Sony Pixel Power calrec Sony

SVG Sit-Down: Sinclair CEO Chris Ripley on ATSC 3.0, HDR Sports, Bally Sports+ DTC Streaming, and the Future of the RSN Business

12/05/2022

SVG Sit-Down: Sinclair CEO Chris Ripley on ATSC 3.0, HDR Sports, Bally Sports DTC Streaming, and the Future of the RSN Business ATSC's low latency and synchronicity promise an enhanced sports-viewing experience By Jason Dachman, Chief Editor

Thursday, May 12, 2022 - 1:56 pm

Print This Story | Subscribe

Story Highlights

It's a busy time for Sinclair Broadcast Group when it comes to live sports. Not only is the company set to launch the Bally Sports DTC streaming service later this year, but it has also announced plans to offer HDR content for its Bally Sports Regional Sports Networks beginning in the third quarter.

Sinclair President/CEO Chris Ripley was on hand at last month's NAB 2022, addressing the company's plans for the future of ATSC 3.0 NextGen broadcasting, among other topics. During the show, he sat down with SVG and provided an update on the Bally Sports launch and discussed how ATSC 3.0 will impact the sports-viewing experience, why HDR is key to Bally Sports' future roadmap, how he sees betting and gamification exploding in the coming years, and the growth of Tennis Channel since Sinclair acquired it in 2016.

During NAB 2022, Sinclair President/CEO Chris Ripley addressed the future of ATSC 3.0 NextGen broadcasting.

How do you see the rollout of ATSC 3.0 potentially impacting the sports-viewing experience for fans in the future?

First, the rollout of more resolution - HDR and higher pixel counts - will definitely have a big impact for sports broadcasts. Sports are core to the [over-the-air] broadcast offering - especially the NFL, playoff sports, and other [high-profile] events - so that is certainly going to have a major impact.

The less talked-about but just as important impact [of ATSC 3.0] is low latency and synchronicity. Obviously, it's not a good consumer experience when one device is on one frame and another device is on another frame. Or if there is 40 seconds of delay on the stream, which is a very common delay in streaming. ATSC 3.0 is able to shrink that latency down to sub 10 seconds, and it's able to provide synchronicity across all devices - whether it's streaming or broadcast - so that everything's on the same frame.

That is going make a difference in the consumer experience, especially as it relates to sports betting and gaming. And that's what we're really excited about. We have a big push around gamification. We're working on watch-and-play experiences with our partners at Bally's, where you'll be able to watch and play on one screen and interact [with the broadcast]. Right now, that [type of experience] is based on traditional streaming, but we're working to figure out how to actually replace the streaming component with ATSC 3.0 NextGen TV to speed up that latency and enable synchronicity. That's going to make the watch-and-play experience much better.

Can you provide an update on your plans to launch a Bally Sports direct-to-consumer streaming service?

We're obviously very excited about the upcoming launch of our Bally Sports direct-to-consumer [streaming service]. In some ways, these three years [since acquiring the Fox Sports RSNs] have been all about getting to this point. Almost from day one, we have been working on this launch: clearing the way with the MVPs, which was no small task, building the backend technology, and getting the rights from the leagues. It has been a long process, but we're finally about to launch, and we couldn't be more excited about that. Getting that going is going to be a really big milestone for us.

We are soft-launching this quarter and then plan to fully launch in Q3. We'll be coming out with more specific dates soon.

Do you expect media rights for more pro teams to be added to the streaming service prior to its full launch?

The last set of rights we added in January were pretty significant. There could be additional rights between now and [the launch]. That's an active discussion, so we can't say one way or the other, but we will be launching, regardless. And we think, within the next 12 months, we will have all the rest of the rights we need.

What was behind Sinclair's decision to begin offering HDR content for Bally Sports RSNs beginning later this year? And how does that move to HDR factor into Sinclair's overall strategy?

Sports has always been at the forefront in terms of resolution and picture quality. And we think it's important to continue to push that envelope. HDR, specifically, gives you much greater depth and makes you actually feel like you're in the building and watching it live much more than just adding more pixels. We think it's important to continue to move that ball forward not only on behalf of our own business but also on behalf of our league and team partners. The more entertaining and visually exciting we can make our product, the better.

In terms of how it fits into our broader plans, we believe adding interactivity around [the broadcast] in terms of gamification is the next frontier. But you have to have a fundamentally state-of-the art, best-in-class picture to go along with that. This is a key step in that evolution.

It will definitely be a boost for viewers, but, obviously, upgrading all your regional sports facilities will also be costly. Why did it make sense from a return-on-investment perspective?

We absolutely believe it is worth [the investment]. Not every upgrade pencils out on a spreadsheet. I'm a finance guy, so it's not easy for me to say that. But you have to continue to innovate, and you have to continue to make your product best in class. And you have to have faith that, if you do that, you'll get rewarded for it in the long term.

How do you see Bally Sports' plans around betting growing in the next couple of years? Will we see m
LINK: https://www.sportsvideo.org/2022/05/12/svg-sit-down-sinclair-ceo-chris...
See more stories from svg

More from Sports Video Group

16/07/2026

SVG Students To Watch: Kaden Sherman, Albany State University

This recent graduate and Georgia native has turned an early fascination with live production into a growing passion for camera work In the live-sports-video in...

16/07/2026

TNDV Marks First Year of Aspiration 35 Cinematic Production Truck

TNDV is marking the first anniversary of Aspiration 35, a mobile production truck built around ARRI Alexa 35 Live camera systems. Over its first year, the truck...

16/07/2026

ATSC Releases First Major Revision to A/85 Audio Loudness Recommended Practice Since 2013

ATSC has completed a major revision to its A/85 Recommended Practice: Techniques...

16/07/2026

FloSports Named Exclusive Global Media Partner for 2026 CrossFit Games

FloSports has announced an exclusive global media partnership with CrossFit for the 2026 CrossFit Games, presented by Air National Guard, beginning July 21 in S...

16/07/2026

Sennheiser Releases Spectera Firmware 1.4 and Command Button

Sennheiser has released firmware version 1.4 for its Spectera wireless system and announced the Spectera Command Button (Cat. No. 701014). The update adds comma...

16/07/2026

ESPN and Southwestern Athletic Conference Announce Multi-Year Media Rights Agreement Through 2030-31

ESPN and the Southwestern Athletic Conference (SWAC) have announced a multi-year...

16/07/2026

Audio-Technica Releases 20 Series Control Application for Elgato Stream Deck

Audio-Technica has announced the 20 Series Control Application, a Stream Deck plug-in for compatible Audio-Technica USB microphones. The application is compatib...

16/07/2026

SSL Live L550 Plus Consoles Power Audio Production for The Voice France Season 15

The fifteenth season of The Voice - La plus belle voix on TF1 used four Solid St...

16/07/2026

Gray Media and Atlanta Hawks Announce Georgia-Wide Broadcast Partnership for 2026-27 NBA Season

Gray Media and the Atlanta Hawks have announced a broadcast partnership that wil...

16/07/2026

SVG Sit-Down: Quarterback Showrunner Joe Zucco on Cinematography, Building Trust, Carrying On the NFL Films Legacy

Season 3 of Netflix's docuseries, which dropped this week, follows Jayden Da...

16/07/2026

Texas Rangers Switch Direct-to-Consumer Streaming Partner to BZZR

The Texas Rangers and Rangers Sports Network presented by Progressive (RSN) have announced BZZR as the new direct-to-consumer distributor for Rangers game broad...

16/07/2026

FIFA World Cup 2026: BBC Sport on Moving Across the Pond to Bring the Atmosphere of the Final Matches to Fans

With England's FIFA World Cup 2026 team getting ready to fly home after losi...

16/07/2026

With 36 Unilateral Cameras, NBC Sports Shapes 154th Open Championship Coverage for U.S. Viewers

In a return to Royal Birkdale, the team enjoys partnering with ETP and Gravity M...

16/07/2026

Altitude Sports & Entertainment's Tim De Lay on New SkyCam Digital Feed, Upgraded Studio Space

Along with a new studio at Ball Arena, the Colorado-based RSN is working with XR...

16/07/2026

FIFA World Cup 2026: Inside ORF's Austria-Based Production to Bring All the Emotions of the Tournament to Fans

Austria was back at the World Cup for the first time in 28 years, and the team d...

16/07/2026

Inside Gravity Media's Effort To Power the 154th Open Championship Production

With 42 RF cameras and high-power radio mics deployed, the spectrum environment ...

15/07/2026

Inside DAZNs Multi-Market World Cup Effort With CTO Sandeep Tiku

The 2026 FIFA World Cup is a big deal for DAZN, which has distribution rights in three markets: Italy, Spain, and Japan. Each requires a different editorial app...

15/07/2026

SVG New Sponsor Spotlight: Qumulo's Chris Horn on Powering Global Media Workflows Across Edge, Core, and Cloud

As sports-media organizations manage rapidly growing content libraries and incre...

15/07/2026

FIFA World Cup 2026: Inside the HBS Non-Live London Production Hub

HBS director of digital Johannes Franken talks SVG Europe through the operation built to serve FIFA World Cup 2026 rights holders remotely from Stratford, east ...

15/07/2026

IBC2026 to Spotlight AI, Live Sports Production, Creator Economy, and Trust in Media

IBC has unveiled the conference program for IBC2026, with this year's event ...

15/07/2026

Vanessa Paradis Tour Adopts Sennheiser Spectera Wireless Ecosystem for 2026 Production

Software-defined wideband RF platform supports 96-kHz monitoring, streamlined fr...

15/07/2026

Telos Alliance Integrates AudioShake Source Separation Into Minnetonka AudioTools Server

New AI-powered module enables broadcasters and content owners to extract dialogu...

15/07/2026

AIMS Schedules Second IPMX Product Certification Event for August

Weeklong gathering at EBU headquarters will test new IPMX capabilities and expand certified product ecosystem...

15/07/2026

Force Tech Appoints Bryan Adams as Vice President of Integration

Force Tech has announced the appointment of Bryan Adams, CTS, as Vice President of Integration. Adams will oversee AV and broadcast integration project delivery...

15/07/2026

USA Sports and Bundesliga Announce Exclusive Multi-Year U.S. Media Rights Agreement

USA Sports has announced an exclusive English-language agreement with the Bundes...

15/07/2026

Inside ITV Sport's Stunning FIFA World Cup Studio in New York City With Paul McNamara

ITV Sport's FIFA World Cup 2026 coverage has been produced from one of the m...

15/07/2026

CatchLight, Sony Launch Equipment Initiative for Local Visual Journalists

Program will provide professional camera kits, training, and technical support to participating local newsrooms...

15/07/2026

CornerstoneSF Installs FOR-A HVS-Q12 Switcher in New UHD Production Facility

San Francisco church becomes first U.S. deployment of the 2 M/E production switcher...

15/07/2026

Steve Bornstein Joins Advisory Board of Scott Cokers New Global MMA Promotion

Former ESPN and NFL Network executive to advise startup league on media, distribution, technology, and fan engagement...

15/07/2026

Space City Home Network Executive Producer John Valek on Leaning Into Innovation, Access, and Opportunity

The Houston-based RSN is the live-game home of the Astros and Rockets...

14/07/2026

Bowling Green State Upgrades Doyt Perry Stadium With New Daktronics LED Display

South end zone videoboard, cloud-based control system will be ready for 2026 football season...

14/07/2026

Mizzou Athletics Launches Connected Digital Platform

Redesigned website, enhanced mobile app unify content, ticketing, and personalized fan engagement...

14/07/2026

DePaul Athletics, Playfly Sports Agree to Multimedia Rights Partnership

Agreement spans sponsorship sales, digital monetization, radio production, and new practice facility naming rights...

14/07/2026

American Association Expands Broadcast Reach Through FanDuel Sports Network Partnership

Independent league adds 14 regional sports network affiliates, growing distribut...

14/07/2026

Euroleague Basketball Introduces Euroleague Basketball+ Digital Ecosystem Initiative

New strategy aims to unify competitions, content, fan engagement, and commercial...

14/07/2026

Professional Fighters League, ESPN Reach Multi-Year Media Rights Deal for Brazil

ESPN and Disney+ become exclusive home of PFL events in key international MMA market...

14/07/2026

TEGNA Names Scott Gill VP of Technology and Operations

Gill will oversee engineering, technology, and sports operations across the company's 64 local television stations...

14/07/2026

Guest Post: Dynamic Media Facilities Could Reshape the Future of Broadcast Workflows

Submitted by North American Broadcasters Association (NABA) As broadcasters con...

14/07/2026

Bayerischer Rundfunk Debuts Fully Software-Defined SMPTE ST 2110 Radio OB Van Built Around Lawo Technology

Modernized mobile unit combines HOME Apps, mc 56 console, and IP infrastructure ...

14/07/2026

Scripps Sports, ION Secure U.S. Rights to 2027 FIVB Womens Volleyball World Cup

Every match of the 32-team tournament will air across ION and Scripps Sports platforms in English and Spanish...

14/07/2026

FloSports Lands Exclusive U.S. Rights to IIHF Mens World Championship Beginning in 2027

FloHockey to stream every game of the annual international tournament under four...

14/07/2026

Minnesota Lynx Add Three Games to KARE 11s Over-the-Air Schedule

Victory+ telecasts to be simulcast on TEGNA-owned station, expanding free local distribution...

13/07/2026

BravesVision GM Jeff Cravens on Launching MLB's Newest Team-Owned Network in 35 Days

The Braves opted to keep production in-house rather than hand it off to MLB...

13/07/2026

Behind The Mic: Adam Schefter Signs Multi-Year Extension with ESPN

Behind The Mic provides a roundup of recent news regarding on-air talent, including new deals, departures, and assignments compiled from press releases and repo...

13/07/2026

Eurovision Sport and European Athletics Bring Live Athletics to More Fans with Multilingual AI Commentary Initiative

Eurovision Sport is making live athletics more accessible to fans than ever befo...

13/07/2026

Milwaukee Bucks Return to Full-Season Over-the-Air Television for First Time in 31 Years

The Milwaukee Bucks will return to full-season over-the-air television for the 2...

13/07/2026

SMPTE Expands Education Offerings with Connected Learning Path for IP Media Workflows

SMPTE has announced an expanded education pathway for media technology professio...

13/07/2026

Vizrt Graphics Power Netflix MVP MMA Event at Intuit Dome

Vizrt has announced that its graphics technology was used by broadcast design agency Girraphic for Netflix's debut MVP MMA event, broadcast live from the In...

13/07/2026

ARRI To Sell Global Rental Business to H2 Equity Partners in Management Buyout

ARRI has announced an agreement to sell its global rental activities in Europe, the United Kingdom, and North America to H2 Equity Partners through a management...

13/07/2026

DAZN and Premier Boxing Champions Announce Global Broadcasting Partnership

DAZN has announced a partnership with Premier Boxing Champions (PBC) to bring PBC fight nights to DAZN subscribers globally. The partnership begins Saturday, Ju...