
Fan-eye view: Riot Games on creating a superior viewer experience and taking fans forward in esports By Heather McLean
Tuesday, November 5, 2024 - 09:54
Print This Story
View inside the TOC at Riot Games' Dublin RBC for the League of Legends Championships Final 2024
Riot Games is all about meeting the fans where they are and creating a superior level of experience for those fans, whether they are dedicated obsessives of League of Legends or just peaking into a stream to see what is going on. At the League of Legends World Championship Finals 2024 in London on 2 November, Korea's T1 defeated China's BLG. We caught up with Riot Games' Sam Kordower Chaimson, senior manager of broadcast production, and executive broadcast producer for the Worlds, to discuss how esports has disrupted and influenced traditional live sports broadcasting, and how it is moving the fan experience forwards.
Do you think you've disrupted regular live sports broadcasts over the last few years, because you're using and doing cutting-edge stuff and the amount of money you're spending as well is pretty phenomenal?
SKC: I think obviously we draw a lot from traditional sports, and I am sure that folks are looking at us for the tech obviously, because we do some pretty cool things on that front. But I think ultimately what you're seeing a lot in the [sports broadcast] industry now is the storytelling is starting to learn from esports and more traditional video game mediums.
Read more Tech-eye view: Inside the epic remote production for Riot Games' League of Legends World Championships Finals 2024
You see now that the MLB, the NFL and a number of other major leagues around the world as well as for traditional events, are doing alternative broadcasts using alternative technologies or alternative storytelling. I think of the KayRod cast for baseball, with Michael Kay and Alex Rodriguez sitting around shooting the shit, talking about baseball, while a game is happening; sounds a whole lot like a Twitch stream to me, a whole lot like a streamer experience to me. And that's something gamers have been doing for a really long time.
Riot Games Dublin staff at its Remote Broadcast Centre watch last weekend's League of Legends Championships Final 2024
How do you plug into where and how your viewers are engaging with you?
SKC: I think traditional sports and traditional media are starting to clue into the fact that fans have different ways of engaging and at Riot we think it's worthwhile to support all those fans, wherever they are. Whether they're watching a more traditional sport editorial broadcast like some of our main language feeds using our traditional broadcast apparatuses, or they're watching one of our co-streamers, or they're watching in another language using a broadcaster that may have a little bit more irreverent content, fans are choosing to engage with our sport in the way they engage with everything else.
So we've rolled out over the last year a vertical feed, so we also produce a vertical world feed, which is a separate product designed for a 9:16 format. It's been in development for a good while longer than a year, but we've started using it on our major events over the last year and offering it as a world feed over the past couple of years after starting it only as a first party product.
Read more Producer-eye view: Getting the lowdown on the League of Legends World Championships Finals 2024
We've seen that take off in a number of parts of the world where the viewership not only is trending towards mobile rather than desktop or traditional set top box, but towards alternative formats like 9:16. So we're seeing not only TikTok of course, which is the obvious one, really grow in popularity, but people watching vertically on YouTube via YouTube shorts we've seen a huge explosion in East Asia on that as well as other platforms that are leaning into 9:16 like Instagram Live, etc. And that comes down to just meeting fans where they are, not just saying, hey, you have to watch our sport and enjoy our sport in the old school sports way that's appropriate for some viewers . We love that kind of storytelling, but we want to meet fans where they are.
What we do at Riot is about serving a core fan experience. And so it's about tailoring our content to resonate with them and to reward them and to validate their passion for what we do, rather than a build it and they will come approach where we just sit in the mountain and say, this is what League of Legends is , because it's never been that case with how we develop the game.
What always blows my mind about esports is the scale of what you have to capture, the number of things you're trying to well capture, but then to tell a story. So with the scale of this final, what are the challenges for you in doing this and how do you get the end result without crying?
SKC: Oh, there are tears! Don't worry, mostly tears of joy. To me, the unique advantage and the unique emotional hook of esports is how relatable it is. I'm never going to throw a 90 mile an hour fastball. I'm never going to make a buzzer-beater, half court shot. I'm never going to drive an F1 car in my life. I'm not going to understand what those experiences are like. But when I see a big play in League of Legends, when Faker [Lee Faker Sang-hyeok] makes an incredible play or we see Bin [Chen Bin Zebin] dominate his opponent, those are experiences I have had in the game one-to-one, maybe not with as much technical mastery of course, but it's something that really resonates with me as a player. I feel it in my soul because I've been there. I've had that similar heartbreak on the same field of battle, on the same court, the same pitch, the same scenario.
And so it'
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
03/04/2026
New York April 2, 2026 TelevisaUnivision, the world's leading Spanish-la...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
03/04/2026
CVP, one of Europe's leading suppliers of professional video and broadcast solutions, today announces the launch of its new German operation and the formati...
03/04/2026
Mark Roberts Motion Control (MRMC) today announces the appointment of Nick Barthee as Chief Operating Officer, strengthening its leadership as the company conti...
03/04/2026
Net Insight introduces programmable Trust Boundaries that make live media interconnection predictable as traffic moves between facilities, networks and cloud en...
03/04/2026
Winning in the new media economy: Avid showcases AI-powered, connected intellige...
03/04/2026
NUGEN Audio CEO Dr. Paul Tapper to Lead Presentation About Dialog Intelligibilit...
03/04/2026
NAB Show 2026: PlayBox Neo Highlights Workflow, Security, and IP Advances
Brie Clayton April 2, 2026
0 Comments
PlayBox Neo will showcase the latest i...
03/04/2026
For Taku Hirano, Everything Is Connected From touring and composition to teaching and instrument design, the in-demand percussionist sees it all as one body o...
03/04/2026
Berklee Honors Humberto Ramirez with Master of Latin Music Award The alumnus and acclaimed trumpeter is honored for his influence as a performer, composer, an...
02/04/2026
HBO and NFL Films have announced Hard Knocks: Training Camp with the Seattle Sea...
02/04/2026
Haivision has announced the Makito ONE, a single-blade video encoding and decoding platform, at NAB Show 2026. The platform combines dual-channel video encoding...
02/04/2026
Telestream has introduced UP.Lens, a cloud-based multiviewer and monitoring serv...
02/04/2026
Mark Roberts Motion Control (MRMC) will exhibit at NAB Show 2026 (Booth C5220, April 19-22, Las Vegas Convention Center), marking the company's 60th anniver...
02/04/2026
Net Insight has introduced programmable Trust Boundaries, a feature integrated i...
02/04/2026
Bitmovin has announced support for SGAI (Server-Guided Ad Insertion) in its playback products, using HLS interstitials. SGAI combines elements of client-side an...
02/04/2026
Riedel Communications' SimplyLive RiMotion R12 replay system is supporting B...
02/04/2026
LTN, a managed IP video transport company, and Ateme, a video compression and de...
02/04/2026
Harmonic has announced that TDF, a broadcast infrastructure operator in France, has deployed Harmonic's XOS Advanced Media Processor and ProStream X Video S...
02/04/2026
Eluvio and the United Rugby Championship (URC) have announced first-year results...
02/04/2026
The Kansas City Current and Scripps Sports have announced that ION will broadcas...
02/04/2026
ESPN will debut Courtside at the Women's Final Four Presented by AT&T, an alt-cast airing Friday, April 3 at 7 p.m. and 9:30 p.m. ET on ESPN2, and Sunday, A...
02/04/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated are ...
02/04/2026
ESPN's MegaCast Coverage of 2026 NCAA Women's Final Four Begins Friday, ...
02/04/2026
DAZN has announced the launch of DAZN Playmakers, a global influencer program designed to build a network of sports content creators. The programme will give cr...
02/04/2026
Tony Cole, Jessica Lee shift into new roles reporting to ESPN SVP/Content Operations Chris Calcinari....
02/04/2026
Michigan's Fab Five will reunite for an alternate presentation of the Mich...
02/04/2026
Real-time tracking, virtual production, and Pixar storytelling converge for Apri...
02/04/2026
NASA's long-awaited Artemis II mission has launched four astronauts on a 10-day journey around the moon, marking the first manned launch toward the moon sin...
02/04/2026
(L-R) Molly Belle Wright, Wyatt Solis, and John Magaro appear in Omaha by Cole Webley, an official selection of the 2025 Sundance Film Festival. (Photo courte...
02/04/2026
4 - 11 April 2026
VEMIA's latest gear auction is just around the corner, and there's already a wealth of sought-after instruments and studio gear li...
02/04/2026
Little Labs emulation now available to all
The latest Universal Audio plug-in to become available outside of the company's DSP-powered UAD2 platform has...
02/04/2026
SBS Welcomes Back Cup Fever! For The Biggest FIFA World Cup Ever
2 April, 2026
Media releases
Santo Cilauro, Ed Kavalee and a host of special guests retur...
02/04/2026
Truth. Power. Perspective: NITV's Flagship Current Affairs Programs Return t...
02/04/2026
L3Harris has successfully powered the historic launch of the Artemis II mission, providing propulsion and avionics....
02/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
02/04/2026
Already deployed extensively by NBC Sports, FOR-A Corporation will demonstrate GoVertical! AiDi, the real-time 9:16 autocropping feature of viztrick AiDi, durin...
02/04/2026
Interra Systems, a provider of end-to-end quality assurance solutions for the digital media industry, announced that Elite Media Technologies has selected its B...
02/04/2026
Harmonic's Media Processing Solutions Maximize Bandwidth Efficiency for Terrestrial Broadcast Delivery
Harmonic (NASDAQ: HLIT) today announced that TDF, a...
02/04/2026
NBC Sports Deploys viztrick AiDi to Stream Live Events in 9:16 Mobile-First Formats with Auto Tracking, Development Signals Strategic Shift for FOR-A
Long reco...
02/04/2026
Evergent will showcase new innovations in subscriber lifecycle management and monetization at NAB Show 2026 (Las Vegas, April 18 22), including:
New advances i...