
Angenieux debuts its new line at NAB Optimo 24-290 and 28-340 Integradas en la l nea Optimo, estos objetivos de medio presupuesto, han sido dise ados con los m s estrictos desarrollos para mejorar su ergonom a y versatilidad en la producci n.
La proliferaci n del 4K hace patente la necesidad de contar con una mayor calidad de captaci n de imagen. Una amplia gama de nueva generaci n de c maras de 35mm digitales est ya disponible, emple ndose en numerosas producciones cinematogr ficas, publicitarias o deportes en vivo.
A fin de contribuir a esta mejora, Ang nieux lanza en NAB 2014 sus nuevas lentes Optimo Cine, en particular los modelos 24-290 y 28-340. Integradas en la l nea Optimo, estos objetivos de medio presupuesto, han sido dise ados con los m s estrictos desarrollos para mejorar su ergonom a y versatilidad en la producci n.
Coincidiendo con este lanzamiento, Ang nieux ha relegado los modelos Optimo DP 30-80 y Optimo 16-42, introducidos en 2008 y 2009 respectivamente, al paquete especial 3D.
Anamorphic zoom
Como prometi Ang nieux en NAB 2013, el fabricante ha ya entregado los primeros zoom anam rficos 56-152 2S a los usuarios en Estados Unidos, Asia y Europa. Hasta el momento, esta lentes ya han sido utilizadas en varias producciones que tuvieron acceso al prototipo. El zoom anam rfico de Ang nieux trata de responder a las necesidades de producci n de cineastas y directores de fotograf a que quieren dar m xima profundidad a sus filmes, spots, videoclips
El director de foto Gustavo Biazzi, que film The sky of the Centaur, de Hugo Santiago, con las lentes zoom Ang nieux Optimo anam rficas 56-152 2S asegura que con el aspecto que precis bamos para la pel cula, nuestro primer requerimiento fue contar con lentes anam rficas. Tras analizar el storyboard, donde Hugo escribi sus anotaciones, percibimos que necesit bamos de un zoom para tener la mayor variedad de escenas en una toma. La distancia m nima de foco de 0,63, fue indispensable. Visualmente, la colorimetr a es la principal caracter sticas de este zoom. Es excepcional en situaciones donde es necesario cambiar de foco repentinamente. Las lentas nunca respiran'. Adem s, su bajo peso diferencia estas lentes de otras anam rficas, logrando as una gran versatilidad .
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