Sony Pixel Power calrec Sony

Cinematographer Oren Soffer on the short film See You Soon

06/09/2024

Vincent lives in Los Angeles, Anthony in New York City. They met on a dating app and have been talking for months, but the physical distance between them has kept them apart until now, when Vincent flies to New York to stay with Anthony for a long weekend. Their first day is marked by awkward moments and fumbling connections that nevertheless give way to a profound intimacy that's both welcome and frightening to each of them. As they grow closer together, they can't help but recognize that Vincent's departure is also drawing nearer, and once the weekend is over, they'll again be thousands of miles apart.

Written and directed by Tyler Rabinowitz and shot by cinematographer Oren Soffer, the 16-minute short See You Soonstars James Cusati-Moyer as Vincent and Jonny Beauchamp as Anthony. The project was the latest in a string of collaborations between Soffer and Rabinowitz, going back to the latter's New York University thesis film. Shot in New York City over four days in the summer of 2019, See You Soon premiered online on June 27, timed with the celebration of this year's Pride Month. (The short can be watched here.)

The filmmakers captured the short with an Alexa Mini camera and Panavision Ultra Speed lenses, all sourced out of Panavision New York. The design of the movie, in terms of how we used lenses and camerawork to create intimacy, was done to address what both Tyler and I feel is a lack of representation of intimate gay relationships, Soffer shares. As queer filmmakers, it was really important for us to craft a visual story on screen that we just dont see much of, certainly not depicted in this way.

Soffer recently connected with Panavision to shine a light on his and Rabinowitz's creative approach to the project. (Note, the following conversation contains spoilers.)

Panavision: Were there any particular visual references that you and Tyler looked at for inspiration?

Oren Soffer: When Tyler sent me the first draft of this script, our process actually started with music. He said, While reading this, listen to White Ferrari by Frank Ocean. I want this film to feel the way that song sounds.' So that was the first piece of media that we consumed while thinking about how this film was going to feel, and then we started to figure out how it was going to look. We actually didn't exchange a ton of references; I think we made a conscious choice to follow our gut instinct on a lot of things. The two [features] that we did look at in terms of tone and mood were Call Me By Your Name [directed by Luca Guadagnino] and Weekend by Andrew Haigh, but stylistically we deviated from both of them a little bit.

We wanted the whole film to be about capturing the emotion between these two people, so everything about the visual style was going to be naturalistic and very minimalist and not very stylized. It was all to service the world of these two guys and what they feel spending this weekend together. We wanted to strip away any distractions in terms of the visual style and just let it be.

How did you arrive at the Ultra Speeds for your lenses?

Soffer: After the thesis that Tyler directed at NYU, Panavision helped us out on music videos that I shot and he produced and/or directed. They've been so supportive of these projects over the years, so when it came time for this project, Panavision was really the first place we thought of, and I reached out to Marni Zimmerman to see if they'd want to do another one.

Tyler and I had a conversation early on about anamorphic versus spherical, but it was not a long conversation. We wanted a sort of traditional aspect ratio, not widescreen, just to bring these two characters together in the frame and emphasize that this story is about the connection between them. And the Ultra Speeds were my first choice; they're my favorite spherical lenses. The glass is stunning. Shooting wide open, like I tend to do, creates really aesthetically pleasing visual flaws' in terms of the astigmatism, the bokeh, the falloff and everything. It was perfect for the mood that we wanted to create with this project. It was a little bit dreamy, a little bit ethereal. And I like that the lenses are really fast, so when you shoot them wide open, you get really quick falloff in terms of depth of field. That sense of separation between the characters and the background was part of the visual language that we wanted. We wanted them to feel isolated from the world, together with each other and separate from the environment.

It really underscores the intimacy between them.

Soffer: Intimacy was the key word that really informed all of our creative decisions: aspect ratio, lens choice, how we shot with the lenses, and also shooting on longer focal lengths, again to decrease the depth of field and emphasize that sense of isolation. We only shot wide-lens close-ups a few times, for key moments in the film when we wanted to create a sense of physical presence, to bring the audience within the world of the characters. As they were becoming more intimate, we were shooting with longer lenses to create this tension, like there's a separation hovering over them because they both know that eventually they're going to have to not be together. But then, for the scene where they have their fight, that's actually where we shot with wider lenses closer up, bringing them together in the moment that they're coming apart. It was an intentional, subtle subversion of the audience's physical proximity to the characters.

Early in the movie, there's a long-lens shot of the couple walking toward the camera, a day exterior with the Brooklyn Bridge in the background. What focal length would that have been?

Soffer: That was a 150mm Ultra Speed, which is the highest focal length in that set, and it was with a 2x extender, so effect
LINK: https://www.panavision.com/highlights/highlights-detail/depth-of-emoti...
See more stories from panavision

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

06/09/2026

Dolby and MagentaTV Bring Fans Closer to the FIFA World Cup 2026 in Germany with Dolby Vision and Dolby Atmos

June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

23/06/2026

Nagravision Launches Nagra Venturi Security Offering

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

ITN Expands Programmatic Local TV Platform

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

Warner Bros. Discovery Taps AWS for New AI-Powered Ad Tech

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

Study: Younger Viewers More Distracted But More Receptive to Ads

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

Chilevisin, ClaroVTR Tap Pixop for 4K FIFA World Cup Feed

Share Copy link Facebook X Linkedin Bluesky Email...

23/06/2026

Imagine Communications Names Greg Garmon as Senior Vice P...

Multifaceted Growth Executive Brings 20+ Years of Experience Leading Organizations Across Tech and M&E Imagine Communications today announced the appointment ...

23/06/2026

Australians in Film and Screen Australia's talent development initiative UNTAPPED returns for 2026

Australians in Film and Screen Australia's talent development initiative UNT...

23/06/2026

Visual Productions Unveils RdmRelay2 Four-channel Relay Control at InfoComm 2026

Visual Productions Unveils RdmRelay2 Four-channel Relay Control at InfoComm 2026 Brie Clayton June 22, 2026 0 Comments New Relay Solution Combines DMX, ...

23/06/2026

SMPTE Makes Its Standards Freely Accessible, Opening Standards Library to the Global Media Technology Community

SMPTE Makes Its Standards Freely Accessible, Opening Standards Library to the Gl...

23/06/2026

June 22, 2026

Newly identified molecule strengthens the eye's response to damage in retinal disease Scripps Research discovery finds that restoring the naturally occurrin...

22/06/2026

Behind the Mic: SportsCenters Lisa Cohn to Retire This June From ESPN as Longest-Tenured Anchor

Behind The Mic provides a roundup of recent news regarding on-air talent, includ...

22/06/2026

Cosm Appoints David Ho as Chief Legal Officer

Cosm has announced the appointment of David Ho as Chief Legal Officer, a newly created executive role reporting to President and CEO Jeb Terry. Ho will oversee ...

22/06/2026

Warner Bros. Discovery and AWS Announce AI-Powered Advertising Technology Platform

Warner Bros. Discovery and Amazon Web Services (AWS) have announced the developm...

22/06/2026

Daktronics Completes Audio Control System Upgrade at Petco Park for San Diego Padres

Daktronics has completed an audio control system upgrade at Petco Park in San Di...

22/06/2026

Accelerate Media Names John Willi President, Launches Accelerate Sports Network

Accelerate Media has named John Willi as President and announced the launch of the Accelerate Sports Network (ASN), a prep sports media and streaming platform c...

22/06/2026

AWSN to Air 3XBA Womens Basketball Tournament Live June 26-27

All Women's Sports Network (AWSN) and 3XBA (3 3 Basketball Association) have announced live television coverage of the annual 3XBA tournament on Friday, Jun...

22/06/2026

OWL AI Appoints Jay Prasad as Chief Executive Officer

OWL AI has announced the appointment of Jay Prasad as Chief Executive Officer and member of the Board of Directors. Prasad succeeds Josh Gwyther, who has served...

22/06/2026

CP Communications Provides RF Support for Inside the NBA at 2026 NBA Finals

CP Communications delivered RF video and audio support for TNT's Inside the NBA at the 2026 NBA Finals, providing main show coverage in San Antonio and ea...

22/06/2026

Polymarket and GRID Partner to Integrate Esports Data and Streaming into Trading Platform

Polymarket has announced a partnership with GRID, an official esports data platf...

22/06/2026

SVG New Sponsor Spotlight: Metinteractive's Rachel Mele, Ken Cyr on Building Technology Backbones for Sports Venues

As sports venues continue to evolve into more video-centric, fan-engagement-driv...

22/06/2026

SVG All-Stars: Corbin Perkins, Chief Engineer, Victory+

As the regional sports production scene shifts toward streaming, this Texan helps lead the engineering behind Victory+'s growing live platform...

22/06/2026

Meet the 2026 Sundance Institute Documentary Edit Intensive Fellows

By Kristin Feeley, Director, Documentary Film & Artist Programs the memories of your elders [are] a scaffolding for you to build your identity on - and t...

22/06/2026

Blade joins CEDAR Audio Icons line-up

New hyper-resolution analyser EQ revealed CEDAR Audio's all-new Icons plug-in series has just gained its newest member, Blade. Described by the compan...

22/06/2026

Sampleson release Aeronaut

Turn any live input into a cinematic soundscape Designed for use in the studio and on stage, Sampleson's latest creation is capable of taking any audio ...

22/06/2026

ADDAC System's new Four Strings Series

Adds guitar strings to Eurorack rigs ADDAC System are renowned for their weird and wonderful synth designs, and their line-up includes plenty of gear that&#...

22/06/2026

FIFA World Cup 2026 fever grows, as more than one third of Australians tune in to SBS coverage

FIFA World Cup 2026 fever grows, as more than one third of Australians tune in ...

22/06/2026

NAGRA Venturi - Turning Piracy Intelligence into Measurable Business Impact

In our latest blog, Tim Pearson explores NAGRA Venturi, the new streaming security solution for the AI era from NAGRAVISION. Designed to aggregate and analyze ...

22/06/2026

Xumo Expands Contextual Targeting Capabilities Through Gracenote and IRIS.TV Integrations

Expanded integrations give advertisers access to distinct contextual signals acr...

22/06/2026

Greg Garmon Joins Imagine as Senior VP, Americas Video Sales

Share Copy link Facebook X Linkedin Bluesky Email...

22/06/2026

Kaleidescape Breaks the 8K and 4:4:4 Barriers

Share Copy link Facebook X Linkedin Bluesky Email...

22/06/2026

Xilica introduces Dynamic Voice Lift in new Designer

Xilica today announced the release of Dynamic Voice Lift, a new feature in Xilica Designer v4.12 that brings adaptive speech reinforcement to large meeting spac...

22/06/2026

NVIDIA Brings Trusted, 24/7 AI Agents to Telecom Operations

Telecom operators have seen remarkable returns from using generative AI to automate network management, customer care and back-office operations. Most of that i...

22/06/2026

Official trailer released for Katie Price: Nothing to Hide, coming to Sky and NOW on 8 July

Monday 22 June 2026 Official trailer released for Katie Price: Nothing to Hide,...

22/06/2026

Eco Wave Power Turns Waves Into Watts With NVIDIA AI Infrastructure and Digital Twins

The next era of AI will not be defined by compute alone. Its growth will be dete...

22/06/2026

NVIDIA Vera CPU Opens the Way for Agentic Scientific AI at Los Alamos National Laboratory

Mission, Vision and Veritas - new Los Alamos National Laboratory (LANL) supercom...

22/06/2026

From Materials Simulation to Experimental Astronomy, New NVIDIA AI Software Unlocks Scientific Discoveries

At the ISC conference running in Hamburg this week, NVIDIA is introducing new so...

22/06/2026

NAIRR Science Program Reshapes Scientific Research, Powered by NVIDIA AI Infrastructure

For the past two years, the U.S. National Science Foundation's National Arti...

22/06/2026

At ISC, JUPITER Shows What Exascale Science Looks Like

JUPITER, Europe's first exascale supercomputer at Germany's Forschungszentrum J lich, runs on NVIDIA Grace Hopper Superchips and NVIDIA Quantum-X800 Inf...

21/06/2026

FIFAs Oscar Sanchez on World Cup Effort: Were Feeling Good and Where We Want to Be

To call the 2026 FIFA World Cup a big undertaking would be a big understatement....

21/06/2026

John Walden's Cubase Video Tutorials

New series now live on Udemy Regular SOS contributor and Cubase workshop columnist John Walden has just released a new Cubase video course that is now avail...

21/06/2026

Hotter Than a Hot Tub: The 45C Breakthrough to Cool AI's Biggest Machines

Hot tubs sit at about 38 to 40 degrees Celsius, warm enough that most people can only soak for about 15 minutes. NVIDIA's newest AI servers can run their co...

21/06/2026

Sky announces immersive documentary series The Wargame

Sunday 21 June 2026 Sky announces immersive documentary series The Wargame The Wargame first looks ZIP (2MB) Sky today confirms the commission of The Wargam...

20/06/2026

IK Multimedia introduce ReSing Doubling

New add-on creates doubles & vocal stacks IK Multimedia's latest ReSing add-on kits the innovative software out with the ability to automatically genera...

20/06/2026

What's Next for Apogee? Start Here.

What exactly is Apogee Control V3? Control V3 is a new mixer application that controls Apogee interfaces. The new hit feature is that V3 finally allows for...

19/06/2026

NBC Sports U.S. Open Coverage Fires Up 92 Cameras, Bunker cams

Split compound eases operational challenges at Shinnecock Hills Golf Club...

19/06/2026

ESPN's Men's College World Series Production Adds Onsite Studio, POVORA CapCams, Expanded Drone Coverage for Finale in Omaha

North Carolina, Oklahoma meet in the best-of-three Finals as ESPN leans into spe...