The first feature film from writer-director Shaun Seneviratne, Ben and Suzanne: A Reunion in 4 Parts depicts the struggle between love and duty as Ben (Sathya Sridharan) steps out on a limb to rekindle his relationship with Suzanne (Anastasia Olowin), who can't escape the calls of her work. Seeking to make a film that felt grittier than the manicured qualities typically associated with romantic comedies, Seneviratne decided to employ non-actors in every role except the leads.
Complementing the decisions Seneviratne made in prep and on set with cinematographer Molly Scotti, Light Iron colorist Keith Jenson helped fine-tune the visual language in the final color grade, which took place at Light Iron New York ahead of the movie's world premiere at the 2024 SXSW Film Festival. Here, Seneviratne and Jenson share their perspectives on their memorable collaboration.
Light Iron: Shaun, what brought you to Light Iron for Ben and Suzanne?
Shaun Seneviratne: Our producer Doron J Paul Mitchell has a mutual friend with Freddy Hernandez, VP of business development at Light Iron. We felt Freddys passion and support for independent filmmaking, and the vibes were right! It just felt like Light Iron was the place to go.
How did the two of you discuss the desired look for the project to ensure you were seeing it the same way?
Seneviratne: I wanted the movie to have the look of a verit documentary particularly one shot in the '60s or '70s such as Tokyo Olympiad Jean Rouch films, and ric Rohmer's films. We were interested in keeping things natural and filmic; we weren't interested in applying more modern trends and looks. We also weren't afraid of contrast and were quite interested in playing with darkness and letting parts of the frame go fully black.
Keith Jenson: When we were first beginning the project, Shaun sent over stills from existing films that reminded him of scenes from his own film. Shaun had a really good idea of the sorts of tones and moods he was going for.
We got on a call so that we could both look at the references and talk them through, and during that call, Shaun and I discovered we had some pretty strong similarities in some pretty obscure and niche music. As creatives, we quickly realized that if we'd both gravitated to those interests independently, then we would probably be able to communicate a lot of the more abstract and esoteric ideas of color quickly basically, we could have a creative shorthand in the studio during our sessions. I think I can speak for both of us in that we walked away from that call excited to begin collaborating!
Seneviratne: Keith had shared his work on Eyimofe, which was very much in the vein of what we were trying to achieve. Also, Keiths background with film and telecine gave him an authentic perspective on how we could achieve a naturalistic film look.
What were some of your main areas of focus in the color grade?
Seneviratne: Shadow and highlight levels, saturation, authentic film texture principles, and how to approach the night scenes, which were an area where we allowed ourselves to be open to stylization.
Jenson: We really tried for an authentic filmic look with strong colors and strong contrast. The film itself has title cards against strong color backgrounds, and we didn't want those to feel out of place when they cut on screen, so the rest of the film had to have very prominent primaries and healthy saturation. To achieve this, we utilized the toolset inside of DaVinci Resolve. We built our own LUT utilizing some softening in the shadows, some halation effects, and some film grain. I like to apply different levels of film grain over top of each other to achieve a more photographic grain appearance that feels a bit less like an overlay filter.
Seneviratne: Keith spoke about what people sometimes get wrong with film grain, which is applying one uniform grain over the entire image. To truly emulate film grain, one needs to take into account how that grain looks over the highlights, mid tones and shadows.
Any final thoughts from your collaboration that you'd like to share?
Seneviratne: Keith is a great guy who was easy to collaborate with and had great taste and insight. Our DI producer at Light Iron, Bonnie Gross, was also instrumental in the process, always making sure everything was taken care of and that the process was super-smooth.
Jenson: It was an absolute pleasure to work with Shaun, [editor] Joe Violette, and Doron. We had a great time in the studio in what were extremely memorable sessions for me. It was some of the most fun I've had grading everything about our sessions went so smoothly. A lot of that is thanks to Bonnie Gross, who helped manage the entire project on our end. She was even able to wrangle large Toblerone chocolates to surprise everyone on our final session a comedically large Toblerone bar features in one aspect of the film. Bonnie and I would both love to work with Shaun and his team again!
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
08/10/2026
Modern venues have come a long way since the tinny, echoing audio of the mid 20t...
08/10/2026
ESPN's first Super Bowl production will stream in English and Spanish on Disney+, while the ESPN App carries the full slate of game, ManningCast, studio, an...
08/10/2026
From high-school videoboards to War Eagle Productions, the Opelika native is learning how to lead shows and capture big moments
The future of live sports produ...
08/10/2026
The Television Academy and Prime Video have announced a six-year agreement making Prime Video the exclusive global home of the Emmy Awards beginning with the 20...
08/10/2026
Techex will exhibit at NAB Show New York 2026 (Booth 623, Javits Center, October...
08/10/2026
X Games has announced the appointment of Steve Rogers as Chief Operating Officer. Rogers previously served as COO of World Supercross and spent nearly a decade ...
08/10/2026
Fonn Group has appointed Trevor Spielmann as Sales Director for Germany, Austria, and Switzerland. Spielmann joins from EVS, where he held sales and business de...
08/10/2026
The flagship program will originate from major PG events with a four-camera production, live distribution across PGTV, social platforms
Perfect Game is bringin...
08/10/2026
Innovation rarely happens in a vacuum. More often, it happens at the point of collision: when worlds that have run on separate tracks begin to converge. That is...
08/10/2026
For decades, the production and broadcast services business has run on a familia...
08/10/2026
Uplynk, Zixi, BroadView Software, and Grass Valley have published The IP Converg...
08/10/2026
The NFL has announced the return of the Big Data Bowl, the league's analytics competition, now in its ninth year and again powered by AWS. Registration is o...
08/10/2026
Eutelsat has renewed its partnership with T l diffusion d'Alg rie (TDA), Algeria's national broadcasting network operator, for continued distribution of...
08/10/2026
Disney will livestream Super Bowl LXI on February 14, 2027, alongside the game's broadcast on ESPN and ABC. All Disney subscribers in the United States wi...
08/10/2026
RHStv and Red House Streaming have announced an expansion of their partnership w...
08/10/2026
Gray Media has announced a distribution agreement with TEGNA and DAZN to simulca...
08/10/2026
SVG readers can save 10% on registration and receive a complimentary Solutions H...
08/10/2026
PROTON Camera Innovations GmbH has been named a recipient of a 2026 Technology a...
08/10/2026
Industry leaders discuss real-world cloud workflows for live game production, pl...
08/10/2026
The next-gen audio technology joins Dolby Vision as part of Apple TV's immersive F1 experience...
08/10/2026
David France, Jesse Short Bull, Mato Wayuhi, N. Bird Runningwater, Jodi Archambau, Jhane Myers, Paul McGuire, Amber Morning Star Byars, Holly Macarro, Nick Tils...
08/10/2026
Dynamic panning plug-ins get an upgrade
Sound Particles have just announced major updates for two of their popular dynamic panning plug-ins. Energy Panner 2...
08/10/2026
New expandable instrument boasts full DMNO engine
UDO Audio have just announced the upcoming release of a new, expandable synth that packs the power of the ...
08/10/2026
Two new subwoofers added to monitoring line-up
ADAM Audio's monitoring range has just been expanded with two new DSP-equipped subwoofers, the Sub8 PRO a...
08/10/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
08/10/2026
Calrec gives broadcasters freedom of choice at NAB Show New York We're looking forward to meeting up with you all at NAB New York on 21st-22nd October.
Cal...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Globecast, a leading provider of broadcast, media and entertainment managed services, will showcase its next generation of media orchestration services at NAB S...
08/10/2026
Clear-Com played a critical role in the production communications infrastructure for Rock in Rio 2026, one of the world's largest and most recognized music...
08/10/2026
Sohonet Launches ClearView Rush: A Leap Forward in Studio Review, Built for Crea...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Ikegami announces a major expansion to its range of broadcast-quality live production cameras. Scheduled for introduction on Ikegami booth 708 at NAB New York, ...
08/10/2026
Calrec will be located at Booth 444.
Freedom to choose
The media landscape is evolving quickly, and the broadcasters best placed for what comes next will be...
08/10/2026
LiveU has announced that CRD Audiovisuel relied on LiveUs LU900Q intelligent production unit, with built-in native LiveU IQ (LIQ ) connectivity, to deliver live...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Marshall Electronics, a globally recognized provider of high-performance video solutions for broadcast, streaming, AV and professional production, will exhibit ...
08/10/2026
14-hour package also includes A Remarkable Place to Die season 2 as well as libr...
The first feature film from writer-director Shaun Seneviratne, Ben and Suzanne: A Reunion in 4 Parts depicts the struggle between love and duty as Ben (Sathya Sridharan) steps out on a limb to rekindle his relationship with Suzanne (Anastasia Olowin), who can't escape the calls of her work. Seeking to make a film that felt grittier than the manicured qualities typically associated with romantic comedies, Seneviratne decided to employ non-actors in every role except the leads.
