Full of A monster comes to see me in the technical categories

Full of A monster comes to see me in the technical categories Mejor direcci n de producci n, fotograf a, montaje, sonido, arte la pel cula de J.A. Bayona hizo pleno en las categor as t cnicas de los Goya.

The Goya for Best Production Management was to A monster comes to see me and specifically for Sandra Hermida M oz which took nearly two years to organize the production plan. The shooting lasted 16 weeks and all interior sequences were recorded in Spain.

scar Faura won the Goya for Best Director of Photography A monster comes to see me. He dedicated it to his daughter Ariadna. Faura had worked with the director of the film, J.A. Bayonne, on previous occasions.

Alejo Saura y Alexandra Jim nez entregaron el premio a la Mejor Direcci n Art stica a Eugenio Caballero tambi n por el film producido por Telecinco Cinema. Sin embargo no pudo recoger el galard n al encontrarse rodando en M xico. De nuevo son el t tulo de la obra de Bayona en la entrega del Goya al Mejor Maquillaje y Peluquer a a Marese Langan y David Mart .

Canary Paola Torres won the Goya for Best Costume Design for 1898. Los ltimos de filipinas. En esta producci n tuvo que supervisar el vestuario de cientos de extras.

The Goya for Best Original Song went to Sylvia Perez Cruz for his subject Ay ay ay, of the movie Near your house. Al recoger el premio cant un trozo de la canci n y la dedic a los desahuciados y la gente sin hogar en uno de los momentos m s reivindicativos de la Gala.

Fernando Velazquez was awarded the Goya for Best Original Score for A monster good to me, quien habl del encargo del director de componer una m sica discreta , que no distrajera de la historia. La m sica de las pel culas nominadas fue interpretada en directo por la orquesta.

As for the special effects, Goya took him Berg sy Pau Costa and Felix, who had this role in the film Bayonne, a production full of effects to give the monster that soul stars. Pau Costa thanked the award to his father, recently deceased and author of the soundtrack of the film The star, who won the Goya in this section twenty years ago. Felix Berges shared the prize with all the people dedicated to special effects.

Again the name of the production was heard A monster comes to see me when Peter Glossop, Oriol Tarrag and Marc Orts picked up the Goya for Best Sound. The same name film was repeated with the Goya for Best Editing, they collected Bernat Vilaplana and Jaume Mart Both thanked the award to the team and their families.

Alcazar Jimenez Siro

SPECIAL Goyas access Panorama 2017

LINK:	http://www.panoramaaudiovisual.com/en/2017/02/05/full-of-a-monster-com...
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