
NFL Kickoff 2021: Fox Sports Enhances NFL Coverage with More Super Slo-Mo, Remote Workflows By Ken Kerschbaumer, Editorial Director
Thursday, September 9, 2021 - 11:55 am
Print This Story | Subscribe
Story Highlights
The 2021 NFL season is about to get underway and for Fox Sports the production focus is going to be on some new remote workflows, adding more super slo-mo coverage, and making sure that fans at home have as much of the feeling of being in the stadium as possible.
The one thing that we are really focusing on is making sure that the fans that are back in the stands are stadium are heard at home, says Kevin Callahan, Fox Sports, VP, field operations and engineering. We really want to make sure that viewers at home are feeling that that energy in the stands so we're doing everything we can do to help our mixers with things like additional microphones and possibly even doing crowd submixes.
Game Creek facilities will once again be handling top duties with Encore handling the Thursday Night Football games while Glory will be tapped for the A game on Sunday and Bravo will be used for the B game. Mobile TV Group's MTV G46 will be used for C games and then NEP's Supershooter 32 will be home for the fourth crew, NEP SS32 will be used for the fifth game while the sixth game will be produced out of NEP Supershooter 29.
Supershooter 32 just received a bunch of upgrades this year with a new audio console and some camera upgrades and things that we were really looking forward to, says Callahan. Supershooter 29 was also recently refurbished and as a result it's getting some nice little upgrade like six times super mo cameras. All of our shows for the top six games will now have at least four super mos.
That rise in the number of super slo-mo cameras is the biggest improvement on the production side, especially for the TNF package and the Sunday A game.
Every camera on the field will be a high frame-rate camera, says Callahan. Even the SteadiCam is going to be a high frame rate RF camera on those shows.
Also look for the A, B, and C games to be native 1080p SDR, a move that Callahan says means a better image for viewers at home.
It positions us for the future as we can start to build out our libraries in 1080p, he says.
One game each Sunday will also feature what Fox calls Line to Gain 2.0 which is the pylon cam that is on the line of scrimmage.
We are working with C360 and 3G Wireless on that and it is a 4K pylon camera with pan and zoom and is the next generation of the technology, he says. It will be used on whatever is the biggest game of the weekend along with a SteadiCam.
Megaladon shallow-depth-of-field cameras have been one of the big pushes in 2021 and that will continue through the NFL season. There will be a dedicated operator and RF kit for all the big games like the TNF package and Sunday A games and also look for it to pop up on some of the doubleheader weekends.
We're making it available to every crew to be used for ENG work and bus arrivals and we're really proud of the work Jarrod Ligrani, one of our technical directors, did in terms of really pushing us forward with it and developing it last year, says Callahan. It's not anything that's that particularly difficult and another bonus is it's something that is relatively inexpensive. But Jarrod and Director Brian Lilley really made it shine on the national stage.
Operating a Megaladon camera requires the kind of skill that can only be developed with hands-on experience and that is one of the reasons it is available to every crew. And not making it a live element for every show will also ensure that shots are captured properly and in focus.
Auto focus works really well if you have an operator that knows when they need to regain control of focus and move back and forth, says Callahan. You get much better results that way and I would point to things like our NASCAR or boxing coverage and even the MLS All-Star game where we had an operator changing camera focus during interviews. And during MLS All-Star there was an entire replay sequence for a corner kick goal where the operator was behind the player taking the kick, show the ball go into the box and the goal score, and then then the team ran right to the corner where the operator was. That was a fantastic shot.
Over the past 18 months Fox Sports at-home efforts have focused on its Vault production facility in Los Angeles and there won't be any big changes from last year.
We are using the Vault as a testing ground for a couple of different projects with various vendors so that instead of flying them out to a game for a test we can get instant feedback here, says Callahan. That will allow us to make changes in real time.
Callahan says Fox will also use CMSI again this year to enable remote edit workflows. An editor on TNF and a game each Sunday will working remotely with content from the mobile units.
We're deploying new file transfer kits this year with OpenDrives Ultimate high availability system with full NVMe, says Callahan. The new system allows for much faster read/write speeds, and over all faster transfers. This will be well received in the trucks as they are much shallower and take up less rack space than our previous iterations.
In terms of new remote workflows, one of the big changes for NFL coverage is the First and Ten line operators for the fourth, fifth, and sixth crews will be located in Tempe, AZ.
The downstream boxes will be on the truck, but the operator will be in Tempe using the same workstations we use for our college games, says Callahan. They will remote into the truck and that allows us to record the line in the truck and simplify workflows coming back for distribution as it will come in with the line already on it.
One challenge this year will be
More from Sports Video Group
12/11/2026
Industry leaders examine how Dynamic Media Facility, Media eXchange Layer, and c...
12/11/2026
The junior Tar Heel is embracing the technical and creative challenges of live production while emerging as a leader and mentor in the control room...
12/11/2026
Gracenote, Nielsen's content intelligence business, has released its fifth a...
12/11/2026
RTL Deutschland will bring the NHL to free-to-air TV in Germany starting Nov. 30...
12/11/2026
Clear-Com supported On Air 2026, a 24-hour student-led broadcast connecting 45 u...
12/11/2026
uniqFEED has opened a Remote Operations Center (ROC) in Madrid, Spain. It is already operational, delivering virtual advertising for LaLiga matches. The ROC is ...
12/11/2026
Disney, ESPN and the NBA will present Dunk the Halls, the third real-time animated NBA game using Sony's Beyond Sports data visualization technology, on Chr...
12/11/2026
Van Wagner has launched Van Wagner RELAY, a digital platform for official athlet...
12/11/2026
Deal brings together two of the industry's most established graphics brands and significantly expands Vizrt's footprint in U.S. sports and regional broa...
12/11/2026
Euro TV Production GmbH of Austria has upgraded its outside broadcast vehicle with Lawo technology. The mc 36 Classic console in service since 2019 was replaced...
12/11/2026
Tagboard has launched Spark Resize, an AI-assisted tool now in beta that takes an existing graphic and produces a new version for a different aspect ratio or sc...
12/11/2026
Ben Winston, Glenn Weiss, and FIFA's Jenni-Lee Van Gelder headlined a day fo...
12/11/2026
Free interactive platform visualizes team tendencies, formations, and schemes, updated weekly...
12/11/2026
Sports Broadcasting Hall of Famer Charlie Jablonski's broadcasting career is...
11/11/2026
Hornets Sports & Entertainment (HSE) and Spectrum have installed WiFi 7 as part of Spectrum's Managed WiFi solution within Charlotte's recently renovate...
11/11/2026
As 4K displays normalize in living rooms and economy flights, aging minor league...
11/11/2026
Northwestern University has deployed Grass Valley production switching and camera technology at its new Ryan Field stadium in Evanston, Illinois. The installati...
11/11/2026
Central Christian Church has transformed communication across its live productio...
11/11/2026
Monumental Sports & Entertainment developed the new Cisco Command Center for all of the building's technology
Prior to the start of the busy October schedu...
11/11/2026
The new Manhattan set is the latest addition to a network of studios, home setup...
11/11/2026
With a remodeled set, an expanded camera package, and a Steve Aoki performance, MLB Network's production team raises the bar again at The Chelsea...
10/11/2026
ENCO provided live stage captioning, multilingual translation and new audio pass-through services at NAB Show New York, held Oct. 21-22 at the Javits Center, an...
10/11/2026
Vizrt has built a proof-of-concept integration with the Story Object Model (SOM), shown at IBC 2026 in Amsterdam as part of the Smart Stories Accelerator projec...
10/11/2026
Gravity Media's Creative and Managed Services team produced a dedicated live 9:16 vertical broadcast workflow for Meta Connect 2026. Meta asked for more tha...
10/11/2026
Blue Stream Fiber has standardized its OTT streaming services on Ateme's end-to-end video platform for its high value linear channels, providing more effici...
10/11/2026
Haivision has opened the survey for its 2027 Broadcast Transformation Report, inviting broadcast, media, and production professionals worldwide to share their p...
10/11/2026
The League of Live Stream Theater (LOLST), the nonprofit organization partnering...
10/11/2026
USA Sports and The Horse Racing League (HRL) has announced a partnership to air ...
10/11/2026
Matrox Video has launched The Sync, a new video podcast series bringing together Matrox Video experts, customers, and partners to explore the technical and busi...
10/11/2026
The CW Network and Professional Bull Riders (PBR) have announced a new multi-yea...
10/11/2026
There is a certain irony that Chip Adams was turned down when he first looked in...
10/11/2026
Pliant Technologies' CrewCom Flex product line is now shipping in the United States. As a frameless matrix intercom system and complete matrix IP-based inte...
09/11/2026
In a new home, the show had its traditional focus on music production, but broadcast themes received significant emphasis
The Audio Engineering Society (AES) c...
09/11/2026
Content creation and rights, YouTube archive, production workflows, investment, ...
09/11/2026
Industry leaders from Prime Video, NASCAR, FOX Sports, and more discuss the tech...
09/11/2026
SMT (SportsMEDIA Technology) is delivering on-air graphics and shot data for the Women's Team Golf League (WTGL), which made its debut Sunday, Nov. 8, at So...
09/11/2026
BKB Bare Knuckle Boxing has appointed Michael Ridout Managing Director, UK. He will lead BKB's operations in the United Kingdom and take on wider operationa...
09/11/2026
SMPTE's Media Technology Summit (MTS2026) takes place Nov. 16-19 at the Pasadena Convention Center. The schedule:
Media Tech Business Forum (Monday, Nov. 1...
09/11/2026
The Audio Engineering Society (AES) held AES Show Nashville 2026 Oct. 30-Nov. 1 at the Gaylord Opryland Resort & Convention Center. AES reports nearly 3,000 reg...
09/11/2026
Analyst Josh Stinehour will share results Jan. 26 in Mountain View, Calif.
Devo...
09/11/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
09/11/2026
Permanent mixed-reality activation debuted against the Brooklyn Nets at Rocket A...
09/11/2026
The new agreement brings the Playoff to 23 games, including 16 on-campus matchup...
09/11/2026
SMT provided production technology and graphics support for all three NASCAR nat...
06/11/2026
It's been a big week in Australia horse racing as the Victoria Racing Club (...
06/11/2026
Additional gear includes a second, outside drone; a second slo-mo unit; and a wi...
06/11/2026
The University of Alabama has installed a new Daktronics display system at Coleman Coliseum in Tuscaloosa. It includes a 360-degree centerhung with four underbe...
06/11/2026
NEP Americas, part of NEP Group, has expanded its remote production offering with new IP-based flypack production kits deployed from the U.S. and available to c...
06/11/2026
Telestream has appointed Joseph Hopkins Chief Revenue Officer. He has more than two decades of executive experience in media technology. In the role, he will fo...
06/11/2026
In-venue and creative video staffers at the professional and collegiate level ha...