
Live From Super Bowl LIX: FOX Plans Big Sound From Around the Big Easy Audio for pregame, studio shows will be produced from Bourbon Street and Caesars Superdome By Dan Daley, Audio Editor
Friday, February 7, 2025 - 7:00 am
Print This Story | Subscribe
Story Highlights
The sound for shows leading up to the Super Bowl on Sunday will be coming from a lot of places in New Orleans. FOX Super Bowl LIX Pregame - hosted by Curt Menefee, with four-time Super Bowl champ Terry Bradshaw alongside - will emanate from the broadcaster's Bourbon Street set, part of a 5 -hour-long day that also includes FOX NFL Sunday and FOX NFL Kickoff.
And, by the way, there will be a football game, from Caesars Superdome.
FOX Sports' Jamie McCombs will be managing the audio for 5 hours of pre/postgame and studio shows prior to Super Bowl LIX.
Managing all that sound will be FOX Sports A1 Jamie McCombs, working from the Calrec Apollo console in the audio compartment on Game Creek Encore mobile unit. Next door will be submixer Eddie Verstraete on a Calrec Artemis console. The desks will be connected to the Artemis and Apollo consoles in Game Creek PrimeOne, which will handle the music and replay mixes for the studio show. The Apollo in Game Creek Varsity will manage audio for the red-carpet show. FOX's Jewel Event System (FJES) will use an Artemis deck for any overflow from the EVS decks. The wireless field audio coming from ATK/Clair Global, as well as comms, will be managed by Andy Roston.
The 512 channels of audio will be connected over a Hydra network, with MADI between the trucks in the compound and to the HRP control room in FOX's Pico facility in Los Angeles.
It's lot of AoIP for this show, notes McCombs. Everything is connected.
The Action Starts on Bourbon Street It's also a production that's using as much of the host city as it can to provide visual and aural flavor to the Big Game.
A lot of it's the moving parts and pieces throughout the city, he explains. We start out, our studio show is over in Bourbon Street, and they're on the air for 2 hours. Then they actually move this way, and we start doing more here with interviews throughout the stadium. We have a full set outside on Fan Plaza on top of a parking structure and a full set inside the stadium. And, of course, we have announcers that roam all over the place, between locker rooms and out on the field itself. There's a good 40-45 minutes of very scripted, structured events going on even before the coin toss and kickoff.
That field audio will have all the elements that NFL viewers have come to expect, including the NFL-controlled enhanced feed: microphones on either a guard or the center - the teams make those choices ahead of the game. There will also be eight parabolic mics, post mics to capture the plunk of the pigskin hitting the uprights, and tons of crowd mics. In addition, the Schoeps SuperCMIT digital microphone will be aboard the Skycam, which McCombs calls a game-changer: when it's right overhead of the centers and line, the booming kicks when we follow 'em for kickoffs, man, does it sound good!
Through the Roof One new microphonic wrinkle from the regular season is deployment of Voyage Audio's 8-channel Spatial Mic, set to its discrete 5.1 configuration and mounted on the roof, adding an immersive layer to the ambient sound. It will be used to capture the sound of the military jets that synchronize with the end of the performance of the National Anthem.
Since we're in a domed stadium, [we] don't really see them, says McCombs. But we're going to show them on television, and we have to make sure we [pan] the sound in the same direction they're flying. It's an important detail for the game's sound. It has to be right.
And then some, he adds: Just knowing you're trying to bring something to the people watching at home that they're going to be excited about makes you work hard on it. You want them to be excited and hear a really good game. And they will.
More from Sports Video Group
11/07/2025
Behind the Mic: Amazon Prime Preps for First Season of NBA Action; MSG Networks ...
11/07/2025
SVG New Sponsor Spotlight: Suite Studios' Craig Hering on Adapting to Client...
11/07/2025
2025 SVG Content Management Forum Breaks Down AI's Impact, Continued Transit...
11/07/2025
A Journey HOME: University of Nebraska's HuskerVision Goes IP Leaders from the HuskerVision and Lawo share their IP learnings By SVG Staff
Friday, July 1...
11/07/2025
CMSI, Remote Picture Labs, Ace ESPN's Cloud-Based Editing Efforts for Wimble...
11/07/2025
Netflix Enters the Live-Boxing-Production Ring for Round 2 With Historic Taylor-...
10/07/2025
5G for all? What the DFL's use of Easy5G and RefCam could mean for events in...
10/07/2025
Save the Date: PGA TOUR Studios Welcomes SVG Remote Production Summit on Oct 14-...
10/07/2025
Cloud on the Road: How Remote-Production-Service Providers Are Adapting to a New...
10/07/2025
Seattle Kraken's Ryan Schaber on the NHL Team Taking Live Game Productions I...
10/07/2025
FOX Sports Reboots Small Control Room in Los Angeles as Hub for Vertical-First P...
10/07/2025
SVG Sit-Down: MSE's Zach Leonsis, ViewLift's Rick Allen Go Deep on Joint...
09/07/2025
Monumental Sports & Entertainment, ViewLift Unveil Broadcast/Streaming Joint Ven...
09/07/2025
SVG Europe Audio State of Wireless Mics Forum: If we lose the spectrum, it...
09/07/2025
Tech Focus: Athlete Audio - Venues Provide Sound Just for the Players From locker room to field of play, personalized systems help rev up the athletes By Dan D...
08/07/2025
Groundbreaking Gamecocks: Inside University of South Carolina's Four-Control...
08/07/2025
Monumental Sports & Entertainment's Samantha Brady on the Power of the RSN...
08/07/2025
Live From 2025 FIFA Club World Cup: FIFA, HBS Focus on Tournament Wrap, With an ...
08/07/2025
SVG Rewind: NESN Goes Behind the Scenes of 1975 Red Sox Retro Broadcast NESN is following up the retrocast with a week-long celebration of the Green Monster By...
07/07/2025
1-2 Punch: The Cloud, Generative AI, and the Future of Sports-Content Distributi...
07/07/2025
Tests and decisions: Formula E host broadcaster Aurora on launching new AR graph...
07/07/2025
Building tension: Using new AR graphics for storytelling at the Formula E penult...
07/07/2025
Altitude Sports' Matt Krol on the Success of the RSN's In-Arena Postgame...
07/07/2025
SVG Rewind: Four NFL Clubs Bring Us on Set of Respective Media Day Shoots An in-depth conversation with 49ers Laura Johnson, Ravens Jay O'Brien, Las Vegas R...
07/07/2025
Cosm To Build Fifth Shared Reality Venue in Cleveland as Part of Bedrock's ...
02/07/2025
Progressive realism: Aurora on taking up the broadcast reins for World RX alongs...
02/07/2025
Great speed: New host broadcaster Aurora on getting the World RX 2025 season pro...
02/07/2025
Seat of its pants: Aurora boxes clever and looks ahead for the FIA as new host b...
02/07/2025
UEFA Women's Euro 2025: EBU, BBC Sport and Sunset Vine talk coverage plans, ...
02/07/2025
UEFA Women's Euro 2025: Women's Super League launches new content series...
02/07/2025
UEFA Women's Euro 2025: Ignite puts fans and players front and centre with t...
02/07/2025
Storytelling in the Live Game Broadcast: ESPN Director Jimmy Platt Breaks Down t...
02/07/2025
CONCACAF's Miguel Angel Garcia on the Gold Cup's Enhanced 2025 Productio...
01/07/2025
SVG New Sponsor Spotlight: Spyrosoft's Jonathan Witty on Futher Business Exp...
01/07/2025
The NIL Effect: How the Shifting Business of College Athletics Impacts On-Campus...
01/07/2025
Cherry on the cake: Inside the technical production of the Tour de France 2025 w...
01/07/2025
NESN's Josh Jun on Keeping Alternative Broadcasts Fresh for Boston Red Sox, ...
01/07/2025
TNT Sports Races Back Into NASCAR With Fresh Look, Familiar Edge Production approach emphasizes creative freedom, bold storytelling, casual-fan-friendly tone B...
27/06/2025
How smarter compression is creating a sustainable future By Michael Burns
Monday, June 23, 2025 - 14:13
Print This Story
Live sport is especially vulnerab...
27/06/2025
Behind the Mic: FOX Sports Ratchets Up UEFA Women's EURO 2025 With Top-Class...
27/06/2025
RTL Group To Acquire Sky Deutschland By George Bevir, Editorial Director, SVG Europe
Friday, June 27, 2025 - 8:00 am
Print This Story | Subscribe
Story ...
27/06/2025
Frictionless, At Scale: The Current State of Live Video Streaming Techology Leaders from Bitmovin, Comcast Technology Solutions, Harmonic, IMAX, and Phenix brea...
27/06/2025
Marquee Sports Network's Nick Steger on Meeting the Moment of the Contending...
27/06/2025
NHL Draft 2025: The League Is Primed for First Decentralized Draft in Non-Pandem...
26/06/2025
10th-Annual SVG Regional Sports Production Summit Presents Useful Roadmap for th...
26/06/2025
The Big Cloud Debate: Public vs. Private vs. Hybrid Tech leaders from CineSys, Diversified, and Net Insight breaks down all flavors of cloud By Jason Dachman, ...
26/06/2025
Program Productions' Jess Kowatch on Training the Next and Current Gener...
25/06/2025
SVG College Summit 2025: Select Sessions Now Available to Watch on SVG PLAY Tackling the latest in college sports video: NIL, live production, virtual productio...
25/06/2025
ESPN Is Set To Bring AR Graphics to Wimbledon, Revamps Bunker and Studio 18 VO B...
24/06/2025
2025 NBA Draft: ABC/ESPN Prepares for Two-Day Draft at Barclays Center Partners Game Creek Video, CP Communications, NEP Specialty Capture will be on hand By M...