Ferguson Sauve-Rogan, DP/cinematographer on upcoming film Hero Punk chose portable power solutions from Anton/Bauer to power up his rig. Over half of the film is being shot on a 1100 sqft. green screen and the director heavily relies on post production VFX tools to bring the digital world to life.
During filming, Rogan selected several Anton/Bauer DIONIC 90 batteries, as well as Gold Mount solutions, to power the three monitors and Zacuto Z-Finder EVF that accompany the Blackmagic Design Cinema Camera being deployed for the production. Other equipment used on-set includes RED EPIC cameras, Canon DSLRs and 35mm film.
Sure, we could run cable, but there are so many already in the studio that I don't want to add to the cable clutter on the floor, commented Rogan. I have recently been finding myself shooting more on the Blackmagic Digital Cinema Camera, which has an internal battery that can't be removed. Since it has a shorter life span than what I require, this forces me to go after a more professional battery solution. On Hero Punk, the Anton/Bauer DIONIC 90 batteries allow me to power a ridiculous amount of accessories on my camera so that the director and his staff can have a video village.
Anton/Bauer's DIONIC 90 offers a realtime display that continually updates the operator on remaining run-time and the state of the current charge. Weighing 1.8 pounds, the DIONIC 90 can be transported under the IATA and DOT safety regulations. The 95Wh battery can handle a maximum load of 6 A, and offers run times ranging from six hours at 15W to 1.75 hours at 50W.
On all the broadcast work I've done, we've always had Anton/Bauer on the back with the company's Gold Mount, and it just feels more solid. It doesn't move at all while we're operating. I started requesting Gold Mounts and DIONIC 90's almost a year ago and I've been a fan ever since, concluded Rogan.
www.antonbauer.com
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Ferguson Sauve-Rogan, DP/cinematographer on upcoming film Hero Punk chose portable power solutions from Anton/Bauer to power up his rig. Over half of the film is being shot on a 1100 sqft. green screen and the director heavily relies on post production VFX tools to bring the digital world to life. 
