
Cramb, Tangram, and KBN are the latest proposals of Panasonic in BIT Broadcast 2014 Crambo, Tangram Solutions y KBN Media, tres distribuidores e integradores de referencia en el mercado espa ol, exhiben en BIT Broadcast 2014 las ltimas c maras de Panasonic, destacando entre ellas la nueva AJ-PX270, ganadora del Premio Panorama a la Mejor Soluci n para Captaci n.
Panasonic est muy presente en el Sal n Internacional de la Tecnolog a Audiovisual, BIT Broadcast 2014, a trav s de tres Crambo, Tangram Solutions y KBN Media, tres distribuidores e integradores de referencia en el mercado espa ol.
Por parte de Crambo, los profesionales que visitan estos d as la feria pueden comprobar la ventaja que aportan tres de los camcorders del extenso portfolio de soluciones para captaci n de Panasonic. Por un lado, encontramos la c mara de estudio AK-HC3500, una multifunci n de 2/3 que captura v deo 1080i mediante tres CCD de 2,2 megap xeles y, por otro el primer camcorder P2HD con grabaci n nativa AVC-Ultra AJ-PX5000.
Se trata del primer camcorder P2 HD con grabaci n nativa AVC-ULTRA y ranuras para tarjetas microP2, con 3 sensores MOS 2/3 y 2,2 millones de p xeles que combina una excelente calidad de imagen con un peso muy ligero). Es de destacar que la AJ-PX5000 graba en formato 720p y 1080i, y por primera vez en la gama P2HD, tambi n en 1080/50p.
En camcorders de mano, Crambo muestra tambi n la nueva AJ-PX270 y las vers tiles AG-AC90 (con su alta calidad de imagen con 3 sensores CMOS 1/4,7 de pulgada y funciones avanzadas, combinado con un funcionamiento sencillo y un dise o elegante y f cil de manejar) y AG-AC160 (AVCCAM HD Full HD y velocidad de cuadro variable, con salida SD/HD-SDI, conmutable 59.94Hz/50Hz). Tambi n se presenta el grabador/reproductor P2HD AG-HPD24.
En lo que a equipos multiprop sito se refiere, Crambo cuenta con las c maras integradas AW-HE60 (con un sensor MOS de tipo 1/3 Full-HD y soporte para m ltiples formatos HD/SD) y la AW-HE120 (una c mara HD integrada y conectividad por IP, lo que facilita su instalaci n). Junto a ellas, sobresale el panel de control AW-RP50.
Por parte de Tangram, en BIT Broadcast podemos ver los camcorders de hombro AJ-HPX3100 y AG-HPX600, adem s del camcorder de mano AJ-PX270.
El nuevo dise o del cuerpo de c mara de la HPX3100 cuenta con un centro de gravedad m s bajo que aumenta la estabilidad y permite una visi n sin obst culo en ambos lados. Pesa solo unos 3,9 kg. Hay dos ranuras para tarjetas P2 en el lado donde se encuentran los controles principales. Con una movilidad excelente y un sencillo funcionamiento, el camcorder incorpora un sistema de 3 CCD de tipo 2/3 con resoluci n de 2.2 megap xeles, un DSP de alto rendimiento y el c dec AVC-Intra.
Por lo que a la HPX600 se refiere, destacar que este camcorder ha marcado un antes y un despu s en el desarrollo de camcorders con calidad Full HD y de coste efectivo. Adem s, ha sido dise ada desde cero para ofrecer una plataforma en la que los usuarios pueden elegir entre varias opciones para adaptarse a sus necesidades. Tambi n presenta una montura de lente de tipo 2/3, permitiendo el uso de lentes convencionales para una mayor flexibilidad, y graba im genes HD de calidad Broadcast con resoluci n nativa 1920 x 1080 con muestreo 4:2:2 y codificaci n de 10 bits Presenta una gran sensibilidad de F12 (a 2.000 lux y 50Hz) y un bajo nivel de ruido.
En cuanto a KBN Media est dando a conocer la ventajas del nuevo camcorder AJ-PX270 de Panasonic.
The new AJ-PX270 shines at the fair
Si hay un camcorder que est de boca en boca en esta feria es la nueva AJ-PX270. Ganadora del Premio Panorama a la Mejor Soluci n para Captaci n, esta c mara est especialmente destinada a la captaci n de noticias, facilitando el trabajo de producci n en televisi n, cortos, v deos corporativos ya que hereda todas las ventajas de un camcorder de hombro en un pr ctico equipo de mano.
But the most remarkable aspect is the innovation in terms of formats recording and the flexibility in the form of work since, it even allows to directly send everything via WiFi, 3 G or 4 G networks.
While the popular 200 (released by Panasonic in late 2006) it was based on a hybrid concept with P2 and tape (miniDV), in the 270 new replaced the tape the card and the possibility of transmission of media network.
This marks a new scheme in workflow will send content from the same place of the recording thus considerably reducing the time between acquisition and issuance.
Con esta c mara es posible enviar contenidos tanto en directo por streaming o el material almacenado en la tarjeta. Mientras que antes hab a que esperar a que llegara el material para editar, ahora ser posible enviar el contenido desde el lugar de la grabaci n reduciendo as considerablemente el tiempo entre captaci n y emisi n. El operador puede as enviar a la redacci n un proxy con solo conectar un cable LAN o acceder a una red WiFi o m vil (gracias a un dongle alojado y protegido dentro del propio cuerpo de la c mara).
Initially, the PX270 allows you to connect to a WiFi network using a USB dongle optional or to a LAN network via cable, and is also compatible with the devices of ascent through mobile networks. Soon, the adapters will be available for 3G networks / 4G and LTE.
The AJ-PX270 allows to work on the basis of two schemes: capturing video and sending it later or live streaming.
When subsequent shipment of material, the camera allows to send to the drafting in just a few minutes contained in proxy quality. Even with last minute informations, it would be possible to come on the air immediately from this proxy material.
On the other hand, the editor can create a version condensed with the most outstanding images and return a list of editing to the Chamber to consolidate only that part, thus reducing the amount of material to ingest, saving time and storage space.
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