Created by showrunner Abe Sylvia, the Apple TV+ comedic drama Palm Royale navigates the tale of one womans ambitious journey to make it amongst the upper crust, through extravagant settings that evoke the golden era of Life magazine. Cinematographer David Lanzenberg was behind the camera for the first two episodes, working with director Tate Taylor, and then passed the baton to fellow director of photography Todd McMullen, who shot the remaining eight episodes. With support from Panavision Woodland Hills, the cinematographers opted to pair Panaspeed large-format spherical primes with the Millennium DXL2 camera. Here, the collaborators highlight how the series' visual language was distinctly enhanced by the choices made by the art, wardrobe, and hair & make-up departments.
Panavision: Were there any particular visual references you looked at for inspiration?
David Lanzenberg: From the beginning, [executive producers and directors] Abe Sylvia and Tate Taylor had very specific references they wanted Todd and me to follow. The idea was really about following the tone and feeling and opulence of the amazing photography of Slim Aarons, which had a very Kodak Ektrachrome feel from the '60s and '70s, with vivid primary colors.
Todd McMullen: Slim was a World War II Army photographer who, after returning from the war, turned his lens towards attractive people, doing attractive things, in attractive places.' Slim was a master at composing frames that were inclusive, stylish, bold, and included the landscape and architecture of the changing time period.
How would you describe the look of Palm Royale?
McMullen: Visually, the show presents a retro style that is aspirational, inviting, and center-punches a bold new color palette that was blooming in the '60s. We dig into the patterns, the fabrics and the daring styles that were emerging. America was coming out of the black-and-white, monotone flavor of the '50s and starting to bleed color. And because the story is set in Palm Beach, Florida, it felt appropriate to keep our world warm and sunny and welcoming.
Lanzenberg: I remember in my first meeting with Tate Taylor, I said, Im really interested in telling the story with one camera. Every show is different, but for Palm Royale, to set that tone and look in the first two episodes, having only one camera really helped. There are some scenes by the pool where the positioning of where everything was placed in the background was very calculated with the operator. There was a certain symmetry. The attention to detail within the set dressing, within the staging, when we would go to a close-up, when we wouldnt everything was very important. It was great to be able to do that.
What brought you to Panavision for this project?
Lanzenberg: Todd was on another show when I started prep on the first two episodes of Palm Royale, but this show was a great opportunity to come back to Panavision and achieve something special. Panavision is a very familiar environment no matter where you are in the world, be it Canada, New York, L.A., Paris. There is very much a close-knit community.
McMullen: Panavision is the first collaboration call for me on any project. The reasons are lengthy, but the service, selection of tools, and the experience in crafting those tools is paramount and accessible. Also, the Panavision team is unwavering they will help you find your solutions without hesitation. And the number of locations they have around the world to access equipment is a sigh of relief.
What led to your choice of Panaspeed lenses and the Millennium DXL2 camera?
McMullen: As David said, I was on another show when Palm Royale started, so David and 1st AC Chad Rivetti had the fun of landing the right equipment for the look, and the Panaspeeds fit the bill. They were brilliant in their speed, look and imperfections' for framing the colorful world of the '60s. Also, the DXL2 is such a workhorse and has the large-format capabilities and a sensor that I feel is natural and smooth.
Lanzenberg: I'd appreciated working with that camera in the past because it has a certain print' quality that's achievable with its Monstro sensor. To me, it's reminiscent texture-wise of some of the films of the '70s that I grew up with and really appreciate. One of the things with shooting digitally sometimes is that youre losing that texture that you were able to manipulate with film. As a cinematographer, you still want to be able to have that input, and one of the things with the DXL2 is that it does allow you to have that. One shoe doesnt fit all, and different cameras will definitely give you different options, but this one added a print quality that I appreciate.
What optical characteristics did you see in the Panaspeeds that made them the right match for Palm Royale?
Lanzenberg: On a previous show, I had tested Panaspeeds and really liked them. Theres a certain gentleness within the image, and there's a three-dimensionality that I would normally get with anamorphic lenses. When the opportunity came to work on Palm Royale, we did quite a few tests with other lenses that Panavision provided, but those were always in the back of my mind. It was great to have them, and we used them with these anamorphic flare attachments that Dan Sasaki has come up with, so we were able to create this very subtle tone to the image that had slight aberrations to the background or the edges and how the focus would react in certain parts of the distance. With that combination, we had the best of all worlds.
How does this project differ from others in your career?
McMullen: Palm Royale was a wonderful project to pivot from the darker and moodier tones I'm normally associated with in storytelling. I felt it was certainly a comedy, but the story emotionally had an edge and layers of underlyin
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
29/01/2026
Michele Fracchiolla Succeeds Andrew Barr as President of EMEA region from April 1, 2026
London, January 29, 2026
Hitachi Europe Ltd. today announces the appoi...
29/01/2026
FOX Sports Unveils Historic FIFA World Cup 2026 Broadcast Schedule Monumental Slate Features 340 Hours of Live First-Run Programming Across FOX Sports Platfo...
29/01/2026
AI Assistants Head into 2026 on a High Note: Comscore Reports Triple-Digit Growt...
29/01/2026
Broadcom Confirms Arvato Systems' Status as a VCSP Partner
Broadcom Partner Program Update
Arvato Systems confirmed as authorized VMware Cloud Service Pr...
29/01/2026
RT has today announced that Annette Malone has been appointed to the role of Chief People Officer, RT following a public competition.
As Chief People Officer...
28/01/2026
Music discovery should feel intuitive and personal. That's why we're continuing to give you more control, so you can ask for what you want, shape what y...
28/01/2026
Today, Charlie Hellman, Spotify's Head of Music, shared the following note on the Spotify for Artists blog that the company paid out more than $11 billion t...
28/01/2026
As demand for more complex live sports coverage grows, Balkan broadcast specialist MVP has upgraded its flagship HD1 progressive OB truck with the installation ...
28/01/2026
Luxembourg, January 26, 2026 - SES S.A. ( SES or the Company ), a leading space solutions company, acknowledges the credit rating action announced by Fitch to...
28/01/2026
28 Jan 2026
VEON Notes Kyivstar Group Publication of Selected Full Year 2025 Fi...
28/01/2026
Rohde & Schwarz to host 2026 edition of its online event Demystifying EMC Rohde & Schwarz invites the global EMC community to join a crucial discussion on pre...
28/01/2026
Stadtwerke Wolfhagen Modernize Customer Management with AEP.energysuite from Arv...
27/01/2026
Click for Japanese version
Tokyo, Japan - January 27, 2026 - Akamai Technolo...
27/01/2026
Today, Spotify is proud to support our partner Backline, an industry-leading men...
27/01/2026
With nearly 29 million monthly listeners and clear momentum on Spotify, Net n Ve...
27/01/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
27/01/2026
New agreement for uninterrupted UHF connectivity for Australian Defence Force through 2033, With Options Extending to 2041
Luxembourg, January 13, 2026 - Satel...
27/01/2026
Tuesday 27 January 2026
SNL UK creative team expands as Pauli Lovejoy, Annie Ha...
27/01/2026
RT Supporting the Arts is delighted to support a dynamic programme of cultural events taking place across Ireland this February. From visual art, film, music, ...
26/01/2026
Music videos play a huge part in how fans connect with their favorite songs, but...
26/01/2026
Wuppertal January 26, 2026
Riedel and Media Tailor Deliver Unified Broadcast a...
26/01/2026
26 Jan 2026
VEON Unveils the New Beeline Uzbekistan Network Operations Center, ...
26/01/2026
Bookish is created by and stars Mark Gatiss
Images available HERE
Following th...
26/01/2026
Monday 26 January 2026
New Sky Original Series explores Entertainment Juggernaut, The X Factor
Sky today confirmed it has greenlit a premium, definitive docum...
26/01/2026
Monday 26 January 2026
Sky confirms major investment to transform Livingston ca...
26/01/2026
Software for Stable Data Management and Lasting Business Success in Uncertain Ti...
26/01/2026
RT is today publishing a statistical summary of the Register of External Activities for the third quarter of 2025.
The RT Register of External Activities com...
24/01/2026
RT and Virgin Media Television kick off comprehensive free-to-air coverage of t...
23/01/2026
Staines-upon-Thames, UK, 29 July, 2025 - Yospace, the global leader in Dynamic A...
23/01/2026
Spotify's annual Best New Artist celebration honors the rising stars whose talent, creativity, and dedication have propelled them to the music industry'...
23/01/2026
Paramount is transforming its operations by unifying the media supply chains of their top brands into a scalable global pipeline.
This transformation enhances ...
23/01/2026
Every delay costs. When a subtitle fails QC, even the smallest issue can mean missed deadlines, extra vendor costs, or frustrated teams. The new Accurate.Video ...
23/01/2026
Find out where Sare and Suze are now on RT One and RT Player Thursday 29 January at 10.15pm
Hit drama SisterS, created by, written by and starring real-life ...
23/01/2026
Friday 23 January 2026
Sky appoints Lisa Clark as Commissioning Executive for SNL UK
Lisa Clark headshot
PNG (468KB)
Lisa Clark joins Sky as Commissioning E...
23/01/2026
RT is delighted to announce that the RT and F s ireann / Screen Ireland supported short film Retirement Plan has been nominated for Best Animated Short at th...
22/01/2026
Last November, Ed Sheeran returned to his musical roots for an intimate, one-nig...
22/01/2026
Every delay costs. When a subtitle fails QC, even the smallest issue can mean missed deadlines, extra vendor costs, or frustrated teams. The new Accurate.Video ...
22/01/2026
Thursday 29 January 9:35pm on RT 2 and RT Player
The dating show returns with something old, something new and a dater you may already know
Thursday evenings...
22/01/2026
Rohde & Schwarz, Qualcomm, and Motorola demonstrate successful 5G Broadcast comp...
22/01/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
21/01/2026
Wednesday 21 January 2026
Backing Britain on the global stage: Sky becomes an o...
21/01/2026
Fox Corporation Executives to Discuss Second Quarter Fiscal 2026 Financial Resul...
21/01/2026
Baselight v7 brings colourists and post-houses smarter mattes, faster workflows and deeper control
FilmLight, known for its detailed colour toolset and longsta...
21/01/2026
RT News is pleased to announce the appointment of Jackie Fox as its new Washington Correspondent. Jackie is a multimedia journalist with RT News and has repor...
19/01/2026
Monday 19 January 2026
Sky News reinvents News at Ten for the modern audience with The Wrap
Sky News today announces The Wrap, a bold evolution of its 10pm ou...
Created by showrunner Abe Sylvia, the Apple TV+ comedic drama Palm Royale navigates the tale of one womans ambitious journey to make it amongst the upper crust, through extravagant settings that evoke the golden era of Life magazine. Cinematographer David Lanzenberg was behind the camera for the first two episodes, working with director Tate Taylor, and then passed the baton to fellow director of photography Todd McMullen, who shot the remaining eight episodes. With support from Panavision Woodland Hills, the cinematographers opted to pair Panaspeed large-format spherical primes with the Millennium DXL2 camera. Here, the collaborators highlight how the series' visual language was distinctly enhanced by the choices made by the art, wardrobe, and hair & make-up departments.
