
Friday, June 14, 2024 - 08:51
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Producer Ferruccio Zanotti will be on site for the matches
Some 24 national football teams are set to battle it out in stadiums across Germany from 14 June to 14 July, with the hope of being crowned European champions at the UEFA European Football Championship.
Sky Italia will be at the forefront of broadcasting the tournament in its entirety, with 20 exclusive matches that will keep fans glued to their screens. Indeed, Sky Italia is the only broadcaster in the European group that will show all of the tournament's matches.
The Euros will take place across ten venues, with a team of 50 professionals, including commentators, reporters, producers and technicians from Sky Sport, travelling to each to ensure the best possible coverage.
They will be joined by around 100 people in Milan and Santa Giulia, where the playout, MCR, editing and ingest will be managed.
All of Italy's matches will be followed by a mobile vehicle from Cinevideo and 4-5 reporters who will accompany the national team throughout the week.
Read more Euro 2024: UEFA's technical broadcast plans
The studio for Italy's matches will be on site and will have four cameras and a mini Jimmy Jib for live coverage.
In addition, a pitch presentation with two reporters will deal with interviews and in-depth analysis; a further Flash station will be dedicated to classic post-match interviews.
Ready to comment
Six matches in the first phase of the tournament will be commented on from the stadiums. The opening match will feature an innovative remote studio set up from the production centre of Milan Santa Giulia, Sky Italia's headquarters.
Sky will use the LiveU LU800 system for the remote production, which will allow four live video signals to be received from the stadiums, with four SRT signals as backup and a zero-latency studio return.
If the Italian team does not reach the final, Sky will evaluate whether to use Cinevideo's mobile unit or remote production for the broadcast of the remaining main matches.
In addition to the six matches where commentators will be in the stadium, there will also be seven others with a reporter who will conduct pre- or post-match interviews and in-depth analysis.
Sky will also have a studio at the Reichstag in Berlin. This studio, equipped with a bonded camera, will be used to produce a full edition of Sport24 and as support for links with VIP guests. Additional matches will be commented on from the Milan Santa Giulia facility.
A typical day
A typical day for Sky Sport will start at 10:00 with Sport24 and end at 12:30 at night with Calciomercato Originale, which this summer will be travelling to seven locations.
The technological heart of the Euro 2024 operation is the IBC (International Broadcast Centre) located in Leipzig.
Here Sky will have a small master control room that will receive all the signals. They will be distributed to Milan on four JPEG 2000 fibres, which will allow the transmission of match signals in both HD and HDR, and six fibres for the transport of MPEG4 accessory feeds; these include the helicopter feed, the fan camera and a daily schedule based on editorial needs.
In the IBC, in addition to the match signals, UEFA also provides 14 accessory signals such as ISO Cam, helicopters, drones, beauty shots of the Brandenburg Gate in Berlin, beauty shots of the stadiums and more to choose from.
To guarantee maximum security, an additional disaster recovery quality signal transport in a double chain is also planned to Sky headquarters in Rome and then from Rome to Milan.
The team
The director in charge of the integrations on Italy's matches is Roberto Popi Montoli, who will manage the four cameras in the studio and the three cameras on the pitch, including a long lens that captures the various profiles of players and coaches.
The on-site team will also include EVS operators with 12 channels, a video mixer, two camera controls, an audio mixer and a total of about 20 people from the Cinevideo technical team.
Two producers, Ferruccio Zanotti and Giorgio Antoniol, and two editorial coordinators, Alessandro Scipioni and Federica Salpietro, will also be on site.
In addition, Sky will send two staff members, Andrea Picchioni, technical supervisor, and Fabio Griffanti, to the IBC, alongside two technicians from Globecast.
Read more Euro 2024: UEFA's ENG crews at the ready
At the Adidas Village in front of the Brandenburg Gate, there will be an editorial coordinator who will also handle relations with the official global and national team sponsor, two camera operators and a producer.
In the second phase of the tournament, consisting of the round of 16, quarter-finals, semi-finals and final, Sky will comment on all matches and will send five producers for on-site commentary.
Therefore around 20 journalists and 35 technical professionals from Sky will be involved in the production, along withthose from Cinevideo. In practice, the total effort in Germany will amount to around 80 people.
Cutting-edge technology and a year of preparation
Zanotti, an experienced producer with three European Championships under his belt, says: It's been a year of intense work: from the first workshops with UEFA last summer to the final broadcast standards communicated in December in Hamburg.
From there we developed our editorial planning, aligning it with the budget and UEFA specifications, including the costs of the mobile unit with Cinevideo, the Leipzig-Milan-Rome connectivity with Globecast and coordinating everything in a production plan with the editorial side.
Among the biggest challenges are logistics and transport, made complex by the movement of a large number of people.
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