The cameras used today encompass different standards and color spaces. Some output to a video curve, while some shoot RAW. There are significant differences between camera vendors and models. Sometimes video may be shot encoded (i.e. non-RAW) but with a log curve applied to pack the extended range into the smaller container of the video.
Get A Video Engineering Guide to Color Space that provides the basics and a discussion of the many facets of Color Space from a Video Engineering perspective for modern workflows.
North America Stories
09/07/2025
WASHINGTON The NAB Leadership Foundation (NABLF) has announced the graduation of the 2025 Broadcast Leadership Training (BLT) class. The classs successful compl...
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ATLANTA and CINCINNATI Gray Media and The E.W. Scripps Co. have agreed to swap television stations across five midsized and small markets, resulting in the crea...
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WASHINGTON In response to a request by LPTV broadcaster HC2 that the Federal Communications Commission allow its stations to become datacasters using 5G broadca...
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WASHINGTON Federal Communications Commission Chair Brendan Carr is applauding the passage of President Donald Trump's One Big Beautiful Bill and provision...
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The Monster of Florence: The Four-Episode TV Series Directed b...
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Cosm To Build Fifth Shared Reality Venue in Cleveland as Part of Bedrock's ...
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She Walks in Darkness, Agust n D az Yanes New Film, Premieres ...
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The cameras used today encompass different standards and color spaces. Some output to a video curve, while some shoot RAW. There are significant differences between camera vendors and models. Sometimes video may be shot encoded (i.e. non-RAW) but with a log curve applied to pack the extended range into the smaller container of the video.
