
TVBEurope's Matthew Corrigan reflects on his first visit to IBC
By Matthew Corrigan
Published: September 23, 2024 Updated: September 24, 2024
TVBEurope's Matthew Corrigan reflects on his first visit to IBC
target=_blank title=Share on LinkedIn class=share-linkedin>
The aircraft stood on its wingtip and the vast expanse of Europoort filled my window as we lined up for the final approach. A reassuring thump as the undercarriage locked into place and moments later our sleek Embraer jet was rolling to a halt on the Schiphol tarmac. Just 50 minutes up and down. Smooth, fast and safe - thank you, KLM.
I knew the IBC organisers had arranged for show passes to be collected at the airport. A brisk walk to the right arrivals hall and the first job was swiftly accomplished. In the run-up to the event, a colleague had published an article in which seasoned showgoers had given their top tips to ensure the weekend ran smoothly. I hadn't read it. Instead, I asked myself the time-honoured question of fools everywhere how hard could this really be?
I'd checked my route ahead of time so there was no need to trouble Google Maps. Besides, battery preservation was a priority; my phone would be getting quite the workout this weekend. The RAI should have been a 20 minute walk from my hotel. Half an hour later I realised I was heading in the wrong direction. Although I didn't know it yet, this would prove to be a continuing theme.
Beforehand, I'd had no concept of the sheer scale of the RAI. Reality dawned as I arrived: the place is enormous. Passing through security, I began the search for my colleagues. I knew the hall to aim for but was, at that stage, unaware of what might euphemistically be termed the centre's interesting navigational challenges. Some time later, I was relieved to hear my name being called. Someone had thankfully spotted me as I was halfway around my third or fourth circumnavigation of the cavernous room.
A whirlwind of back-to-back meetings ensued as we pounded the floors, making our way through the halls to witness some of the truly incredible innovations being debuted at the show. My difficulties with the aforementioned interesting navigational challenges were exacerbated by my lack of industry insight. I was looking for company names but stands were sometimes identified by product. If, for example, the Ford Motor Company used Mustang branding for its stand, tout le monde would recognise the work of the Blue Oval. However, production technology isn't always as universally well-known. My limited product knowledge hampered me here.
Evening arrived, some kindly soul thrust a very welcome beer in my hand and I suddenly found myself aboard an open boat. The sights and sounds (and smells!) of the delightful Dutch capital unfolded as the barge sedately cruised the canals, carrying the lucky few to a charming converted tram hall. Here, I witnessed the unveiling of a truly incredible new solution, more of which will follow soon. As a newcomer to the media and entertainment business, I could not have been made to feel more welcome and wish to thank all involved profusely.
Saturday saw a return to the RAI and another maelstrom of meetings. Around the middle of the afternoon I began to relax, as I realised we were all in it together. I overheard someone say the organisers used an AI solution to allocate stand numbers. The remark may well have been tongue in cheek, but I found myself harbouring dark fantasies of finding my algorithmic adversary and exacting revenge la astronaut Dave Bowman in the movie, 2001.
AI was very much a buzzword for the show. Everywhere I went, new and exciting ways were being found to exploit the technology. At times, it felt as though its only limitations were those imposed by the imagination of the designers. AI solutions are already having a demonstrable impact across the industry. As the technology is leveraged further, its effect is clearly going to be transformative.
Collaboration was another, given a huge boost by the growing adoption of cloud-based services. I lost count of the number of vendors I met who, recognising the massive potential in cloud computing, were creating solutions designed to streamline production workflows in ways that have never before been possible. Even to a layperson, it was very obvious that the opportunities afforded by these solutions are increasing exponentially, both creatively and commercially, Coming from an IT background, I have sometimes been surprised to find the media and entertainment business has quite a conservative approach to adopting technology. IBC showed very clearly that it can face the tech-driven future with confidence.
The day drew to an end and a palpable after-the-battle air settled across the RAI. We had made it through another day. Sunday's pace was less frenetic, final meetings and promises to keep in touch.|
So how was it for a first-timer? I was lucky enough to see some frankly mindblowing technology and hear some thoroughly interesting insights into where things are going. I met some fascinating, inspirational and, above all, friendly and welcoming people. Thanks to all of them for their patience in the face of some fairly uninformed questions. My understanding is increasing - I'll get there.
Enlightening, relentless, informative, exciting and, at times, chaotic, IBC2024 was quite the experience. IBC2025? Bring it on.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
17/10/2026
Oklahoma filmmaker Elijah Felkins launches crowdfunding campaign to shoot Kairat...
17/10/2026
Secret Weapon Post Powers New Remote Workflows with DaVinci Resolve Studio
Brie Clayton October 16, 2026
0 Comments
Going remote: redefining what post...
17/10/2026
Danilo P rez Premieres New Work Honoring Architect Frank Gehry Commissioned by the Herbie Hancock Institute, P rez performed The Ever-Changing World at its In...
16/10/2026
The LA Clippers have announced their local television plan for the 2026-27 seaso...
16/10/2026
At sports-media summit, he describes the success of the one-year-old agreement a...
16/10/2026
Parks Associates, in partnership with InterDigital, has published a white paper ...
16/10/2026
Cisco is expanding its work with the Atlanta Hawks, Cleveland Cavaliers, and Brooklyn Sports & Entertainment (BSE) as the 2026-27 NBA season gets underway, prov...
16/10/2026
Broadcast Management Group (BMG) has introduced Media Command, a private cloud broadcast platform that integrates recording, media asset management (MAM), chann...
16/10/2026
TNDV and GameTime Productions have expanded their remote production responsibilities for Team Boxing League (TBL) for the league's recently completed fourth...
16/10/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
16/10/2026
Broadcast and streaming are converging around live media. Traditional broadcasters increasingly distribute their linear services through streaming platforms alo...
16/10/2026
DAZN and Guardians League, a new professional franchise surf racing series, have announced a multi-year global broadcast partnership. Guardians League events wi...
16/10/2026
Sobatech Group is producing live coverage of the F4 Spanish Championship and Eur...
16/10/2026
The Walt Disney Company and Dude Perfect have announced an integrated creative partnership. Dude Perfect will develop original content for its own channels insp...
16/10/2026
Onsite studio show will accompany game productions in San Francisco and Atlanta
...
16/10/2026
Grass Valley s AMPP platform continues to grow in popularity, especially with th...
16/10/2026
FloSports and the National Lacrosse League (NLL) have entered a multiyear media partnership that makes FloSports the exclusive global streaming home of the NLL....
16/10/2026
At PBR Teams Series: Maverick Days at UBS Arena in Belmont Park, NY, PBR Executive Producer Jason Jacquette took a few minutes with SVG to discuss how his team ...
16/10/2026
(Suzanne Cordeiro/Shutterstock for Sundance Film Festival)
By Patty Consolazio
...
16/10/2026
Standalone calibration, automatic bass management & digital I/O
The ARC Studio was a significant release for IK Multimedia, and was praised for offering a c...
16/10/2026
Classic compressor returns in 1U form
There are few pieces of gear that have achieved the status held by the SSL Bus Compressor, and it's now officially...
16/10/2026
Latest cinematic instrument unveiled
Zero-G say that their latest creation isn't your typical sample library or collection of instruments, but rather a ...
16/10/2026
Real-time MIDI orchestrator updated
Forma Labs Audio have recently launched a significant update that brings some powerful new features to their real-time M...
16/10/2026
The launch of the autumn programming schedules on traditional TV channels translated into a noticeable increase in total video viewership. Poles spent an averag...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Globecast, a leading provider of media integration and managed services for the sports broadcast industry, will showcase the latest developments in Content Exch...
16/10/2026
Boston Conservatory Wind Ensemble Presents America at 250 The free event, taking place at Samuel Adams Park at Faneuil Hall, features a program of inspiring A...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
ON Creative Visual Tech Provider has completed the audiovisual design and integration for Nubank Arte Lab, Brazil's largest permanent immersive art space. T...
16/10/2026
Beam Dynamics has appointed Brian Mauger as Regional Sales Manager, North America, strengthening its commercial team as the company expands across media, broadc...
16/10/2026
Secret Weapon Post Uses DaVinci Resolve Studio for Gregg Araki Films
Brie Clayton October 15, 2026
0 Comments
Remote post house delivers I Want Your ...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/10/2026
The Stand that started it all in a matched pair of the industry-trusted C-Stands The 2-Pack provides both in a choice of chrome or black finish...
16/10/2026
New lineup brings professional rigging, lens support, power, and mounting flexibility to Sony's compact cinema camera
Wooden Camera today announced a new p...
16/10/2026
Cinematographer John Matysiak ( Old Henry, Winning Time, Big George Foreman ) brings a vivid breathlessness to the near-wordless film Motor City. An actio...
16/10/2026
Next Jazz Legacy Celebrates Five Years of Mentorship and Impact Across the Jazz ...