A Whole New Bull-Game: PBR Teams Series Calls for New Production Technology, Storytelling Strategy The live broadcast now mirrors the in-venue production with the same on-air talent for both By Jason Dachman, Chief Editor
Thursday, August 18, 2022 - 2:33 pm
Print This Story | Subscribe
Story Highlights
With the launch of the PBR Team Series last month, an entirely new five-on-five bull riding format has changed the face of the sport. And with that new format comes a brand-new look and feel for both the broadcast and the in-venue show - complete with a new state-of-the art in-arena experience, as well as new cameras, graphics, and audio elements for the broadcast.
Photo by Josh Homer/Bull Stock Media.
This has been a one-on-one sport for almost 30 years and now it's about teams; that changes the entire story, says Robby Greene, who oversees TV and production for PBR. The camaraderie and team spirit adds a whole new level to the story. To watch teammates and coaches on the back of these bucking shoots pulling for the guy out there [riding] is really special to watch. So I'm really excited to present that to our audience in a new and totally different way.
After debuting at the outdoor Cheyenne Frontier Days on July 25-26, the PBR Team went into full swing with indoor events at arenas Kansas City and Anaheim followed by Nashville this weekend as part of the 11-event regular season with championship weekend in Las Vegas in November. All PBR Team Series events are being broadcast on either the CBS Television Network or CBS Sports Network or streamed live on Paramount+ or PBR RidePass on Pluto TV.
Best of Both Worlds: Melding the Broadcast and In-Venue Shows From an operations standpoint, the live broadcast now mirrors the in-venue show with the same talent heard in the arena and on television (as opposed to two independent shows for PBR's primary Unleash the Beast series).
Photo by Andy Watson / Bull Stock Media
Over the years, people at our live events have always told us I wish I could hear the television commentators while I'm in arena' and then people watching on television at home say, I wish I could see and hear more of what going on [in the arena].' Says Greene. So we're trying to give everybody the best of both worlds by combining these two distinctly different shows and making it one product.
As part of this single-show mentality, the CBS TV broadcast desk, captained by Kate Harrison, is located front and center in the middle of the bucking chutes rather than in a traditional announce booth. In addition, CBS has embedded sideline reporters Allen Bestwick and Matt West and dedicated cameras to each team's bucking chute - similar to coverage of dugouts in baseball broadcasts. All of these elements will also be incorporated into the in-venue videoboard show, bringing fans in the stands and at home closer to the action than ever before.
We're definitely still learning, but we're just so excited to be able to provide that same perspective to both the spectator that bought a ticket [at the venue] or that's watching at home, says Greene. We can now offer that perspective now from the entire talent team - both in arena and television. Is it perfect? Not yet. But is it a product that we're proud of? Absolutely. And we're getting better every week.
Inside the Arena: Big-Time Videoboard, Lighting, and Audio Upgrades The in-venue Teams Series experience is almost unrecognizable compared to a traditional PBR event, including PBR's largest-ever main video board, a state-of-the-art theatrical lighting system, and a drastically enhanced sound system.
Arena, Opening during the 2nd day of Anaheim California PBR Teams event. Photo by Josh Homer/Bull Stock Media.
The new center-hung videoboard measures 55 feet wide by 30 feet tall and is comprised of nearly 5 million individual LEDs. In addition, 400 linear feet of reinforced face LED signage surround the entire arena, replacing the traditional printed signage tacked to the fences that bulls would sometimes tear down.
The in-venue experience also features nearly 300 individual lighting elements, including beams, strobes, spotlights, moving head fixtures, fixed and flashing lights. This significantly boosts the drama-factor inside the arena compared to previous PRB events, which relied heavily on each venue's house lighting.
On the audio side, a new sounds system equipped with 56 line-array speakers and eight subwoofers delivers 512,000-watts of sound amplification. PBR has also invested in state-of-the-art sound reinforcement technology to improve sound levels and clarity everywhere in the arena. Dan Hickman, head of production for PBR, told the Wrangler Network that the system (developed by a German audio company specializing in high-end concert audio) dramatically improves sound clarity and will allow his team to digitally steer sound away from areas the TV booth and other areas that require quiet.
Photo by Andy Watson / Bull Stock Media
A total of 15 semi-trucks are required to transport all this gear from venue to venue each week - not counting trailers and trucks to bring in an average of 90 bulls to each 3-day homestand as well as 750 tons of dirt.
The addition, 30 seats on a new deck above the bucking chutes will put VIP guests virtually on top of the action, while another 18 Dirt Suites are located in the end zone area opposite the bucking chutes. Greene says the in-venue show now feels more like a high-profile title fight or WWE show than a rodeo.
I think I underestimated just how big the wow' factor would be at one of these PBR Teams events, he says. I just sit back in awe of what has been created in the arena with these 360-degree LED video boards, the new sound system, the new people-pin structure, and the concert stage. If you didn'
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
How Chris Bolte Builds the Sound of PlayStation Games Chris Bolte '16 is a technical sound designer at Sucker Punch Productions, where he helps create the...
18/03/2026
Newly named chief product officer (CPO), Larissa G rner Meeus will return to Net Insight on May 4.
Larissa G rner Meeus will become CPO of Net Insight on May 4...
18/03/2026
SVG Europe's The Football Summit 2026 explored how the sports broadcasting i...
18/03/2026
The 2026 NAB Show kicks off one month from today and SVG is once again set to cover the show from every angle. SVG's SportsTech@NAB Show Blog is now live - ...
18/03/2026
(L-R) The cast and crew of Dead Lover at The Ray Theater for its premiere at the 2025 Sundance Film Festival. (Photo by Robin Marshall/Shutterstock for Sundan...
18/03/2026
Yamaha C7 captured in Nashville
Wiltone Productions have announced the release of Music Row Piano, a deeply sampled Yamaha C7 piano library that's been ...
18/03/2026
Bass-enhancement plug-in upgraded
Along with a steady stream of new releases, Techivation have recently been revisiting some of the older plug-ins in their ...
18/03/2026
Mix-reference plug-in overhauled
iZotope's powerful mix-referencing plug-in has just reached its third major version, and now boasts a new capture proce...
18/03/2026
Latest EZKeys 2 expansion arrives
Toontrack's staggering collection of EZKeys 2 expansions has grown once again, and the latest instalment delivers a on...
18/03/2026
Jess Ho explores the politics of food in new SBS Audio podcast For The Culture
18 March, 2026
Media releases
New SBS Audio podcast For The Culture, hosted ...
18/03/2026
Future-ready broadcasts with ATSC 3.0 and enhanced services from Rohde & Schwarz...
18/03/2026
London Calling - When The Industry Convened to Help Streaming Find its MoJo In this blog, Laura Rognoni reflects on key discussions from the Connected TV World...
18/03/2026
SMPTE Unveils 2026 NAB Show Educational Presentations
Brie Clayton March 18, 2026
0 Comments
SMPTE , the home of media professionals, technologists, a...
18/03/2026
Auditel Ad Campaign Shot on Blackmagic PYXIS 12K
Brie Clayton March 18, 2026
0 Comments
LED wall virtual production blends 12K open gate acquisition w...
18/03/2026
Brainstorm transforms productivity and sustainability with Suite 7 at NAB Show 2...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...
18/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...
18/03/2026
Digital Alert Systems
Preview
2026 NAB Show
April 19 - 22
Booth C3452
At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...
18/03/2026
Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...
18/03/2026
THIS ANNOUNCEMENT RELATES TO THE DISCLOSURE OF INFORMATION THAT QUALIFIED OR MAY HAVE QUALIFIED AS INSIDE INFORMATION WITHIN THE MEANING OF ARTICLE 7(1) OF THE ...
18/03/2026
COW Jobs: Seeking DP for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Director of Photography for Low Budget Dramedy Fe...
18/03/2026
COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Gaffer for Low Budget Dramedy Feature Film- I...
18/03/2026
COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Location/Sound for Low Budget Dramed...
18/03/2026
COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Child Wrangler for Low Budget Dramedy Fe...
18/03/2026
Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...
18/03/2026
Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio
Brie Clayton March 17, 2026
0 Comments
DaVinci Resolve Studio handle...
18/03/2026
Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...
18/03/2026
Charlie Puth Joins Switched on Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...
18/03/2026
X-Rite Pantone Demonstrates Advanced Color Management Solutions to Support Smart...
18/03/2026
Wednesday 18 March 2026
BAFTA winner James McAvoy to star in Sky Original serie...
18/03/2026
Wednesday 18 March 2026
Sky Sports and Zuffa Boxing announce multi-year agreement for the UK and Ireland
Sky Sports and Zuffa Boxing have announced a new mult...
18/03/2026
Wednesday 18 March 2026
Sky Unveils Poster and Trailer for Original Feature Fil...
A Whole New Bull-Game: PBR Teams Series Calls for New Production Technology, Storytelling Strategy The live broadcast now mirrors the in-venue production with the same on-air talent for both By Jason Dachman, Chief Editor 
