
In April 2019, I did a Friday Tip called The Dynamic Brightener for Guitar. It's kind of a cross between dynamic EQ and a transient shaper, and has been a useful FX Chain for me. In fact, it's been so useful that I've used it a lot-and in the process, wanted to enhance it further. This reloaded version makes it suitable for more types of audio sources (try it with drums, bass, ukulele, piano, or anything percussive), as well as less critical to adjust. It also lessens potential high-frequency smearing issues-the original version applied large amounts of boost and cut, with a non-linear-phase EQ.
Although the original version could have been built using a Splitter, I did a bus-based implementation so that it would work with Studio One Artist. This new version needs to use the Splitter (sorry, Artist users), but that's what allows for the improvements.
Another interesting aspect is that by using the effects' expanded view in the channel inserts, you don't even need to open the effect or Splitter interfaces, to do all the necessary tweaking. This makes the reloaded version much easier to edit for different types of tracks.
How It Works
Fig. 1 shows the FX Chain's block diagram.
Figure 1: The Reloaded Dynamic Brightener's block diagram.
Splitter 1 is a normal split. The left split provides the track's dry sound, while the right split goes to Splitter 2, which is set up as a Frequency Split. The Frequency Split determines the cutoff for the high frequencies going into the right split. Splitter 2's left split, which contains only the split's lower frequencies, is attenuated completely. Basically, Splitter 2 exists solely to isolate the audio source's very highest frequencies.
These high frequencies go to an Expander, which emphasizes the peaks. This is what gives both the transient shaping and dynamic EQ-type effects. Because the high frequencies aren't very loud, the Mixtool allows boosting them to hit the desired level.
Fig. 2 shows the initial Expander and Mixtool settings. But, you won't be opening the interfaces very much, if at all you don't even need Macro Controls.
Figure 2: Initial parameter settings for the Expander and Mixtool.
Using the Reloaded Dynamic Brightener
In the short console view, open up the sidecar that shows the effects. Expand the effects, and set the mixer channel high enough to see the ones shown in fig. 3.
Figure 3: The Reloaded Dynamic Brightener controls.
Here's how to optimize the settings for your particular application:
Turn off Splitter 1's output 1 power button. This mutes the dry signal, so we can concentrate on the brightener's settings.
Adjust Splitter 2's Frequency Split to isolate the optimum high-frequency range for brightening. This can be as low as 1 kHz or less for guitars with humbucker pickups, on up to 6 kHz (or more) to emphasize drum transients.
Set the Expander's Ratio and Threshold parameters for the desired amount of brightening and transient shaping. Higher Threshold settings pick off only the top of the boosted high-frequency peaks; the Ratio parameter controls the transient shape. The higher the ratio, the peakier the transient.
After editing the high frequencies, re-enable the dry signal by turning on Splitter 1's output 1 button.
Mix in the desired amount of brightening with the Mixtool Gain parameter. In extreme cases you may want to increase the level control at the end of the Splitter 2 branch, or the output level from Splitter 2 output 2, but this will be needed rarely, if at all.
As a reality check to determine what the brightener contributes to the sound, turn off either Splitter 1 or Splitter 2's output 2 power button to mute the brightened signal path.
This is a tidier, easier-to-adjust, and better-sounding setup than the original dynamic brightener. Download the FX Chain here-the default settings are for dry guitar, and assume a normalized overall track level. With lower track levels, you'll need to lower the Expander Threshold, or boost output 2 from Splitter 1. But feel free to tweak away, and make the Reloaded Dynamic Brightener do your bidding, for a wide variety of different audio signals.
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