Call for Papers Opens for SMPTE Australia 05 (SMPTE5)

The Society of Motion Picture and Television Engineers , the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that the SMPTE Australia Section has opened the call for papers for the biennial SMPTE Australia Conference & Exhibition (SMPTE15), Persistence of Vision - Defining the Future.

The deadline for proposal submissions is 15 February at https://edas.info/newPaper.php?c=18525.

Extending from 14-17 July, the three-day conference and four-day exhibition will focus on linking the cutting edge of development with practical solutions for problems facing todays media industries. The conference will be held at the Entertainment Precinct at Moore Park in Sydney.

Proposed papers for SMPTE15 must be informational and must address technical theory, research, innovation, application, or practice specific to any of the evolving technologies associated with the media technology industry. Student papers and case studies are strongly encouraged. Papers that are commercial or promotional in nature will not be considered, nor will those that already have been published. Workshop and whole-session concepts should relate to the general theme of the event, and should be demonstrably relevant to the careers and professional lives of delegates.

Topics for SMPTE15 papers include 4K/8K, ultra-high definition television (UHDTV) and the quest for higher dynamic range (HDR) and colour gamut; postproduction; broadcast infrastructure, 3G, Internet Protocol (IP), and file-based workflows; cinematography and image acquisition; fractional frame rates; psychophysics and the human vision system; asset management, storage, and archiving; the Internet of everything; the second screen; alternative content; and event cinema; audio/video processing and compression; content security; new techniques in audio; content distribution; display technology; advanced image processing; mobile, IP, and future distribution technologies; cinema technology; immersive sound; and restoration and preservation.

Further information, including details on submitting a paper proposal is available at www.smpte.org.au. More information about SMPTE is available at www.smpte.org.

About the Society of Motion Picture and Television Engineers (SMPTE )

The Oscar and Emmy Award-winning Society of Motion Picture and Television Engineers (SMPTE ), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

More than 6,000 members - motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students - who meet in Sections throughout the world sustain the Society. Through the Societys partnership with the Hollywood Post Alliance (HPA ), this membership is complemented by the professional community of businesses and individuals who provide the expertise, support, tools, and infrastructure for the creation and finishing of motion pictures, television programs, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

About SMPTE Australia Section

The Australia Section was founded in 1971 outside of the United States. Today, it is part of the SMPTE Asia Pacific Region that includes more than 750 members. SMPTE in Australia has been a leader in building ties between like-minded and guild organisations serving the media and content industry. Further information about SMPTE Australia is available at smpte.org.au. All trademarks appearing herein are the property of their respective owners.

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