In the film On Yoga: The Architecture of Peace we see the stunning work of Brazilian cinematographer Adolpho Veloso. He follows celebrated still-photographer Michael O'Neill on a trip through today's world of yoga. O'Neill, perhaps best known for his portraits of the famous and powerful, is a devoted practitioner. It is this devotion that drives him to record his striking images of the discipline. Veloso, in turn, delivers a fittingly beautiful film that also earns him one of the industry's most prestigious cinematography awards, The IMAGO International Award for Best Cinematography for Documentary Film. Veloso tells us about his experience working with O'Neill, director Heitor Dhalia, and the nimble ARRI AMIRA camera.
First of all, congratulations on winning the IMAGO documentary award. Can you tell us how the three of you came together for this project?
Thank you very much! Everything started a couple of years ago when Heitor met Michael on a beach during a New Year's Eve celebration. A few days later, Heitor called me asking if I'd be interested in shooting a documentary about a still photographer and yoga. I didn't hesitate at all. I promptly said yes. It was pure instinct because I had never shot a documentary before. And I didn't know Michael's work. But after I started looking at his amazing portfolio, I was sure this would be a fantastic opportunity to do something great, visually.
It must have been interesting working with a master like O'Neill. But what influence did he have on your images?
That was really interesting indeed. I sure learned a lot from him. We actually tried hard to distance our language from his. We wanted it to be as natural as possible and that the viewer could really sense when it was Michael's image on the screen. We wanted his images to really pop when they appeared, to create an impact on the viewer. It was actually easier to do then I had first imagined. His way of working is totally different from mine. He uses flashes and interacts a lot with the subject. I was trying the total opposite, to play only with available light and to not interfere much with the subjects and environment. It was actually really funny because in the beginning Michael, as the master he is, was really worried about the images we were capturing and was always asking things like are you sure you don't need more light here? I think he only relaxed a few weeks later after we showed him a selection of the images we had shot.
This film is indeed chock full of beautiful images. What kind of look were you after and how did it lend itself to the subject matter?
We thought a lot about how to shoot it. We were in love with the idea of making what we called moving stills. So, it was really intuitive to go for slow motion and extreme shallow depth of field. The purpose was to feel like it was a camera traveling though a picture, or the POV of a still camera trying to find the shot.
Copyright Adolpho Veloso
Full of beautiful images: On Yoga: The Architecture of Peace
How did you prepare for the challenges you would face, shooting in India for example?
Even though I had never shot a documentary before, I was somewhat used to a guerrilla style. So, I knew we needed to be light. One of the first decisions we made was to abandon the tripod. That thing can be heavier and more difficult to carry then all the rest! We put everything we had in one big bag. And that was it.
You often shot at high frame rates. You used Zeiss Super Speeds. But how did this influence your choice of camera?
As an ALEXA user 99% of the time, I was sure I didn't wanted to go with anything else but ARRI. So, the AMIRA was really an easy choice. 200 fps and fast lenses were essential for the look we were trying to get. Also, we couldn't risk bringing a camera that couldn't deal well with the extreme situations.
Were you operating alone? How did the ergonomics of the AMIRA help you?
Yes. I had one assistant that would help me with everything. But I was operating and pulling focus alone. For me the AMIRA is the digital camera with the best ergonomics, it perfectly fits the shoulder and has the perfect balance when you hold it from above for lower shots. Also, all the user buttons and the internal NDs were something that really saved us lots of time.
Copyright Adolpho Veloso
On the road for On Yoga (from left to right): Ducha Lopes, Heitor Dhalia, Michael O'Neill, Alexandre Bellelis, Adolpho Veloso, and James Weidner
Since completing this film you have again worked with Heitor Dhalia. Can you tell us what you are working on now?
We did a fiction feature based on a comic book called Tungsten. All set in Salvador, a city in the northeast of Brazil. Shot with the ALEXA Mini. And I just shot a Portuguese feature directed by Jo o Nuno Pinto called Mosquito, set in World War I in Mozambique. Also shot with the Mini. Right now I'm starting pre-production on an Argentinian feature directed by Felipe Gomez Apar cio called The Perfect David, which I'm hoping I can shoot with the Mini LF!
Related links:
www.adolphoveloso.com
www.instagram.com/adolphoveloso
Related Products AMIRA Go anywhere, shoot anything
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Grass Valley has entered into a three-year enterprise agreement with Phoenix Broadcast Solutions as the Singapore-based company expands its live production oper...
19/05/2026
Clear-Com supported Musikal Perahu Kertas, a large-scale musical theater production in Indonesia adapted from the acclaimed novel by Dee Lestari, through the d...
19/05/2026
Actus Digital, a LiveU company, and a leading provider of intelligent media monitoring and broadcast compliance platforms, announced today that METEO CONSULT ha...
19/05/2026
Globecast, a leading provider of managed services for the broadcast and media industry, today announced the completion of a major renovation of its Singapore fa...
19/05/2026
Following a major upgrade to its Connecticut remote production centre with the installation of three 60-fader Argo S consoles in 2023, RPS has switched one of t...
19/05/2026
PlayBox Technology today announced the launch of Celebro Play, a browser-based media orchestration platform designed specifically for broadcast facilities and p...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/05/2026
LYNX Technik, provider of modular signal processing solutions for broadcast, post, and professional AV will showcase its latest signal processing solutions at B...
19/05/2026
Media Links, a leading developer and manufacturer of IP media transport solutions, has announced the integration of its Xscend platform with Skyline Communicat...
19/05/2026
Collaboration expands regional partner ecosystem as Media Links showcases IP media transport solutions on stand 4M4-4 and alongside Clearcast Asia on stand
Me...
19/05/2026
Company Highlights Labor-Saving Control and Custom Branding Opportunities Designed to Increase Integrator Profitability
LynTec, a leading manufacturer of ele...
19/05/2026
Mago Studio Moves AI Video Beyond Prompts with New Production-Focused Tools
Brie Clayton May 18, 2026
0 Comments
New Capabilities Bring Controllable, ...
19/05/2026
It May be Time to Stop and Take an AI Breather
Brie Clayton May 19, 2026
0 Comments
If the rock you stay on starts to roll, jump clean. Or you'll...
18/05/2026
Despite a bumpy start to the year, the provider of event-production support and ...
18/05/2026
Daktronics has partnered with the University of North Carolina to manufacture and install 11 LED displays totaling more than 10,000 square feet and more than 14...
18/05/2026
CBS LA has announced a multi-year partnership with the Los Angeles Rams, covering exclusive local broadcasts of Rams preseason games, weekly year-round programm...
18/05/2026
Skyline Communications has announced an integration between its DataMiner xOps p...
18/05/2026
eCLUTCH, the hybrid esports platform powered by iKOMG, has announced an expansion of its distribution across Europe, MENA, Africa, and Asia, along with new cont...
18/05/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
18/05/2026
With 22 games this season, the production team looks forward to tweaking and enhancing the coverage
After 8,660 days off the air, the WNBA returned to NBC yest...
18/05/2026
(L-R) Midori Francis and Natalie Erika James attend the Saccharine premiere during the 2026 Sundance Film Festival at The Ray Theatre on January 22, 2026, in ...
18/05/2026
Last night, the Spotify Podcast Awards in Mexico returned to the country's capital. Now in its second year, the evening honors creators whose voices are hel...
18/05/2026
ZEN-Core synth goes mobile
Roland's powerful ZEN-Core software synthesizer has just been introduced to the iPad, offering a convenient entry point into ...
18/05/2026
Versatile new limiter plug-in announced
Based in Sheffield, UK, fedDSP offer a range of plug-ins that span the music production, live sound and high-end med...
18/05/2026
A new use for convolution?
Viiri Audio's debut plug-in aims to do something a little different with convolution processing, allowing users to adjust all...
18/05/2026
Delta Goodrem shines for SBS as more than 3.27 million Australians tune in for E...
18/05/2026
The Australian Defence Force uses L3Harris T4 and T7 robots for explosive ordnan...
18/05/2026
Continued investment across Europe and Germany is expanding local teams and improving access to stock, regional expertise, and specialist broadcast support.
CV...
18/05/2026
Agentic AI inference at one-tenth the cost per token with NVIDIA Vera Rubin NVL7...
18/05/2026
18 May 2026
Dubai and New York, May 18, 2026 - VEON Ltd. (NASDAQ: VEON), a glob...
18/05/2026
Monday 18 May 2026
Sky News offers ad-free podcasts and bonus episodes for just...
18/05/2026
Comscore March 2026 Consumer AI Chatbot Usage Rankings Show Claude Gaining Share OpenAI's ChatGPT maintains lead while Anthropic's Claude continues to c...
17/05/2026
Delta Goodrem's Eurovision Eclipse marks end of a stellar run
17 May, 2026
Media releases
Bulgaria wins Eurovision 2026
Relive every spellbinding mome...
17/05/2026
Back to All News
Oasis Premieres on Netflix June 19
Entertainment
17 May 2026
GlobalSpain
Link copied to clipboard
Summer, sunshine, the beach, parties. T...
16/05/2026
Helps to deliver a clean, balanced midrange
Developed alongside Newfangled Audio, the latest plug-in in Eventide's software collection has been designed...
16/05/2026
Brings onboard stem rendering to RANE System One
Engine DJ have just released Engine DJ 5.0, a free update for their Engine DJ OS embedded hardware and Engi...
16/05/2026
Boris FX Continuum Pairs AI Precision and Advanced Creative Controls
Jessie Electa Petrov May 16, 2026
0 Comments
The 2026.5 release adds automatic de...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
In the film On Yoga: The Architecture of Peace we see the stunning work of Brazilian cinematographer Adolpho Veloso. He follows celebrated still-photographer Michael O'Neill on a trip through today's world of yoga. O'Neill, perhaps best known for his portraits of the famous and powerful, is a devoted practitioner. It is this devotion that drives him to record his striking images of the discipline. Veloso, in turn, delivers a fittingly beautiful film that also earns him one of the industry's most prestigious cinematography awards, The IMAGO International Award for Best Cinematography for Documentary Film. Veloso tells us about his experience working with O'Neill, director Heitor Dhalia, and the nimble ARRI AMIRA camera.
