
Live From Super Bowl LIX: ESPN Studio Ops Spreads Across Big Easy From Fulton Street Square to Radio Row Multiple sets utilize REMI workflows tying shows back the networks headquarters in Bristol, CT By Brandon Costa, Director of Digital
Saturday, February 8, 2025 - 10:28 am
Print This Story | Subscribe
Story Highlights
You can sense the anticipation from the team at ESPN here in New Orleans. The network's first-ever Super Bowl Super Bowl LXI in Los Angeles on Valentine's Day 2027 is now just two years away.
While so much of what ESPN is doing this week five studio sets in various spots around the city seems like the status quo for covering an event as big as the Super Bowl, there's no denying that the various technologies and workflows are being deployed not just to build engaging programming this week but also with an eye to that Big Game in two years.
NFL Live broadcasts from ESPN's main set in New Orleans at Fulton Street Square on Friday afternoon.
This week in New Orleans, ESPN is here in force with the network's main set positioned through Friday evening at Fulton Street Square as the home to weekday studio programming like Get Up, First Take, NFL Live, occasional hits for SportsCenter, and even some ESPN International programming. All of that stretches the space's broadcast day over approximately 13 hours.
Having had the privilege of being involved with our Super Bowl coverage in some form, shape, or fashion since 2009, that has allowed me to see the plethora of iterations and evolution over the years, says Carlton Young, Director, Remote Operations for ESPN. What stands out the most is the scale of our operations. Not only from a technical aspect, but also logistics and personnel resources. In all areas we've become more lean and agile, which obviously benefits our bottom line, when all is said and done.
ESPN's Carlton Young (left) and Mark Mignini at the network's primary studio set at Fulton Street Square.
According to Mark Mignini, Senior Manager, Remote Operations (Studio) at ESPN, set up at the main stage began Monday morning. Live Media Group's MU-21 mobile production facility parked a block over from the set position on St. Peter's Street. A mobile stage from MB Pro Sound and lighting from Illumination Dynamics and HVAC was up and running by the end of the day. Tech was up on Tuesday and the stage was off and running with live programming.
Meanwhile, ESPN also had two sets at Media Row over at the New Orleans Ernest N. Morial Convention Center: one for The Pat McAfee Show, the other for ESPN Radio and its day's worth of national programming like Unsportsmanlike and others; as well as some podcast recordings. ESPN Bet also has a set positioned on Loyola Ave. as part of a music and fan activation.
The Pat McAfee Show broadcast this week from Media Row at the New Orleans Convention Center.
Four of those sets were broken down following Friday's broadcast day - the only exception is ESPN Bet on Loyola Ave, which will continue through Sunday - and the scene will shift over to the stadium where shows like SportsCenter and Postseason NFL Countdown will carry the weekend and get Super Bowl Sunday started for fans at home. Shows from the stadium are supported by Game Creek Video's Columbia mobile production facility.
Most all of the network's production models include some form of remote integration, where they are transmitting signals back to the network's headquarters in Bristol, CT to be fully produced in control rooms there.
We've been able to take advantage of reducing our overall footprints in many cases by eliminating the amount of mobile units, satellite uplinks and associated ancillary equipment, says Young. The use of fiber installations on location, in addition to more IP based solutions, has driven these initiatives. It allows us to cover just as much, if not more content as we did in the previous years, with less infrastructure and expense.
North America Stories
21/04/2026
Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...
21/04/2026
The topic of artificial intelligence has a stranglehold on the sports-video-prod...
21/04/2026
5G is still a hot topic in live event production, and this workflow continues to...
21/04/2026
At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...
21/04/2026
Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...
21/04/2026
Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...
21/04/2026
Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...
21/04/2026
Fox Sports has selected Appear as a technology partner to support the next phase...
21/04/2026
Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...
21/04/2026
Layercake has formalised the integration of Bitmovin's video streaming infra...
21/04/2026
The International Judo Federation (IJF) has extended its distribution partnershi...
21/04/2026
Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...
21/04/2026
Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...
21/04/2026
Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...
21/04/2026
FOX Entertainment partnered with Verizon to overcome significant production hurd...
21/04/2026
Osprey Video has announced its technology showcase for the NAB Show 2026, highli...
21/04/2026
Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...
21/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
21/04/2026
Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...
21/04/2026
Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...
21/04/2026
Rashad Frett attends the 2025 Sundance Film Festival premiere of Ricky at Eccles Theatre on January 24, 2025, in Park City, UT. (Photo by George Pimentel/Shut...
21/04/2026
MAS and Lockheed Martin partner to establish an F-35 depot in Canada, enabling in-country sustainment and creating high-skilled aerospace jobs....
21/04/2026
Advertising strategies shift as competition grows for a large, active and qualit...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Layercake Deepens Bitmovin Integration to Power End-to-End Media Orchestration w...
21/04/2026
Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse...
21/04/2026
On-Premise AI Suite from Studio Network Solutions Debuts at NAB Show 2026
Melanie Ciotti April 21, 2026
0 Comments
Unlimited processing, no cloud depe...
21/04/2026
London, 21 April 2026 IBC today announced the appointment of Tim Banham as its first Chief Commercial Officer (CCO), a newly created role that reflects the or...
21/04/2026
Motion Design Tools - April 2026
Roland Kahlenberg April 21, 2026
0 Comments
Within 2 days, Maxon and Canva announced pro-level motion design apps - A...
21/04/2026
Chaos and Zero Density to Showcase Real-Time Ray Tracing for Virtual Studios and...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Cinema 4D brings professional 3D workflows to iPad. The return of Autograph now free for individual users. ZBrush expands to Windows on Arm. See it all at NAB...
21/04/2026
Software version 1.6 extends enterprise functionality to place Buttons at the heart of media operations at any scale
Bitfocus, the Norwegian software develope...
21/04/2026
Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse Signal Processors for SDI and ST 2110 Workflows
Compact, multi-function stan...
21/04/2026
April 21st, 2026 Press Materials Available Here
TRIBECA FESTIVAL 2026 ANNOUNCES TELEVISION AND PODCAST LINEUP
Tribeca Television Spotlights the 50th Season o...
20/04/2026
At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...
20/04/2026
At the 2026 NAB Show, Canon is doubling down on its commitment to live sports pr...
20/04/2026
Fujifilm is sharpening its focus on core broadcast production with a new wave of...
20/04/2026
This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...
20/04/2026
Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...
20/04/2026
Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...
20/04/2026
Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...