Imagine if you had a mold for sound, the same way you can have a mold for Jell-O-and whatever you poured into your sonic mold took on those particular characteristics. Well, that's pretty much what convolution processors do. When they load their mold, which is called an impulse response, it shapes whatever sound they're processing.
Studio One has two convolution processors. Ampire uses one to load speaker cabinet impulse responses. For example, when Ampire wants to sound like it's going through a 2 x 12 speaker cabinet, it loads a 2 x 12 cabinet impulse response. The other convolution processor, Open Air, is optimized for creating acoustic spaces. So if the impulse is of a concert hall, sound processed through Open Air sounds like it's in a concert hall. If the impulse is a blues club, the the sound takes on the characteristics of being in a blues club.
What's perhaps not as well known is that you can load pretty much any WAV file into Open Air and use that as your sonic mold. So, this month's tip is for the EDM and hip-hop crowd, because we're going to load big-sounding kick drums into Open Air. Then, we'll use them as molds to turn wimpy kicks into giant, thick kicks that smash through a mix, while leaving a trail of sophisticated destruction in their wake. But don't take my word for it-check out the audio example, which has no EQ or compression.
PreSonus Slick Trick For Thick Kicks Demo
There are five two-measure examples. The first example is from a kick track. The second, third, and fourth examples process the kick using this technique. The fifth example repeats the first example, as a reminder of how the sound started.
The secret is processing the kick track through the Open Air reverb, using a kick drum sample as the impulse (Fig. 1). Just like how a cabinet impulse response imparts the sound of a cabinet onto a guitar amp, these kick drum impulses shape the kick track to have an entirely different character.
Figure 1: The Open Air reverb has a kick impulse loaded, and imparts that sound to the kick track.
Studio One's Sound Sets have lots of kick drum samples. Here are the ones I used for the second, third, and fourth two-measure examples. The Open Air Mix control hovered around 30% for these.
Acoustic Drum Kits and Loops > Samples > TM Pop Rock Kit > DW 20.24 Pop Rock Kick > DW 20.24 Pop Rock Kick 1.wav
Acoustic Drum Kits and Loops > Samples > TM Thuddy 70's Kit > Gretsch 14 22 Vintage Thuddy Kick > Gretsch 14 22 Vintage Thuddy Kick 1.wav
909 Day Studio One Kits > Samples > F9 909 Detroit Kick.wav
So What's the Catch?
Kick drum impulses can overload the Open Air pretty easily. The first two examples used the softest-velocity kick, but the F9 909 Detroit Kick was way too loud (well, unless you like horrific distortion). Most convolution reverbs are happiest with impulses that peak at around -12 dB.
So, the solution is simple. Drag the kick drum impulse into a Studio One track, use the gain envelope to cut the gain to about -12 dB peak, hit ctrl+B to make the change permanent, and then you can drag this impulse from the Studio One track right into the Open Air reverb.
Of course, you don't have to limit yourself to kick, but it does seem kicks are where this technique shines the brightest. I also fooled around with using a floor tom as an impulse, and open hi-hat impulses on closed hi-hat tracks. The results aren't always predictable but that's what makes it fun, right?
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Imagine if you had a mold for sound, the same way you can have a mold for Jell-O-and whatever you poured into your sonic mold took on those particular characteristics. Well, that's pretty much what convolution processors do. When they load their mold, which is called an impulse response, it shapes whatever sound they're processing. 
