Feelworld estrena los nuevos monitores LUT 7 y LUT 7S Son monitores profesionales de Broadcast dise ados para preproducci n, post producci n y calibraci n de color, capaz de importar 3D LUTs, con entrada y salida HDMI de se al independientes y muy ligeros.
Seetec Optoelectronics Technology presenta los primeros monitores con pantalla t ctil de 7 pulgadas y 2200nits de su marca Feelworld: el LUT 7 y el LUT 7S. Se trata de monitores profesionales broadcast dise ados para preproducci n, post producci n y calibraci n de color, capaz de importar 3D LUTs, con entrada y salida HDMI de se al independientes y muy ligeros. El LUT 7S tambi n incluye entrada y salida 3D-SDI.
Feelworld equipa a los cineastas con una gran pantalla (7 ) para el seguimiento de la grabaci n, sin que el montaje sobre la c mara sea un engorro. Los LUT 7/ 7S est n llenos de caracter sticas de monitoreo de alta calidad en un formato ligero que puede ser conectado a pr cticamente cualquier c mara.
La parte delantera cuenta con una gran pantalla LCD t ctil de alta resoluci n perfectamente visible a plena luz del d a gracias a sus 2200nits. Tienen conexiones de v deo en la parte inferior y una ranura para tarjetas SD en el lateral, as como espacio para dos bater as NP-F970 en la parte posterior. El marco exterior cuenta con puntos de montaje est ndar tanto en la parte inferior, como a izquierda y derecha, para fijarlo a c maras y equipos. Este detalle en su dise o hace que los LUT7/ 7S sean f ciles de acoplar a cualquier c mara y tambi n permitan compartirlos con un miembro del equipo o un cliente en el set de rodaje.
Un sistema operativo simple El sistema operativo es flexible y f cil de usar porque est provisto de un men que facilita el acceso a todas las herramientas con pocos toques sobre la pantalla t ctil. Entre otras, incluye herramientas para el enfoque, el encuadre y la exposici n (forma de onda, RGB parade, vectorscopio, histograma RGB, histograma, medidor de audio, pico de enfoque, zoom, cebra, color falso, gu as de cuadro, rea segura ). Tambi n permite la implementaci n flexible de 3D LUT (pudiendo usar el LOG incorporado al video Rec.709 o cargar archivos .cube) y opciones para el monitoreo anam rfico.
Los monitores LUT7 /7S de 7 muestran su contenido a 323 p xeles por pulgada (PPI) y una fidelidad de color superior y una resoluci n m xima de 1920 x 1200, permite un monitoreo de campo claro y preciso. El panel est hecho de vidrio pticamente unido con un revestimiento antirreflectante. Pero lo que realmente lo distingue es su retroiluminaci n por diodos emisores de luz (LED), que produce un brillo de 2200 nits. Con ello tiene casi 4 veces m s brillo que los monitores de campo convencionales lo que le permite observar la toma en exteriores sin necesidad de parasol y pudiendo seguir todos los detalles.
Adem s, muestra una relaci n de contraste de 1200: 1 y una gama de colores sRGB / Rec.709, lo que da un resultado de claridad de pantalla excepcional incluso en condiciones intensas de iluminaci n. El amplio ngulo de visi n de 160 facilita que varias personas lo puedan ver al mismo tiempo.
Calibraci n de color profesional Feelworld se rige seg n el est ndar de color profesional Rec.709 HD y emplea la tecnolog a de calibraci n de color con instrumentos de calibraci n profesional en f brica. Por ello, la calibraci n del monitor es ideal y permite obtener una reproducci n precisa del color, sin distorsiones, mostrando la imagen real durante la grabaci n.
Por otro lado, la transmisi n inal mbrica permite el seguimiento de la filmaci n simult neo desde varios monitores. Env e la imagen, por ejemplo, al monitor del director del equipo de filmaci n y al resto del equipo.
Por ltimo, los LUT 7 / 7S ofrecen 3 puntos de montaje est ndar de 1 4 de pulgada. As se fijan de manera segura a la parte superior de la mayor a de modelos de c maras. Los orificios de 1 4 de pulgada en los lados izquierdo y derecho permiten el montaje en otros equipos mediante el brazo m gico, soporte, etc.
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Feelworld estrena los nuevos monitores LUT 7 y LUT 7S Son monitores profesionales de Broadcast dise ados para preproducci n, post producci n y calibraci n de color, capaz de importar 3D LUTs, con entrada y salida HDMI de se al independientes y muy ligeros. 
