
NAB 2019 Reflections: EVS's Sebastien Verlaine, Nicolas Bourdon Lay Out IP, Virtualized Future VIA network has been tapped by F&F Productions and Mobile TV Group By Ken Kerschbaumer, Editorial Director
Friday, April 19, 2019 - 9:26 am
Print This Story
Story Highlights
Future workflows and product strategies were on full display at the EVS booth during NAB 2019, and there were even some key customers as F&F Productions showed up to celebrate a deal that brings EVS's latest VIA technology into three of its GTX series of mobile units. Mobile TV Group also committed to the VIA lineup, which offers not only improved servers but a robust XNet-VIA media-sharing network that takes full advantage of Ethernet connectivity.
From left: EVS's Vincent Werbrouck and Jay Shinn, F&F Productions' Marc Orgera, and EVS's Quentin Grutman at NAB 2019. F&F committed to the EVS VIA lineup for three of its trucks.
The Ethernet media-sharing network founded on the VIA platform allows for the exchange of high-resolution and super-motion content between EVS servers, says Sebastien Verlaine, marketing and communications manager, EVS. It is also an evolutive network where other products will be developed and will be able to run on it.
XNet-VIA has three times the bandwidth of previous SDTI networks that EVS relied on and is also easily deployable, with each XHub VIA switch connecting up to 18 EVS servers per switch.
And with bidirectional Ethernet of 10 Gbps, you can expand the capabilities, and then, with an upgrade to our new Multicam 16 operating system, you can operate in high-resolution workflows and have more 4K and HDR production possibilities, adds Verlaine. The next version of the operating system (version 16.2) also includes upscaling from 1080p to 4K onboard the server, an important addition for customers who want to deploy 1080p super-slow-motion cameras in HDR mode and have those images easily integrated into a 4K production.
Virtualization was one of the hot topics at the show, and EVS also demonstrated the PMZ Hypervisor. The 1RU system (they can be grouped together to increase processing power) allow various EVS resources to be scaled up or down virtually as needed within a remote-production truck.
It's one way to virtualize applications like IPDirector and XTAccess, as the objective, when designing an OB truck, is to optimize rack space and reduce noise, says Verlaine. This does that and also gives the team more flexibility for the production.
According to Nicolas Bourdon, SVP, marketing, EVS, the company's virtualization efforts have been focused on the software applications and backend tools tied into the core EVS servers. Those tools can also be hosted on third-party storage appliances given that they are less mission-critical than the core function of recording audio and video signals, which requires more-reliable EVS hardware and software.
For example, new at the show was XS-NEO, an actual software-defined server that can be hosted on an EVS PRM processing module. It's a progressive approach to virtualizing recording, and Verlaine adds that the combination of the EVS Multicam OS and hardware is what makes the EVS system so reliable.
With the VIA platform and new developments, we are looking to rely less on hardware, because that is where the market is going, he says. But, at the same time, we are making sure the software continues to have the reliability our customers expect. We are always going to give our customers two options so that, if they want to work in an environment with third-party systems, we will make that possible. But, at the same time, we will develop our own hardware, as no one has a hardware solution for live production that is as reliable as ours. You can't expect to see [us rely on a third-party] server in a truck in the next few years as, in the end, there is no room for error and that has always been in our DNA.
Adds Bourdon, The move to virtualization will evolve differently for different markets. Broadcast centers that are not in purely live can rely on third-party hardware for virtualization while we still feel that, in the truck environment where live ingest and playout is needed, it will be a certain amount of time before that happens.
EVS also showcased DYVI software-defined switcher workflows at NAB 2019. The ESL showed how it can be used for esports applications, and the University of Miami discussed how a single DYVI switcher could drive sports production from different venues around the campus for delivery online and, soon, via the ACC Network.
And, for those on the hunt for production tools that leverage automation and artificial intelligence, there is the X-ONE unified production system with automated camera steering and artificial intelligence.
We have a team writing our own neural networks to steer robotic cameras on certain areas of a field and have been testing it with soccer, says Verlaine. We are also testing it on three other sports as it allows for more flexibility in resources as a six-camera production can be done with three robotic self-steering cameras and three manned cameras. It's a cost-saver but also allows for cameras to be placed in space-constrained areas where a camera person might not fit.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
14/05/2026
Sweetwater and Airstream have announced a custom-built Dolby Atmos mobile recording studio inside an Airstream trailer, set to tour music festivals, schools, tr...
14/05/2026
The American Association of Professional Baseball (AAPB) has announced a new par...
14/05/2026
ESPN has announced plans to transform Santa Monica Beach into a broadcast hub du...
14/05/2026
Amagi has announced a significant update to Amagi CLOUDPORT, its cloud-based broadcast playout platform. The update includes 250-plus features shipped in FY25-2...
14/05/2026
Clear-Com will exhibit at InfoComm 2026 (Booth N7005, June 17-19, Las Vegas Convention Center), introducing a new product that builds on Arcadia Central Station...
14/05/2026
Ikegami will exhibit at BroadcastAsia 2026 (Stand 5D3-1, Singapore Expo, May 20-22), introducing two new viewfinders alongside its existing camera, control, and...
14/05/2026
Grass Valley has announced that dB Broadcast has delivered new IP-based outside ...
14/05/2026
NAGRAVISION, a Kudelski Group company, has announced a partnership with the World Professional Billiards and Snooker Association (WPBSA) to launch Play Snooker,...
14/05/2026
Belden Inc. has announced a definitive agreement to acquire RUCKUS Networks from Vistance Networks for approximately $1.85 billion. The transaction has been app...
14/05/2026
NVIDIA has released the Content Localization Blueprint, a modular reference arch...
14/05/2026
Disney has announced that Disney will be the exclusive U.S. streaming home of the Banana Bowl, the Banana Ball league season championship, streaming live this ...
14/05/2026
Arkona technologies and technology partner manifold will demonstrate their production solutions on the Magna Systems and Engineering stand (Booth 5D1-1) at Broa...
14/05/2026
Haivision will host a webinar on Thursday, May 21 at 10 a.m. ET / 4 p.m. CET cov...
14/05/2026
The CW Network and ESPN have announced a sublicense broadcast agreement for The CW to televise ACC football and men's and women's college basketball gam...
14/05/2026
The agreement marks Scripps Sports' first NBA local rights deal...
14/05/2026
A new report from education-technology company Wiingy testing post-ChatGPT predictions against three years of real-world data has identified broadcasting as one...
14/05/2026
Global Citizen and FIFA have announced that Madonna, Shakira, and BTS will headl...
14/05/2026
LOS ANGELES, CA, May 14, 2026 - The nonprofit Sundance Institute announced today the cohort selected for the 2026 Episodic Lab program, taking place at Dunaway ...
14/05/2026
At Spotify, we're focused on making every listening experience feel intentio...
14/05/2026
Spotify recently welcomed songwriters, artists, executives, and music students t...
14/05/2026
New articulations, ostinatos, Motion Scoring Articulation Sets & more
Sonuscore's flagship cinematic string library has just been treated to a significa...
14/05/2026
World-class studio opens on T rkiye's Aegean coast
P r Recording & Residence have announced their official opening, introducing a new world-class reside...
14/05/2026
Now supports channel layouts up to 9.1.6
Nugen Audio have just released an update for their AI-powered dialogue intelligibility and compliance tool. Set to ...
14/05/2026
New recordings & one-key chord tool
UVI have just announced the release of Orchestral Suite 2, a ground-up redesign of their all-in-one symphonic orchestra ...
14/05/2026
Two new arrivals & expanded factory content
Rob Papen's all-encompassing plug-in and virtual instrument collection has just been treated to another upda...
14/05/2026
Embed QR codes into DAW sessions
FSK Audio's latest plug-in doesn't process audio, but serves as an organisational tool that allows QR codes to be e...
14/05/2026
SBS Board appoints Jane Palfreyman Managing Director
13 May, 2026
Media releases
The Special Broadcasting Service (SBS) Board of Directors is pleased to an...
14/05/2026
Transforming bold ideas into market-ready productions: Digital Originals returns
14 May, 2026
Media releases
SBS, NITV and Screen Australia have announced ...
14/05/2026
Australia Uncovered Returns to SBS with Bold New Season Featuring John Safran on...
14/05/2026
Rohde & Schwarz transforms spectrum complexity into situational awareness and ef...
14/05/2026
Rohde & Schwarz and Quantum Systems join forces to redefine EW and C-UAS-enabled...
14/05/2026
Rohde & Schwarz showcases STANAG aligned ARDRONIS Counter UAS capability at NATO...
14/05/2026
Code of Silence has won the BAFTA for Best Drama Series at Sunday night's ceremony at the Royal Festival Hall.
The series, starring Rose Ayling-Ellis and w...
14/05/2026
Soldiers equipped with Falcon IV radios will soon gain a sense-and-protect capa...
14/05/2026
Artists concept of the L3Harris Next Gen RTG in flight configuration, designed to provide 250 watts of reliable power for decades-long missions in deep space....
14/05/2026
Vivid Broadcast was embracing remote production long before it became the industry norm. Now, with Calrec's True Control 2.0-enabled Argo M and Type R conso...
14/05/2026
Car ad spend rises sharply in March as more auto buyers turn to electric, hybrid...
14/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/05/2026
CueScript's CueiT 4.0 Wins Future's Best of Show Award, Presented at 2026 NAB Show by TV Tech
CueScript, a leading international developer of professio...
14/05/2026
Expert-Led Education Sessions and Development of Online Training Program Accelerate IPMX Adoption and Deployment
The Alliance for IP Media Solutions (AIMS) to...
14/05/2026
Klvr is launching in the United States with a professional-grade rechargeable battery solution that cuts costs and improves performance across live entertainmen...
14/05/2026
Shooting into the depths of Bedlam with URSA Cine 17K 65
Brie Clayton May 14, 2026
0 Comments
Indie feature film paired digital 65mm capture with a Bl...
14/05/2026
WeMakeColor expands with Baselight, becoming hybrid color facility
Caroline Shawley May 14, 2026
0 Comments
Boutique Mexican-based studio integrates B...
14/05/2026
Berklee's Summer in the City Returns with Free Concerts Throughout Boston Ar...
14/05/2026
Chelsey Green Named to Billboard's 2026 Women in Music List The Berklee professor and chair of the Recording Academy Board of Trustees joins other high-pr...