CLEVELAND, Ohio Although North American audiences were justifiably disappointed when Nicki Minaj cancelled her fall 2018 NickiHndrxx tour with Future after deciding to re-evaluate elements of production and devote more time to rehearsals before hitting the road, her overseas fans recently got the chance to reap the benefits of a fantastically solid show. Teaming up with Juice WRLD on the aptly named Nicki WRLD tour in support of Queen, her fourth and most recent album, the latest trek stopped at 22 arenas throughout Europe and the UK from February 21 and March 28.
Cleveland-based Eighth Day Sound supplied the tour's PA and control package, which featured DiGiCo SD5 consoles for both FOH and monitors, paired with five SD-Racks and an SD-Mini Rack, all on an Optocore loop. We used a traditional splitter for some inputs, but also shared inputs via the loop, describes FOH engineer Kevin Brown, who has also mixed for Chris Brown, Outkast, American Authors, Toni Braxton, Kid Cudi, Joi and others. Looping the consoles also enabled us to use the Con Send and Receive ports, which was particularly useful when I needed to send audio down to monitors; this could be talkbacks, FX or playback audio from FOH. I also used the new DiGiGrid MGR at my console for recording and virtual playback.
Although he has been a fan of DiGiCo's SD-Range for several years, the Nicki WRLD tour marked the first time that Brown had had the opportunity to use the manufacturer's new 32-bit Stadius Mic Pre-Amp modules. DiGiCo did an amazing job with them! he enthuses. The noise floor is almost zero, and the dynamic range is incredible. Using them on vocals gave me a big, clean sound. We also used them for keyboards. The guys on keys had a lot of analogue synths to replicate the sounds used on the records, and I wanted to make sure we captured what makes us all love analogue synths. We also shared another 16 channels of 32-bit cards that were located in the SD-Mini Rack mounted with our playback rig.
Marlon John, who has been Nicki Minaj's monitor engineer on all of her tours dating back to 2010, was equally thrilled with the new Mic Pre-Amps. I first used the new cards last summer with the Migos and loved them, he recalls. On this tour, we originally used them only on the vocal mics, and they sounded phenomenal-especially on Nicki's mic. Having previously worked with her on various other consoles and DiGiCo desks prior to having the new cards, I noticed that her vocal was actually much easier to mix with the 32-bit Mic Pre-Amps. Her voice sounded bigger and fuller, and I required less gain to get her vocal to where I needed it to optimally sit in her mix.
For the Nicki WRLD tour, her backup band was comprised of a drummer, two keyboard players, a DJ, a backing vocalist and playback, which put the input count at around 80 channels for Minaj's set. Adding Juice WRLD's inputs, plus other local openers, raised that to over 100 channels. Even with that many channels, the SD5 made it easy to navigate the show via snapshots and spill sets, says Brown. I could organize my banks and layers based on the inputs needed for a given song and store the location in the snapshot. Juice WRLD initially played after the first half on Nicki's set; she would descend on one lift, Juice would come up another, and it had to be a seamless transition, so I built a snapshot for his engineer within my session. The SD-Range consoles have a very powerful snapshot engine; we were both able to have all of the settings we needed at the click of a button.
With all vocalists and musicians on IEMs, and no wedges for stage monitoring-aside from two d&b J-Sub and four J8 flown as sidefills-John was manning 20 stereo and six mono mixes on his sub-stage SD5. With the spill set, I was able to configure and lay out the bank where everything was easy to access. Like FOH, we shared the monitor console with Juice WRLD on this tour, and with the SD5's great snapshot feature, I was able to use one snapshot for him within my Nicki Minaj show.
Having mixed monitors for everyone from Trey Songz, Drake and Lil' Wayne to Ne-Yo, Snoop Dogg and Prince over the years, John has steadily relied on the SD platform since 2014. The SD5 is my console of choice; in fact, it's the only console on my rider. I love its layout, and with the multi-screens, I find that I can navigate around the console very seamlessly.
I have been using the SD platform for a quite a few years now as well, Brown chimes in. I don't feel at all restricted by its architecture. It allows me to be creative without worrying about technical roadblocks. Though I was very happy with the SD5 on this tour, my personal favourite is really the SD7, especially with the new Quantum engine. And another thing that I love about DiGiCo is its people. Between Group One in the US and the main office in the UK I can always get a question or concern addressed. They stand behind their products and are always open to feedback from us everyday users. It's a great feeling to know the company fully supports us.
John agrees: I have known Group One's Matt Larson for almost ten years now and he is my go to' person-he can always put me in touch with DiGiCo's great tech support team. I can always rely on them to assist me with any problem I have anywhere I might be in the world, day or night. Out on the road, that level of service is priceless.
Nicki Minaj just announced that she will be touring North America this summer with Chris Brown. For more details, visit www.mypinkfriday.com. Eighth Day Sound can also be found online at www.8thdaysound.com.
DiGiCo Press Contacts
Maria Fiorellino at DiGiCo
Tel: +44 1372 845600
Email: maria@digiconsoles.com
Chris Shuler at Public Address
Tel: +1 574 514 7131
Email: christophershuler@comcast.net
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
08/10/2026
Modern venues have come a long way since the tinny, echoing audio of the mid 20t...
08/10/2026
ESPN's first Super Bowl production will stream in English and Spanish on Disney+, while the ESPN App carries the full slate of game, ManningCast, studio, an...
08/10/2026
From high-school videoboards to War Eagle Productions, the Opelika native is learning how to lead shows and capture big moments
The future of live sports produ...
08/10/2026
The Television Academy and Prime Video have announced a six-year agreement making Prime Video the exclusive global home of the Emmy Awards beginning with the 20...
08/10/2026
Techex will exhibit at NAB Show New York 2026 (Booth 623, Javits Center, October...
08/10/2026
X Games has announced the appointment of Steve Rogers as Chief Operating Officer. Rogers previously served as COO of World Supercross and spent nearly a decade ...
08/10/2026
Fonn Group has appointed Trevor Spielmann as Sales Director for Germany, Austria, and Switzerland. Spielmann joins from EVS, where he held sales and business de...
08/10/2026
The flagship program will originate from major PG events with a four-camera production, live distribution across PGTV, social platforms
Perfect Game is bringin...
08/10/2026
Innovation rarely happens in a vacuum. More often, it happens at the point of collision: when worlds that have run on separate tracks begin to converge. That is...
08/10/2026
For decades, the production and broadcast services business has run on a familia...
08/10/2026
Uplynk, Zixi, BroadView Software, and Grass Valley have published The IP Converg...
08/10/2026
The NFL has announced the return of the Big Data Bowl, the league's analytics competition, now in its ninth year and again powered by AWS. Registration is o...
08/10/2026
Eutelsat has renewed its partnership with T l diffusion d'Alg rie (TDA), Algeria's national broadcasting network operator, for continued distribution of...
08/10/2026
Disney will livestream Super Bowl LXI on February 14, 2027, alongside the game's broadcast on ESPN and ABC. All Disney subscribers in the United States wi...
08/10/2026
RHStv and Red House Streaming have announced an expansion of their partnership w...
08/10/2026
Gray Media has announced a distribution agreement with TEGNA and DAZN to simulca...
08/10/2026
SVG readers can save 10% on registration and receive a complimentary Solutions H...
08/10/2026
PROTON Camera Innovations GmbH has been named a recipient of a 2026 Technology a...
08/10/2026
Industry leaders discuss real-world cloud workflows for live game production, pl...
08/10/2026
The next-gen audio technology joins Dolby Vision as part of Apple TV's immersive F1 experience...
08/10/2026
David France, Jesse Short Bull, Mato Wayuhi, N. Bird Runningwater, Jodi Archambau, Jhane Myers, Paul McGuire, Amber Morning Star Byars, Holly Macarro, Nick Tils...
08/10/2026
Dynamic panning plug-ins get an upgrade
Sound Particles have just announced major updates for two of their popular dynamic panning plug-ins. Energy Panner 2...
08/10/2026
New expandable instrument boasts full DMNO engine
UDO Audio have just announced the upcoming release of a new, expandable synth that packs the power of the ...
08/10/2026
Two new subwoofers added to monitoring line-up
ADAM Audio's monitoring range has just been expanded with two new DSP-equipped subwoofers, the Sub8 PRO a...
08/10/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
08/10/2026
Calrec gives broadcasters freedom of choice at NAB Show New York We're looking forward to meeting up with you all at NAB New York on 21st-22nd October.
Cal...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Globecast, a leading provider of broadcast, media and entertainment managed services, will showcase its next generation of media orchestration services at NAB S...
08/10/2026
Clear-Com played a critical role in the production communications infrastructure for Rock in Rio 2026, one of the world's largest and most recognized music...
08/10/2026
Sohonet Launches ClearView Rush: A Leap Forward in Studio Review, Built for Crea...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Ikegami announces a major expansion to its range of broadcast-quality live production cameras. Scheduled for introduction on Ikegami booth 708 at NAB New York, ...
08/10/2026
Calrec will be located at Booth 444.
Freedom to choose
The media landscape is evolving quickly, and the broadcasters best placed for what comes next will be...
08/10/2026
LiveU has announced that CRD Audiovisuel relied on LiveUs LU900Q intelligent production unit, with built-in native LiveU IQ (LIQ ) connectivity, to deliver live...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
08/10/2026
Marshall Electronics, a globally recognized provider of high-performance video solutions for broadcast, streaming, AV and professional production, will exhibit ...
08/10/2026
14-hour package also includes A Remarkable Place to Die season 2 as well as libr...
CLEVELAND, Ohio Although North American audiences were justifiably disappointed when Nicki Minaj cancelled her fall 2018 NickiHndrxx tour with Future after deciding to re-evaluate elements of production and devote more time to rehearsals before hitting the road, her overseas fans recently got the chance to reap the benefits of a fantastically solid show. Teaming up with Juice WRLD on the aptly named Nicki WRLD tour in support of Queen, her fourth and most recent album, the latest trek stopped at 22 arenas throughout Europe and the UK from February 21 and March 28.
