By Robin Brown - Product Manager for Autoscript, a Videndum brand. Coverage of large, multinational sporting events creates tremendous opportunities for broadcasters, but also some complex and daunting production challenges. A great example is the recently concluded global football event, in which matches were spread across 11 cities, 12 stadiums, and four time zones. Such a large and geographically distributed event creates huge logistical headaches, not the least of which is how to move people and equipment from one location to the other. At the same time, broadcasters' budgets are squeezed like never before, and they're facing a constant and growing requirement to produce greater volumes of content with fewer resources.
Remotely integrated at-home production (REMI) is a powerful and relatively new approach that directly addresses these challenges. In principle, REMI reduces the number of crew members needed on location and allows more people to help run a show remotely from a broadcaster's fixed facility. Fuelled by the growth of IP-based media networks and operations, REMI enables the broadcaster to take better advantage of all its technical and human resources and increase both its production efficiency and output. By reducing the movement of people and equipment, the broadcaster can lower operating expenses, shorten on-site setup times, and minimize the production's environmental impact.
IP-Based Prompting for REMI Reliability Teleprompting is a key area that lends itself well to REMI workflows. While other broadcast functions have yet to completely prove their viability for remote broadcasting, advances in IP prompting technology have answered many of operators' concerns around reliability and latency.
So what's required for prompting solution that can gain broadcasters' complete trust in a REMI environment? At the base level, the prompting system should be completely IP-enabled, with every component designed from the ground up around an end-to-end IP workflow. In this manner, the prompting system can deliver the connectivity, flexibility, ease of use, and redundancy critical for live broadcast operations.
Another important factor for prompting in a REMI environment is the ability to send small unicast data packets over the network, instead of the full video feed, for displaying the video script on the prompting monitors. With only small amounts of data sent over the IP network, every monitor can remain in constant communication with the master application to ensure reliable synchronisation and enable centralised management. Rather than all monitors relying on a single video stream from a video generator - a single point of failure - each monitor on the network renders its own script video. This avoids the bandwidth, latency, and synchronisation issues that can arise with full video-over-IP solutions.
Remote Prompting in Action Going back to the previously mentioned large sporting event, one broadcaster deployed Autoscript's Intelligent Prompting workflow across two continents. The broadcaster installed two prompting operations, one at local HQ and one locally at the event. Whichever location was directing the content also controlled the prompting, enabling the two sites to share resources efficiently. A back-up PC was installed at the international broadcast centre but it sat unused for four weeks. The broadcaster's biggest challenge was how to improve the latency of the audio signal, because the latency of the prompting feed was almost undetectable.
In such a prompting setup, integrating local and remote productions becomes seamless, with the option for one operator to prompt for all studio locations. This means, for example, that highlights shows from a local HQ can include segments from the remote studio and control the script for all locations.
alt=Remotely integrated at-home production Illustration width=1024 height=701 data-lazy-srcset=https://www.autoscript.tv/wp-content/uploads/2018/12/as-remi-illustration-1024x701.jpg 1024w, https://www.autoscript.tv/wp-content/uploads/2018/12/as-remi-illustration-300x205.jpg 300w, https://www.autoscript.tv/wp-content/uploads/2018/12/as-remi-illustration-768x526.jpg 768w, https://www.autoscript.tv/wp-content/uploads/2018/12/as-remi-illustration-600x411.jpg 600w, https://www.autoscript.tv/wp-content/uploads/2018/12/as-remi-illustration.jpg 1247w data-lazy-sizes=(max-width: 1024px) 100vw, 1024px data-lazy-src=https://www.autoscript.tv/wp-content/uploads/2018/12/as-remi-illustration-1024x701.jpg /> Fail-Safe Redundancy When it comes to prompting workflows, one the biggest questions on many broadcasters' minds is reliability. Of course, for global live events, implementing a fail-safe is critical. An IP-based prompting workflow creates connectivity without requiring point-to-point connections, and therefore delivers core resilience.
At the prompting application level, this enables a full-redundancy fail-safe by which a mirrored PC, paired with the main application, can seamlessly take over if the first PC/application fails - with automatic synchronisation of script position, individual users' settings, controllers, newsroom connections, teleprompters, etc. This remote redundancy also safeguards against any local network issues at the broadcaster's headquarters.
Since all elements of the prompting system are networked devices and therefore not physically connected to each other, controllers in any control room or studio can continue serving prompts from the backup machine, wherever it is in the world. In the example above, the mirror PC that went unused at the IBC could have provided a remote backup if needed, at the ready for the operator to take control with a single click. Because the switch from the host PC to the backup is immediate, the on-air talent might notice nothing more than
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
19/03/2026
How Chris Bolte Builds the Sound of PlayStation Games Chris Bolte '16 is a technical sound designer at Sucker Punch Productions, where he helps create the...
19/03/2026
Other Voices presents a legendary night of music as Foo Fighters bring their stadium anthems to St James' Church, An Daingean. The surprise performance teas...
19/03/2026
***Issued by RT on behalf of RTS Ireland Awards / Gradaim RTS 2026...
19/03/2026
It's a double feature on GFN Thursday. This week, GeForce NOW offers smoother sights in virtual reality (VR) and a sprawling new land to conquer.
Streaming...
18/03/2026
Newly named chief product officer (CPO), Larissa G rner Meeus will return to Net Insight on May 4.
Larissa G rner Meeus will become CPO of Net Insight on May 4...
18/03/2026
SVG Europe's The Football Summit 2026 explored how the sports broadcasting i...
18/03/2026
The 2026 NAB Show kicks off one month from today and SVG is once again set to cover the show from every angle. SVG's SportsTech@NAB Show Blog is now live - ...
18/03/2026
(L-R) The cast and crew of Dead Lover at The Ray Theater for its premiere at the 2025 Sundance Film Festival. (Photo by Robin Marshall/Shutterstock for Sundan...
18/03/2026
Yamaha C7 captured in Nashville
Wiltone Productions have announced the release of Music Row Piano, a deeply sampled Yamaha C7 piano library that's been ...
18/03/2026
Bass-enhancement plug-in upgraded
Along with a steady stream of new releases, Techivation have recently been revisiting some of the older plug-ins in their ...
18/03/2026
Mix-reference plug-in overhauled
iZotope's powerful mix-referencing plug-in has just reached its third major version, and now boasts a new capture proce...
18/03/2026
Latest EZKeys 2 expansion arrives
Toontrack's staggering collection of EZKeys 2 expansions has grown once again, and the latest instalment delivers a on...
18/03/2026
Jess Ho explores the politics of food in new SBS Audio podcast For The Culture
18 March, 2026
Media releases
New SBS Audio podcast For The Culture, hosted ...
18/03/2026
Future-ready broadcasts with ATSC 3.0 and enhanced services from Rohde & Schwarz...
18/03/2026
London Calling - When The Industry Convened to Help Streaming Find its MoJo In this blog, Laura Rognoni reflects on key discussions from the Connected TV World...
18/03/2026
SMPTE Unveils 2026 NAB Show Educational Presentations
Brie Clayton March 18, 2026
0 Comments
SMPTE , the home of media professionals, technologists, a...
18/03/2026
Auditel Ad Campaign Shot on Blackmagic PYXIS 12K
Brie Clayton March 18, 2026
0 Comments
LED wall virtual production blends 12K open gate acquisition w...
18/03/2026
Brainstorm transforms productivity and sustainability with Suite 7 at NAB Show 2...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
18/03/2026
SMPTE , the home of media professionals, technologists, and engineers, today unveiled its educational presentations for the 2026 NAB Show. This year SMPTE will ...
18/03/2026
Maxon, maker of powerful, approachable software solutions for creators working in 2D and 3D design, motion graphics, visual effects, gaming, and more, today ann...
18/03/2026
Digital Alert Systems
Preview
2026 NAB Show
April 19 - 22
Booth C3452
At the 2026 NAB Show, Digital Alert Systems will showcase Version 6.0 of its DASDEC ...
18/03/2026
Setplex today announced that it will showcase its complete, fully integrated Zapflex platform for the first time at the 2026 NAB Show, introducing powerful new ...
18/03/2026
THIS ANNOUNCEMENT RELATES TO THE DISCLOSURE OF INFORMATION THAT QUALIFIED OR MAY HAVE QUALIFIED AS INSIDE INFORMATION WITHIN THE MEANING OF ARTICLE 7(1) OF THE ...
18/03/2026
COW Jobs: Seeking DP for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Director of Photography for Low Budget Dramedy Fe...
18/03/2026
COW Jobs: Seeking Gaffer for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Gaffer for Low Budget Dramedy Feature Film- I...
18/03/2026
COW Jobs: Seeking Location, Sound for Low Budget Dramedy - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Location/Sound for Low Budget Dramed...
18/03/2026
COW Jobs: Seeking Child Wrangler for Low Budget Film - Chicago
Brie Clayton March 17, 2026
0 Comments
Seeking Child Wrangler for Low Budget Dramedy Fe...
18/03/2026
Calrec Redefines Broadcast Workflows at NAB 2026 with its Most Powerful Hardware...
18/03/2026
Oscar Nominated Two People Exchanging Saliva Posted with DaVinci Resolve Studio
Brie Clayton March 17, 2026
0 Comments
DaVinci Resolve Studio handle...
18/03/2026
Boston Conservatory Presents Celebrated Musical Satire Urinetown Performances for this Center Stage production will take place at Boston Conservatory Theater ...
18/03/2026
Charlie Puth Joins Switched on Pop at Berklee NYC The Berklee alum spoke with host and Berklee NYC professor Charlie Harding for a live taping, answering audi...
18/03/2026
X-Rite Pantone Demonstrates Advanced Color Management Solutions to Support Smart...
By Robin Brown - Product Manager for Autoscript, a Videndum brand. Coverage of large, multinational sporting events creates tremendous opportunities for broadcasters, but also some complex and daunting production challenges. A great example is the recently concluded global football event, in which matches were spread across 11 cities, 12 stadiums, and four time zones. Such a large and geographically distributed event creates huge logistical headaches, not the least of which is how to move people and equipment from one location to the other. At the same time, broadcasters' budgets are squeezed like never before, and they're facing a constant and growing requirement to produce greater volumes of content with fewer resources.
