Vincent lives in Los Angeles, Anthony in New York City. They met on a dating app and have been talking for months, but the physical distance between them has kept them apart until now, when Vincent flies to New York to stay with Anthony for a long weekend. Their first day is marked by awkward moments and fumbling connections that nevertheless give way to a profound intimacy that's both welcome and frightening to each of them. As they grow closer together, they can't help but recognize that Vincent's departure is also drawing nearer, and once the weekend is over, they'll again be thousands of miles apart.
Written and directed by Tyler Rabinowitz and shot by cinematographer Oren Soffer, the 16-minute short See You Soonstars James Cusati-Moyer as Vincent and Jonny Beauchamp as Anthony. The project was the latest in a string of collaborations between Soffer and Rabinowitz, going back to the latter's New York University thesis film. Shot in New York City over four days in the summer of 2019, See You Soon premiered online on June 27, timed with the celebration of this year's Pride Month. (The short can be watched here.)
The filmmakers captured the short with an Alexa Mini camera and Panavision Ultra Speed lenses, all sourced out of Panavision New York. The design of the movie, in terms of how we used lenses and camerawork to create intimacy, was done to address what both Tyler and I feel is a lack of representation of intimate gay relationships, Soffer shares. As queer filmmakers, it was really important for us to craft a visual story on screen that we just dont see much of, certainly not depicted in this way.
Soffer recently connected with Panavision to shine a light on his and Rabinowitz's creative approach to the project. (Note, the following conversation contains spoilers.)
Panavision: Were there any particular visual references that you and Tyler looked at for inspiration?
Oren Soffer: When Tyler sent me the first draft of this script, our process actually started with music. He said, While reading this, listen to White Ferrari by Frank Ocean. I want this film to feel the way that song sounds.' So that was the first piece of media that we consumed while thinking about how this film was going to feel, and then we started to figure out how it was going to look. We actually didn't exchange a ton of references; I think we made a conscious choice to follow our gut instinct on a lot of things. The two [features] that we did look at in terms of tone and mood were Call Me By Your Name [directed by Luca Guadagnino] and Weekend by Andrew Haigh, but stylistically we deviated from both of them a little bit.
We wanted the whole film to be about capturing the emotion between these two people, so everything about the visual style was going to be naturalistic and very minimalist and not very stylized. It was all to service the world of these two guys and what they feel spending this weekend together. We wanted to strip away any distractions in terms of the visual style and just let it be.
How did you arrive at the Ultra Speeds for your lenses?
Soffer: After the thesis that Tyler directed at NYU, Panavision helped us out on music videos that I shot and he produced and/or directed. They've been so supportive of these projects over the years, so when it came time for this project, Panavision was really the first place we thought of, and I reached out to Marni Zimmerman to see if they'd want to do another one.
Tyler and I had a conversation early on about anamorphic versus spherical, but it was not a long conversation. We wanted a sort of traditional aspect ratio, not widescreen, just to bring these two characters together in the frame and emphasize that this story is about the connection between them. And the Ultra Speeds were my first choice; they're my favorite spherical lenses. The glass is stunning. Shooting wide open, like I tend to do, creates really aesthetically pleasing visual flaws' in terms of the astigmatism, the bokeh, the falloff and everything. It was perfect for the mood that we wanted to create with this project. It was a little bit dreamy, a little bit ethereal. And I like that the lenses are really fast, so when you shoot them wide open, you get really quick falloff in terms of depth of field. That sense of separation between the characters and the background was part of the visual language that we wanted. We wanted them to feel isolated from the world, together with each other and separate from the environment.
It really underscores the intimacy between them.
Soffer: Intimacy was the key word that really informed all of our creative decisions: aspect ratio, lens choice, how we shot with the lenses, and also shooting on longer focal lengths, again to decrease the depth of field and emphasize that sense of isolation. We only shot wide-lens close-ups a few times, for key moments in the film when we wanted to create a sense of physical presence, to bring the audience within the world of the characters. As they were becoming more intimate, we were shooting with longer lenses to create this tension, like there's a separation hovering over them because they both know that eventually they're going to have to not be together. But then, for the scene where they have their fight, that's actually where we shot with wider lenses closer up, bringing them together in the moment that they're coming apart. It was an intentional, subtle subversion of the audience's physical proximity to the characters.
Early in the movie, there's a long-lens shot of the couple walking toward the camera, a day exterior with the Brooklyn Bridge in the background. What focal length would that have been?
Soffer: That was a 150mm Ultra Speed, which is the highest focal length in that set, and it was with a 2x extender, so effect
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
29/05/2026
With InfoComm 2026 just weeks away, NDI is giving attendees plenty of reasons to...
29/05/2026
Reaffirming a partnership that has defined Canadian sports broadcasting since 19...
29/05/2026
Mobile/tablet is No. 2 device for watching TV, suggesting that the sports-production industry needs to take another look at the format
Ring Digital's Sprin...
29/05/2026
Berliner Ensemble, one of Berlin's five major theater companies, has expande...
29/05/2026
Solid State Logic will showcase its new compact, fly-away TCA Tour audio product...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, passed away last month on April 12 ...
29/05/2026
Paramount+ will be the English-language U.S. home for Barclays Women's Super...
29/05/2026
Further strengthening its virtualisation strategy to fully support broadcasters ...
29/05/2026
Swiss broadcaster Canal Alpha has deployed Harmonic's award-winning, software-based XOS Advanced Media Processor to modernize playout operations across cant...
29/05/2026
PTZOptics will showcase a new generation of intelligent video workflows at InfoComm 2026, June 17-19, Las Vegas. Visitors to booth N8227 will see how PTZOptics ...
29/05/2026
Arizona's Family has launched the Arizona's Family Sports (AZFS) streaming app, a new direct-to-consumer destination for live, local sports. The app is ...
29/05/2026
Starting in 2027, DAZN will be the exclusive home of The Canadian Football Leagu...
29/05/2026
Comcast Business has detailed the advanced network infrastructure it has deploye...
29/05/2026
In two-day event, leaders from academia and industry explored solutions to chall...
29/05/2026
The Basketball Tournament (TBT), now entering their 13th year of competition, ha...
29/05/2026
Roku has launched FOX One as a Premium Subscription on The Roku Channel in the U.S. Roku customers can now subscribe to FOX One using their Roku account for liv...
29/05/2026
In its sixth year, the broadcaster's coverage has become a global brand and ...
29/05/2026
Ratings Roundup is a rundown of recent ratings news and is derived from press re...
29/05/2026
The days are getting longer, the temperatures are rising, and playlists are filling up for the season. With summer around the corner, Spotify's global edito...
29/05/2026
New retro-inspired MPC announced
There are few devices that have gained the status held by Akai Pro's MPC range, and in recent years, the company have s...
29/05/2026
Save up to 30 on acclaimed titles
Following a successful launch at Superbooth 2026, Bjooks have revealed that they will be continuing the Kickstarter campa...
29/05/2026
Binaural monitoring application improved
Genelec have just released an update that brings some powerful new features to their HRTF-based binaural headphone ...
29/05/2026
6 June 2026 at SAE Institute, London, UK
IMSTA FESTA 2026 is almost upon us, with some of the biggest names in pro-audio set to descend upon SAE Institute i...
29/05/2026
Gerald (Jerry) Pierce, a pioneering technologist who helped shape the digital transformation of the motion picture industry, died April 12, 2026, at his home in...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Comparing 5 AI Video Enhancers for Restoring Old Video Quality
Kate Luvis May 29, 2026
0 Comments
Digitizing VHS, MiniDV, and other legacy formats doe...
29/05/2026
Studio Hamburg Builds New Post Pipeline with DaVinci Resolve Studio
Brie Clayton May 29, 2026
0 Comments
Workflow replaces a patchwork of legacy tools...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
29/05/2026
At the Intersection of Music and Dance, an Epic Collaboration Boston Conservatory musicians and dancers found creative parallels in their recent performance o...
29/05/2026
Something fundamental has shifted in how people consume media. Audiences aren't abandoning television or radio content; they're just expanding how, wher...
29/05/2026
Youtube exclusive special drops today
Watch now
UKTV today announces another e...
29/05/2026
Back to All News
The Official Trailer of Physical 100 Italy, on Netflix From Se...
29/05/2026
At just 20 years old, Sean Melia from Summerhill Co. Meath has been revealed as the winner of Super Garden 2026. Sean is the youngest ever contestant and winner...
29/05/2026
Experimental HIV vaccine achieves a long-sought goal In a first for the field, all non-human primates given a new series of vaccines generated antibodies capabl...
28/05/2026
Thomsons Climate Crisis Toolkit is already being put to work, helping journalist...
28/05/2026
FOX Sports' MLB coverage dominated the night at the 47th Annual Sports Emmy ...
28/05/2026
One of the most memorable postseasons in baseball history would have had no memo...
28/05/2026
NBC's Sunday Night Football is among the most-decorated and most-watched pro...
28/05/2026
The 2026 Sports Emmys marked a watershed moment for Prime Video Sports. After bu...
Vincent lives in Los Angeles, Anthony in New York City. They met on a dating app and have been talking for months, but the physical distance between them has kept them apart until now, when Vincent flies to New York to stay with Anthony for a long weekend. Their first day is marked by awkward moments and fumbling connections that nevertheless give way to a profound intimacy that's both welcome and frightening to each of them. As they grow closer together, they can't help but recognize that Vincent's departure is also drawing nearer, and once the weekend is over, they'll again be thousands of miles apart.
