magical finished visuals. That is about as much job satisfaction as you can get.
How did you get started in the media industry? Whilst I don't have a particularly interesting anecdote here, this is perhaps the way a lot of people like me might be inspired to get started. I was a huge fan of films, especially seeing the visual impact of them on the big screen and I would go to the cinema every Tuesday night. I realised early on that I was a sociable person and therefore sales, where I get to interact with a number of different people on a daily basis, became a pretty obvious choice for me career-wise. When the graduate scheme I joined had a role that involved working within virtual production for the film industry, I applied immediately. As soon as I joined, it became apparent that I was in awe of all things visually exciting, how they were created, and the numerous creative possibilities. From there my interests expanded and I became involved in many different types of media, which I love.
What training did you have before entering the industry? Absolutely nothing! As you can imagine, this did mean that it was certainly a steep learning curve from day one. I was thrown in at the deep end and whilst it was difficult, this would have been a much bigger challenge if it wasn't for the passion and sheer enjoyment I have working in this industry. However, there was still an immense amount of technical knowledge I had to wrap my head around in order to succeed in my role. This takes time, but a key thing I realised very early on is that everyone is still learning. This industry is constantly changing with new technical innovations and developments, so there will always be a learning curve for everyone. It is important to be curious, eager to learn, and open to continuous self-development, especially working with a company like Pixotope which is at the forefront of this technology.
Why do you enjoy working in the industry? I have grown to love all things AR/VR/XR and the industry has been everything I thought it would be and more. I believe strongly in our company mission to democratise these technologies and make these amazing solutions more accessible to everyone. Not all productions can afford expensive systems and setups, and this shouldn't be a barrier to creativity at all levels. I enjoy being part of an organisation that wants more people to have access to this amazing technology and has the infrastructure to train, support and help them. In particular, as part of our Pixotope Education Programme, designed to give students access to virtual production tools and connections to industry-leading experts, I have had the chance to visit universities and higher education establishments to discover their goals for virtual production education and how we can help support that. It's inspiring to engage with and hear from the next generation of talent in the industry and to have a role in supporting their career journeys.
What piece of advice would you offer someone looking to explore a role similar to yours? Don't be afraid although it is scary! There is a lot to learn if you are just starting out, especially in an ever-evolving industry, and of course, that can be intimidating. However, there are so many materials and tools available to support you and now is the perfect time to get involved. You just have to have the willingness to learn. The most important thing is to be passionate and interested: the rest can be taught.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
24/07/2026
Referee hat cameras, player/coach mics, and virtual graphics will be deployed at the three-day event for the first time
The NFL FLAG Championships return to ES...
24/07/2026
Qvest, Ateme, and Scaleway have partnered to offer broadcasters, media organizat...
24/07/2026
LTN has completed satellite-to-IP migrations for more than 3,000 broadcaster, MVPD (Multi-Channel Video Programming Distributor), head-end, and content owner si...
24/07/2026
Chyron has released Virtual Placement 8.1, an update to its live sports virtual graphics platform. The release adds workflow and graphics changes across chroma ...
24/07/2026
Riedel's RefCam Live was used for the first time at an international soccer match during a friendly between the German men's national team and Ghana in ...
24/07/2026
USSI Global said it is prepared to help broadcasters, satellite network operators, and media organizations manage the next phase of C-band spectrum clearing, fo...
24/07/2026
FuboTV and The Athletic have launched The Athletic Video Hub on Fubo, bringing The Athletic's sports video content to connected TV (CTV) for the first time....
24/07/2026
Tagboard and Momento have partnered to bring Momento's fan reaction photos to venue videoboards in real time following big plays. The Seattle Mariners will ...
24/07/2026
Stephen Arnold Music (SAM) created an anthem called The World Is Here for Fox ...
24/07/2026
Caz TV has acquired Brazilian broadcast rights to the entire WTA Tour driven by Mercedes-Benz, covering all WTA 250, WTA 500, and WTA 1000 tournaments. The agre...
24/07/2026
SiriusXM and WWE have launched WWE Radio on SiriusXM channel 156, beginning Monday, July 27. The channel will carry live audio of WWE Premium Live Events, audio...
24/07/2026
Harvard Athletics produces more than 325 live NCAA Division 1 sports events and 500 edited videos per year. To manage video capture, streaming, recording, and s...
24/07/2026
Chyron's PRIME 5 graphics platform supported live graphics workflows for NBCUniversal Telemundo's FIFA World Cup 2026 coverage across Telemundo, Univers...
24/07/2026
Wearable tech returns to the coverage, and a brand-new mobile unit is rolled out for the 2026 edition
The 21-stage Tour de France is nearing its conclusion. Th...
24/07/2026
More than 20 cameras, extensive player and coach audio, and a REMCO production model will power coverage of the league's showcase
For an event designed to ...
24/07/2026
New broadcast tool uses live timing, telemetry, and predictive analysis to decode real-time team decision-making for fans at home...
24/07/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
24/07/2026
First string library captured at Studio Richter Mahr
The latest sample library to be created at Max Richter's Studio Richter Mahr facility captures the ...
24/07/2026
Official emulation of Blackbird Studios reverb chamber
In their latest collaboration with Blackbird Studios, KIT Plugins have captured the sound of the Stud...
24/07/2026
Sohonet's partners at BIND Studio have published a great case study on the V...
24/07/2026
Angela Gomez brings over 14 years of experience in broadcast communications and audio engineering, specialising in live outside broadcasts, live sports and larg...
24/07/2026
Between the maturation of IP and remote production workflows, collegiate sports production is advancing rapidly. For an Ivy League institution like Harvard, kee...
24/07/2026
iWedia, a global provider of software solutions for connected TV devices, today announces the launch of Teatro Factory, a new operator-facing software factory o...
24/07/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisements into live video streams during the 2026 ...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Current DASDEC software enables customers to comply with the FCC's new 15-character password mandate without requiring updates
LYNDONVILLE, N.Y. July 23,...
24/07/2026
At the IBC2026 Show, SDVI will give European media organizations their first hands-on look at the next-generation Rally media supply chain management platform f...
24/07/2026
Sonnet Technologies at IBC2026
Brie Clayton July 23, 2026
0 Comments
Hero image: Sonnet Twin25G T5 Thunderbolt 5 Adapter
At this year's IBC Sho...
24/07/2026
Musora Enhances Online Music Lessons with Blackmagic Design
Brie Clayton July 23, 2026
0 Comments
Director of Production Josh Holliday details workflo...
24/07/2026
Interview with Production 360. Original article published here
The theme of thi...
24/07/2026
Article courtesy of postPerspective
Read the article
While Toy Story 5 maintai...
24/07/2026
Kerry and Mayo fans Up For The Match as excitement builds in Croke Park on the e...
23/07/2026
Staines-upon-Thames, UK, 23rd, JULY, 2026 - Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisem...
23/07/2026
This Spring 2026 graduate from Honolulu found a home at SoonerVision as a live-production star and is ready to enter the industry as a replay op on Prime Video&...
23/07/2026
As the AUSL postseason begins tonight, listening in to players during games enhances fan engagement for the young organization
Ballplayers chatting with announ...
23/07/2026
Snap Inc. and the Esports Foundation have announced Snap's activations at the Esports World Cup 2026 in Paris, running July 6 through August 23. For the fir...
23/07/2026
Sony has announced the FX5, a full-frame Cinema Line camera built around a newly developed fully stacked Exmor RS CMOS image sensor and BIONZ XR2 image processi...
23/07/2026
TNDV (a division of Live Media Group) provided technical production support for the Pickleball Slam 4 live broadcast from Seminole Hard Rock Live in Hollywood, ...
23/07/2026
LTN has announced it has completed satellite-to-IP migrations for more than 3,00...
23/07/2026
Daktronics has announced the winners of the 2026 DakClassroom Student Showcase, a national competition recognizing student work in media production, storytellin...
23/07/2026
The French Tennis Federation (FFT) and beIN Media Group have announced a five-ye...
23/07/2026
Clear-Com provided the communications infrastructure for the Fryderyk Awards Gal...
23/07/2026
The 2026 FIFA World Cup is, on paper, an unparalleled financial success. Total t...