MediaPro will result in the final of the UEFA Champions League with a great display of special cameras Tres unidades m viles, m s de 150 profesionales y 42 c maras permitir n seguir cada detalle de uno de los acontecimientos deportivos de mayor impacto televisivo y una audiencia potencial de 400 millones de espectadores.
Por encargo de la UEFA, Mediapro producir y distribuir una vez m s la se al host de la final de la Champions League que enfrentar en esta ocasi n al Tottenham y al Liverpool en pr ximo s bado, 1 de junio, en el estadio Metropolitano de Madrid.
Una audiencia potencial de 400 millones de espectadores podr n seguir hasta el ltimo detalle del partido gracias a tres unidades m viles, m s de 150 profesionales and 42 c maras, incluyendo 8 Super Slow, 2 Ultra Slow, 2 travelling detr s de las porter as, 2 Polecams Ultra Slow, Aerial Cam, 5 Tactical Replay, 3 Beautys, 2 Net Cameras, 2 c maras para aficionados, 7 c maras para la llegada de los equipos y 5 c maras en el t nel durante la salida de los jugadores. Dispositivos tecnol gicos de ltima generaci n para garantizar la m xima calidad de imagen distribuida internacionalmente.
El partido se producir en calidad 4K y HD en simulcast, la segunda final junto con la de Kiev que se hace con emisi n simult nea en estas dos calidades de imagen. La realizaci n del partido correr a cargo de scar Lago, uno de los realizadores deportivos m s reputados y con m s experiencia en la competici n. Lago ya fue el responsable de la final de la UEFA Champions League de 2010 en Madrid.
Mediapro tambi n fue el encargado de producir la se al internacional en la final de la UFA Champions League de 2010 que se celebr en el Santiago Bernab u y fue contratado por Sport TV para la producci n y la distribuci n de la se al host de la Final de la UEFA Champions League que tuvo lugar en el Estadio Da Luz en Lisboa en 2014.
A vista de p jaro Para esta ocasi n, junto a las c maras UHD Sony 4300 de la unidad m vil principal de Mediapro, el grupo contar con un importante n mero de c maras especiales, bajo la direcci n t cnica de Diego Miralles, que permitir n al espectador seguir cuanto ocurra dentro y fuera del terreno de juego.
Todas estas se ales se mezclar n en la unidad m vil principal en un SAM Kahuna Maverick de Grass Valley y una consola digital de Lawo para el audio. En cuanto a pticas, Mediapro trabajar con lo ltimo en lentes of Fujinon and Canon.
En su empe o de ofrecer siempre el mejor plano, el grupo adquiri en 2008 la compa a portuguesa Omnicam4Sky desde la que desarrolla sistemas especiales con control remoto para c maras que aportan movimiento, emoci n y realismo a una emisi n de este nivel.
En apenas unos a os, y gracias al know how que aporta Mediapro con la producci n de cientos de eventos deportivos al m s alto nivel cada a o, Omnicam4Sky ha conseguido convertirse en una referencia en sistemas de travelling, minic maras con p rtiga y c maras suspendidas.
Precisamente, su sistema de skycam ha supuesto toda una revoluci n en el mercado ya que gracias a cuatro cabrestantes de cable la c mara gyroestabilizada puede desplazarse en cualquier direcci n a lo largo y ancho de todo el terreno de juego.
Los cuatro cabrestantes motorizados trabajan juntos controlando el enrollado y desenrollado de los cables y los controles coordinados impulsan el sistema, haci ndolo r pido y gil, permitiendo que el sistema 4Sky vuele o mantenga la c mara en la posici n deseada en todo el espacio dentro de los cuatro puntos de anclaje.
Un procesador dedicado controla cada cabrestante mientras el accionamiento del motor es comandado y controlado por un microcontrolador que a su vez recibe comandos de una computadora de control central. En el interior de dos de estos cables se aloja una fibra ptica monomodo (principal y backup) que permite a la c mara enviar se al de v deo, posici n, telemetr a y recibir al mismo tiempo par metros como control de diafragma, movimiento de ejes del cabezal seg n comande el joystick El software de control permite adem s, preprogramar vuelos y fijar posiciones de referencia personalizados dentro del espacio de vuelo para ayudar a la navegaci n y simplificar las acciones comunes o repetitivas.
Para usar la Omnicam4Sky s lo se necesitan dos profesionales. Mientras que un operador especialmente entrenado vuela el sistema a trav s del espacio con la ayuda de dos joysticks, el segundo opera la c mara enmarcando y enfocando para controlar las funciones de la c mara, como el movimiento horizontal, inclinaci n, zoom, iris y enfoque.
Junto a la c mara, que en el caso de la final de Champions ser una Panasonic AK-UB300, el equipo suspendido cuenta con un cabezal remoto que proporciona movimiento de giro, inclinaci n y balanceo e incluye todos los controles remotos servo, tambi n alberga componentes de comunicaci n de fibra ptica y placas de procesamiento local, sensores para estabilizar y controlar la c mara. En la parte superior, se encuentran las bater as (con una autonom a de 4 horas) y la ligera mec nica de estabilizaci n girosc pica que conseguir un movimiento m s estable y una imagen m s estable durante el movimiento.
Para garantizar la m xima seguridadespecially when the "skycam" flies over the audience, the system has two independent operating circuits: primary and secondary. In the event that the primary system fails, the secondary take control of the system by stopping all the components at the same time automatically in a matter of milliseconds. In addition, as the braking force is applied by means of steel springs on wires, in the event of a power failure, the brakes activated automatically without the need for external power.
The AK-UB300 hosted in the Omnicam4Sky system is a camera type box with 1 "mount sensor 2/3" offering outputs UHD (4 x 3 G-SDI) and HD (1 x 3 G-SDI and 1 x HD-SDI) simultaneous, with d
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MediaPro will result in the final of the UEFA Champions League with a great display of special cameras Tres unidades m viles, m s de 150 profesionales y 42 c maras permitir n seguir cada detalle de uno de los acontecimientos deportivos de mayor impacto televisivo y una audiencia potencial de 400 millones de espectadores. 
