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Blackmagic returns to break the barrier of imaginable

08/04/2014

Blackmagic returns to break the barrier of imaginable El lanzamiento de una nueva c mara modular para cine y otra para estudio, a precios impensables hasta la fecha marcan la presencia de Blackmagic en NAB, volviendo a dejar a todos con la boca abierta.

During the last few years has been incredible to see part of the work done in the House of cinema of Blackmagic y algunos de los equipos que se han construido a su alrededor. Pero cuando el fabricante dise la Blackmagic Cinema Camera nunca pudieron pensar que su iniciativa pudiera llegar tan lejos. En realidad, esta c mara se dise para ser una c mara peque a, ntima, para ser usada en trabajos creativos que exigen cercan a y contacto personal.

Ahora, Blackmagic observando de cerca como traban los equipos de profesionales alrededor de una c mara y qu flujos de trabajo y orden de equipo de desarrollan, acaba de dise ar una c mara profesional de tama o completo que incorporara todo el equipamiento extra integrado en el set, para que no haga falta equiparla tanto. Blackmagic quer a una c mara de suficiente tama o como para poder incorporar un sistema potente de refrigeraci n para as poder usar alta frecuencia de imagen sin sonido de ventilador.

Thinking of those who work around the camera

El resultado es Ursa, su nueva c mara para rodajes profesionales. Tiene un dise o discreto mecanizado de aluminio incre blemente fuerte y que ha sido dise ado para grandes equipos de rodaje. Blackmagic ha dise a la c mara para que pueda dividirse en las zonas de trabajo del director de fotograf a, del ayudante de c mara y del ingeniero de sonido, de manera que varios miembros del equipo puedan trabajar con ella al mismo tiempo.

Entre otras ventajas cuenta con un enorme dispositivo de 10 pulgadas plegable en el monitor del set y otra pantalla de 5 pulgadas para ajustes, estados de c mara y visores. La estaci n del ayudante de fotograf a contiene una pantalla LCD independiente para ajustes, estados y visores de c mara, y la estaci n de audio contiene medidores, controles y conectores de audio.

Ursa tambi n incluye un sensor de imagen Super 35 4K mejorable con obturador global, conexiones 12G-SDI, entradas de audio XLR con alimentaci n phantom y grabadores duales CFast basados en RAW y ProRes. Hay un total de 3 LCDs incorporadas en esta c mara.

Una de las razones por las que incorporan tantos displays y elementos de tan alta calidad es porque la c mara es mejorable por el usuario. Lo que esto significa es que toda la montura del sensor y objetivos simplemente se desatornilla de la parte delantera con cuatro tornillos, pudiendo entonces quitarse y sustituirse. As que en el futuro, cuando haya nuevos sensores disponibles, el usuario solo tendr que simplemente cambiar el conjunto de montura de sensor y objetivo.

Three models of Ursa

Ursa est disponible inicialmente en tres modelos. Uno incluye montura de objetivos EF y otra tiene montura de objetivos PL. Un ejemplo de c mo puede mejorar la c mara ser a comprar una EF, pudiendo comprar m s tarde la montura de objetivo PL e instalarla uno mismo.

Una de las ideas m s raras que ha tenido Blackmagic es concebir la nueva Ursa sin objetivos ni sensor, mientras que la Ursa HDMI tiene orificios roscados y una entrada HDMI donde la montura del sensor y las objetivos deber an estar. Esto significa que seria posible utilizar cualquier c mara junto a Ursa y obtener todos los beneficios de una pantalla grande, visores, entradas profesionales de audio, grabadores CFast y mucho m s un h brido que hay que ver para creer!

La c mara funciona a 60fps, pero el cuerpo tiene alta velocidad de procesamiento y alta capacidad de enfriamiento como para funcionar a m s de 100 fps, para que cuando est n disponibles sensores m s veloces usted pueda mejorarla y obtener velocidades de imagen m s elevadas. Sobre el precio, mejor preguntar al distribuidor porque nuestro lector podr a pensar que a la cifra le faltan ceros!

Blackmagic camera to study

Otro de los puntos fuerte de la presencia de Blackmagic en esta feria es su nueva c mara que incluye un visor grande y brillante de 10 , con bater a incorporada de 4 horas de duraci n, intercomunicador, luz piloto, conexiones para micr fono con alimentaci n fantasma XLR y conexiones para fibra ptica y SDI integradas que permiten conectar un mezclador con un solo cable. El visor LCD tiene un gran brillo y un ngulo de visi n muy amplio por lo que es perfecto para ser usado incluso con luz directa del sol.

La c mara Blackmagic Studio cuenta con una montura activa de objetivo Micro 4/3 para ofrecer una mayor compatibilidad con muchas gamas de objetivos y adaptadores. Esto significa que usted puede usar objetivos de alta calidad para trabajos menores y objetivos ENG para emisiones de alto nivel en grandes emisiones en vivo utilizando un adaptador de montura de objetivo de MFT a B4.

La conexi n de fibra ptica integrada es bidireccional y dependiendo del modelo utiliza video HD o Ultra HD con audio incrustado, intercomunicador, luz piloto e incluso control remoto de c mara todo en el mismo cable. El intercomunicador usa auriculares de aviaci n normales, que son resistentes y econ micos.

El dise o ha sido realizado con magnesio, el cual es muy resistente, e incorpora una protecci n frente al sol para su utilizaci n en exteriores. Es un dise o incre ble y al tener un visor tan grande resulta incre ble de usar. Es tan diferente a cualquier otra c mara que haya utilizado anteriormente. Es tan agradable realizar una producci n en vivo con intercomunicaci n total con el director y sabiendo cuando se est grabando gracias a la luz piloto.

Esta c mara tiene dos modelos y la c mara Blackmagic Studio es un modelo HD que opera hasta 1080p60 y est disponible ahora por unos 2.000 d lares mientas que la c mara Blackmagic Studio 4K llega hasta Ultra HD 2160p60 con 12G-SDI y estar disponibl
LINK: http://www.panoramaaudiovisual.com/en/2014/04/08/Blackmagic-returns-to...
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