
ESPN added yet another feather to its growing tennis Grand Slam cap on Thursday, inking an 11-year deal with the USTA to televise the entire US Open tournament, beginning in 2015. After 46 years on CBS Sports, the Men's and Women's Semifinal and Final matches will move to cable on ESPN, which now owns the complete rights to three of the four Grand Slam tournaments the US Open, Wimbledon, and the Australian Open as well as a large chunk of the French Open.
I would submit to you fairly categorically that we expect the audience for the US Open to increase, not to decrease, ESPN President John Skipper said during a conference call in reference to the tournament's move from broadcast to cable. With all the platforms that we have digitally every match during the course of this agreement will be made available on ESPN, ESPN2, or ESPN3. Moving to ESPN allows an opportunity to reach more people across more platforms, and that's what we believe will happen.
The new deal, which is reportedly worth upwards of $770 million (according to SportsBusiness Journal) will push ESPN's current 100 hours of live US Open matches to more than 130 hours in 2015, including the addition of three full days of coverage during Labor Day weekend and the men's and women's Semis and Finals. ESPN will also benefit from the new US Open scheduling format set to begin in 2015, in which the women's and men's semifinal matches will be televised in primetime on Thursday and Friday, respectively. The Finals then take place the following Saturday and Sunday, giving a day of rest for all players before the final.
A Very Different Truck Compound: ESPN To Take Over the World Feed
In addition, ESPN will begin producing the world-feed telecast for the USTA in 2015, a task that has historically belonged to CBS. ESPN and CBS have long worked hand-in-hand in the truck compound at the USTA Billie Jean King National Tennis Center, often sharing facilities and coordinating their production operations. That will all come to an end in 2015.
There will, of course, be some changes [in ESPN's production plan], said Skipper. CBS has done a fantastic job at providing a world feed. We have benefited from that. We appreciate that. In 2015, ESPN will become the provider of the world feed.
CBS failed to come to an agreement during its 60-day exclusive negotiating window, which ended at the end of April, according to USTA Executive Director/COO Gordon Smith. At that point, ESPN entered the equation and, with the new deal in place, will now take over as the head honcho of the sprawling Flushing truck compound in 2015.
Streaming Every Point From Every Court
The deal also includes the rights to live-stream every match from all 17 tournament courts on ESPN3 and simulcast the linear feed to the network's WatchESPN TV Everywhere offering. In recent years, USOpen.org has streamed every match from the six TV courts (Arthur Ashe Stadium, Louis Armstrong Stadium, the Grandstand, and Courts 11, 13, and 17), but ESPN is now guaranteeing that ESPN3 will carry every single point from all 17 courts.
On the first day of our discussions, the USTA asked us about the possibility of providing coverage of all 17 courts, said Skipper. There right now is what I hope will soon become an anachronistic phrase: they have six television courts. We were happy to give our answer pretty quickly that our intention during the course of this tournament is to make every one of those matches available, and we're excited by that.
This will necessitate addition of the necessary video-production infrastructure and camera complements to the remaining 11 courts, but Skipper stopped short of offering a specific timetable on when that will become a reality at the Tennis Center.
According to Skipper, these feeds will also be streamed via an ESPN video player on USOpen.org, which has streamed every tournament match for the past two years.
Tennis Channel Out of the Mix?
One aspect that has yet to be fleshed out is the role of Tennis Channel, which has sublicensed a smaller US Open package from ESPN in recent years. Skipper would not confirm that Tennis Channel will remain in the mix in 2015.
I have not had a chance to talk to [Chairman/CEO] Ken Solomon at the Tennis Channel yet, he said. We have a many-year relationship and a history of looking at whether there's mutual benefit for us to sublicense back and forth. We expect to have a conversation. I can't really comment on what we might do because we haven't had that conversation yet.
The Rain-Delay Question
Inclement weather has pushed the Men's Final from Sunday to Monday for five consecutive years. While ESPN has a bevy of platforms to offer, that Monday-night timeslot will be occupied by the opening week of network's marquee property, Monday Night Football, likely pushing the Final to ESPN2.
While Skipper said that ESPN does not have any concerns about rain delays or contingencies and that we and the USTA have a plan, the potential move to ESPN2 would likely be a blow to the tournament's exposure. And, barring the addition of a long-rumored roof over Arthur Ashe Stadium, the move would be a distinct possibility when the deal commences in 2015.
Certainly, we think the Final on ESPN would be fantastic, said STA Chairman/President Dave Haggerty. We also know that ESPN2 has great coverage as well. Given the choice, ESPN would be where we would want to be. They have many platforms, but again, that would be our hope.
Most recent headlines
04/09/2025
Monumental Sports & Entertainment (MSE), in collaboration with Dalet, has been a...
01/05/2025
WASHINGTON The Corporation for Public Broadcasting has filed a lawsuit to stop the Trump administration from firing three of its board members, claiming the pre...
01/05/2025
HONG KONG Riedel Communications today said it has opened a new office in Hong Kong, enhancing its presence in the Asia-Pacific region....
01/05/2025
MUMBAI, India & BALTIMORE In a development that could advance efforts to bring NextGen TV to cellphones, FreeStream Technologies, Lava International and HMD hav...
01/05/2025
01 05 2025 - Media release Screen Australia empowers 100 distinctive Australian narratives
All The Boys Are Here writer/director Goran Stolevski and It s All...
01/05/2025
How PFX Delivered 750 VFX Shots in Just Four Months For Anthony Hopkins Thriller...
01/05/2025
Careline's New Wave Makeup Commercial Shot With URSA Cine 12K LF
Brie Clayton May 1, 2025
0 Comments
CAD Studios relies on large format, full fram...
01/05/2025
RT Investigates reveals details of Christian Brothers who were senior leaders a...
01/05/2025
RT Statement
The Enterprise Resource Planning (ERP) project is one of the projects that was funded from the proceeds of RT 's land sale in 2017, the init...
01/05/2025
Watch our promo: RT Supporting the Arts | What's on
This May, RT is delighted to support Bealtaine Festival, Fastnet Film Festival, and Dublin Dance Fest...
01/05/2025
For Nicolas Simon, advancing the field of robotics is a personal mission that could change his siblings' lives.
Two-thirds of Simon's family members us...
30/04/2025
Film elements held at the Deluxe warehouse in March of 2015. Photo by Luis Silva...
30/04/2025
EA SPORTS FC 25 fans in Australia and Saudi Arabia, get ready to immerse yourselves in the beautiful game like never before. Spotify is excited to announce a n...
30/04/2025
The past year has been nothing short of a whirlwind for Tucker Wetmore. After th...
30/04/2025
Mexico's love for podcasts is no longer a trend-it's a lifestyle. With m...
30/04/2025
Slam poet Huda the Goddess wins 2025 Les Murray Award
30 April, 2025
Media releases
Australia for UNHCR and SBS are proud to announce that Huda Fadlelmawla...
30/04/2025
SBS, NITV and NIDA partner to empower the next generation of screen creatives
30 April, 2025
Media releases
SBS, National Indigenous Television (NITV) and ...
30/04/2025
By Joyce JC Cataldo
The media and entertainment industry is evolving faster than ever. Technology is shifting the way we create, distribute, and experience c...
30/04/2025
An image of Valencia, Spain, in the OneAtlas Living Library...
30/04/2025
NEWPORT BEACH, Calif. WPSD-TV, the NBC affiliate in Paducah, Ky., has selected Bitcentral's Central Control playout system to upgrade the station's mast...
30/04/2025
AMSTERDAM Zero Density, a global provider of virtual studio productions and on-air graphics, has appointed Baris Zavaroglu as its new CEO. Zavaroglu succeeds Of...
30/04/2025
The Avit Group, a forward-thinking audio-visual technology company, is bringing over 50 years of combined experience in delivering audio-visual design and insta...
30/04/2025
NXTGENbps will be showcasing its latest sustainable battery power solutions at this year's Media Production & Technology Show (MPTS), appearing alongside pa...
30/04/2025
Van Dyke skates and operates on Shoresy | photo by Dave Ferguson
Toronto-based Cinematographer Brett Van Dyke (Heartland, Jann, Carter) stepped into the rink...
30/04/2025
Leading provider of media playout solutions PlayBox Neo will exhibit a vast array of significant upgrades to its range of smart media innovations at CABSAT from...
30/04/2025
ITV Studios is renowned for its award-winning productions, including the reality TV phenomenon I'm a Celebrity Get Me Out of Here! Produced by Lifted Ente...
30/04/2025
The UK's presence at this year's CABSAT brings together 20 innovative companies under the GREAT Britain and Northern Ireland banner. From advanced infra...
30/04/2025
Lightware continues to strengthen its Environmental, Social, and Governance (ESG) initiatives by fostering diversity, inclusion, and community engagement within...
30/04/2025
LiveU is demonstrating for the first time in the UK, its revolutionary technological breakthrough in IP-video transport, LiveU IQ (LIQ ) and bringing its expand...
30/04/2025
Stand: A40
Calrec has been putting sound in the picture for more than six decades and is still pushing the boundaries of audio broadcasting with a full range o...
30/04/2025
Buckinghamshire New University (BNU) has opened its new virtual production studio, designed and integrated by CJP Broadcast. The installation equips students wi...
30/04/2025
Independent news producer in India focuses on delivering stories
nxtedition has supplied a complete newsroom system to Collective Newsroom, based in New Delhi,...
30/04/2025
Connecting the present, building the future
FOR-A, a cutting-edge video broadcast technology company backed by more than 50 years experience, will showcase it...
30/04/2025
DAD by NTP Technology reports a successful NAB Show in Las Vegas where the company focused on upcoming expansion options in development for its Thunder | Core a...
30/04/2025
CVP and Canon UK & Ireland are proud to announce the winning projects from the third annual Stories in Motion Young Filmmakers Awards, which took place on the e...
30/04/2025
Leading video software provider, Synamedia, today announced that beIN MEDIA GROUP ( beIN'), one of the foremost global sports and entertainment broadcasters...
30/04/2025
The Canadian Premier League (CPL) today launched a new-look website and app, offering supporters of Canada's men's domestic professional soccer league a...
30/04/2025
WASHINGTON In a wide-ranging press conference, Federal Communications Commission Chair Brendan Carr had both good and bad news for broadcasters, stressing that ...
30/04/2025
TORONTO Cignal TV is relying on Quickplay's Shorts tool for its recently launched Pilipinas Live Shorts service, available to millions of users of Pilipinas...
30/04/2025
NEW YORK Steve Lanzano will retire as president and CEO of the Television Bureau of Advertising at year-end, the group said....
30/04/2025
The news production tech provider nxtedition is reporting that it supplied a complete newsroom system to Collective Newsroom, an independent news producer based...
30/04/2025
NEW YORK As part of a major push to advance the role that artificial intelligence (AI) plays in the advertising industry, the Interactive Advertising Bureau has...
30/04/2025
Uzbekistan Airways is the latest airline to choose SES's network, while Thai...
30/04/2025
Loaded Uses Blackmagic Design for shroud Subathon Live Streams
Brie Clayton April 29, 2025
0 Comments
Blackmagic Studio Cameras and Micro Studio Camer...
30/04/2025
Help shape the future of video creator tools with MIDiA
Brie Clayton April 29, 2025
0 Comments
After a successful debut in 2024, MIDiA is calling once...
30/04/2025
Tania Le n and Kelli O'Hara to be Honored at Boston Conservatory at Berklee&...
30/04/2025
Andr 3000 and Sara Bareilles to Receive Honorary Doctorates at Berklee College ...
30/04/2025
You've seen the headlines, now it's time to go Behind the Story
RT News has today (Wednesday) launched a brand-new news podcast, Behind the Story, h...
30/04/2025
Damien Molony will head back to Jersey for a second series of Bergerac, written by Toby Whithouse alongside Ashley Sanders, Emilie Robson and Faebian Averies
D...
30/04/2025
Advancing multi-domain EW operations: Rohde & Schwarz unveils latest innovations...