
Video Production In The Cloud Removes The LimitsBy Paul Shen, TVU Networks
September 30th, 2020
View Related Products
Remote television production is in the midst of an evolution that will fundamentally change the way sports, entertainment and other live televised spectacles, such as parades, are produced.
Rather than relying on 53-foot-long trailers outfitted to mimic all of the audio, video and graphics capabilities available in a studio, productions increasingly are relying on the cloud -where there's a theoretically unlimited number of CPUs, GPUs and storage-to run virtualized versions of the real-world hardware devices available in production vehicles.
A cursory look at the nexus of technology and business reveals the why behind this transition.
The Why Of Cloud Remote Production
Consider that TV networks, professional sports leagues, and collegiate athletic associations typically rely on mobile facilities companies with a fleet of production trailers and trucks to roll their mobile production vehicles to a sports or entertainment venue for event coverage.
Those mobile facilities are designed with a variety of capabilities to meet the typical requirements of productions of different sizes-big trailers for big events and smaller trucks for those that are smaller. Even so, it's often the case that certain capabilities go left untouched and thus unbilled because there's no need for them to produce a given event. The opposite is true as well. Often a sporting or entertainment event requires so much production capability that multiple vehicles are booked.
A common shorthand that sums up the scale of live remote production relates to how many cameras are required. For smaller sports, such as an NCAA Division II volleyball tournament, there may be only a couple to a half dozen cameras. An NFL game on the other hand, might require 30-plus cameras, and the biggest sporting events might call for 100 or more.
Setting the cameras and cabling aside, there's a whole lot of technology and associated costs that go into supporting those cameras in a mobile production vehicle-everything from camera control units and routing and production switchers to slow motion instant replay servers and multiviewers.
Transitioning all of that as virtualized equivalents in the cloud not only dramatically reduces how much money must be spent on the cost of physical production technology, but it also shifts spending from a CapEx to an OpEx model and makes it easier and less expensive to dedicated the precise amount of production capability needed for a given event.
Unlimited Bandwidth, Unlimited Sources
The interesting thing about shifting to the cloud is that unlike a physical production switcher with a finite number of inputs, M/E busses and outputs, there is an unlimited amount of bandwidth in the cloud, making it possible to accommodate an unlimited number of camera and other video sources.
Further, it's not even necessary to have all of these sources in the same server. Our company, TVU Networks, has developed cloud-based micro-services for input and output of sources that make it possible to separate sources to different physical machines in the cloud.
As a result, camera and other video sources can be dispersed to any number of cloud servers, and the technical director responsible for switching a show is none the wiser because what server and what memory is being used is irrelevant to the task at hand.
Over time, broadcasters and others who hold the TV rights to live sports and entertainment will begin to see they sacrifice nothing from a production sizzle point of view and gain enormous economic and business benefits by leveraging the cloud for remote production.
North America Stories
14/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/02/2026
Boston Conservatory Orchestra Helps Peter and Leonardo Dugan Complete Their Dre...
13/02/2026
Olympic Broadcasting Services (OBS) has provided an update on its adoption of the cloud as it continues on its journey to fully migrate to IT-based systems by 2...
13/02/2026
France T l visions has successfully launched France 2 UHD featuring Dolby Vision...
13/02/2026
Partnering with Worldwide Olympic Partner TCL, OBS deploys connected Athlete Mom...
13/02/2026
The men's figure skating long-form program is tonight, and it promises to be an exciting night for fans in the stands, fans at home, and even the production...
13/02/2026
With new partnership between the league and NBC, workflows distinguish more between live, broadcast sound
There'll be a lot new for the 75th NBA All-Star W...
13/02/2026
In-venue and creative video staffers at the professional and collegiate level have one major thing in common: the intensity and attention to detail ramps up dur...
13/02/2026
Teradek announces the launch of RF-X Auto Switcher, a revolutionary appliance designed to deliver flawless, uncompromised signal integrity for the world's m...
13/02/2026
Globecast and Synamedia announces that Pitch International (Pitch), the leading London-based sports marketing agency, has gone live with cloud-based distributi...
13/02/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
13/02/2026
Far from the action in the snow and on the ice, the team controls the production...
13/02/2026
The Daytona 500 is called The Super Bowl of Racing for a reason. Whether it's the culmination to five days of action on the track, the sheer size and scop...
13/02/2026
For the Milano Cortina Games, Olympic Broadcasting Services (OBS) is delivering more than 6,500 hours of content, with more than 900 hours of live action, sprea...
13/02/2026
After 24-year absence, NBC Sports returns to NBA All-Star Weekend with unique ca...
13/02/2026
By Jessica Herndon
We may have just wrapped an unforgettable 2026 Sundance Film...
13/02/2026
By Jessica Herndon
One of the most exciting things about the Sundance Film Fest...
13/02/2026
The upgrade to a Project 25 network provides state agencies communicating on the Statewide Law Enforcement Radio System flexibility to tailor the network to the...
13/02/2026
Riedel Communications has officially opened a new office in Kuala Lumpur, Malaysia, marking a strategic expansion of its global Customer Success and IT software...
13/02/2026
Two of ES Broadcast Hire's longest-serving employees recently celebrated a decade working for the company.
Annie Breislin, Operations Manager, and Charles ...
13/02/2026
Disguise, the award-winning technology company powering global experiences, today unveils a new 8,000-square-foot office and Experience Center in Atlanta, creat...
13/02/2026
At BSC Expo 2026, Mavis announced full support for the Accsoon SeeMo series of iOS camera adapters across Mavis Camera and Mavis Monitor apps. This new integrat...
13/02/2026
Executing technically ambitious live streams, virtual productions, and immersive media today requires talent, creativity, and the right supporting technology. L...
13/02/2026
Michal Miskin-Amir, Jonathan Stanton and Bobby Bond to lead technical advances amid surge in demand for LTN's IP video transport services as satellite capac...
13/02/2026
Grass Valley, the pioneering media and entertainment technology innovator, has won a competitive NATO-wide tender to provide the new camera system for NATO'...
13/02/2026
Wireless IP intercom underpins agile, multi-location live production workflows
Digital Azul, the independent production powerhouse specialising in complex liv...
13/02/2026
Actus Digital, a LiveU company, will unveil major new enhancements to its Actus X Intelligent Monitoring Platform at NAB Show (LiveU booth N1740), reinforcing i...
13/02/2026
Globecast, a worldwide leader in broadcast services, and leading video software provider, Synamedia, today announced that Pitch International (Pitch), the leadi...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/02/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
12/02/2026
Chyron unveils PRIME 5.3, the latest software release of the company's powerful engine for live production graphics. PRIME 5.3 delivers the first official i...
12/02/2026
The vendor's VP of Product Management explains how quality assurance, monito...
12/02/2026
LTN announces the appointment of three experienced executives to lead its new Technology organization: Michal Miskin-Amir as EVP and Head of Technology, Jonatha...
12/02/2026
Riedel Communications has officially opened a new office in Kuala Lumpur, Malays...
12/02/2026
Grass Valley has won a competitive NATO-wide tender to provide the new camera system for NATO's main broadcast studio at its Brussels headquarters. The proj...
12/02/2026
Canon U.S.A announces that the vast majority of broadcast lenses utilized on the NBC live broadcast for the Big Game between New England and Seattle on Sunday w...
12/02/2026
The National Basketball Association (NBA) and NBC Sports announce the entertainm...
12/02/2026
The International Olympic Committee (IOC) announces that beIN MEDIA GROUP ( beIN ), the leading global sports, entertainment and media organisation, has secured...
12/02/2026
The Big 12 Conference and ASB GlassFloor introduces a full LED video sports floor that will debut at the 2026 Phillips 66 Big 12 Men's and Women's Baske...
12/02/2026
ESPN announces Year of the Super Bowl, a sweeping 12-month, multi-platform cel...
12/02/2026
Continuing its commitment to serving the faith-based broadcast and live event community, mobile production company TNDV, a division of Live Media Group, will hi...
12/02/2026
The production team of the long-running German investigative series Achtung Abz...
12/02/2026
Vizrt announces the launch of four Campus Stadium Production Bundles, designed t...