
NFL Kickoff 2021: Fox Sports Enhances NFL Coverage with More Super Slo-Mo, Remote Workflows By Ken Kerschbaumer, Editorial Director
Thursday, September 9, 2021 - 11:55 am
Print This Story | Subscribe
Story Highlights
The 2021 NFL season is about to get underway and for Fox Sports the production focus is going to be on some new remote workflows, adding more super slo-mo coverage, and making sure that fans at home have as much of the feeling of being in the stadium as possible.
The one thing that we are really focusing on is making sure that the fans that are back in the stands are stadium are heard at home, says Kevin Callahan, Fox Sports, VP, field operations and engineering. We really want to make sure that viewers at home are feeling that that energy in the stands so we're doing everything we can do to help our mixers with things like additional microphones and possibly even doing crowd submixes.
Game Creek facilities will once again be handling top duties with Encore handling the Thursday Night Football games while Glory will be tapped for the A game on Sunday and Bravo will be used for the B game. Mobile TV Group's MTV G46 will be used for C games and then NEP's Supershooter 32 will be home for the fourth crew, NEP SS32 will be used for the fifth game while the sixth game will be produced out of NEP Supershooter 29.
Supershooter 32 just received a bunch of upgrades this year with a new audio console and some camera upgrades and things that we were really looking forward to, says Callahan. Supershooter 29 was also recently refurbished and as a result it's getting some nice little upgrade like six times super mo cameras. All of our shows for the top six games will now have at least four super mos.
That rise in the number of super slo-mo cameras is the biggest improvement on the production side, especially for the TNF package and the Sunday A game.
Every camera on the field will be a high frame-rate camera, says Callahan. Even the SteadiCam is going to be a high frame rate RF camera on those shows.
Also look for the A, B, and C games to be native 1080p SDR, a move that Callahan says means a better image for viewers at home.
It positions us for the future as we can start to build out our libraries in 1080p, he says.
One game each Sunday will also feature what Fox calls Line to Gain 2.0 which is the pylon cam that is on the line of scrimmage.
We are working with C360 and 3G Wireless on that and it is a 4K pylon camera with pan and zoom and is the next generation of the technology, he says. It will be used on whatever is the biggest game of the weekend along with a SteadiCam.
Megaladon shallow-depth-of-field cameras have been one of the big pushes in 2021 and that will continue through the NFL season. There will be a dedicated operator and RF kit for all the big games like the TNF package and Sunday A games and also look for it to pop up on some of the doubleheader weekends.
We're making it available to every crew to be used for ENG work and bus arrivals and we're really proud of the work Jarrod Ligrani, one of our technical directors, did in terms of really pushing us forward with it and developing it last year, says Callahan. It's not anything that's that particularly difficult and another bonus is it's something that is relatively inexpensive. But Jarrod and Director Brian Lilley really made it shine on the national stage.
Operating a Megaladon camera requires the kind of skill that can only be developed with hands-on experience and that is one of the reasons it is available to every crew. And not making it a live element for every show will also ensure that shots are captured properly and in focus.
Auto focus works really well if you have an operator that knows when they need to regain control of focus and move back and forth, says Callahan. You get much better results that way and I would point to things like our NASCAR or boxing coverage and even the MLS All-Star game where we had an operator changing camera focus during interviews. And during MLS All-Star there was an entire replay sequence for a corner kick goal where the operator was behind the player taking the kick, show the ball go into the box and the goal score, and then then the team ran right to the corner where the operator was. That was a fantastic shot.
Over the past 18 months Fox Sports at-home efforts have focused on its Vault production facility in Los Angeles and there won't be any big changes from last year.
We are using the Vault as a testing ground for a couple of different projects with various vendors so that instead of flying them out to a game for a test we can get instant feedback here, says Callahan. That will allow us to make changes in real time.
Callahan says Fox will also use CMSI again this year to enable remote edit workflows. An editor on TNF and a game each Sunday will working remotely with content from the mobile units.
We're deploying new file transfer kits this year with OpenDrives Ultimate high availability system with full NVMe, says Callahan. The new system allows for much faster read/write speeds, and over all faster transfers. This will be well received in the trucks as they are much shallower and take up less rack space than our previous iterations.
In terms of new remote workflows, one of the big changes for NFL coverage is the First and Ten line operators for the fourth, fifth, and sixth crews will be located in Tempe, AZ.
The downstream boxes will be on the truck, but the operator will be in Tempe using the same workstations we use for our college games, says Callahan. They will remote into the truck and that allows us to record the line in the truck and simplify workflows coming back for distribution as it will come in with the line already on it.
One challenge this year will be
More from Sports Video Group
21/02/2026
With Software Defined Broadcasting more established in Milan Cortina look for Los Angeles 2028 to have less hardware and more cloud-based software systems...
21/02/2026
The SVP of Olympic Operations on turning CAD drawings into reality, building tru...
20/02/2026
Gravity Media and Los Angeles-based Green Couch Entertainment announce a strateg...
20/02/2026
IMAX announces it is working with Apple TV to bring the 2026 FIA Formula One Wor...
20/02/2026
Daktronics has partnered with the Philadelphia Phillies to design, manufacture, ...
20/02/2026
ESPN announces the upcoming launch of Women's Sports Sundays - a first-of-it...
20/02/2026
As the Seattle Seahawks and New England Patriots faced off in the NFL's biggest sporting event of the season on Sun., Feb. 8, Sennheiser wireless solutions ...
20/02/2026
ESPN announces its 2026 Major League Baseball spring training schedule, which includes four national games on ESPN, six games on ESPN Unlimited, and more than 2...
20/02/2026
Open Broadcast Systems, which specializes in software-based professional video transport, has added support for 200 Gigabit Ethernet to its range of encoders an...
20/02/2026
Chyron announces the release of PAINT 10.3, which is designed to help analysts and operators turn live action into clearer, faster on-air storytelling.
PAINT 1...
20/02/2026
With full squad workouts underway, MLB Network's live Spring Training game s...
20/02/2026
Tech enhancements, marquee productions are expected to take advantage of a summe...
20/02/2026
In-venue and creative video staffers at the professional and collegiate level ha...
20/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
20/02/2026
Speaking with SVG Europe after one of Team GB's greatest days at a Winter Olympics, BBC Sport's head of major events, Ron Chakraborty, explains the broa...
20/02/2026
Making Winter Games Olympic magic is the goal for every broadcaster in Italy cov...
20/02/2026
Curling, one of the least-dangerous Winter Olympic sports, is dominating the Mil...
20/02/2026
BBC Sport's presence at the 2026 Winter Games is centred around a significan...
20/02/2026
BBC Sport is bringing together its linear TV and streaming digital arms in a str...
20/02/2026
To broaden the appeal of winter sports at Milano Cortina, the BBC has integrated...
20/02/2026
Just in time for the start of Apple TV's inaugural season as the exclusive U...
20/02/2026
One big challenge was to depict the character of each of very different and wide...
19/02/2026
The Canadian rightsholder deploys its most complex' Olympics setup an ever,...
19/02/2026
Suite Studios, a cloud-native platform that connects creative teams to their med...
19/02/2026
Guitar Center and the Tennessee Titans announce a first-of-its-kind partnership ...
19/02/2026
DAZN is reinforcing its leadership in global boxing through a new five-year deal with Matchroom Boxing in the United States and the United Kingdom. The deal ext...
19/02/2026
PTZOptics announces the launch of its visual reasoning initiative that makes vid...
19/02/2026
Influencer Positions, AI-driven vertical video, and platform-native creators res...
19/02/2026
Host broadcaster evolves from world-feed producer to global content orchestrator, unlocking hidden moments for every platform...
19/02/2026
Custom drones raise expectations for bringing viewers closer to the action in new ways
2026 is not the first time OBS has used drones or event First Person Vie...
19/02/2026
Comcast's Xfinity announces record-setting performance from its new RealTime4K technology during Super Bowl LX, delivering the game to customers' homes ...
19/02/2026
The Women's Monobob turned out to be a historic event: Team USA's Elana Meyers Taylor captured the gold at age 41, making her the oldest Bobsleigh gold ...
19/02/2026
The senior from Georgia has found his calling as a technical director and video engineer
In the live-sports-video industry, the future is bright. Our series SV...
19/02/2026
Cosm announces the appointment of two new leaders - Jeff Hughes (President, Sports and Entertainment) and Rob Laycock (Vice President, Head of Venues Marketing)...
19/02/2026
Two main sets feature Unreal Engine environment, LED architecture, camera-tracked virtual windows; a third, in the TV Tower,' overlooks the Duomo...
18/02/2026
Audio quality control (QC) is becoming ever more crucial for Olympic Broadcastin...
18/02/2026
The Olympic Games are not only a showcase of athletic excellence, they are also ...
18/02/2026
Netflix is entering the MMA game with a matchup between two of the biggest names ever to compete on the women's side.
Most Valuable Promotions and Netflix ...
18/02/2026
Grass Valley announces that Network18 Media & Investments Ltd., one of India'...
18/02/2026
Cobalt Digital Inc., a designer and manufacturer of video and audio conversion, ...
18/02/2026
Production is divided between a studio in the mountains and a brand-new studio i...
18/02/2026
At the Winter Games IBC in Milan, NBC Sports and Olympics' director of audio...
18/02/2026
The Women's Alpine events at the Tofane Alpine Skiing Center, about a 10-minute drive from Cortina d'Ampezzo, featured some of the most exciting Olympic...
18/02/2026
At the Broadcast Center, 14 audio-control rooms handle the sound in a complex routing and processing regimen
We are exactly where we want to be, Karl Malone,...
18/02/2026
With 300 hours of curling competition in two weeks, it's a safe bet that even the most curling-hungry fan will be satiated. It also requires a production te...
18/02/2026
Always seen as one of the more crazy Olympic events, Bobsleigh is a sport in which athletes must have nerves of steel and pilots must navigate high-tech sleds...
18/02/2026
A typical Winter Olympics day - or should I say evening - inside the Warner Bros...
18/02/2026
The Netherlands has dominated Milan's ice rinks, scooping six speed skating ...
18/02/2026
At the Broadcast Center in Stamford, three discrete intercom systems combine into a centralized infrastructure
Into the second week of Milan Cortina 2026, eigh...
18/02/2026
AI is reshaping operations, capital is scaling ownership, sports are converging with media and entertainment, and venues are evolving into year-round platforms...