For German broadcaster RTL2's new streaming series La Familia - House of Reality, Munich-based production company SUPERAMA took on all aspects of post production
By Contributor
Published: December 12, 2024
For German broadcaster RTL2's new streaming series La Familia House of Reality, Munich-based production company SUPERAMA took on all aspects of
post production
target=_blank title=Share on LinkedIn class=share-linkedin> For German broadcaster RTL2's new streaming series La Familia House of Reality, Munich-based production company SUPERAMA took on all aspects of
post production
https://www.tvbeurope.com/production-post/case-study-creating-90-episodes-in-90-days title=Share via Email class=share-email>
For German broadcaster RTL2's new streaming format, La Familia House of Reality, Munich-based production company SUPERAMA took on all aspects of post production for the first season, delivering 90 episodes in 90 days.
The unscripted format sees five influencers and TV personalities document their everyday lives while living together in a shared house. The RTL2 production, conceived by creative producer Gerhard Putz and producer Felix Fischer of GoodthingsIng, relies on user generated footage shot using iPhones, which had to be turned around quickly into polished episodes.
The goal: to deliver a 25-minute episode to release on RTL+ every single day. To meet this challenge, the team relied on DaVinci Resolve and a cloud-based workflow using Blackmagic Cloud. Holger Frick, co-managing partner at SUPERAMA, explains how this approach made the ambitious production feasible: Our task was to edit, mix and deliver an episode daily. The challenge was not only the fast production pace but also the fact that the protagonists had to film themselves - often without any form of professional camera or technical experience.
Cloud-based workflow as a solution To streamline production, SUPERAMA developed a cloud-based approach around DaVinci Resolve Studio. As soon as the protagonists hit the record button on their iPhones and stopped filming, all files automatically upload into a Dropbox folder and could be remotely edited and imported into the DaVinci Resolve cloud project from anywhere, says Frick. The advantage: all team members - five editors and three producers - had immediate access to the material, regardless of their location.
The entire post process could take place remotely from home or anywhere with a stable internet connection, he adds. This enabled parallel work throughout post and was the only reason we were able to successfully tackle such an ambitious production schedule.
The 4K iPhone footage shot in cinema mode was recorded as h.265 clips. We edited the material natively in h.265, explained Frick. In the end, they delivered a TV standard XDCAM HD422 format with R128-compliant audio mixing.
Another advantage in using DaVinci Resolve was the automatic sorting of raw material using the AI facial recognition as it was ingested. Resolve's Neural Engine allowed us to automatically create bins for each protagonist and sort all clips accordingly. This was extremely helpful as it saved us considerable time and money, says Frick. Starting with around 30 minutes of raw footage, we'd edit down and mixed a completed 20-minute episode, including audio, in just two days.
Game-changer in fast-paced production workflows The decision to use a cloud-based workflow was key for SUPERAMA in meeting the project's deadline. Without Blackmagic Cloud, we wouldn't have been able to manage the fast pace and volume of material, Frick states. The cloud solution ensured maximum flexibility and efficiency.
SUPERAMA has since completed the production, but the project demonstrates that this type of fast, cost-effective production will likely be used more frequently in the future. We have established the workflow and now the production continues independently in its second season, he concludes.
With the combination of Blackmagic Cloud, DaVinci Resolve, and a decentralised editing team, SUPERAMA delivered an impressive achievement in just three months. This example highlights that cloud-based workflows are the future of production and post production, especially for formats that demand quick results and high production frequency.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
01/06/2026
Designed to solve a common problem in broadcasting, the automated workflow detects, identifies, removes, and documents copyrighted music
AudioShake has introdu...
01/06/2026
The sports-analytics company combines its data with proprietary AI to help leagu...
01/06/2026
Category line-up & sponsors announced
Photo: Paul Clarke
The Production Music Awards (PMA) have announced that submissions are now officially open ahead of...
01/06/2026
New hybrid sample/synthesis instrument revealed
Excite Audio have just released the latest instalment in their Evolve series, which has been developed in co...
01/06/2026
Latest TONEX expansion captures three rare vintage amps
The newest addition to IK Multimedia's ever-growing TONEX line-up introduces a set of three incr...
01/06/2026
Musically intelligent soft synth gets upgraded
Scaler Music will be probably be best known to many for their music theory tools, but their product range al...
01/06/2026
SBS confirms its broadcast sponsors for FIFA World Cup 2026
1 June, 2026
Media releases
SBS has secured Hyundai, Hisense, Macca's, Rexona, bet365, Com...
01/06/2026
Rohde & Schwarz Satellite Industry Days 2026 guided by the motto From Earth to ...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Marshall Electronics is showcasing a comprehensive lineup of next-generation POV cameras, purpose-built to power today's connected AV environments, at InfoC...
01/06/2026
Adobe Announces Concept to Vector
Deepa Subramaniam June 1, 2026
0 Comments
One of the biggest frustrations we hear from designers is how difficult it...
01/06/2026
Vampire Feature Night Patrol Graded with DaVinci Resolve Studio
Brie Clayton June 1, 2026
0 Comments
Colorist shapes dark, gritty tone for horror thri...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
01/06/2026
Agentic AI is getting physical.
At COMPUTEX on Tuesday, NVIDIA announced NVIDIA JetPack 7.2 and NVIDIA NemoClaw support on NVIDIA Jetson.
JetPack 7.2 brings a...
01/06/2026
Financial institutions have spent years building AI: fraud models, credit models...
01/06/2026
Mardi 2 juin 14h00
FilmLight (ARRI), 10 rue Ren Boulanger, 75010 Paris
Rejoignez-nous pour d couvrir comment FLAPI (l'API FilmLight) peut transformer e...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
31/05/2026
Olivia P rez-Collellmir to Premiere Original Work at Gaud Centennial in Barcelona The Berklee graduate and faculty member will debut her choral symphony with...
31/05/2026
Back to All News
Netflix Wins 15 Awards at the Canadian Screen Awards - See Pho...
31/05/2026
Taiwan is home to more than 500 NVIDIA ecosystem partners. More than 1 million N...
31/05/2026
As factories move from isolated automation to plant-wide intelligence, manufacturers need AI systems that can connect live machine signals, quality systems, wor...
31/05/2026
The NVIDIA AI Cloud ecosystem is accelerating the global buildout of AI factory infrastructure. Partners are expanding capacity to meet growing demand from ente...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
30/05/2026
Zero in on one that says yes (and no)
Andy Marken May 29, 2026
0 Comments
Hero image courtesy of Deposit Photos
For content creators the most difficu...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
For German broadcaster RTL2's new streaming series La Familia - House of Reality, Munich-based production company SUPERAMA took on all aspects of post production
