Everything Will Be Fine , con Mistika en ARRI Mitte La pel cula que se ha estrenado estos d as en la Secci n Oficial de la Berlinale confirma la apuesta de Wenders por el 3D con Mistika como principal aliado.
The producers own Wim Wenders in collaboration with artist Christian Tr ger and postproduction platform Mistika high level of SGO formaron equipo en las instalaciones de ARRI Mitte para dar vida a la ltima pel cula del director alem n: Everything Will Be Fine.
La pel cula que se ha estrenado estos d as en la Secci n Oficial de la Berlinale est producida por Gian-Piero Ringel con Beno t Debie al frente de la fotograf a y Jos phine Derobe en la direcci n de estereoscop a.
Tr ger es un miembro clave del equipo creativo en las instalaciones del ARRI Mitte, ubicadas en pleno coraz n de Berl n. Eligi Mistika para la postproducci n online, conformado, etalonaje, acabado y subtitulado de la pel cula.
La s lida relaci n que existe entre Neue Road Movies y el equipo de ARRI Mitte se remonta a 2008, cuando trabajaban juntos en pel culas de alto perfil, como Palermo Shooting, PINA, y m s recientemente, los seis episodios de la serie Catedrales de Cultura.
Tr ger ha destacado que Mistika juega un papel clave en la postproducci n de muchos proyectos cinematogr ficos complejos, y siempre como principal elemento de cada departamento. Consciente de lo incre blemente fiable y potente que es Mistika en base a nuestra experiencia anterior, fue genial cuando desde Neue Road Movies se acercaron de nuevo a nosotros para plantearnos el proyecto de Every Thing Will Be Fine .
Mistika era un activo en cada etapa del proyecto. Manej los formatos de c mara nativos y particip en la superaci n de los retos a lo largo de todo el proceso posterior a la entrega de 2K-S3D. La eficiencia y la velocidad de Mistika permitieron al equipo de ARRI Mitte ejecutar convenientemente la gradaci n de profundidad y color, en dos suites independientes y con artistas dedicados. Esto tambi n tuvo un efecto unificador incluyendo al director, director de fotograf a y estere grafo , reconoce Tr ger.
Por otro lado, describe el trabajo con Mistika en ARRI Mite como un aspecto esencial en todo el flujo de trabajo tanto en imagen, incluyendo efectos visuales, como en audio. Mistika permiti , por ejemplo que desde primer momento, los archivos de origen del colorista se ajustaran y recibieran directamente en las l neas de tiempo de Mistika. Paso a paso, la versi n con la profundidad graduada final se forma dentro de un archivo 2K a 16 bits. Mistika permiti desarrollar la estereoscop a con las im genes del ojo izquierdo y derecho que se hicieron en las primeras etapas de las dos sesiones de gradaci n simbi tica. La sinergia entre color y profundidad en una suite forman ahora parte del procedimiento est ndar en ARRI Mitte, ya que Mistika proporciona capacidades nicas y un extenso conjunto de herramientas para acabado .
Durante las dos semanas que dur el etalonaje, las versiones de subt tulos se fueron preparando al mismo tiempo sobre Mistika gracias al uso de los XMLs DCI. Tanto Wim Wenders como el estere grafo Josephine Derobe estaban ansiosos por presentar la versi n subtitulada de la pel cula en la Berlinale.
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Everything Will Be Fine , con Mistika en ARRI Mitte La pel cula que se ha estrenado estos d as en la Secci n Oficial de la Berlinale confirma la apuesta de Wenders por el 3D con Mistika como principal aliado. 
