
BLAST TV TEAMS UP WITH EVS FOR COMPLETE ESPORTS PRODUCTION ENVIRONMENT posted: 02/12/2020
Latest EVS VIA and Media Infrastructure solutions underpin BLAST TVs new mobile esports production flypack
BLAST TV, the global esports media network delivering world class entertainment experiences, has selected EVS' market-leading VIA and Media Infrastructure solutions as the backbone of its new esports production flypack. The mobile solution is designed so that BLAST TV can produce its own live gaming events in-house. With the Covid-19 lockdown impacting mass gatherings, the flexibility of the EVS live production workflow is enabling the esports giant to put on online-only events instead.
The first of these events was the BLAST Premier Fall Series that ran from October 26th to November 4th and featured the world's elite-level Counter Strike teams. Live coverage was distributed via various OTT and linear TV channels including Twitch and YouTube, as well as broadcasters such as TV 2 Denmark and TV 2 Norway. It was followed by the next stage being the BLAST Premier Fall Showdown, which was held last week. The Blast Premier Final competition then takes place in December.
Powering coverage of all BLAST TV Premier tournaments' live-action is EVS' XT-VIA and XS-VIA production servers, designed to meet the most demanding live broadcast requirements. The XT-VIA servers will deliver the power required for BLAST TV to record and produce live replays and highlights from the players and observers, while the XS-VIA servers provide ingest and delayed playout of the TX feeds for betting requirements. The turnkey XT-VIA solution includes 36 Full HD 1080p channels recording all the player feeds and in-game action. EVS' next-generation IP media sharing network is at the heart of the system, enabling faster, more efficient live media sharing and storytelling by all client users.
Overseeing this infrastructure is EVS Media Infrastructure's highly advanced broadcast control and monitoring system Cerebrum. Deployed by BLAST TV's crew to configure and manage all SDI workflows within its production environment, the EVS system manages all devices in the flypack, including the router, multiviewer, vision mixer and audio desk. Cerebrum also handles UMD and Tally for the entire system, including the XT-VIAs built-in multiviewers. And it provides customizable panels that can be designed to BLAST TV's specific needs with production configurations that allow to easily save and reload various types of events.
EVS' all new IP-based replay and highlights system LSM-VIA will also extract maximum potential from the next generation XT-VIA servers to create super slow-motion in-game replays and support studio analysis. By providing direct access to all the content on the network, LSM-VIA will streamline BLAST TV's workflows so that its crew can focus solely on delivering live storytelling with the highest production standards.
Blast TV studio set for BLAST Premier Fall Series
Delivering fast-paced esports content to live audiences is no easy feat, which is why the BLAST TV team opted to use EVS' live production asset management (PAM) solution, featuring dynamic applications for live media content browsing, control, edit and playout. The team has also chosen to use EVS' web browsing tool, which extends its capabilities to access, browse and select content regardless of location, as well as publish multiple in-game clips to their social media engaged fans. Part of the workflow's speed is also due to certified integration with Adobe Premier Pro, allowing BLAST TV editors to instantly access clip elements made available by EVS' Live PAM suite.
The backend resources of the EVS Live PAM Production Asset Management are hosted on EVS' virtualization platform, providing flexibility and agility in operating a scalable infrastructure and offering cost-savings on power and much needed rack space. The EVS solution also offers extended file exchange, backup and transcoding, which is more than convenient when publishing clips and highlights to Twitch and social media, and simplifies the transfer of content inside demanding esports environments.
Our priority is delivering world leading esports entertainment to our audience, in both pandemic and non-pandemic times, so partnering with a cutting-edge technology provider like EVS makes perfect sense, said Andrew Haworth, Director of Operations & Production at BLAST TV. EVS' approach to this project has been incredible, understanding our unique challenges and then working through detailed technical workflows to allow us to produce however we want and beyond.
Live operations for BLAST Premier Fall Series
EVS will be hosting an in-depth look at this project with BLAST TV at the IABM BaM Live! virtual event which starts today. The session runs from 15.35-15.50 (GMT) and features EVS SVP Solutions Architecture, Alex Redfern, in discussion with BLAST TVs Director of Technology, Lasse Brog rd Kempf.
The conference is free to view, please click here to secure your place.
You can find out more about BLAST TV's BLAST Premier innovative global tournament series of live Counter-Strike tournaments at the following sites: blastpremier.com and www.twitch.tv/blastpremier.
Latest EVS VIA and Media Infrastructure solutions underpin BLAST TVs new mobile esports production flypack
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
22/07/2026
Among other tweaks to coverage, the broadcaster added announce positions in the ...
22/07/2026
The Australian Sports Technologies Network (ASTN) has reported a sharp acceleration in Australia's sportstech sector, with revenue growth rising from 10% in...
22/07/2026
From a retrofitted broadcast bus to packed Match Day Live! events, Bennett detai...
22/07/2026
TMRW Sports has named Brendan Donohue as President, Flag Football, where he will lead the company's professional flag football business in partnership with ...
22/07/2026
Stephen Arnold Music (SAM) designed and produced soundtracks for nine projection...
22/07/2026
Harmonic has announced a $25,000 donation to Global Empowerment Mission (GEM) fo...
22/07/2026
Telemundo has announced it has acquired from UC3 exclusive U.S. Spanish-language...
22/07/2026
The Rest Is Football, hosted by Gary Lineker, Alan Shearer, and Micah Richards, ...
22/07/2026
Sports Studio has announced a partnership with TheSoul Group to distribute Free ...
22/07/2026
Daktronics has concluded its 2026 High School Video Summit, a two-day hybrid event combining virtual sessions with hands-on host school visits across the countr...
22/07/2026
FOR-A America will exhibit at the MMCA Show in Pensacola, Florida (July 21-24), marking the company's first appearance at the house of worship AV event. FOR...
22/07/2026
The New York Yankees have selected Lumen Technologies (NYSE: LUMN) to connect Ya...
22/07/2026
Calrec will exhibit at IBC 2026 (Stand 8.C47) with demonstrations of its IP-native audio ecosystem built around the Argo console range, and will announce two ne...
22/07/2026
Solid State Logic has announced the appointment of Algam EKO as its distributor for SSL large format consoles in Italy, covering the Live, Broadcast, and Studio...
22/07/2026
FloSports has announced the launch of the FloSports Channel, a free ad-supported streaming channel premiering on Prime Video in the U.S. on July 21. The channel...
22/07/2026
Banana Ball TV (BTV), the broadcast operation of the Savannah Bananas, has insta...
22/07/2026
SiriusXM and Audacy have announced an agreement bringing 42 Audacy sports, news, and talk stations from 29 U.S. markets to SiriusXM. Twenty-three Audacy sports ...
22/07/2026
The collaboration produced more than 500 short-form videos across four cities th...
22/07/2026
At 2,600 sq. ft., the new home of digital content houses a main studio, podcast space, and an auxiliary control room
NFL franchises are accelerating their prod...
22/07/2026
Library now available in Engine Player
Another of Eduardo Tarilonte's popular sample libraries has just been moved over to Engine Audio's Engine Pla...
22/07/2026
All-in-one mic & DSP interface overhauled
Cloudvocal have just refreshed the design of their all-in-one mic, audio interface and DSP processor, introducing ...
22/07/2026
The final boss of the lost dual-op-amp circuit
Electro-Harmonix have just introduced the Deluxe Big Muff Pi 2, which they say offers their latest take on t...
22/07/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Proven managed IP solution helps broadcasters confidently navigate the future of broadcast distribution
LTN announces it has completed successful satellite-to-...
22/07/2026
Today, Chaos announced V-Ray 7, update 4, eliminating the need for asset conversions and tool switching, which slow down media and entertainment pipelines. Arti...
22/07/2026
An AI playground for the Project Indigo camera app
Marc Levoy July 22, 2026
0 Comments
At left is the user interface of our Playground, running on an ...
22/07/2026
Custom Consoles announces the completion of a large technical furniture project for Radio T l vision Suisse (RTS) at the networks recently inaugurated productio...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
22/07/2026
Culver City, CA, July 21, 2026 3D streaming infrastructure provider Miris today announced glTF intake, including the binary .glb form, to its spatial streamin...
22/07/2026
Documentary Lo Invisible Captured with Blackmagic PYXIS 6K
Brie Clayton July 21, 2026
0 Comments
Camera's versatile design allowed filmmakers to c...
22/07/2026
AAF Bridge converts AAF and XML Timelines to Ableton Live - and back
Jerome Gardier July 21, 2026
0 Comments
A two-way converter for macOS and Windows...
22/07/2026
From Class to Concert: Explore a Student-Led Production of David Bowies Work Thr...
22/07/2026
A poisoned spy, a secret war, and a small English city contaminated by a deadly chemical weapon. Available on Sky Documentaries from 4 AugustWednesday 22 July 2...
22/07/2026
Audio at Parity: Comscore Launches Transcript-Level Targeting and Measurement wi...
22/07/2026
Arvato Systems and Lobster Enter into a Partnership and Combine the Integration Platform and Managed Services
Flexible integration solutions for cloud, hybrid...
22/07/2026
RT REPORTS NET SURPLUS OF 22.5 MILLION IN 2025...
22/07/2026
In the Opinion of the Censor airs Monday 27 July at 9.35pm on RT One and RT Player
In the Opinion of the Censor looks at how films for theatrical release wer...
22/07/2026
Before a healthcare robot can be useful in the real world, it has to learn how the physical world pushes back. Anatomy varies. Instruments bend, press, slip and...
21/07/2026
New research involving a cross-section of Mongolias independent media landscape finds enthusiasm for AI as a tool to improve efficiency, sustainability and resi...
21/07/2026
With winners Spain having already paraded the World Cup trophy through Madrid in front of millions of fans and the dust now settling on an epic tournament of th...