-- Park City, UT - The nonprofit Sundance Institute announced today the members of the six juries awarding prizes for artistic and cinematic achievement at the 2022 Sundance Film Festival. Also announced was the jury for the Alfred P. Sloan Film Prize. The Festival takes place January 20-30 via our enhanced online platform at Festival.Sundance.org and in person at seven Satellite Screens venues around the country during the Festival's second weekend.
Sixteen celebrated voices across film, art and culture will bestow this year's awards on feature-length and short films which will be announced on January 28. Festival audiences have a role in deciding the 2022 Audience Awards, open to films in the U.S. Competition, World Competition and NEXT categories, as well as the Festival Favorite, which is selected across the full feature film program. Award-winning films will be available for special extended-run viewing the closing weekend.
These exceptional individuals will come together to offer a collaborative lens on our program, said Kim Yutani, the Festival's Director of Programming. Their diverse personal perspectives can elevate work above the sum of its parts.
This year's jurors are: Chelsea Barnard, Marielle Heller, and Payman Maadi for U.S. Dramatic Competition; Garrett Bradley, Joan Churchill, and Peter Nicks for U.S. Documentary Competition; Andrew Haigh, Mohamed Hefzy, and La Frances Hui for World Cinema Dramatic Competition; and Emilie Buj s, Patrick Gaspard, and Dawn Porter for World Cinema Documentary Competition. Joey Soloway for the NEXT competition section. Penelope Bartlett, Kevin Jerome Everson, and Blackhorse Lowe jury the Short Film Program Competition.
The jury for Alfred P. Sloan Feature Film Prize is Dr. Heather Berlin, Dr. Mand Holford, PhD, Tenoch Huerta, Lydia Dean Pilcher, and Shawn Snyder. They deliberated in advance of the Festival and awarded the Prize to After Yang, directed by Kogonada.
Following are the 2022 Sundance Film Festival Jury members and their respective sections:
U.S. DRAMATIC COMPETITION JURY
Chelsea Barnard is a producer based in Los Angeles. She most recently produced Mike Mills' C'mon C'mon and, prior to that, Olivia Wilde's Booksmart. Barnard previously served as president of film and chief creative officer at Annapurna Pictures, overseeing films such as Her, Foxcatcher, Wiener-Dog, 20th Century Women, Phantom Thread, The Sisters Brothers, and If Beale Street Could Talk.
Marielle Heller is an award-winning director, writer, and actor. Her humanistic directing style is depicted in her Academy Award-nominated films A Beautiful Day in the Neighborhood and Can You Ever Forgive Me?. Her directorial debut, The Diary of a Teenage Girl, earned her an Independent Spirit Award. As an actor, her Alma Wheatley in The Queen's Gambit made her an instant audience favorite. Heller's production company, Defiant By Nature, was established in 2019.
Payman Maadi is one of the most important Iranian American actors, screenwriters, and directors working today. He is best known for starring in the Academy Award-winning film A Separation and About Elly by director Asghar Farhadi. For his role in A Separation, Maadi won the Silver Bear for Best Actor at the Berlin Film Festival. His recent film credits include Night Shift, 6 Underground, 13 Hours, Camp X-Ray and Just 6.5, and his recent TV credits include HBO's The Night Of and Westworld.
U.S. DOCUMENTARY COMPETITION JURY
Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, Southern culture, and the history of film in the United States. In 2020, Bradley became the first Black American woman to receive the Directing Award in the U.S. Documentary Competition at the Sundance Film Festival for her debut feature-length documentary, Time, which was also nominated for Best Documentary Feature at the 2021 Academy Awards.
Joan Churchill is dedicated to making experiential films. She endeavors to throw the viewer into a firsthand experience with a subjective camera style that actively participates in the story, yet takes second place to the participants themselves. The first pure documentary cinematographer to be accepted into the American Society of Cinematographers, Churchill's accolades include DOC NYC Visionaries Tribute Lifetime Achievement Award, a BAFTA Award, duPont-Columbia University Award, Prix Italia, and the IDA Award for Outstanding Cinematography.
Peter Nicks is an award-winning cinematographer/director known for his immersive camerawork and cinema v rit style. He helmed the critically acclaimed feature documentary The Waiting Room and won the 2017 Sundance Film Festival's U.S. Documentary Directing Award for The Force. Homeroom completes a trilogy of timely, immersive documentaries exploring the interconnected narratives of health care, criminal justice, and education in Oakland, CA. Nicks received his B.A. in English from Howard University and his master's in journalism from UC Berkeley.
WORLD CINEMA DRAMATIC COMPETITION JURY
Andrew Haigh is a writer and director from the U.K. His award-winning films include Weekend (2011), 45 Years (2015), and Lean on Pete (2017). His television work includes the HBO series Looking, and, most recently, The North Water, a five-part limited series for BBC/AMC+.
Mohamed Hefzy is an Egyptian screenwriter and producer with an evolving filmography of 35 features, including Microphone (2010), Clash (2016), Sheikh Jackson (2017), and Luxor (2020). He has served as a jury member for various international festivals and is the president of the Cairo International Film Festival. He is also the founder of Film Clinic, a pioneering production house in the MENA region, and its distribution arm Fi
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