Sony Pixel Power calrec Sony

ATSC 3.0 and the Future of Digital Broadcasting

02/06/2023

D j vu: Are we back to Betamax?

Predicting the rate and direction of technology adoption often seems to be as much of an art (indeed, perhaps a dark art) as it is a science. It was nearly half a century ago (!) that one of the first real format wars emerged - where Sony and JVC clashed in the VHS/Betamax battle. Decades of economic analysis have been devoted to the emergence of the war - and its outcomes. For all intents and purposes, Betamax should have been the winner: it offered greater horizontal resolution, lower noise, reduced luma/chroma crosstalk, and overall was visually the better standard. It also had a year more than VHS to penetrate and shore-up its market hold. But consumers are tricky things, and a significant range of what economists like to call network externalities' ended up holding sway on the outcome.

And even with 50 years of observing both consumer and industry behavior in relation to technology adoption, it seems that collectively we're not necessarily any better placed to guess what factors will influence take-up. One only has to look at Zuckerberg's quiet withdrawal away from the multi-billion dollar Metaverse, as his eyes turn to the parallel multi-billion dollar rise of ChatGPT, to see how even the biggest players can't always read the market.

ATSC, as easy as 1,2 3. Right?

So, what does all this talk of tech-take-up rates tell us about the ATSC 3.0 saga? The standard, in development for more than a decade and approved by the FCC for rollout in 2017, still seems to languish in no-man's land, failing to hit its true potential, always on the cusp but never in the limelight.

Well, as with Betamax, it's certainly not any factors pertaining to its technological capabilities holding it back. We've talked about the benefits at some length in our previous blog, but to sum up its benefits in a sentence: ATSC 3.0 has the ability to bring all the advantages of IP to an entirely wireless environment - improving broadcast quality, increasing functionality, augmenting reliability and security, extending reach, and just generally improving everything for broadcasters, for advertisers, and for audiences. Indeed, the benefits really can't be overstated, because although there is a great focus on ATSC 3.0 as Next Gen TV', the truth is it has applications that extend well beyond just broadcast, since it in effect represents more generally a wireless IP distribution platform. Which is quite a big deal really.

So, where's the issue? Broadcasters are champing at the bit to make use of its commercial potential. Consumer manufacturers are (mostly) supporting it. What's the obstacle?

It is, essentially, regulatory. While the FCC was ready to endorse the standard all the way back in 2017, their approach was a tad tepid.

In essence, in 2017, the FCC authorized -but did not instruct -television broadcasters to use ATSC 3.0 if they so wished - meaning it was a voluntary and market-driven approach to adoption. More than this, they implemented a requirement that broadcasters maintainnearly-identical broadcast in the original ATSC 1.0 standard as well. So, broadcasters could choose to move to ATSC 3.0, but only as well, not instead. While that requirement was due to sunset' this year, it appears to have been given a stay of execution: broadcasters are still having to devote dual resources to ATSC 1.0 and 3.0 outputs, despite being eager to move forward properly with the latter.

Note how much this differs from the approach taken in the transition from analog NTSC to ATSC back in 2007 - 2009, which was mandatory. Indeed, it's almost the inverse of it - since with the NTSC/ATSC switch they actually requiredbroadcasters to stop broadcasting analog in 2009. So there's a marked difference in approach here: in the NTSC/ATSC transition, the FCC actively pushed for the end of an old standard, and the harkening of a new one. Now, in this new era of ATSC 1.0/3.0 transition, the FCC is actively pushing the maintenance of an old standard, and crippling broadcasters in their adoption of the new one - not just in terms of operational inefficiency, but the undue occupation of huge swathes of the broadcast spectrum.

Arguably then, it has nothing to do with the technology, and nothing to do with the market - and all to do with the regulatory handcuffs that the FCC has imposed.

None-the-less, the FCC argues it is on the side of progress. In April, FCC chair Jessica Rosenworcel said: Today, we are announcing a public-private initiative, led by the National Association of Broadcasters, to help us work through outstanding challenges faced by industry and consumers. This Future of Television initiative will gather industry, government, and public interest stakeholders to establish a roadmap for a transition to ATSC 3.0 that serves the public interest. A successful transition will provide for an orderly shift from ATSC 1.0 to ATSC 3.0 and will allow broadcasters to innovate while protecting consumers, especially those most vulnerable.

The pressure is on

It is clear in Rosenworcel's statement that the FCC's motivation to push forward comes strongly from pressure being put on them by the NAB. And in turn, the NAB is feeling that pressure from below, because the market seems set to undergo another seismic shift. What do we mean by that?

Well, streaming hit the industry hard and fast, and by all accounts appeared to fundamentally change the paradigm. Every article you read in, say 2010, declared the death of Linear TV and conventional advertising. But a decade on and the streaming market looks very different; fragmented, with lower subscription numbers, greater frustration from audiences regarding commissioning and content creation strategies, a lack of transparency, and an apparent need to resort to more traditional profit models, in
LINK: https://www.sencore.com/atsc-3-0-and-the-future-of-digital-broadcastin...
See more stories from sencore

North America Stories

03/03/2026

Magellan AI Integrates Nielsen DMA Data to Bring Local Market Measurement to Podcast Attribution

Nielsen's DMA data gives Magellan AI users a standardized way to measure th...

03/03/2026

Lawo Promotes Jamie Dunn to CEO

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

Elements To Showcase Newly Unveiled GRID NAS Platform At 2026 NAB Show

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

Moments Lab To Feature Agentic AI For Video Workflows At 2026 NAB Show

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

Marshall Electronics Launches Compact CV356-10X Full HD C...

Marshall Electronics premieres the CV356-10X, its latest compact 10X camera that offers Full HD with simultaneous SDI and HDMI outputs, at NAB 2026 (Booth C8339...

03/03/2026

farmerswife and Cirkus to Showcase Smarter Media Workflow...

farmerswife, the industry-leading enterprise operations platform for broadcast and post-production, today announced it will exhibit at NAB Show 2026 in Las Vega...

03/03/2026

Manfrotto ONE Hybrid Tripod Wins iF Design Award 2026

Manfrotto has announced that the Manfrotto ONE Hybrid tripod has won the iF DESIGN AWARD 2026, one of the world's most respected design honours. Selected ...

03/03/2026

DHD to Introduce Latest Generation Broadcast Audio Mixers...

DHD is expanding the capabilities of its DX2, RX2, SX2 and TX2 broadcast audio mixers, RM1 portable production unit and XC3/XD3/XS2 processing cores with the in...

03/03/2026

Synamedia and MoMe launch first streaming CDN in Spain

Leading video software provider Synamedia and MoMe, a leading Spanish consultancy and systems integrator, today announced the launch of Spain's first stream...

03/03/2026

Long-Awaited ATSC 3.0 Rulemaking Overshadows NAB Show Expectations

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

Audio Tech at NAB Show: Are We in the Second Wave' of IP?

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

IP's Impact on Imaging Tech on Full Display at NAB Show

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

Live Production Over IP in 2026: Software-Defined Everything

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

NAB Show Leverages Revitalized LVCC To Reflect M&E Transformation

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

Home Post Production Strengthens Factual and Natural Hist...

Home Post Production has further expanded its factual, unscripted, and entertainment capabilities with the acquisition of Picture Shop Bristol, a leading post h...

03/03/2026

Iyuno Taps Dante AV to Sync Audio and Video Content

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

HBO Max and Paramount+ Streamers to Merge

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

Survey: 70% of CTV Advertisers Plan to Boost Spending in 2026

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

XGN Global, X1 Mobile Show New 5G Broadcast Smartphone

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

Scripps Completes Sale of WFTX to Sun Broadcasting

Share Copy link Facebook X Linkedin Bluesky Email...

03/03/2026

HbbTV Association Formally Integrates DRM into Core Specification

Share Copy link Facebook X Linkedin Bluesky Email...

02/03/2026

NBC Sports Selected Imaginary Forces to Create Cinematic Main Title Sequence for Primetime In Milan

NBC Sports selected Imaginary Forces to create the main title sequence for the M...

02/03/2026

NFL Launches Draft-Inspired Innovation Challenge to Advance Future of Fan and Event Technology

The NFL announces the launch of the NFL Draft Innovation Challenge, a new crowds...

02/03/2026

DataMiner SatOps Named Finalist for 2026 Teleport Technology of the Year

The World Teleport Association (WTA) has named Skyline Communications' DataMiner SatOps solution as a finalist for the 2026 Teleport Technology of the Year ...

02/03/2026

Ventum Tech Partners with Pixotope to Expand Virtual Production Capabilities Across the GCC

Ventum Tech announces a strategic partnership with Pixotope, a real-time graphic...

02/03/2026

Victory+ Launches NWSL Content Hub, Taps Top Creators to Redefine How Fans Connect with League

Victory , a free, ad-supported sports streaming service, announces the launch of...

02/03/2026

L3Harris Appoints Ken Sharp Senior Vice President and Chief Financial Officer, Ken Bedingfield President of Missile Solutions

MELBOURNE, Fla., March 2, 2026 - L3Harris Technologies (NYSE: LHX) today announc...

02/03/2026

Nielsen reveals New Zealand's top ad spenders and categories for 2025

Harvey Norman tops New Zealand's biggest ad spenders as retail leads and telcos and beverages surge Auckland March 3, 2026 - Nielsen's New Zealand'...

02/03/2026

Advanced Systems Group Promotes Jody Boatwright to Chief...

Advanced Systems Group, LLC (ASG), a technology and services provider for media creatives and content owners, has appointed Jody Boatwright as Chief Strategy Of...

02/03/2026

Lightware TPN ecosystem powers smarter networks and strea...

Lightware, an industry leader in signal management, is reinforcing its commitment to simplifying complex AV environments with the continued evolution of its TPN...

02/03/2026

ZEISS Cinema Hosts First US Aatma Lens Demo Event in LA

ZEISS Cinema opens its doors to an exclusive screening, filmmakers Q&A and hands-on showcase of the new ZEISS Aatma lens family on Tuesday, March 10, 6:00-9:00 ...

02/03/2026

DoPchoice Introduces SNAPBAG Round for the New Astera Qui...

To expand the creative potential of the compact Astera QuikBeam, DoPchoice introduces the SNAPBAG Round. The new light-shaping accessory transforms the powerfu...

02/03/2026

Douglas Dubler Master of Light - Five Decades Shooting w...

Douglas Dubler On a rooftop in New York City, veteran photographer Douglas Dubler watched the sun's angle shift across the urban landscape, his internal cl...

02/03/2026

ZEISS Expands Otus ML Lineup with the New 1435

ZEISS is expanding its Otus ML lens family with the introduction of the new ZEISS Otus ML 1.4/35. This manual-focus lens is designed for photographers who live ...

02/03/2026

Matthews Intros White FlexiMount and Phone Mount Kit by D...

Matthews Studio Equipment now offers the new Dinkum Systems White FlexiMount and Phone Mount Kit, a compact, highly adaptable setup for mobile content creation...

02/03/2026

Netflix Unveils the Trailer for '53 Sundays', the New Film by Cesc Gay

Back to All News Netflix Unveils the Trailer for 53 Sundays, the New Film by Cesc Gay Entertainment 02 March 2026 GlobalSpain Link copied to clipboard Dis...

28/02/2026

FOX Sports Waves Green Flag on 2026 IndyCar Season With Driver's Eye, Heads Up Display, Live Drones

With two features seen in Formula 1 coverage, the broadcaster aims to bring view...

28/02/2026

Secretary of War Pete Hegseth Visits L3Harris Solid Rocket Motor Site

Secretary of War Pete Hegseth addresses a crowd of approximately 1,500 L3Harris employees in Camden, Arkansas, as part of his Arsenal of Freedom tour....

28/02/2026

2026 NAB Show Expands Sports Summit to Four Days

Share Copy link Facebook X Linkedin Bluesky Email...

28/02/2026

Three TV5Monde FAST Channels Launch on Plex

Share Copy link Facebook X Linkedin Bluesky Email...

28/02/2026

Nielsen Introduces 200+ New Advanced Audience Segments

Share Copy link Facebook X Linkedin Bluesky Email...

28/02/2026

SBE Launches Annual Membership Drive

Share Copy link Facebook X Linkedin Bluesky Email...

28/02/2026

Gray's Fox 12 Inks Deal for Portland Fire And Portland Thorns Games

Share Copy link Facebook X Linkedin Bluesky Email...

28/02/2026

Berklee Presents Mambo Mania: Eguie Castrillo and the Berklee All-Stars Big Band's Tribute to Eddie Palmieri

Berklee Presents Mambo Mania: Eguie Castrillo and the Berklee All-Stars Big Band...

28/02/2026

Berklee Announces Two New Summer Programs in Los Angeles

Berklee Announces Two New Summer Programs in Los Angeles The Berklee Music Business Program and Electronic Music Production and Sound Design Workshop bring imme...

28/02/2026

NVIDIA and Partners Show That Software-Defined AI-RAN Is the Next Wireless Generation

AI-RAN is moving from lab to field, showing that a software-defined approach is ...

28/02/2026

NVIDIA Advances Autonomous Networks With Agentic AI Blueprints and Telco Reasoning Models

Autonomous networks - intelligent, self-managing telecommunications operations -...

28/02/2026

Final Trailer for BEASTARS Final Season Part 2' Roars Toward the Series' Emotional Conclusion

Back to All News Final Trailer for BEASTARS Final Season Part 2' Roars Tow...

28/02/2026

February 27, 2026

New way to intentionally discover molecular glues could expand drug discovery Scripps Research scientists and colleagues show how drugs that eliminate certain d...

27/02/2026

Scripps Appoints Oliver Gray as Vice President, Network Sports and Client Partnerships

The E.W. Scripps Company names Oliver Gray as Vice President, Network Sports and...