
NAB 2019 Reflections: EVS's Sebastien Verlaine, Nicolas Bourdon Lay Out IP, Virtualized Future VIA network has been tapped by F&F Productions and Mobile TV Group By Ken Kerschbaumer, Editorial Director
Friday, April 19, 2019 - 9:26 am
Print This Story
Story Highlights
Future workflows and product strategies were on full display at the EVS booth during NAB 2019, and there were even some key customers as F&F Productions showed up to celebrate a deal that brings EVS's latest VIA technology into three of its GTX series of mobile units. Mobile TV Group also committed to the VIA lineup, which offers not only improved servers but a robust XNet-VIA media-sharing network that takes full advantage of Ethernet connectivity.
From left: EVS's Vincent Werbrouck and Jay Shinn, F&F Productions' Marc Orgera, and EVS's Quentin Grutman at NAB 2019. F&F committed to the EVS VIA lineup for three of its trucks.
The Ethernet media-sharing network founded on the VIA platform allows for the exchange of high-resolution and super-motion content between EVS servers, says Sebastien Verlaine, marketing and communications manager, EVS. It is also an evolutive network where other products will be developed and will be able to run on it.
XNet-VIA has three times the bandwidth of previous SDTI networks that EVS relied on and is also easily deployable, with each XHub VIA switch connecting up to 18 EVS servers per switch.
And with bidirectional Ethernet of 10 Gbps, you can expand the capabilities, and then, with an upgrade to our new Multicam 16 operating system, you can operate in high-resolution workflows and have more 4K and HDR production possibilities, adds Verlaine. The next version of the operating system (version 16.2) also includes upscaling from 1080p to 4K onboard the server, an important addition for customers who want to deploy 1080p super-slow-motion cameras in HDR mode and have those images easily integrated into a 4K production.
Virtualization was one of the hot topics at the show, and EVS also demonstrated the PMZ Hypervisor. The 1RU system (they can be grouped together to increase processing power) allow various EVS resources to be scaled up or down virtually as needed within a remote-production truck.
It's one way to virtualize applications like IPDirector and XTAccess, as the objective, when designing an OB truck, is to optimize rack space and reduce noise, says Verlaine. This does that and also gives the team more flexibility for the production.
According to Nicolas Bourdon, SVP, marketing, EVS, the company's virtualization efforts have been focused on the software applications and backend tools tied into the core EVS servers. Those tools can also be hosted on third-party storage appliances given that they are less mission-critical than the core function of recording audio and video signals, which requires more-reliable EVS hardware and software.
For example, new at the show was XS-NEO, an actual software-defined server that can be hosted on an EVS PRM processing module. It's a progressive approach to virtualizing recording, and Verlaine adds that the combination of the EVS Multicam OS and hardware is what makes the EVS system so reliable.
With the VIA platform and new developments, we are looking to rely less on hardware, because that is where the market is going, he says. But, at the same time, we are making sure the software continues to have the reliability our customers expect. We are always going to give our customers two options so that, if they want to work in an environment with third-party systems, we will make that possible. But, at the same time, we will develop our own hardware, as no one has a hardware solution for live production that is as reliable as ours. You can't expect to see [us rely on a third-party] server in a truck in the next few years as, in the end, there is no room for error and that has always been in our DNA.
Adds Bourdon, The move to virtualization will evolve differently for different markets. Broadcast centers that are not in purely live can rely on third-party hardware for virtualization while we still feel that, in the truck environment where live ingest and playout is needed, it will be a certain amount of time before that happens.
EVS also showcased DYVI software-defined switcher workflows at NAB 2019. The ESL showed how it can be used for esports applications, and the University of Miami discussed how a single DYVI switcher could drive sports production from different venues around the campus for delivery online and, soon, via the ACC Network.
And, for those on the hunt for production tools that leverage automation and artificial intelligence, there is the X-ONE unified production system with automated camera steering and artificial intelligence.
We have a team writing our own neural networks to steer robotic cameras on certain areas of a field and have been testing it with soccer, says Verlaine. We are also testing it on three other sports as it allows for more flexibility in resources as a six-camera production can be done with three robotic self-steering cameras and three manned cameras. It's a cost-saver but also allows for cameras to be placed in space-constrained areas where a camera person might not fit.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
25/07/2026
Export FCP7 to XML Without Needing FCP7 Installed
Dave Rice July 24, 2026
0 Comments
I've created an open source tool that allows you to export FC...
25/07/2026
Documentary Sell Your House Edited with DaVinci Resolve Studio
Brie Clayton July 24, 2026
0 Comments
Filmmakers post feature documentary from opposite...
25/07/2026
Time to Act: Bringing a New Opera to Life Boston Conservatory at Berklee vocal arts students played a vital role in shaping the opera's creative developme...
25/07/2026
Beyond the Score For Dean of Music Kevin Haden, the boundless possibilities of classical music begin with process.
July 24, 2026
By
Kevin Haden
Michelle ...
25/07/2026
Reading the Room As music director of two major orchestras, conductor Jonathon Heyward aims to make the concert hall a space for everyone.
July 24, 2026
By
...
24/07/2026
Referee hat cameras, player/coach mics, and virtual graphics will be deployed at the three-day event for the first time
The NFL FLAG Championships return to ES...
24/07/2026
Qvest, Ateme, and Scaleway have partnered to offer broadcasters, media organizat...
24/07/2026
LTN has completed satellite-to-IP migrations for more than 3,000 broadcaster, MVPD (Multi-Channel Video Programming Distributor), head-end, and content owner si...
24/07/2026
Chyron has released Virtual Placement 8.1, an update to its live sports virtual graphics platform. The release adds workflow and graphics changes across chroma ...
24/07/2026
Riedel's RefCam Live was used for the first time at an international soccer match during a friendly between the German men's national team and Ghana in ...
24/07/2026
USSI Global said it is prepared to help broadcasters, satellite network operators, and media organizations manage the next phase of C-band spectrum clearing, fo...
24/07/2026
FuboTV and The Athletic have launched The Athletic Video Hub on Fubo, bringing The Athletic's sports video content to connected TV (CTV) for the first time....
24/07/2026
Tagboard and Momento have partnered to bring Momento's fan reaction photos to venue videoboards in real time following big plays. The Seattle Mariners will ...
24/07/2026
Stephen Arnold Music (SAM) created an anthem called The World Is Here for Fox ...
24/07/2026
Caz TV has acquired Brazilian broadcast rights to the entire WTA Tour driven by Mercedes-Benz, covering all WTA 250, WTA 500, and WTA 1000 tournaments. The agre...
24/07/2026
SiriusXM and WWE have launched WWE Radio on SiriusXM channel 156, beginning Monday, July 27. The channel will carry live audio of WWE Premium Live Events, audio...
24/07/2026
Harvard Athletics produces more than 325 live NCAA Division 1 sports events and 500 edited videos per year. To manage video capture, streaming, recording, and s...
24/07/2026
Chyron's PRIME 5 graphics platform supported live graphics workflows for NBCUniversal Telemundo's FIFA World Cup 2026 coverage across Telemundo, Univers...
24/07/2026
Wearable tech returns to the coverage, and a brand-new mobile unit is rolled out for the 2026 edition
The 21-stage Tour de France is nearing its conclusion. Th...
24/07/2026
More than 20 cameras, extensive player and coach audio, and a REMCO production model will power coverage of the league's showcase
For an event designed to ...
24/07/2026
New broadcast tool uses live timing, telemetry, and predictive analysis to decode real-time team decision-making for fans at home...
24/07/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
24/07/2026
First string library captured at Studio Richter Mahr
The latest sample library to be created at Max Richter's Studio Richter Mahr facility captures the ...
24/07/2026
Official emulation of Blackbird Studios reverb chamber
In their latest collaboration with Blackbird Studios, KIT Plugins have captured the sound of the Stud...
24/07/2026
Sohonet's partners at BIND Studio have published a great case study on the V...
24/07/2026
Angela Gomez brings over 14 years of experience in broadcast communications and audio engineering, specialising in live outside broadcasts, live sports and larg...
24/07/2026
Between the maturation of IP and remote production workflows, collegiate sports production is advancing rapidly. For an Ivy League institution like Harvard, kee...
24/07/2026
iWedia, a global provider of software solutions for connected TV devices, today announces the launch of Teatro Factory, a new operator-facing software factory o...
24/07/2026
Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisements into live video streams during the 2026 ...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/07/2026
Current DASDEC software enables customers to comply with the FCC's new 15-character password mandate without requiring updates
LYNDONVILLE, N.Y. July 23,...
24/07/2026
At the IBC2026 Show, SDVI will give European media organizations their first hands-on look at the next-generation Rally media supply chain management platform f...
24/07/2026
Sonnet Technologies at IBC2026
Brie Clayton July 23, 2026
0 Comments
Hero image: Sonnet Twin25G T5 Thunderbolt 5 Adapter
At this year's IBC Sho...
24/07/2026
Musora Enhances Online Music Lessons with Blackmagic Design
Brie Clayton July 23, 2026
0 Comments
Director of Production Josh Holliday details workflo...
24/07/2026
Interview with Production 360. Original article published here
The theme of thi...
24/07/2026
Article courtesy of postPerspective
Read the article
While Toy Story 5 maintai...
24/07/2026
Kerry and Mayo fans Up For The Match as excitement builds in Croke Park on the e...
23/07/2026
Staines-upon-Thames, UK, 23rd, JULY, 2026 - Yospace, the trusted leader in Dynamic Ad Insertion (DAI), stitched 11.57 billion one-to-one addressable advertisem...
23/07/2026
This Spring 2026 graduate from Honolulu found a home at SoonerVision as a live-production star and is ready to enter the industry as a replay op on Prime Video&...
23/07/2026
As the AUSL postseason begins tonight, listening in to players during games enhances fan engagement for the young organization
Ballplayers chatting with announ...
23/07/2026
Snap Inc. and the Esports Foundation have announced Snap's activations at the Esports World Cup 2026 in Paris, running July 6 through August 23. For the fir...
23/07/2026
Sony has announced the FX5, a full-frame Cinema Line camera built around a newly developed fully stacked Exmor RS CMOS image sensor and BIONZ XR2 image processi...
23/07/2026
TNDV (a division of Live Media Group) provided technical production support for the Pickleball Slam 4 live broadcast from Seminole Hard Rock Live in Hollywood, ...