Offering support for multiple codecs, and a cheaper option than SMPTE ST 2110, IPMX is becoming more prevalent within the media industry. TVBEurope talks to PlexusAVs Aaron Doughten and Steven Cogels to get the lowdown on the new standard
By Jenny Priestley
Published: June 8, 2023
Offering support for multiple codecs, and a cheaper option than SMPTE ST 2110, IPMX is becoming more prevalent within the media industry. TVBEurope talks to PlexusAV's Aaron Doughten and Steven Cogels to get the lowdown on the new standard
target=_blank title=Share on LinkedIn class=share-linkedin>
Created by the Alliance for IP Media Solutions, IPMX (Internet Protocol Media Experience) is a set of open standard-based protocols designed to ensure interoperability for AV-over-IP systems in the media, entertainment, and Pro AV industries.
In late May, the Video Services Forum (VSF) published the initial drafts of its TR-10 suite of Technical Recommendations for the protocol.
But what exactly is IPMX, and what impact is it likely to have on the media industry? TVBEurope spoke to PlexusAV's director of technology Aaron Doughten and global director of business development Steven Cogels to find out more.
What is IPMX? Steven Cogels: IPMX is a suite of technologies built upon SMPTE ST 2110, ST 2059-2 PTP and AMWA NMOS standards. The AIMS Alliance has adapted these technologies for the professional AV market, creating a standardised approach to transporting and managing high-quality audio and video signals over IP networks. PlexusAV's integration of IPMX specifications and standards addresses the professional AV industry's need for a single set of common, ubiquitous standards-based protocols that ensure interoperability for AV-over-IP.
Why is it different to something like NDI or Dante? SC: NDI and Dante provide their own strengths and benefits, but they are vastly different from IPMX. IPMX provides an ecosystem that is not proprietary and engineered with the flexibility to operate in 1GB up to 100GB networks. No matter the scale of the system, IPMX delivers the highest quality video and audio with low latency.
Which codecs work best with IPMX and why? SC: First we need to clarify that IPMX is basically codec agnostic. IPMX supports JPEG-XS and uncompressed at the moment but more codecs will be added to the official standard.
What does IPMX mean for the broadcast industry? Aaron Doughten: IPMX offers a great alternative for companies that do not want to spend the money or want to deal with the complexity of uncompressed ST 2110 systems. NDI is popular as an alternative, but it doesn't fit the requirement of all broadcasters and content creators.
IPMX offers support for multiple codecs and supports anything from 1GB to 100GB networks. This makes it more flexible and future-proof. Compared to ST 2110-based networks, IPMX provides significantly reduced network complexity and lower costs
Where do you see IPMX having a significant impact on broadcast workflows? Could it be employed in remote productions? AD: The broadcast industry is familiar with the complexities and cost of ST 2110 systems. IPMX adapts these technologies to offer more flexibility, including the ability to operate without PTP and support for asynchronous sources. It also relaxes the timing models, making it much easier for software and hardware implementations to co-exist in the same network. In other words, IPMX creates a more user-friendly and budget-friendly offering, while still maintaining all the benefits of ST 2110 systems' separate video, audio and metadata flows. IPMX could be used in remote production, contribution or anywhere ST 2110 is currently used today.
How do you see IPMX evolving? AD: This is a great question, because there are many possibilities. IPMX has been developed to support different compression levels, anything from uncompressed to high compression (like HEVC/H.264). The control plane for IPMX is also evolving to control not only ST 2110 type workflows, but also compressed transport stream and other types of workflows. This flexibility opens up IPMX to many different types of applications and budget levels across the broadcast, creation and Pro AV markets.
We're seeing evermore crossover between AV and broadcast in terms of standards. How do you see that developing in the next few years? SC: Although the two markets have been growing towards each other there are still differences. The broadcast market has been working with standards for many years, simply because if you distribute a signal to thousands or even millions of viewers a standard is the only option.
The Pro AV market however is just understanding the value of standards.
The broadcast market can also not simply be seen as one, especially when we look at content creation. A large broadcaster simply has different requirements compared to a university that also creates vast amounts of content. The content creation part is what links the two markets and the rise of software for content creation is a big aggregator.
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
11/05/2026
As Eurovision fans gear up to celebrate the 70th anniversary of the iconic song ...
11/05/2026
Pela primeira vez na hist ria, o Brasil figura entre os oito maiores mercados de...
11/05/2026
New desktop instrument focused on tactile performance
Bastl Instruments have announced the Kalimba, a new desktop instrument that combines physical modellin...
11/05/2026
Compact sampling workstation gains new features
1010music have announced the blackbox 2, a new version of their compact standalone sampler designed for DAWl...
11/05/2026
Performance-focused sequencer with microtonal control
Berlin-based KOMA Elektronik have announced Monoplex, a new 42HP Eurorack sequencer designed for hands...
11/05/2026
Boasts wireless control from mobile devices
The latest iteration of IK Multimedia's compact amp and effects modelling pedal expands on the capabilities ...
11/05/2026
Spans traditional orchestral and experimental sounds
Sonora Cinematic have recently released the third instalment in their Transfigured Orchestra series, de...
11/05/2026
Our exhibition coverage
Watch all our SUPERBOOTH 2026 video coverage in one place. Check back to this page regularly as we will be updating with more video ...
11/05/2026
aconnic AG (ISIN: DE000A0LBKW6), Munich, is participating in the Equity Forum Ge...
11/05/2026
Fox Corporation Reports Third Quarter Fiscal 2026 Financial Results NEW YORK, NY, May 11, 2026 - Fox Corporation (Nasdaq: FOXA, FOX; FOX or the Company ) t...
11/05/2026
Arvato Systems Becomes a Member of InsurLab Germany
Collaboration in the insurance industrys leading innovation network
G tersloh - Arvato Systems has joine...
11/05/2026
Pirate Predator uncovers new information from victims and survivors of abuse on ...
10/05/2026
RT ALL-IRELAND DRAMA FESTIVAL WINNERS ANNOUNCED DURING GALA AWARDS STREAMED LIVE ON RTE.IE/CULTURE
Kilmeen Drama Group hailing from Rossmore, Co. Cork Scoops ...
09/05/2026
New desktop instrument focused on tactile performance
Bastl Instruments have announced Kalimba, a new desktop instrument that combines physical modelling, F...
09/05/2026
Compact sampling workstation gains new features
1010music have announced blackbox 2, a new version of their compact standalone sampler designed for DAWless ...
08/05/2026
One-button synth generates random four-track ideas
Cyma Forma and French artist Bambounou have announced RND synth, a compact hardware synthesizer built aro...
08/05/2026
Portable four-layer granular and sampling instrument
Tasty Chips have announced the GR-2, a new granular synthesizer and sampling instrument that combines e...
08/05/2026
Video Show Report
Video of SUPERBOOTH 26: Polyend Drums
Polyends big announcement for Superbooth 2026 is the Drums, a new drum machine that features both ...
08/05/2026
Deal agreed as NI enters new chapter
Native Instruments CEO Nick Williams has announced that a definitive agreement has been signed for the company to be ac...
08/05/2026
Video Show Report
Video of SUPERBOOTH 26: Erica Bullfrog Drums
The Bullfrog Drums is the latest collaboration between Erica Synths and Richie Hawtin, and ...
08/05/2026
In our latest blog, Tim Pearson reflects on the recent launch of Play Snooker, the new digital home of snooker by the World Professional Billiards and Snooker A...
08/05/2026
Pete reunites with Dogs Trust for a fourth series and a two-part overseas special
London, Friday 8th May 2026: The award winning factual entertainment series P...
08/05/2026
Wuppertal May 8, 2026
Riedel to Support Glasgow 2026 as Official Connectivity Integration Provider Riedel Communications today announced its return as a spons...
08/05/2026
ICG is excited to share news of our official launch in Northern Ireland, marking a significant milestone in the agency's growth.
Led by Digital Marketing M...
08/05/2026
Over the past ten years, Thames Water, in partnership with Arqiva, has installed more than 1.2 million smart meters, creating one of the most extensive advanced...
07/05/2026
Journalists reporting on Sudan are working in one of the most complex and fast-m...
07/05/2026
Seit dem Start im Jahr 2023 hat DJ (Beta) das personalisierte H rerlebnis von 94...
07/05/2026
Da quando stata presentata nel 2023, DJ (beta) ha aiutato a definire un'esperienza d'ascolto pi personalizzata per 94 milioni di utenti Spotify Premi...
07/05/2026
Since launching in 2023, DJ (beta) has helped shape a more personalized listenin...
07/05/2026
Desde o lan amento em 2023, o DJ (beta) j ajudou a deixar a experi ncia de ouvi...
07/05/2026
From our earliest days, Spotify has been built on a simple principle: Great audio should be easy to reach. It's what's driven us to expand from music to...
07/05/2026
Asian and Pacific Islander artists continue to shape the global soundscape, pushing creative boundaries and connecting with fans worldwide. This Asian & Pacific...
07/05/2026
Company announce long-requested choir instrument
In the latest expansion of their Symphonic Elements series, UJAM have introduced an all-new vocal instrumen...
07/05/2026
Modular-inspired sound generation with digital control
Buchla have introduced Ziggy, a new compact synthesizer built around the company's complex oscill...
07/05/2026
Combines analogue voices with digital synthesis and sequencing
Polyend have announced Drums, a new hybrid analogue and digital drum machine that combines sy...
07/05/2026
Control surface now officially supports four DAWs
When Nektar launched the Panorama CS12 control surface, it worked exclusively with Apple's Logic Pro, ...
07/05/2026
In the first quarter 2026, SGL Carbon generated consolidated sales of 184.5 million, which was 49.8 million, or 21.3%, lower than in the prior year (Q1 2025: ...
07/05/2026
Rohde & Schwarz and Greenerwave achieve precise and fast ESA antenna characteriz...
07/05/2026
January 8, 2024
Colorfront (colorfront.com), a leader in high-performance, on-s...
07/05/2026
February 9, 2024
Colorfront (colorfront.com), the multi-award-winning pioneer i...
07/05/2026
March 20, 2024
NAB 2024, Las Vegas - Colorfront (colorfront.com), the multi-awa...
07/05/2026
April 1, 2025
CINEMACON, APRIL 1, 2025 - Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming syste...
07/05/2026
June 15, 2025
Colorfront (colorfront.com), an Academy and Emmy Award-winning de...
07/05/2026
June 15, 2025
Colorfront participated in the ICTA Barcelona Cinema Technology Summit on Sunday, June 15, 2025. Held at The Phenomena Experience, the event feat...
07/05/2026
July 1, 2025
Colorfront (colorfront.com), the multi-award-winning developer of high-performance dailies/transcoding/streaming systems for motion pictures, OTT,...
Offering support for multiple codecs, and a cheaper option than SMPTE ST 2110, IPMX is becoming more prevalent within the media industry. TVBEurope talks to PlexusAVs Aaron Doughten and Steven Cogels to get the lowdown on the new standard
