Sony Pixel Power calrec Sony

170,000 jobs lost in live music industry before end of 2020 as revenue falls by 80%

23/10/2020

170,000 jobs lost in live music industry before end of 2020 as revenue falls by 80% posted: 23/10/2020

For the past 11 years, LIVE (Live music Industry Venues & Entertainment) in all its guises has been THE umbrella organisation that represents the UK's live music business. It's members include the Entertainment Agents' Association, the Association for Electronic Music (AFEM), the Association of Festival Organisers (AFO) the Association of Independent Festivals (AIF), the Concert Promoters Association (CPA), the Music Managers Forum (MMF), the National Arenas Association (NAA), the Production Services Association (PSA) and the Music Venue Trust (MVT). In other words, the Live Music Supply Chain, in full.

New research published today shows that over 26,000 permanent jobs will be lost in the live music industry before the end of the year if Government support is withdrawn. In addition, 144,000 FTE roles, including self-employed and freelance workers, will have effectively ceased to exist by the end of 2020.

Revenue into the industry has been almost zero since March and 2020 with a fall of 81% compared to 2019. This is four times the national UK average, where reductions across industries run at around 20%.

The cliff edge being faced by live music's workforce is revealed in independent research conducted by Chris Carey and Tim Chambers for Media Insight Consulting. The report also reveals the positive impact of the Culture Recovery Fund, which has offered a lifeline to a range of businesses in the live music industry, but this is tempered by 80% of employees still being reliant on the furlough scheme which ends this month.

The research, carried out on behalf of LIVE, the umbrella group representing the live music industry, found:

In 2019 live music supported 210,000 full-time equivalent roles, as well as tens of thousands of freelancers.

In 2019, live music contributed £4.5 billion to the UK economy.

In 2020, revenue in the live music business will fall by 81%, and revenue has been close to zero since March.

76% of live music employees were utilising the furlough scheme, as of Aug 31st, 2020.

50% of permanent roles will be lost by the end of the year (26,100 jobs), while temporary and freelance roles have already been decimated.

The Culture Recovery Fund has had a significant impact, safeguarding around 10,000 at-risk employees (this is reflected in the headline statistics).

Following the lockdown in March, and the ongoing Government restrictions on venues and events, many of those working within the live music sector have received no income at all. The new Tier 2 and 3 restrictions put further limitations on the sector reopening, though the sector is currently excluded from the Government's Extended Job Support Scheme.

The recent indication from the Prime Minister that severe restrictions could be in place for a further six months will mean a full year with next to no live music or revenues. Yet in the Government's latest financial support measures, those businesses most impacted by those Government restrictions, that cannot continue to profitably operate, stand to be supported the least.

The industry is calling on the Government to ensure that it can benefit from the Extended Job Support Scheme, recognising that it too is closed due to Government regulation and guidance.

Phil Bowdery, Chair, Concert Promoters Association, said: We were one of the first sectors to close and we will be one of the last to reopen. We are currently caught in a catch-22 where we are unable to operate due to Government restrictions but are excluded from the Extended Job Support Scheme as the furlough comes to an end. If businesses can't access that support soon then the majority of our specialist, highly trained workforce will be gone.

Andy Lenthall, general manager of the Production Services Association, the trade association for people and companies involved in live production, says: Those who have often found themselves overlooked and left behind throughout the last six months are the freelancers and self-employed - the people up and down the country that we rely on to bring us the live experiences we love. Aside from all the figures, were are talking about people whose livelihoods depend on a fully functioning live events ecosystem. It's how these people provide homes for their families.

Economist Chris Carey of Media Insight Consulting who co-authored the report adds: From the artists on stage, to the venues, and the many specialist roles and occupations that make live music happen, this research shows clearly that the entire ecosystem is being decimated.

The Culture Recovery Fund is a help, especially to grassroots music venues. However, larger companies are going to be hit harder and without ongoing Government investment in protecting this industry, the UK will lose its place as a cultural leader in live entertainment. Moreover, the skills we lose in this time will significantly hinder the sector's ability to recover and return to driving economic growth and supplying UK jobs.

The report includes sector-specific data on artists, managers, promoters, booking agents, venues, festivals, ticketing companies and technical suppliers, as well as case studies from some of those affected, and comment from industry leaders.
LINK: https://www.live-production.tv/news/cultural-events/170000-jobs-lost-l...
See more stories from liveproduction

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

19/05/2026

Young Journalist' finalists visit London for training and networking

The winner of Thomson Foundation's Young Journalist of the Year 2025, Tracy Bonareri Onchoke, and runner up Wangu Kanuri enjoyed a three-day trip to London ...

19/05/2026

Cisco and USGA Announce Multiyear Partnership Extension

Cisco and the USGA have announced a multiyear extension of their partnership, which began in 2018. Cisco serves as the Official Technology Partner of the USGA, ...

19/05/2026

Urban Edge Network and Spiideo Partner to Enhance NAIA Sports Streaming

Urban Edge Network (UEN), a streaming platform for NAIA sports, has announced a partnership with Spiideo to provide streaming and production tools to UEN's ...

19/05/2026

Warner Bros. Discovery Announces Expanded Roland-Garros 2026 Coverage

Warner Bros. Discovery (WBD) will provide live coverage of all 900 Roland-Garros matches across its platforms beginning with qualifiers on May 18. In Europe, 21...

19/05/2026

Tubi Launches FIFA World Cup 2026 FOX Hub

Tubi, Fox Corporation's free streaming service, has announced the launch of the FIFA World Cup 2026 FOX Hub, a dedicated destination for World Cup programmi...

19/05/2026

Telefnica and Sony Conduct 5G mmWave Broadcast Trial at Movistar Arena

Telef nica, in collaboration with Sony, has conducted a 5G connectivity trial at the Movistar Arena in Spain using the 26 GHz millimetre wave (mmWave) band. The...

19/05/2026

Ross Production Services Integrates Calrec Argo M into New Hypermax-1 Truck

Ross Production Services (RPS) has installed a Calrec Argo M console into its new Hypermax-1 remote production truck, replacing one of three Argo S consoles pre...

19/05/2026

Panasonic Projector and Display Acquires HIVE Media Control

Panasonic Projector and Display Corporation has announced the acquisition of 100% of the shares of UK-based media technology company Hive Media Control Ltd. (HI...

19/05/2026

Globecast Completes Major Renovation of Singapore Facility

Globecast has announced the completion of a nine-month renovation of its Singapore facility, converting it from a traditional linear broadcast operation into a ...

19/05/2026

Grass Valley Signs Three-Year Enterprise Agreement with Phoenix Broadcast Solutions

Grass Valley has announced a three-year enterprise agreement with Phoenix Broadc...

19/05/2026

Watch Brasil Selects Bitmovin for Streaming Player, Encoder, and Observability

Bitmovin has announced that Watch Brasil, a streaming platform operating across Brazil and Europe since 2018, has replaced its legacy systems with Bitmovin'...

19/05/2026

Ateme and Akamai Power Nepal Premier League Live Streaming

Ateme has announced the migration of Dish Home Nepal's Nepal Premier League (NPL) streaming infrastructure to Ateme's TITAN Live solution deployed on Ak...

19/05/2026

CMSI Supports ESPNs NCAA Gymnastics Championships Coverage

CMSI provided workflow, media management, and HDR support for ESPN during coverage of the NCAA Gymnastics Semifinals and Championships. The company supported fi...

19/05/2026

SVG Rewind: TGLs SmartPin Cam Offers a Whole New Perspective for Golf

In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into the six production-technologies nominated for this year's George Wensel Tec...

19/05/2026

SVG Rewind: FOX IndyCar Takes In-Car AR Graphics to New Heights

In advance of this year's Sports Emmy Awards, SVG is taking a deep dive into the six production-technologies nominated for this year's George Wensel Tec...

19/05/2026

NEP Supershooter 11 and 65 Roll Out To Meet Different Production Needs

Featuring a fully IP infrastructure, Supershooter 11 is intended for large-scale events. Enabling remote and distributed workflows, Supershooter 65 joins the RE...

19/05/2026

Boots Riley Unpacks His Vision of Power, Style, and Time at Sundance Institute's I Love Boosters Denver Screening

By Jessica Herndon The line wrapped around the building outside Denver's La...

19/05/2026

Building a More Trusted Podcast Experience for Creators and Listeners

Podcasting continues to evolve, and so does Spotify. As we build what comes next, one thing remains constant: This is a medium built on connection. It lives in ...

19/05/2026

GC Audio & Looptrotter announce the Emperor Signature Cartridge

Popular design joins Inherit cartridge line-up When GC Audio introduced their modular Inherit system, it was available with a selection of the company's...

19/05/2026

oeksound introduce Soothe3

Resonance-suppression plug-in gets ground-up rebuild Following on from its 10-year anniversary, oeksound's flagship plug-in has just reached its third m...

19/05/2026

Novation unveil the FLKey 2

Dedicated FL Studio controller keyboard range refreshed Novation's dedicated FL Studio controller family has just been upgraded, with four new models ex...

19/05/2026

Rohde & schwarz strengthens its in-vehicle networks test portfolio with the launch of new ASA-ML compliance solution

Rohde & schwarz strengthens its in-vehicle networks test portfolio with the laun...

19/05/2026

Lawful Intelligence: Rohde & Schwarz stellt neues Portfolio fr moderne Polizeiarbeit vor

Lawful Intelligence: Rohde & Schwarz stellt neues Portfolio f r moderne Polizeia...

19/05/2026

Press Release: South Africa to be celebrated as European Film Market's Country in Focus at the Berlinale 2027

Press Release 18 May 2026, Johannesburg South Africa has been selected as the...

19/05/2026

To Deliver for the Warfighter, Acquisition Reform Must Provide a Level Playing Field

When all companies in the market are allowed to compete under the same set of ru...

19/05/2026

Unjammable Lifeline: L3Harris Fiber-Optic Tethers Keep Warfighters Connected

Battle-proven technology withstands electronic warfare threats across air, maritime surface and subsea domains....

19/05/2026

WESCAM MX-Series: Defining the Moment Before the Target Moves

WESCAM MX-Series EO/IR systems provide high-precision targeting across domains, including counter-UAS applications...

19/05/2026

Cobalt Digital and SineSix Media Partner to Transform Accessibility Compliance into a More Engaging Viewer Experience at NAB Show 2026

CHAMPAIGN, Ill. April 16, 2026 - Cobalt Digital today announced a partnership ...

19/05/2026

Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse Signal Processors for SDI and ST 2110 Workflows

Las Vegas - April 18, 2026 Cobalt Digital, the leading designer and manufactur...

19/05/2026

Advanced HDR by Technicolor and Cobalt Digital Address Live Production Gap as HDR Adoption Collides With Legacy Workflows

LAS VEGAS April 18, 2026 - Advanced HDR by Technicolor and Cobalt Digital are ...

19/05/2026

Cobalt Digital Wins Two Future Best of Show Awards at 2026 NAB Show

LAS VEGAS - May 4, 2026 - Cobalt Digital, the leading designer and manufacturer of signal processing products, and a founding partner in the openGear initiativ...

19/05/2026

Cobalt Digital Brings Flexible End-to-End IPMX/ST 2110 Ecosystem to MPTS

London - 11 May 2026 Cobalt Digital, the leading designer and manufacturer of award-winning signal processing products, and a founding partner in the openGear...

19/05/2026

Clear-Com Enhances Musikal Perahu Kertas with Eclipse HX and FreeSpeak II

eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......

19/05/2026

Ross Production Services Flexes Infrastructure with Console Switch

Celebrating its ability to quickly adapt to changing requirements, Ross Production Services (RPS) has put its flexible infrastructure to good use, switching one...

19/05/2026

NFL Pushes Back Against Critics of Games on Streaming

Share Copy link Facebook X Linkedin Bluesky Email...

19/05/2026

NEP Group Rolls Out Two New Mobile Production Units In U.S.

Share Copy link Facebook X Linkedin Bluesky Email...

19/05/2026

Phoenix Broadcast Solutions Raises its Live Production Ga...

Grass Valley has entered into a three-year enterprise agreement with Phoenix Broadcast Solutions as the Singapore-based company expands its live production oper...

19/05/2026

Clear-Com Enhances Musikal Perahu Kertas with Eclipse HX...

Clear-Com supported Musikal Perahu Kertas, a large-scale musical theater production in Indonesia adapted from the acclaimed novel by Dee Lestari, through the d...

19/05/2026

METEO CONSULT and La Chaine Meteo Select Actus Digital fo...

Actus Digital, a LiveU company, and a leading provider of intelligent media monitoring and broadcast compliance platforms, announced today that METEO CONSULT ha...

19/05/2026

Transforming Broadcast Operations - Globecast Unveils Sta...

Globecast, a leading provider of managed services for the broadcast and media industry, today announced the completion of a major renovation of its Singapore fa...

19/05/2026

Calrec Console Switch Helps Ross Production Services Fle...

Following a major upgrade to its Connecticut remote production centre with the installation of three 60-fader Argo S consoles in 2023, RPS has switched one of t...

19/05/2026

PlayBox Technology Launches a Modular Media Orchestration...

PlayBox Technology today announced the launch of Celebro Play, a browser-based media orchestration platform designed specifically for broadcast facilities and p...

19/05/2026

Publicis Groupe to Buy LiveRamp for $2.2 Billion

Share Copy link Facebook X Linkedin Bluesky Email...

19/05/2026

Tubi Launches 2026 FIFA World Cup Fox Hub

Share Copy link Facebook X Linkedin Bluesky Email...

19/05/2026

Viamedia Introduces a New Geographic Intelligence Layer

Share Copy link Facebook X Linkedin Bluesky Email...