Sony Pixel Power calrec Sony

DTV Audio Group A1-Focused Event Returns After Three COVID-Delayed Years

25/07/2022

DTV Audio Group A1-Focused Event Returns After Three COVID-Delayed Years Broadcast's front-line mixers talk immersive sound, training, new mic technologies By Dan Daley, Audio Editor

Monday, July 25, 2022 - 12:06 pm

Print This Story | Subscribe

Story Highlights

The DTV Audio Group held its fourth meeting focused primarily on front-line A1 audio mixers. The event, held July 21 in Detroit, was the first since 2019, when COVID changed pretty much everything, including broadcast sports and its sound.

In opening remarks, DTVAG Executive Director Roger Charlesworth pointed out that the COVID shutdown left the industry in a kind of cliffhanger, with the imminent promise of broader implementation of Dolby Atmos and of both cloud-based workflows and digital microphones.

In opening remarks at DTV Audio Group A1-focused event, DTVAG's Roger Charlesworth proclaimed this an incredible moment in audio and predicted radical change going forward.

It's an incredible moment in audio, he told a highly focused audience of 70-plus attendees, mostly veteran A1s or audio supervisors, managers, or executives from broadcast sports. [The cloud] is further virtualizing remote production, and streaming has made distribution more fungible and adaptable. Expect, he added, radical change going forward.

In fact, Charlesworth noted in a subsequent interview, Atmos was part of what prompted the DTV conclaves in the first place, when he and key audio/technology executives at television networks sought more-direct communication with the A1 community, which in the U.S. comprises freelancers almost exclusively, just as Dolby was preparing to introduce Atmos to the broadcast sector.

It would be a great way to get everyone together and be able to talk through things, as much about production management as mixing, he said.

In 2017, the first of A1-focus meeting was produced under the aegis of SVG.

At the first one, we had three of the four Super Bowl mixers attending. This year, we also have more distribution-focused attendees, Charlesworth said, noting the presence of representatives from Comcast/Peacock, Netflix, and HBO Max/Warner Media.

SVG's DTVAG meetings are fantastic opportunities for the sharing of ideas between A1s as well as with manufacturers and vendors, said NBC Sports and Olympics Senior Director, Audio Engineering, Karl Malone. It is rare that A1s get to discuss the practice of mixing sports with other A1s, and the DTVAG seminar is a wonderful opportunity for learning and sharing.

Importance of Atmos Accordingly, Dolby Labs commenced the conference with a look at how deeply Atmos has become integrated into broadcast sports, citing its applications for the Olympics (including 180 hours of immersive sound from Beijing in 2021), the World Cup, its testing for NBC Sports' coverage of Notre Dame football home games, and its use on an estimated 120 events a year on Fox Sports. Broadcast sports is now at home with Atmos, said Cherylene McKinney, director, commercial partnerships, Dolby.

In a presentation on Atmos, Dolby's Cherylene McKinney noted that broadcast sports is at home with the format and that now it's all about educating the consumer about how and where to get it.

Now it's all about educating the consumer about how and where to get [Atmos], she added, noting that major consumer-electronics brands have incorporated Atmos into such products as soundbars.

One of those is Sky TV's Sky Glass, the UK-based (and Comcast-owned) network's first foray into consumer television sets. A demo of the television - which integrates 4K, UHD, HDR, Atmos, and other platforms, as well as upward-firing speakers for Atmos's overhead channels - was available in an adjacent room throughout the conference.

Speaking of how Atmos is changing broadcast-sports production, Malone explained how Atmos mixes had created a dome overhead of golf production, in the form of the format's four channels of overhead speakers. He further noted how music production using immersive sound enhances the format's market penetration on television with sports increasingly incorporating music.

(Malone also emphasized a semantic distinction in terminology. We are mixing in immersive' when we are in the truck and control rooms, he said. The Atmos encode/decode is heard only in the homes, and the result is not as immersive' as what is being produced upstream, due to encode/decode limitations in Dolby DD+JOC. There is a push by A1s to ensure that Dolby continues with ensuring that the pass-through quality from truck to home is equal. We are not there yet and thus try to temper our use of the term Atmos until it reached the home. )

Microphones for Immersive, Networked Audio Malone also highlighted the use of Audio-Technica's new 8.0 immersive microphone to add efficiency to productions, calling it instant immersive audio and adding that the height-channel speakers have added a new dimension to mixing the crowd sounds for sports on television.

Microphones were on the agenda in other ways. Two presentations looked at how transducers have moved to Dante and other networks, with such benefits as deployment scalability and remote controllability. Future benefits could include beam-forming applications for precision targeting of sources, integrated DSP, and even GPS capability.

(In a presentation on the potential for AI-assisted immersive mixing, using pattern recognition to predict how a mix unfolds during sports, Salsa Sound CEO Rob Oldfield observed about microphones in the digital era that we need to start viewing microphones as sensors, not just sound collectors. )

Channel vs. Object Interestingly, although much of the focus of immersive sound has been from the object-based rather than the channel-based perspective, some voices on the distributio
LINK: https://www.sportsvideo.org/2022/07/25/dtv-audio-group-a1-focused-even...
See more stories from svg

More from Sports Video Group

14/07/2025

Sony's New Coach's Headset Was Designed in Collaboration With the NFL

Sony's New Coach's Headset Was Designed in Collaboration With the NFL Featuring a custom dynamic boom mic, the headset will debut in the fall By Dan Da...

14/07/2025

Live From MLB All-Star 2025: MLB Network's Marc Caiafa and Tom Guidice on the Weeklong Efforts in Atlanta

Live From MLB All-Star 2025: MLB Network's Marc Caiafa and Tom Guidice on th...

13/07/2025

Live From MLB All-Star 2025: MLB Network Marks Five Straight Years of Onsite MLB Draft Coverage

Live From MLB All-Star 2025: MLB Network Marks Five Straight Years of Onsite MLB...

11/07/2025

Behind the Mic: Amazon Prime Preps for First Season of NBA Action; MSG Networks Adjusts Broadcast Booths for Rangers, Devils

Behind the Mic: Amazon Prime Preps for First Season of NBA Action; MSG Networks ...

11/07/2025

SVG New Sponsor Spotlight: Suite Studios' Craig Hering on Adapting to Clients' Needs With Scalable Cloud-Based Storage

SVG New Sponsor Spotlight: Suite Studios' Craig Hering on Adapting to Client...

11/07/2025

2025 SVG Content Management Forum Breaks Down AI's Impact, Continued Transition to the Cloud

2025 SVG Content Management Forum Breaks Down AI's Impact, Continued Transit...

11/07/2025

A Journey HOME: University of Nebraska's HuskerVision Goes IP

A Journey HOME: University of Nebraska's HuskerVision Goes IP Leaders from the HuskerVision and Lawo share their IP learnings By SVG Staff Friday, July 1...

11/07/2025

CMSI, Remote Picture Labs, Ace ESPN's Cloud-Based Editing Efforts for Wimbledon

CMSI, Remote Picture Labs, Ace ESPN's Cloud-Based Editing Efforts for Wimble...

11/07/2025

Netflix Enters the Live-Boxing-Production Ring for Round 2 With Historic Taylor-Serrano 3 Card at MSG

Netflix Enters the Live-Boxing-Production Ring for Round 2 With Historic Taylor-...

10/07/2025

5G for All? What the DFL's Use of Easy5G, RefCam Could Mean for Events in the Future

5G for all? What the DFL's use of Easy5G and RefCam could mean for events in...

10/07/2025

Save the Date: PGA TOUR Studios Welcomes SVG Remote Production Summit on Oct 14-15

Save the Date: PGA TOUR Studios Welcomes SVG Remote Production Summit on Oct 14-...

10/07/2025

Cloud on the Road: How Remote-Production-Service Providers Are Adapting to a New Era

Cloud on the Road: How Remote-Production-Service Providers Are Adapting to a New...

10/07/2025

Seattle Kraken's Ryan Schaber on the NHL Team Taking Live Game Productions In-House

Seattle Kraken's Ryan Schaber on the NHL Team Taking Live Game Productions I...

10/07/2025

FOX Sports Reboots Small Control Room in Los Angeles as Hub for Vertical-First Production

FOX Sports Reboots Small Control Room in Los Angeles as Hub for Vertical-First P...

10/07/2025

SVG Sit-Down: MSE's Zach Leonsis, ViewLift's Rick Allen Go Deep on Joint Venture Targeting Local-Sports-Media Market

SVG Sit-Down: MSE's Zach Leonsis, ViewLift's Rick Allen Go Deep on Joint...

09/07/2025

Monumental Sports & Entertainment, ViewLift Unveil Broadcast/Streaming Joint Venture as Regional Sports Market Transforms

Monumental Sports & Entertainment, ViewLift Unveil Broadcast/Streaming Joint Ven...

09/07/2025

SVG Europe Audio - State of Wireless Mics Forum: If We Lose the Spectrum, It's Going Back to the Boring Stuff

SVG Europe Audio State of Wireless Mics Forum: If we lose the spectrum, it...

09/07/2025

Tech Focus: Athlete Audio - Venues Provide Sound Just for the Players

Tech Focus: Athlete Audio - Venues Provide Sound Just for the Players From locker room to field of play, personalized systems help rev up the athletes By Dan D...

08/07/2025

Groundbreaking Gamecocks: Inside University of South Carolina's Four-Control Room Production Palace

Groundbreaking Gamecocks: Inside University of South Carolina's Four-Control...

08/07/2025

Monumental Sports & Entertainment's Samantha Brady on the Power of the RSN's Direct-to-Consumer Streaming Service Monumental+

Monumental Sports & Entertainment's Samantha Brady on the Power of the RSN&#...

08/07/2025

Live From 2025 FIFA Club World Cup: FIFA, HBS Focus on Tournament Wrap, With an Eye to 2026 Men's World Cup

Live From 2025 FIFA Club World Cup: FIFA, HBS Focus on Tournament Wrap, With an ...

08/07/2025

SVG Rewind: NESN Goes Behind the Scenes of 1975 Red Sox Retro Broadcast

SVG Rewind: NESN Goes Behind the Scenes of 1975 Red Sox Retro Broadcast NESN is following up the retrocast with a week-long celebration of the Green Monster By...

07/07/2025

1-2 Punch: The Cloud, Generative AI, and the Future of Sports-Content Distribution

1-2 Punch: The Cloud, Generative AI, and the Future of Sports-Content Distributi...

07/07/2025

Formula E: Host Broadcaster Aurora on Launching New AR Graphics at the Jakarta E-Prix

Tests and decisions: Formula E host broadcaster Aurora on launching new AR graph...

07/07/2025

Formula E: Using New AR Graphics for Storytelling at the Formula E Penultimate, Final E-Prix of the Season

Building tension: Using new AR graphics for storytelling at the Formula E penult...

07/07/2025

SVG Rewind: Four NFL Clubs Bring Us on Set of Respective Media Day Shoots

SVG Rewind: Four NFL Clubs Bring Us on Set of Respective Media Day Shoots An in-depth conversation with 49ers Laura Johnson, Ravens Jay O'Brien, Las Vegas R...

07/07/2025

Cosm To Build Fifth Shared Reality Venue in Cleveland as Part of Bedrock's Rock Block' Development

Cosm To Build Fifth Shared Reality Venue in Cleveland as Part of Bedrock's ...

02/07/2025

World RX of Sweden: Aurora's Matt Beal on Taking Up the Broadcast Reins Alongside the FIA

Progressive realism: Aurora on taking up the broadcast reins for World RX alongs...

02/07/2025

World RX of Sweden: Getting the Production Together With NEP Finland, Cloudbass Graphics

Great speed: New host broadcaster Aurora on getting the World RX 2025 season pro...

02/07/2025

World RX of Sweden: Host Broadcaster Aurora Looks Ahead to This Weekend's Second Race of the Season in Hljes

Seat of its pants: Aurora boxes clever and looks ahead for the FIA as new host b...

02/07/2025

UEFA Women's Euro 2025: EBU, BBC Sport, Sunset+Vine Talk Coverage Plans, Distribution and Maintaining Momentum

UEFA Women's Euro 2025: EBU, BBC Sport and Sunset Vine talk coverage plans, ...

02/07/2025

UEFA Women's Euro 2025: Women's Super League Launches New Content Series to Support Teams, Players Over Summer of Football

UEFA Women's Euro 2025: Women's Super League launches new content series...

02/07/2025

UEFA Women's Euro 2025: Ignite Puts Fans, Players Front and Center With Title Sequence for ITV

UEFA Women's Euro 2025: Ignite puts fans and players front and centre with t...

02/07/2025

Storytelling in the Live Game Broadcast: ESPN Director Jimmy Platt Breaks Down the Craft

Storytelling in the Live Game Broadcast: ESPN Director Jimmy Platt Breaks Down t...

02/07/2025

CONCACAF's Miguel Angel Garcia on the Gold Cup's Enhanced 2025 Production Plan

CONCACAF's Miguel Angel Garcia on the Gold Cup's Enhanced 2025 Productio...

01/07/2025

SVG New Sponsor Spotlight: Spyrosoft's Jonathan Witty on Futher Business Expansion in the U.S.

SVG New Sponsor Spotlight: Spyrosoft's Jonathan Witty on Futher Business Exp...

01/07/2025

The NIL Effect: How the Shifting Business of College Athletics Impacts On-Campus Video Production

The NIL Effect: How the Shifting Business of College Athletics Impacts On-Campus...

01/07/2025

Cherry On the Cake: Inside the Technical Production of the Tour de France 2025 with EMG / Gravity Media

Cherry on the cake: Inside the technical production of the Tour de France 2025 w...

01/07/2025

NESN's Josh Jun on Keeping Alternative Broadcasts Fresh for Boston Red Sox, Boston Bruins Fans

NESN's Josh Jun on Keeping Alternative Broadcasts Fresh for Boston Red Sox, ...

01/07/2025

TNT Sports Races Back Into NASCAR With Fresh Look, Familiar Edge

TNT Sports Races Back Into NASCAR With Fresh Look, Familiar Edge Production approach emphasizes creative freedom, bold storytelling, casual-fan-friendly tone B...

27/06/2025

How Smarter Video Compression is Creating a Sustainable Future

How smarter compression is creating a sustainable future By Michael Burns Monday, June 23, 2025 - 14:13 Print This Story Live sport is especially vulnerab...

27/06/2025

RTL Group To Acquire Sky Deutschland

RTL Group To Acquire Sky Deutschland By George Bevir, Editorial Director, SVG Europe Friday, June 27, 2025 - 8:00 am Print This Story | Subscribe Story ...

27/06/2025

Frictionless, At Scale: The Current State of Live Video Streaming Techology

Frictionless, At Scale: The Current State of Live Video Streaming Techology Leaders from Bitmovin, Comcast Technology Solutions, Harmonic, IMAX, and Phenix brea...

27/06/2025

Marquee Sports Network's Nick Steger on Meeting the Moment of the Contending Chicago Cubs

Marquee Sports Network's Nick Steger on Meeting the Moment of the Contending...

27/06/2025

NHL Draft 2025: The League Is Primed for First Decentralized Draft in Non-Pandemic Era

NHL Draft 2025: The League Is Primed for First Decentralized Draft in Non-Pandem...

26/06/2025

10th-Annual SVG Regional Sports Production Summit Presents Useful Roadmap for the Future of the RSN, Local Media Business

10th-Annual SVG Regional Sports Production Summit Presents Useful Roadmap for th...

26/06/2025

The Big Cloud Debate: Public vs. Private vs. Hybrid

The Big Cloud Debate: Public vs. Private vs. Hybrid Tech leaders from CineSys, Diversified, and Net Insight breaks down all flavors of cloud By Jason Dachman, ...

26/06/2025

Program Productions' Jess Kowatch on Training the Next and Current Generation of Sports TV Technicians

Program Productions' Jess Kowatch on Training the Next and Current Gener...