RTS+OMNEO Becomes Proven Game-Changer at Super Bowl XLVIII

(13/04/2014) When it comes to sheer production complexity, few live broadcasts approach the scale of the Super Bowl. The National Football League championship game is widely seen as the premier sporting event in the United States, and is closely followed in much of the rest of the world as well. 2014's Super Bowl XLVIII was no exception. According to Nielsen Media Research, the game, carried live on Fox Sports, was watched by 111.5 million viewers in the U.S. alone, making it the most-watched program in U.S. history.

While such a high-profile event may seem like an unlikely occasion to introduce a new production technology, this year's Super Bowl was the first large-scale remote broadcast event to utilize an intercom system incorporating OMNEO, RTS's implementation of Audio-over-Internet Protocol (AoIP). Originally included primarily for test purposes, OMNEO not only performed flawlessly, it ended up playing a key role in enabling effective communication both within and between production locations.

Super Bowl XLVIII was played at MetLife Stadium in East Rutherford, New Jersey on Sunday, February 2, 2014. The shoot involved nearly 50 on-site game cameras. The primary provider of mobile production facilities was Game Creek Video of Hudson, New Hampshire, which operates 20 RTS-equipped trucks used by clients including CBS, ABC, and NBC. Game Creek had four trucks working for Fox at MetLife Stadium: FX for the game itself, Liberty and Northstar for pre-game activities, and Patriot for red carpet coverage.

While the stadium setup was itself a major undertaking, it was only one part of the overall picture. Game-related programming on Fox and Fox Sports (FS1) began days before the game and eventually ran to about 90 hours. The primary setting for this phase of production was in the heart of New York City, 10 miles from the stadium. A 12-block stretch of Broadway, including Times Square, was transformed into a Super Bowl Boulevard that featured events and activities, and Fox built a three-story set in Times Square for live programs including Fox Super Bowl Daily. To handle the Times Square productions Game Creek's Dynasty truck was stationed at the Times Square set and Fox also took an entire floor of the nearby Millennium Broadway Hotel to build out a suite of temporary editing rooms.

With activities occurring, sometimes simultaneously, in two separate venues, the quality and immediacy of communication became a primary concern. The big challenge from a comms point of view was to tie all of these facilities together into one trunked intercom, says Jason Taubman, Game Creek's VP of design and new technology. The goal was a comms setup that allowed anyone to talk to anyone else anywhere.

The man who was brought in to design and implement the system was Mike Gilman, CTO of Gilman Technologies, Inc. of Sprout Spring, Virginia. Gilman worked closely with a highly skilled team of engineers: Scott Gilman (RTS Systems Engineer), Kevin Callahan (Director of Technical Operations at Fox Sports) and team, Jason Taubman (VP, Design / New Technology at Game Creek Video) with Bryan Rule (Engineering Manager at Game Creek Video) and team, Andrew Rostron (Freelance Communications Engineer) in charge of the Time Square Venue, Shawn Peacock (Freelance Communications and Audio Engineer), and Eddie Verstraete (Freelance Communications and Audio Engineer), who assisted in building and managing the communications infrastructure. Additionally, Michael Brown (RTS Eastern and Upper Central US Regional Sales Manager) and Paulette Wilkins (RTS Business Unit Planner) were also highly instrumental in the planning and logistics of the build-out.

Adding to ADAMs proven performance

It was clear from the outset that the communications system would be built on the RTS ADAM modular matrix intercom platform, the industry mainstay that is found on all of Game Creek's trucks. Users have to be confident that when they press a key to speak, the person on the other end can hear them, Gilman says. The RTS matrix system is based on a technology that guarantees a communication path for every user whether they use it or not. And under normal circumstances the circuit-mode technology at the core of RTS Matrix systems guarantees that if the audio is delivered to the core then it will make it to the destination.

Another key advantage of RTS in a complex deployment, Gilman adds, is its modularity. Rather than consolidate all technologies into a central transport for system-to-system links, he explains, RTS allows the designer to build truly separate and redundant communication links. The regular release of new cards and key-panels allows the designer to add new technologies to the core, and that gives you the freedom to pick what makes sense in each specific scenario. You can choose from an increasingly diverse set of tailored protocols and connection types analog, AES digital, VoIP, and now, with the release of OMNEO, AoIP.

Based on Audinate's Dante , OMNEO is a high-performance professional system for routable transport of both synchronized studio-quality multichannel audio (AoIP) and Open Control Architecture (OCA) device control data. Using standard IP over Ethernet, OMNEO-enabled devices can be combined into networks of up to 10,000 nodes.

While VoIP such as RTS's RVON is well established for long distance transport, and is in broad use around the world, it has latency and audio quality limits that can be an issue in some real-time situations, Gilman says. AoIP is the high quality, low latency sibling of VoIP, and OMNEO is RTS's AoIP implementation. It operates at latencies of less than 1.5 milliseconds, which is roughly equivalent to having a conversation with someone only a few feet away. OMNEO is very well suited for real-time environments, it allows system designers to creat

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