
TVBEurope's Matthew Corrigan reflects on his first visit to IBC
By Matthew Corrigan
Published: September 23, 2024 Updated: September 24, 2024
TVBEurope's Matthew Corrigan reflects on his first visit to IBC
target=_blank title=Share on LinkedIn class=share-linkedin>
The aircraft stood on its wingtip and the vast expanse of Europoort filled my window as we lined up for the final approach. A reassuring thump as the undercarriage locked into place and moments later our sleek Embraer jet was rolling to a halt on the Schiphol tarmac. Just 50 minutes up and down. Smooth, fast and safe - thank you, KLM.
I knew the IBC organisers had arranged for show passes to be collected at the airport. A brisk walk to the right arrivals hall and the first job was swiftly accomplished. In the run-up to the event, a colleague had published an article in which seasoned showgoers had given their top tips to ensure the weekend ran smoothly. I hadn't read it. Instead, I asked myself the time-honoured question of fools everywhere how hard could this really be?
I'd checked my route ahead of time so there was no need to trouble Google Maps. Besides, battery preservation was a priority; my phone would be getting quite the workout this weekend. The RAI should have been a 20 minute walk from my hotel. Half an hour later I realised I was heading in the wrong direction. Although I didn't know it yet, this would prove to be a continuing theme.
Beforehand, I'd had no concept of the sheer scale of the RAI. Reality dawned as I arrived: the place is enormous. Passing through security, I began the search for my colleagues. I knew the hall to aim for but was, at that stage, unaware of what might euphemistically be termed the centre's interesting navigational challenges. Some time later, I was relieved to hear my name being called. Someone had thankfully spotted me as I was halfway around my third or fourth circumnavigation of the cavernous room.
A whirlwind of back-to-back meetings ensued as we pounded the floors, making our way through the halls to witness some of the truly incredible innovations being debuted at the show. My difficulties with the aforementioned interesting navigational challenges were exacerbated by my lack of industry insight. I was looking for company names but stands were sometimes identified by product. If, for example, the Ford Motor Company used Mustang branding for its stand, tout le monde would recognise the work of the Blue Oval. However, production technology isn't always as universally well-known. My limited product knowledge hampered me here.
Evening arrived, some kindly soul thrust a very welcome beer in my hand and I suddenly found myself aboard an open boat. The sights and sounds (and smells!) of the delightful Dutch capital unfolded as the barge sedately cruised the canals, carrying the lucky few to a charming converted tram hall. Here, I witnessed the unveiling of a truly incredible new solution, more of which will follow soon. As a newcomer to the media and entertainment business, I could not have been made to feel more welcome and wish to thank all involved profusely.
Saturday saw a return to the RAI and another maelstrom of meetings. Around the middle of the afternoon I began to relax, as I realised we were all in it together. I overheard someone say the organisers used an AI solution to allocate stand numbers. The remark may well have been tongue in cheek, but I found myself harbouring dark fantasies of finding my algorithmic adversary and exacting revenge la astronaut Dave Bowman in the movie, 2001.
AI was very much a buzzword for the show. Everywhere I went, new and exciting ways were being found to exploit the technology. At times, it felt as though its only limitations were those imposed by the imagination of the designers. AI solutions are already having a demonstrable impact across the industry. As the technology is leveraged further, its effect is clearly going to be transformative.
Collaboration was another, given a huge boost by the growing adoption of cloud-based services. I lost count of the number of vendors I met who, recognising the massive potential in cloud computing, were creating solutions designed to streamline production workflows in ways that have never before been possible. Even to a layperson, it was very obvious that the opportunities afforded by these solutions are increasing exponentially, both creatively and commercially, Coming from an IT background, I have sometimes been surprised to find the media and entertainment business has quite a conservative approach to adopting technology. IBC showed very clearly that it can face the tech-driven future with confidence.
The day drew to an end and a palpable after-the-battle air settled across the RAI. We had made it through another day. Sunday's pace was less frenetic, final meetings and promises to keep in touch.|
So how was it for a first-timer? I was lucky enough to see some frankly mindblowing technology and hear some thoroughly interesting insights into where things are going. I met some fascinating, inspirational and, above all, friendly and welcoming people. Thanks to all of them for their patience in the face of some fairly uninformed questions. My understanding is increasing - I'll get there.
Enlightening, relentless, informative, exciting and, at times, chaotic, IBC2024 was quite the experience. IBC2025? Bring it on.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
11/07/2026
Boston Conservatory at Berklee Awards Grants to Five Alumni, Supporting Work in ...
11/07/2026
Berklee Alumni and Faculty Recognized with 2026 Emmy Nominations The 27 nominees include Trey Parker (South Park) and seven-time Emmy winner Pablo Mungu a of ...
10/07/2026
In-venue and creative video staffers at the professional and collegiate level ha...
10/07/2026
FUJIFILM North America Corporation has announced the FUJINON GF19-35mmT3.5 PZ OIS WR, a cinema power zoom lens for the GFX System with native G Mount. The lens ...
10/07/2026
Dalet has announced a new Long-Term Supported (LTS) release of Dalet Flex, expanding AI capabilities, workflow automation, and integration with Dalia, Dalet'...
10/07/2026
Blackmagic Design has released Fairlight Live, a free software-based broadcast audio mixer for Mac and Windows, available for download now. Simultaneously, the ...
10/07/2026
FloSports and the USA South Athletic Conference have announced an exclusive medi...
10/07/2026
Daktronics has manufactured and installed an LED video display at Field of Dream...
10/07/2026
Registration is now open for NAB Show New York 2026, taking place October 21-22 ...
10/07/2026
Sphere Entertainment Co. and the Formula 1 Heineken Las Vegas Grand Prix have an...
10/07/2026
CBS Sports and the Asian Football Confederation (AFC) have announced a media rights partnership covering the AFC Asian Cup Saudi Arabia 2027 and the AFC U23 Asi...
10/07/2026
Sony Electronics has announced the RX10 V, the fifth generation of its RX10 all-in-one camera series. The camera will be available in August 2026 at a suggested...
10/07/2026
Chyron has announced PRIME 5.4, an update to its unified graphics, playout, and ...
10/07/2026
The nine-time Emmy Award-winning video engineer was a pioneer of NASCAR in-car cameras and a longtime fixture in FOX Sports' video-control operation...
10/07/2026
FuboTV Inc. has announced the appointment of Alisa Bowen as Chief Executive Officer, effective July 10. Bowen succeeds David Gandler, who co-founded the company...
10/07/2026
Every entry on Nielsen's Top 25 Live Sports Events Telecasts for the week of...
10/07/2026
The Braves opted to keep production in-house rather than hand it off to MLB...
10/07/2026
Drones, jibs, robos are part of the expanded camera complement for the Professional Bull Riders series
PBR Teams' 2026 season, with a 10-team field competi...
10/07/2026
(L-R) Michael Arndt, Paul Dano, Toni Collette, Valerie Faris, Abigail Breslin, Jonathan Dayton, and Greg Kinnear attend the Park City Legacy program screening o...
10/07/2026
Discounted rates available through 27 August 2026
The Audio Engineering Society (AES) have announced that Early Bird registration is now open for the AES Sh...
10/07/2026
New in-ear monitors to launch in August 2026
Sony have announced the upcoming launch of a new pair of in-ear monitors that promise to deliver a secure, stab...
10/07/2026
Why CRAS Upgraded to Symphony I/O MK II When an audio school runs studios all day, every day, gear doesn't just need to sound good , it needs to survive rea...
10/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/07/2026
Hey Man, Cheech & Chong's Last Movie Rolls With SNS EVO
Melanie Ciotti July 10, 2026
0 Comments
Richard Cheech Marin and Tommy Chong have long b...
10/07/2026
Alex Zarfati's Fail Safe Shot with Blackmagic PYXIS 12K
Brie Clayton July 10, 2026
0 Comments
Camera's full frame sensor supports anamorphic s...
10/07/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
10/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
10/07/2026
Data has always been central to media operations. Every ad that airs, every campaign that delivers, and every audience that's measured- all of it generates ...
10/07/2026
New RT documentary explores Irish-led efforts to build bridges in divided Cyprus
More than a Game: From D1 to Pyla airs Monday 13 July
More Than a Game: Fro...
09/07/2026
With 50+ cameras, three trucks, 60+ EVS channels, RFID hole-card workflows, and ...
09/07/2026
A recent graduate from Westchester, NY, this experienced technician has already started her first gig in the industry, as a REMI A2 Comms Specialist at ESPN
In...
09/07/2026
Live sports production is a fast-paced industry with no signs of slowing down. W...
09/07/2026
From a rooftop studio in Manhattan, multiple Germany-based companies share respo...
09/07/2026
Overtime has announced a content partnership with FOX One to produce Race to Glo...
09/07/2026
Clear-Com has announced that Ross Production Services (RPS) has standardized on ...
09/07/2026
The NFL has announced that NetApp will return as Presenting Partner of the NFL Madrid Game, featuring the Atlanta Falcons against the Cincinnati Bengals at the ...
09/07/2026
The R&A and Cisco have announced a multi-year partnership making Cisco the Official Network Supplier of The R&A and its Championships. Cisco will deploy AI-read...
09/07/2026
Fox Television Stations, Extreme Reach (XR), and LTN have announced the completi...
09/07/2026
Kiswe has announced a partnership with Wynn Records to launch the Wynn Records Network streaming platform, debuting Saturday, July 11 with a Salita Promotions b...
09/07/2026
NEP Europe has announced a new multi-year agreement with Wimbledon Broadcast Ser...
09/07/2026
Thropic Games, a company offering casual mobile games tied to fan fundraising for sports programs, has announced a pre-seed funding round led by The Famous Grou...
09/07/2026
Game Creek Video has reached an agreement with Grass Valley to purchase 10 K-Frame production switchers as part of a two-year fleet expansion. Two systems have ...