
NAB 2019 Reflections: EVS's Sebastien Verlaine, Nicolas Bourdon Lay Out IP, Virtualized Future VIA network has been tapped by F&F Productions and Mobile TV Group By Ken Kerschbaumer, Editorial Director
Friday, April 19, 2019 - 9:26 am
Print This Story
Story Highlights
Future workflows and product strategies were on full display at the EVS booth during NAB 2019, and there were even some key customers as F&F Productions showed up to celebrate a deal that brings EVS's latest VIA technology into three of its GTX series of mobile units. Mobile TV Group also committed to the VIA lineup, which offers not only improved servers but a robust XNet-VIA media-sharing network that takes full advantage of Ethernet connectivity.
From left: EVS's Vincent Werbrouck and Jay Shinn, F&F Productions' Marc Orgera, and EVS's Quentin Grutman at NAB 2019. F&F committed to the EVS VIA lineup for three of its trucks.
The Ethernet media-sharing network founded on the VIA platform allows for the exchange of high-resolution and super-motion content between EVS servers, says Sebastien Verlaine, marketing and communications manager, EVS. It is also an evolutive network where other products will be developed and will be able to run on it.
XNet-VIA has three times the bandwidth of previous SDTI networks that EVS relied on and is also easily deployable, with each XHub VIA switch connecting up to 18 EVS servers per switch.
And with bidirectional Ethernet of 10 Gbps, you can expand the capabilities, and then, with an upgrade to our new Multicam 16 operating system, you can operate in high-resolution workflows and have more 4K and HDR production possibilities, adds Verlaine. The next version of the operating system (version 16.2) also includes upscaling from 1080p to 4K onboard the server, an important addition for customers who want to deploy 1080p super-slow-motion cameras in HDR mode and have those images easily integrated into a 4K production.
Virtualization was one of the hot topics at the show, and EVS also demonstrated the PMZ Hypervisor. The 1RU system (they can be grouped together to increase processing power) allow various EVS resources to be scaled up or down virtually as needed within a remote-production truck.
It's one way to virtualize applications like IPDirector and XTAccess, as the objective, when designing an OB truck, is to optimize rack space and reduce noise, says Verlaine. This does that and also gives the team more flexibility for the production.
According to Nicolas Bourdon, SVP, marketing, EVS, the company's virtualization efforts have been focused on the software applications and backend tools tied into the core EVS servers. Those tools can also be hosted on third-party storage appliances given that they are less mission-critical than the core function of recording audio and video signals, which requires more-reliable EVS hardware and software.
For example, new at the show was XS-NEO, an actual software-defined server that can be hosted on an EVS PRM processing module. It's a progressive approach to virtualizing recording, and Verlaine adds that the combination of the EVS Multicam OS and hardware is what makes the EVS system so reliable.
With the VIA platform and new developments, we are looking to rely less on hardware, because that is where the market is going, he says. But, at the same time, we are making sure the software continues to have the reliability our customers expect. We are always going to give our customers two options so that, if they want to work in an environment with third-party systems, we will make that possible. But, at the same time, we will develop our own hardware, as no one has a hardware solution for live production that is as reliable as ours. You can't expect to see [us rely on a third-party] server in a truck in the next few years as, in the end, there is no room for error and that has always been in our DNA.
Adds Bourdon, The move to virtualization will evolve differently for different markets. Broadcast centers that are not in purely live can rely on third-party hardware for virtualization while we still feel that, in the truck environment where live ingest and playout is needed, it will be a certain amount of time before that happens.
EVS also showcased DYVI software-defined switcher workflows at NAB 2019. The ESL showed how it can be used for esports applications, and the University of Miami discussed how a single DYVI switcher could drive sports production from different venues around the campus for delivery online and, soon, via the ACC Network.
And, for those on the hunt for production tools that leverage automation and artificial intelligence, there is the X-ONE unified production system with automated camera steering and artificial intelligence.
We have a team writing our own neural networks to steer robotic cameras on certain areas of a field and have been testing it with soccer, says Verlaine. We are also testing it on three other sports as it allows for more flexibility in resources as a six-camera production can be done with three robotic self-steering cameras and three manned cameras. It's a cost-saver but also allows for cameras to be placed in space-constrained areas where a camera person might not fit.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Matrox Video will showcase its vision for the future of live production at NAB 2026 in Las Vegas, April 19-22, highlighting how broadcasters and media organizat...
11/03/2026
Geneva-based technology company, GlobalM SA, is presenting its GMX Distributed Video Gateway, a software-defined IP media transport platform designed to replace...
11/03/2026
Backlight (booth #N2829), the company behind Iconik and Wildmoka, which power video workflows for large media and entertainment organizations, has released the ...
11/03/2026
QuickLink, a leading provider of award-winning video production and remote guest contribution solutions, presents its latest StudioEdge models at The NAB Show ...
11/03/2026
Telestream, a global leader in media workflow technologies, today announced the expansion of Telestream Cloud Services with the introduction of UP, a new cloud-...
11/03/2026
Operative, the preferred advertising management provider for the world's leading media brands, today announced the launch of AOS for digital media, an AI-po...
11/03/2026
Calrec will be located in Central Hall, on Booth C6907
Choice without compromise
The broadcast industry is going through a rapid evolution that s signalling a...
11/03/2026
The new service is hosted and operated entirely in the Netherlands, combining data sovereignty, resilience, scalability, and predictable costs without relying...
11/03/2026
Ease Live, an Evertz company and leader in interactive graphical overlays, today announced the successful deployment of its platform on Red Bull TV for Premier ...
11/03/2026
Mediagenix, a global leader in smart content solutions to profitably connect the right content to the right audience, is advancing its Semantic Intelligence cap...
11/03/2026
Emergent, a leading provider of AI-enhanced media production solutions, today announced the official launch of Fusion, a powerful, no-code application builder d...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
11/03/2026
Utah Scientific today announced the expansion of its Technology Partner Program with the addition of Audinate, Bitfocus, and Skaarhoj, three industry leaders wh...
11/03/2026
DigitalGlue, creator of the creative.space on-premise managed storage platform, today revealed plans to launch creative.space Intelligence (CSI) at NAB 2026 (Bo...
11/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, has annou...
11/03/2026
Composer and Re-recording Mixer Michael Phillips Keeley has built his career around immersive storytelling. Working from his Dolby Atmos-equipped studio, Sound ...
11/03/2026
Leading video software provider Synamedia today announced that YES, the pay-TV subsidiary of the telco Bezeq (TASE: BEZQ), has selected Synamedia Iris to delive...
11/03/2026
As media companies face increasing cost pressures and operational complexity, at the 2026 NAB Show in Las Vegas, Viaccess-Orca (VO), a global leader in OTT / TV...
11/03/2026
Digital Alert Systems, a global leader in emergency communications solutions for media providers, today announced the release of Version 6 software for its DASD...
11/03/2026
First Medium-Earth Orbit (MEO) deployment of the emergency.lu platform for refugees and their host communities' use provides dependable broadband for humani...
11/03/2026
Foundry releases Nuke 17.0
Brie Clayton March 1, 2026
0 Comments
Native Gaussian Splat support, new 3D system based on USD, expanded machine learning ca...
11/03/2026
Preserving UNESCO World Heritage with URSA Cine Immersive
Brie Clayton March 1, 2026
0 Comments
The Explorers turned to France's cultural landmark...
11/03/2026
I Clicked This By Accident And It Made After Effects SO Much Faster
Graham Quince March 1, 2026
0 Comments
Discover how Region of Interest in Adobe A...
11/03/2026
Cine Gear Connect Brings a Focused All-Day Experience to Industry City, NY
Brie Clayton March 4, 2026
0 Comments
Registration is now open for Cine Gea...
11/03/2026
La Vor gine Edited and Finished with DaVinci Resolve Studio
Brie Clayton March 4, 2026
0 Comments
One of Colombia's most ambitious projects goes g...
11/03/2026
SoundMarket Launches 18,000 Tracks of Real Music by Award-Winning Composers for...
11/03/2026
Capta Center Supports NOVO19 Remote Production with Blackmagic Design
Brie Clayton March 5, 2026
0 Comments
The facility provides production and playo...
11/03/2026
DigitalGlue Ends the Post-Production Tax: creative.space Intelligence (CSI) Unif...
11/03/2026
Kochi Sun Sun Uses Blackmagic Replay for High School Volleyball Finals
Brie Clayton March 9, 2026
0 Comments
Versatile Blackmagic Replay system proves...
11/03/2026
Richard Bona Joins Berklee for Signature Series Concert The Grammy-winning Cameroonian bassist and vocalist collaborates with students and faculty in a progra...
11/03/2026
Launched today, NVIDIA Nemotron 3 Super is a 120 billion parameter open model with 12 billion active parameters designed to run complex agentic AI systems at sc...
11/03/2026
Scripps Research scientists awarded nearly $5 million by NIH to investigate cancer growth Researchers will investigate how a common dietary nutrient may control...
11/03/2026
TELL US YOUR (SHORT) STORIES
The 2026 RT Short Story Competition is now open for entries
Recognising and rewarding the best new Irish fiction writing for...
11/03/2026
RT 's The Traitors Ireland is among the nominees for the 2026 Celtic Media Festival Torc Awards for Excellence, announced today....
10/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...